New Releases for the Week of November 15, 2019


FORD V. FERRARI

(20th Century Fox) Matt Damon, Christian Bale, Jon Bernthal, Caitriona Balfe, Tracy Letts, Josh Lucas, Wallace Langham, Noah Jupe. Directed by James Mangold

In 1966, the auto racing world was dominated by Ferrari. Ford was considered a quaint American manufacturer of sedans. When they enlisted designer Carroll Shelby and driver Ken Miles to create a car that could beat Ferrari at the 24 Hours at Le Mans, the two would help create an American legend.

See the trailer here
For more on the movie this is the website
Genre: True Life Sports
Now Playing: Wide Release
Rating: PG-13 (for some language and peril)

Better Days

(Well Go USA) Dongyu Zhou, Jackson Yee, Fang Yin, Jue Huang. A young woman, relentlessly bullied as she prepares to take the college entrance exam, hooks up with a small-time criminal. The two are caught up in the midst of a murder investigation that threatens their fragile budding relationship.

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Regal Waterford Lakes
Rating: NR

Charlie’s Angels

(Columbia) Kristen Stewart, Naomi Scott, Elizabeth Banks, Djimon Hounsou. Three beautiful and incredibly capable private detectives are called on a case to protect a young system engineer who is blowing the whistle on potentially dangerous technology that threatens all our lives.

See the trailer here
For more on the movie this is the website  
Genre: Action
Now Playing: Wide Release
Rating: PG-13 (for action/violence, language and some suggestive material)

The Good Liar

(Warner Brothers) Helen Mirren, Ian McKellen, Russell Tovey, Jim Carter. A con man sets his sights on a recent widow who is worth millions – millions he means to take for himself. However, the stakes soon become far higher.

See the trailer here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Wide Release
Rating: R (for some strong violence, and for language and brief nudity)

Jay and Silent Bob Reboot

(Saban) Kevin Smith, Jay Mewes, Chris Hemsworth, Melissa Benoist. When iconic stoner duo Jay and Silent Bob discover that Hollywood has decided to reboot the movie based on them that they once tried to stop, they decide that second time is the charm and head west to do battle with the powers that be in Tinseltown.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Disney Springs, Barnstorm Theater
Rating: R (for pervasive crude sexual content, language throughout, drug use and some nudity)

The Warrior Queen of Jhansi

(Roadside Attractions) Devika Bhise, Rupert Everett, Nathaniel Parker, Ben Lamb. The 24-year-old Queen of Jhansi became a national hero of India in 1857 for standing up to British colonialism. This is her epic tale.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cinemark Universal Citywalk, Regal Winter Park Village
Rating: R (for some violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Autonomy
Feast of the Seven Fishes
No Safe Spaces
Radioflash
The Report
The Shed
Turkey Bowl

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

American Dharma
The Irishman
The Report

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Everybody’s Everything
Feast of the Seven Fishes
Luce
Mariaavaan

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Bala
Becoming Nobody
Thiparaa Meesam

SCHEDULED FOR REVIEW:

Feast of the Seven Fishes
Ford v. Ferrari
The Good Liar
The Irishman
Radioflash
The Report
Warrior Queen of Jhansi

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Fort Lauderdale International Film Festival, Fort Lauderdale FL
Jacksonville Film Festival, Jacksonville FL
Jewish Film Festival of SW Florida, Fort Myers, FL

Lowriders


Bad boys, bad boys, whatcha gonna do?

(2016) Drama (BH Tilt/Telemundo) Gabriel Chavarria, Demián Bichir, Theo Rossi, Tony Revolori, Melissa Benoist, Yvette Monreal, Eva Longoria, Montse Hernandez, Noel Gugliemi, Bryan Rubio, Cress Williams, Franck Khalfoun, Pepe Serna, Taishi Mizuno, David Fernandez Jr., Art Laboe, Damien Bray, Tiffany Gonzalez, Johanna Sol, Jamie Owen, Stacey Bender, Pandie Suicide. Directed by Ricardo de Montreuil

To outsiders, the car clubs of the predominantly Latino East Los Angeles must seem as foreign and mysterious as Shaolin temples. Those familiar with the Fast and Furious movie franchise might think they have car culture figured out, but it’s like watching an episode of Big Bang Theory and thinking you have nuclear physics figured out.

Danny Alvarez (Chavarria) is the youngest son of a Lowrider legend; Manuel Alvarez (Bichir). He basically grew up in his father’s garage and weathered the sorrow of his mom’s illness and death there. He admittedly didn’t get a whole lot of help from his dad, who was battling his own alcoholism even as his wife was dying. Manuel cleaned up his act enough to marry Gloria (Longoria) whom he met cruising; he has since fathered a daughter Isabel (Hernandez) who is preparing for her quinceañera. His big brother Francisco (Rossi) – upon whom Danny has bestowed the nickname of Ghost – is in prison after being caught and convicted of stealing auto parts to customize his own car.

Manuel has been working on a new car, a 1961 Chevy Impala that he’s named Green Poison (for the custom green fleck paint on the roof of the car) for the upcoming Elysian Car Show, one of the most prestigious of its kind. He would love to be working on it with his son Danny but the young man in question has been following a path of his own – street art. Danny is a talented and imaginative street artist where his graffiti shows up in a lot of unexpected places. His dad is worried that the illegal activity might get Danny arrested and the thought of both of his sons in the slammer is more than he can bear.

But Ghost has just gotten released from prison and he is reconnecting with his little brother in a big way. Ghost has a mad on because Manuel never visited him in prison, not once. He definitely has some Daddy issues and has gone so far as to join a rival car club that is a little bit rougher than Manuel’s old school Coasters car club. As Elysian approaches, Ghost and Manuel are on a collision course and Danny is caught in the middle. It looks for sure like a head-on is inevitable.

I have to admit, when I read the plot line for the movie in advance of seeing it I really didn’t expect much and in some ways I was correct not to. The plot is pretty hoary and has been done many times before onscreen dealing with old school dads and rebellious sons who are estranged but who reconcile their differences to achieve the impossible or at least the nearly so. Those familiar with those sorts of movies will find no surprises here.

The good news is that we really get what feels like an insider look at East L.A. Although de Montreuil is Peruvian by birth, he understands the Latin beat that drives the Eastside well. From the rhythms of speech to the thudding of loud music coming from outrageous speakers in outrageous cars, he captures the atmosphere of Baldwin Park so perfectly you can almost smell the carnitas simmering.

Bichir is one of the best actors working today; he has the gravitas of a young Edward James Olmos with a fatherly sensibility of a Tom Bosley. He anchors this movie in ways that the younger cast members can’t; he gives Manuel dignity, even when Manuel is frankly being a dick. He also gives him a certain amount of uncertainty; like all fathers, Manuel has no idea how to react to things outside of his experience. He just plows along doing the best he can which isn’t always good enough.

Rossi and Chavarria both exhibit a great deal of star power and both have virtually unlimited potential. In this day and age, there doesn’t seem to be a lot of matinee idol love for non-white actors and so that might stand in their way somewhat but they both deserve to be A-listers. Were I a Hollywood producer I’d have absolute confidence in either one of them to carry my picture.

The main problem here is that writers Elgin James and Cheo Hodari Coker have spent nearly all of their character depth on the men. The women in this film are of little consequence, either ornaments or child nurturers. While Gloria is characterized as someone who knows her way around an engine, she is given little chance to show it. Even Lorelei (Benoist) who is Danny’s photographer girlfriend is mainly just a hipster caricature. She essentially disappears from the film about 2/3 of the way through and other than a brief moment at the very end is never to be seen again. Maybe Supergirl can find her.

The ending is pretty rote but satisfying enough for me to give the movie a strong recommendation. I think De Montreuil is an up-and-coming talent to be reckoned with, considering he did so much with so little. If he can make a superior movie out of what is essentially a cliché script, imagine what he could do with something more substantial.

REASONS TO GO: We get an insight into East L.A. car culture and the amazing vehicles therein. The ending, although predictable, was satisfying. De Montreuil shows a great deal of promise.
REASONS TO STAY: The plot is somewhat passé. I wish that the female characters had gotten a bit more depth to them.
FAMILY VALUES: There is a fair amount of profanity, some violence, some sensuality and a scene of drug use.
TRIVIAL PURSUIT: Lily Collins was initially cast but had to drop out due to scheduling difficulties. Melissa Benoist eventually took her part.
CRITICAL MASS: As of 5/19/17: Rotten Tomatoes: 58% positive reviews. Metacritic: 57/100.
COMPARISON SHOPPING: A Better Life
FINAL RATING: 7/10
NEXT: Life

New Releases for the Week of May 12, 2017


KING ARTHUR: LEGEND OF THE SWORD

(Warner Brothers) Charlie Hunnam, Jude Law, Djimon Hounsou, Eric Bana, Aidan Gillen, Freddie Fox, Astrid Bergés-Frisbey, Annabelle Wallis. Directed by Guy Ritchie

A new take on the Arthurian legend from iconoclastic director Guy Ritchie. When Arthur’s father, the King, is murdered his power-mad brother seizes the throne. Arthur is forced to flee and live a life in the alleys and streets of the capital, but all that changes when he pulls a sword from the stone. Now he must face his history and seize his legacy. The trouble is that Arthur isn’t all that eager to do either.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Fantasy Action
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and action, some suggestive content and brief strong language)

A Quiet Passion

(Music Box) Cynthia Nixon, Jennifer Ehle, Keith Carradine, Duncan Duff. Emily Dickinson is one of the most beloved and acclaimed poets in American history, but few know all that much about the reclusive woman who passed away in 1886. What was she like? What prompted her to write such beautiful poetry? Why did she never marry? Legendary director Terence Davies takes on the story of one of the most revered figures in American literature.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic elements, disturbing images and brief suggestive material)

Absolutely Anything

(Atlas) Simon Pegg, Kate Beckinsale, Robin Williams (voice), Monty Python. A group of eccentric aliens bestow an ordinary man with virtually unlimited power – the ability to make anything he wishes come true. As he struggles to control his power, observed from space by the aliens, he starts to rely more and more heavily on his loyal dog. Now, however, with a beautiful woman literally in the palm of his hands, he finds himself forced to choose between the girl and the dog. The movie is notable as for being the last film in which the late Robin Williams appears (he is the voice of the dog) and as a reunion for the surviving members of Monty Python, whose Terry Jones directed the film.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Premiere Fashion Square

Rating: R (for language including sexual references, and brief nudity)

Lowriders

(BH Tilt/Telemundo) Gabriel Chavarria, Demian Bichir, Eva Longoria, Melissa Benoist. East L.A. is a world unto its own. Danny is a talented street artist who has his own goals and dreams; his father and brother are part of the car culture of East LA, fabled Lowriders who have built a street rep over the years. Danny gets caught between their world and his own and must choose between family and future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs

Rating: PG-13 (for language, some violence, sensuality, thematic elements and brief drug use)

Snatched

(20th Century Fox) Amy Schumer, Goldie Hawn, Wanda Sykes, Joan Cusack. A young woman is getting ready to go on the vacation of a lifetime when her boyfriend abruptly dumps her just before they are due to leave. With her options limited and not wanting to give up her vacation, she reluctantly invites her uptight mom with her. When they are kidnapped, the two polar opposites realize they must work out their differences and lean on each other if they are to escape from their captors.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, brief nudity, and language throughout)

The Wall

(Roadside Attractions/Amazon) Aaron Taylor-Johnson, John Cena, Laith Nakli. Two Marines are investigating a construction crew’s ambush by a sniper. Convinced that the sniper has left the area, they prepare to be evacuated from the area when the sniper, who has patiently out-waited them, opens fire, wounding both of them and pinning one behind a crumbling wall. It becomes a game of cat and mouse as the sniper talks to them over their radios and with food and water running out and no way to communicate with their base to get help, forces the Americans into a desperate act. Doug Liman, who directed The Bourne Identity and Edge of Tomorrow, is the man behind the camera here.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: War Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language throughout and some war violence)

Patriots Day


These cops have no idea what's coming.

These cops have no idea what’s coming.

(2016) True Life Drama (CBS) Mark Wahlberg, John Goodman, Michele Monaghan, Kevin Bacon, J.K. Simmons, Christopher O’Shea, Rachel Brosnahan, Jake Picking, Lana Condor, Jimmy O. Yang, Melissa Benoist, Alex Wolff, Themo Melikidze, Martine Asaf, Michael Beach, Khandi Alexander, Cliff Moylan, Claudia Castriotta, James Colby, Billy Smith, Paige MacLean. Directed by Peter Berg

 

In many ways, our worth is determined by how our resolve is tested. It is at our worst moments when the best in us is drawn out. When the city of Boston was faced with an attack on their very identity, they showed the world more than extraordinary strength; they were Boston strong.

Tommy Saunders (Wahlberg) is not having a good day. He’s a gifted police officer who also has a gift for opening his mouth at the wrong moment. He has one more punishment duty to deal with – working as a uniformed officer at the finish line of the Boston Marathon. That also means putting on the yellow reflective vest which he thinks makes him look silly. His wife Carol (Monaghan) thinks it looks cute. To top it all off, Tommy’s knee is aching after kicking in a drug dealer’s door the night before and he forgets his brace at home; he asks Carol to bring it down to the finish line for him.

But Tommy’s day is about to get worse. Two Chechnyan brothers, Douchebag #1 (Melikidze) and Douchebag #2 (Wolff) have plans of their own. They plant two homemade bombs among the throngs watching the race at the finish line. After they stroll away, lost in the crowd, the bombs detonate, killing three people (including a child) and wounding scores. All is mayhem at the finish line.

Tommy takes charge, getting ambulances routed in and telling race officials to keep runners away. Medical personnel – some of them ex-military who knew what to do with wounds of this nature – respond immediately. Tommy’s boss, Commissioner Ed Davis (Goodman) takes charge as the FBI, in the person of Special Agent Richard DesLauriers (Bacon) who takes immediate charge once he recognizes this was an act of terrorism.

But finding the bombers is like finding a needle in a haystack. Even with all the cameras trained on the event, not many were pointed at the crowd. With Tommy’s help knowing the area as well as he does, the authorities begin to close in on the perpetrators of this vile act but it will take the largest manhunt in U.S. history to catch these guys.

I was really glad I saw the documentary on the Marathon bombing (see below) the night before I saw this movie, mainly because I was able to see how close to the actual events the movie came. While the documentary focused on the victims and their recovery, this movie has more focus on the manhunt and those participating in it.

One of those participating in it is Saunders and while Wahlberg does a great job of developing his character, one of the big problems is that Saunders is wholly fictional. We soon realize that because he appears at nearly every major plot point in the film which after awhile takes me as a viewer out of the realism of the movie because other than that the movie is extremely realistic which is an impressive accomplishment for a Hollywood film.

The recreation of the bombing itself is impressive; Berg masterfully works in actual camera footage of the blast along with staged re-creations of it. Berg repeats this at various portions of the film. The Patriots Day bombing was one of the most documented incidents in history and there is a lot of footage available, some of it wildly seen, some of it not so much. Still, we get a good glimpse of the various stages of the manhunt, from the bombing itself to the capture of Douchebag #1 and Douchebag #2.

If you’re wondering why I don’t use the names of the two bombers, it’s because I don’t want history to remember them. If I could, I’d expunge their names from every document, from every post – from everywhere. People like this should be erased from history. They don’t deserve to be remembered.

On the other hand, the good people of Boston – the survivors of the bombing, the law enforcement personnel who chased and caught those miserable scumbags, the medics and surgeons who worked tirelessly on healing the wounded, even those who came out in support of Boston. There has been some grousing that this was made too soon after the bombing – only three years had passed when this was released. I probably am not someone who can judge this properly; I would leave that to the citizens of Boston, particularly those affected by the tragedy. However, this is certainly a movie that honors and respects the victims and those who fought to bring the douchebags to justice so all in all, I don’t think anyone can complain overly much about that.

REASONS TO GO: The film is surprisingly accurate. Strong performances throughout the cast buoy the film.
REASONS TO STAY: There is a loss of credibility by having Wahlberg play a fictional character.
FAMILY VALUES: There is violence and graphic images of injuries, some drug use and profanity throughout.
TRIVIAL PURSUIT: This is the third collaboration between Berg and Wahlberg that was based on a true story; the other two are Lone Survivor and Deepwater Horizon.
CRITICAL MASS: As of 2/27/17: Rotten Tomatoes: 81% positive reviews. Metacritic: 69/100.
COMPARISON SHOPPING: Marathon: The Patriots Day Bombing
FINAL RATING: 7/10
NEXT: Decanted: A Winemaker’s Journey

Danny Collins


Pacino describes the size of his paycheck as a bemused Bening and Benoist look on.

Pacino describes the size of his paycheck as a bemused Bening and Benoist look on.

(2014) Dramedy (Bleecker Street) Al Pacino, Annette Bening, Bobby Cannavale, Jennifer Garner, Christopher Plummer, Melissa Benoist, Josh Peck, Nick Offerman, Aarti Mann, Katarina Cas, Giselle Eisenberg, Anne McDaniels, Eric Lange, Brian Smith, Michael Patrick McGill, Cassandra Starr, Scott Lawrence, Meghan Aruffo, Eric Schneider, Linda Wang. Directed by Dan Fogelman

Fame is something we wear on our heads like a sombrero; it might appear to some to be like a halo but at the end of the day it’s just straw.

Danny Collins (Pacino) has been living with fame for most of his adult life. Once a promising folk singer, a cross between Bob Dylan and John Lennon, he has settled into a groove as a soft rock pop star, feeding off the energy of his massive hit “Hey Baby Doll” and others of that ilk, not a one of them written by Danny Collins and none of them as heartfelt or insightful as those he wrote himself in his youth. But thirty years have passed under that bridge and there’s an awful lot of water that went with it.

After another rote concert filled with screaming old ladies whose days of beauty were decades gone and who retained just enough of their bloom to be utterly ridiculous, he’s ready to give it all up. Those feelings are sealed when his best friend and manager Frank (Plummer) gives him a letter written to him by John Lennon back in his youth. You see, Danny had done an interview with a now-defunct rock magazine with a smarmy interviewer (Offerman); the interview catches the attention of none other than John Lennon who wrote him a letter care of the smarmy interviewer who promptly sold the thing. Frank had only found it a few months earlier.

For Danny, the effect is galvanizing. He tells Frank to cancel his upcoming world tour and points his private jet towards Jersey – not before breaking up with Sophie (Cas), his much younger fiance. Why Jersey? That’s because that’s where his estranged son Tom (Cannavale) lives. Tom is a working class guy, the sort that takes whatever construction job comes his way in order to feed his family; his very pregnant wife Samantha (Garner) and his severely ADHD afflicted daughter Hope (Eisenberg). Danny was pretty absent in Tom’s life and Tom didn’t take kindly to it and hasn’t really been able to get past it.

But given Danny’s sex drugs and rock and roll lifestyle, that might not have been a bad thing.  Danny has made a lot of mistakes in his life and in many ways his chickens have come home to roost. He has occupied a room in a suburban Hilton, arranged for a grand piano to be brought in and sets out to woo the attractive manager Mary (Bening) and charm his family, but both are uphill battles for a man who has become used to taking the path of least resistance.

Fogelman, who’s made a tidy career writing Disney animated films (including Cars) and unimpressive comedies (including Last Vegas) makes his directorial debut here. In all truth it’s pretty solid if unspectacular; Fogelman hits all of the right notes and while he doesn’t take a whole lot in the way of chances, he delivers a product that is more than palatable.

That’s mainly because of the presence of Pacino who delivers one of his more enjoyable performances of recent years. Danny is a charming Irish rogue at his best and while that sort of role hasn’t exactly been one Pacino has been noted for in his career, he does a great job of making Danny the kind of guy that you’d love to hang out with but that you wouldn’t want dating your sister.

He’s got a solid supporting cast behind him, with the ever-lovable Bening as the love interest, the just-as-charming Plummer as the best friend and Cannavale (more on him in a moment). Only Garner seems a bit wasted in her role as the daughter-in-law as she mostly seems confused and bewildered, although she shows a bit of backbone when Danny offers to get Hope in to a prestigious school that they could never afford to get her into on their own.

I honestly think Cannavale has it in him to be an A-list leading man. He has mostly been cast in thug roles but I don’t think they suit him very well; he seems to do better with more sympathetic parts. Here he’s gruff and a bit stubborn but at his core he’s a good-hearted man who just wants to do right by his family.

The soundtrack is definitely worthwhile with plenty of John Lennon songs, although they are used a bit of a ham-handed manner; I mean, we don’t need to hear “Working Class Hero” to know that Tom is just that or “Instant Karma” after a failed attempt at reconciliation with Tom. The Danny Collins songs – the Leonard Cohen-like one he’s writing in the hotel, and the insipid pop “Hey, Baby Doll” are less memorable.

The story is a bit rote and the plot twists are pretty old school if you ask me. Then again, this isn’t a movie about redemption; it’s about understanding who you are and growing when need be. What I like about this movie is that Danny doesn’t end up being the perfect grandfather/father and write insightful songs that re-energize his career. The changes in his life are coming piecemeal as best as he can. In that sense, Danny Collins is a real character because real people don’t make wholesale changes but gradual ones. Nothing happens overnight except maybe a Beyonce album.

REASONS TO GO: Pacino is a hoot. Cannavale continues to be a cinematic presence.
REASONS TO STAY: Doesn’t really inspire audience commitment. Predictable ending.
FAMILY VALUES: There is a fair amount of foul language, some nudity and some drug use.
TRIVIAL PURSUIT: The movie was inspired by the real life story of English folk performer Steve Tilston who learned of a similar letter sent to him by John Lennon 40 years after the fact.
CRITICAL MASS: As of 4/24/15: Rotten Tomatoes: 78% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: Somewhere
FINAL RATING: 6/10
NEXT: Unfriended