Robert the Bruce


The once and future King.

(2019) Historical Drama (Screen Media)  Angus Macfadyen, Anna Hutchison, Zach McGowan, Gabriel Bateman, Talitha Bateman, Brandon Lessard, Diarmaid Murtagh, Emma Kenney, Patrick Fugit, Melora Walters, Shane Coffey, Daniel Portman, Seoras Wallace, Kevin McNally, Jared Harris, Nick Farnell, Gianni Capaldi, Mhairi Calvey.  Directed by Richard Gray

 

In Scotland Robert the Bruce is a national hero, able to do what William Wallace could not – give the Scots their freedom from English rule – but it didn’t come easy.

Some ten years after the execution of William Wallace, Robert the Bruce (Macfadyen) is King of Scotland, but uneasy lies the head that wears the crown. That’s because other Scottish nobles, particularly the clan of John Comyn (Harris), also are claimants to the throne of Scotland. After an ambush at Greyfriars’s Church leads to the death of Comyn, Scotland is in chaos. The English, with whom Comyn had allied, have put a price on Robert’s head of 50 gold pieces. The unceasing wars against the English have led to a divided country; some support their King who is promising freedom, other weary of war that has claimed so many husbands, sons and brothers.

Pretty Morag (Hutchison) has lost a husband to the wars and a brother as well. Raising her own son Scot (Bateman) as well as her nephew Carney (Lessard) and niece Iver (Bateman), they live on a remote farm in the mountains. Robert, hounded by foes on every side, is ready to give up. He dismisses his few loyal remaining men, including his best warrior James Douglas (Murtagh) who thinks it is folly for Robert to be without protection. He is soon proven right as Robert is attacked by three of his own men, including treacherous Will (Fugit) and badly wounded. Scot finds him in the woods and the family of Morag bring him to their farmhouse to tend to him, much to the displeasure of Scot who blames Robert for his father’s death.

They know they are risking death and their uncle Brandubh (McGowan) is sniffing around the farm – he is looking for Robert, who he has discovered is in the vicinity, but he is also hoping to woo Morag who had married his brother. Even as Robert gets better, the king knows he is in dire peril and dragging this good family in with him. Can he escape and take the family who saved his life to safety?

In all honesty, I don’t know how apocryphal the story is. It could be pure fiction, or based on folk tales, or based on fact. I honestly couldn’t tell you, but I do know Macfadyen – who played the role memorably in Braveheart previous to this and co-wrote the script – has been trying to get this movie made for more than a decade. The 56-year-old actor is playing the King in a period when he was in his mid-30s; this Robert is more world-weary than the one he played in Braveheart and less fiery-eyed. There are moments, particularly near the end of the film, where we see the old Robert the Bruce and thse moments are welcome.

The elephant in the room is Mel Gibson, and I’m sure he wouldn’t be too pleased to be called an elephant. One of the things that made Braveheart such a classic, beloved film was the presence of Gibson, who was at the time at the top of his game and one of the biggest stars in Hollywood, and possessed of enormous charisma before later events derailed his career. Macfadyen is a terrific actor and he has plenty of screen presence, but I’m sure he’d be the first to tell you he’s no Mel Gibson and the movie feels the lack of that kind of star power.

It also feels a lack of Scotland in it. The movie was largely filmed in Montana which is a beautiful state, but it doesn’t have the same look as the Scottish Highlands. The largely American cast also has difficulty with the hard-to-master Scottish accent. Either it’s laid on too thick or not thick enough. Mostly, though, actors drop in and out of it willy-nilly.

That’s not to say there aren’t moments in this film that are worth waiting for. There isn’t a ton of action here in the two-hour film, and American audiences may have a hard time with that. It is not a fast-paced film either and American audiences will REALLY have a hard time with that. Still, if you are patient, there are some scenes that come close to recapturing the magic of the Oscar-winning Braveheart but it never quite does. This isn’t a sequel so much as a spin-off and it doesn’t have the budget to recapture the battle sequences of that film, so Robert the Bruce doesn’t have the epic scope of the previous movie. Still, the character is a big part of Scottish history and proud Scots will not want to miss this, nor will those who love that craggy land.

REASONS TO SEE: There are some moments that are pure magic.
REASONS TO AVOID: A little too slow-paced for this type of movie.
FAMILY VALUES: There is all sorts of violence and mayhem.
TRIVIAL PURSUIT: Mhairi Calvey, who played the wife of Robert the Bruce here, played a young Murron, the eventual wife of William Wallace, in Braveheart.
BEYOND THE THEATER: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Vudu
CRITICAL MASS: As of 4/25/20: Rotten Tomatoes: 40% positive reviews: Metacritic: 42/100.
COMPARISON SHOPPING: Braveheart
FINAL RATING: 6/10
NEXT:
True History of the Kelly Gang

Venom (2018)


A face only an alien symbiotic mother could love.

(2018) Superhero (Columbia) Tom Hardy, Michelle Williams, Riz Ahmed, Scott Haze, Reid Scott, Jenny Slate, Melora Walters, Woody Harrelson, Peggy Lu, Malcolm C. Murray, Sope Aluko, Wayne Pére, Michelle Lee, Kurt Yue, Chris O’Hara, Emilio Rivera, Amelia Young, Ariadne Joseph, Deen Brooksher, David Jones, Roger Yuan, Vickie Eng, Scott Deckert, Nick Thune, Lauren Richards. Directed by Reuben Fleischer

 

The Marvel march to cinematic domination continues with this non-MCU entry into the Spider-Man universe which is separate, even though Spider-Man is ostensibly part of the MCU now (confused yet?) but Venom is decidedly not.

Eddie Brock (Hardy) is an investigative journalist who is all about getting the story, regardless of who it hurts in the process. It gets him fired from his job and bounced from his relationship with lawyer Anne Weyring (Williams). In short, Eddie is a bit of an insufferable prick. While investigating tech billionaire Carlton Drake’s (Ahmed) Life Foundation, Eddie gets infected with an alien symbiote that has destroyed everyone else it has infected.

However, Eddie turns out to be not rejected by the symbiote, which endows Eddie with enormous strength and tendrils/tentacles that stretch out from his gelatinous black skin to take all sorts of shapes and forms. It makes Eddie insatiably hungry and the preferred diet of choice for the symbiote is human flesh, although Eddie draws the line there. But Drake wants his alien back and has big, evil plans for it once he gets a symbiote of his own.

The movie follows the superhero origin story formula to a T, which might work for less discerning fans but for the rest of us is very noticeable. This lack of ingenuity and creativity sabotages the film throughout and despite a fine performance by Hardy and solid supporting performances by Williams, Ahmed and Slate, renders the movie as a disappointment.

There are some plus signs, of course. The interplay between the symbiote and Eddie is downright funny at times, and there’s a motorcycle chase scene that is absolutely off-the-chain. Even though the origin story is formulaic, Venom is nonetheless a different kind of superhero, a super-anti-hero if you will. With a little less playing it safe, this could have been a truly memorable film instead of just a mediocre one.

REASONS TO SEE: Tom Hardy is excellent.
REASONS TO AVOID: The movie ended up being a bit underwhelming.
FAMILY VALUES: There is a ton of violence (some of it bloody) and a fair amount of profanity.
TRIVIAL PURSUIT: The symbiote and Eddie Brock also appear in Spider-Man 3 in which Brock is played by Topher Grace.
BEYOND THE THEATERS: Amazon, AMC On-Demand, AppleTV, Fandango Now, Fios, Google Play, Microsoft, Redbox, Starz, Vudu, YouTube
CRITICAL MASS: As of 1/18/20: Rotten Tomatoes: 29% positive reviews: Metacritic: 35/100.
COMPARISON SHOPPING: The Mask
FINAL RATING: 6/10
NEXT:
Bad Times at the El Royale

New Releases for the Week of October 5, 2018


VENOM

(Columbia/Marvel) Tom Hardy, Michelle Williams, Woody Harrelson, Jenny Slate, Riz Ahmed, Michelle Lee, Sope Aluko, Reid Scott, Mac Brandt, Melora Walters. Directed by Ruben Fleischer

Investigative reporter Eddie Brock tries to redeem himself following a scandal following a government experiment involving an alien symbiotic lifeform but accidentally becomes infected by the symbiote. He becomes Venom, a violent and often malevolent entity who has his own agenda but with a shadowy organization with nefarious ambitions of the own trying to develop their own version, the alien and the reporter realize their interests intersect.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, DBOX, DBOX 3D, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for language)

A Star is Born

(Warner Brothers) Bradley Cooper, Lady Gaga, Sam Elliott, Dave Chappelle. The latest version of a timeless classic finds a grizzled musician with a rosier past than future falling for a young woman who has given up on her dream of stardom. He coaxes her into the spotlight and her career immediately takes off but the higher she soars, the more strain on their relationship is placed particularly since he has a substance abuse problem that is putting everything in jeopardy. Cooper also makes his directorial debut.

See the trailer, a video featurette and a music video here
For more on the movie this is the website

Release Formats: Standard, Dolby
Genre: Musical
Now Playing: Wide Release

Rating: R (for language throughout, some sexuality/nudity and substance abuse)

The Church

(Hard Floor) Clint Howard, Bill Moseley, Ashley C. Williams, Meghan Strange. The minister of a once vibrant and iconic Baptist church in a decaying Philadelphia neighborhood resists gentrification despite pleas from his status-seeking wife and bribes from unscrupulous developers. He is determined to preserve the legacy of his family’s ministry in the neighborhood even if he has to break a few commandments to do it!

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Disney Springs

Rating: PG-13 (for some violent content and thematic materials)

Mandy

(RLJE) Nicolas Cage, Andrea Riseborough, Linus Roache, Bill Duke. A peaceful couple living in the wilderness of the Pacific Northwest has their lives shattered by a twisted cult leader who develops an obsession with Mandy, the distaff half of the couple. Red, the male half, is forced to go on a journey of vengeance, blood, fire and rage.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: NR

Monsters and Men

(Neon) Anthony Ramos, John David Washington, Nicole Beharie, Cara Buono. A young man with a promising athletic future witnesses a police shooting, recording it on his cellphone. He has the valuable proof that will validate the assertion that it was unjustified but releasing the footage could jeopardize his future.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Regal Winter Park Village

Rating: R (for language)

Pick of the Litter

(Sundance Selects) Dana Nachman, Don Hardy Jr. This documentary follows a litter of puppies from the moment of their birth through the two years of training to be service dogs for the blind. The bar is set high and not every dog makes the cut. Both heartwarming and heartbreaking, the film provides insight as to how dogs go from unruly pups to disciplined service animals.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

Shine

(GVN) Jorge Burgos, Gilbert Saldivar, Jadi Collado, Alysia Reiner. Two salsa dancing Puerto Rican brothers in Spanish Harlem are estranged by a family tragedy. Years later they have chosen different paths; one looking for success as a real estate developer, the other devoted to preserving their old neighborhood at all costs. What’s a dancer to do…except dance?

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Urban Dance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cobb Plaza Café Cinema, Old Mill Playhouse, Regal Pointe Orlando, Regal The Loop, Regal Waterford Lakes

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Andhadhun
Bayou Caviar
Exes Baggage
Nota
Ride

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

96
A Crooked Somebody
Exes Baggage
Fats Buddies
The Hate U Give
Hello, Mrs. Money
Nota
Prathamika Shale, Kasargud, Koduge Ramanna Rai
The Sisters Brothers

ALSO OPENING IN TAMPA/ST. PETERSBURG:

96
A Crooked Somebody
Loveyatri
Loving Pablo
Nota
Pariyerum Perumal
Raatchasan
Ride
Tea With the Dames
Varathan
Viking Destiny

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

96
Andhadhun
Exes Baggage
Nota

SCHEDULED FOR REVIEW:

A Star is Born
The Church
Mandy
Pick of the Litter
Tea With the Dames
Venom

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Tampa International Gay and Lesbian Film Festival (Tampa, FL)

New Releases for the Week of May 26, 2017


PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES

(Disney) Johnny Depp, Javier Bardem, Geoffrey Rush, Brenton Thwaites, Kaya Scodelario, Orlando Bloom, Keira Knightley, Kevin McNally. Directed by Joachim Renning and Espen Sandberg

Jack Sparrow returns to the high seas but not in the style in which he has been accustomed. Down on his luck having lost the Black Pearl, he ekes out a living pirating on the desultory Dying Gull, a small and shabby ship with a small and shabby crew. But as bad as things are, ill winds are blowing a storm in of biblical proportions as a deranged and enraged Spanish captain returns from the dead to wreak revenge on all pirates – particularly one named Jack Sparrow.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for sequences of adventure violence, and some suggestive content)

96 Souls

(Gravitas) Grinnell Morris, Sid Veda, Paul Statman, Toyin Moses. A university researcher, about to lose his funding, has an accident in the lab. Afterwards, he discovers he can see what the true intentions of people are. Like most superpowers, it makes his life a whole lot worse.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Baywatch

(Paramount) Dwayne Johnson, Zac Efron, Alexandra Daddario, Priyanka Chopra. This reboot of the hit 90s TV series sees head lifeguard Mitch Buchanan budding heads with a new recruit – an Olympic champion who has been brought aboard to rehabilitate the fading Baywatch brand. When the two discover a criminal conspiracy that may threaten the bay and their livelihoods forever, the two are forced to take action.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action Comedy
Now Playing: Wide Release (opened Thursday)

Rating: R (for language throughout, crude sexual content and graphic nudity)

The Buena Vista Social Club: Adios

(Broad Green) Manuel “Guajiro” Mirabal, Ibrahim Ferrer, Omara Portuando. The sequel to the groundbreaking documentary looks back at the history of the Buena Vista Social Club and its effect on the music and culture of Cuba. With the island nation facing an uncertain future in the wake of the death of Fidel Castro and the loosening of embargo restrictions by the United States, the surviving members of the group look to be part of that future.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Altamonte Mall, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: PG (for historical smoking throughout, thematic elements and brief suggestive material)

Chuck

(IFC) Liev Schreiber, Naomi Watts, Elisabeth Moss, Ron Perlman. Chuck Wepner was a mid-level boxer who’d had some success, but not really a lot of it. When Muhammad Ali, then the boxing champion of the world, decided he wanted to fight an underdog to celebrate America, Wepner was the boxer he chose. The improbable fight would eventually become the inspiration for Rocky.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sports Biography
Now Playing: AMC Disney Springs, Regal Winter Park Village
Rating: R (for language throughout, drug use, sexuality/nudity and some bloody images)

David Lynch – The Art Life

(Janus/Amazon) David Lynch. Once the enfant terrible of filmmaking, Lynch went from cult classics like Eraserhead to Oscar nominees like The Elephant Man with stops at Dune, Videodrome and Twin Peaks along the way. This documentary looks at the creative process of Lynch who also looks at his less-known but equally brilliant career as a painter as well.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

Drone

(Screen Media) Sean Bean, Mary McCormack, Joel David Moore, Patrick Sabongui. A high-level defense contractor operates covert drone missions, then goes home to his wife and son and a suburban life far removed from what he does for a living. When a Pakistani businessman who believes the contractor was responsible for the death of his family, the contractor will have to come to grips not only with keeping himself and his family safe but also the guilt for the things that he’s done.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

The Lovers

(A24) Debra Winger, Tracy Letts, Aidan Gillen, Melora Walters. A middle-aged married couple has seen their marriage slowly lose its luster over the years. Both are in the middle of long-term affairs and both are growing more committed to their partners outside of their marriage. On the verge of calling it quits, something quite unexpected happens – they fall in love with each other all over again.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace

Rating: R (for sexuality and language)

Short Term 12


Sharing is caring.

Sharing is caring.

(2013) Drama (Cinedigm) Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Alex Calloway, Kevin Hernandez, Lydia Du Veaux, Keith Stanfield, Frantz Turner, Diana Maria Riva, Harold Cannon, Silvia Curiel, Melora Walters, Bran’dee Allen, Danny Roper, Elyssa Gutierrez, Garryson Zamora, Michael Marto, Patricia Barrett, Tanya Maria A. Bitanga. Directed by Destin Cretton

We call them “at-risk” kids but for the most part, we haven’t a clue what they’re really at risk from. Sure, we have a general idea that they’re runaways and come from less-than-perfect homes but the horrors that these kids live through doesn’t really hit home unless we’ve lived it, or know someone who did.

Grace (Larson) is the floor supervisor at Short Term 12, a residence facility for troubled teens. Most of them come from homes of abuse both physical and emotional and some of these kids can barely function in a normal society. She is compassionate and actually listens to the kids which makes her atypical for most humans. Her boyfriend Mason (Gallagher) also works at the home, along with newbie Nate (Malek) who’s just started.

Some of the kids are pretty messed up. Sammy (Calloway) periodically runs out of the facility screaming at the top of his lungs; he has a collection of toys that he clings to and has a somewhat creative imagination. Marcus (Stanfield) is about to turn 18 at which time he’ll be forced to leave this temporary facility and he’s intimidated at having to make it in the real world, so his normal quiet demeanor has turned angry and he is acting out more than usual, particularly when it comes to Luis (Hernandez) who likes to pick on him.

Into this volatile environment comes Jayden (Dever), a young girl with a whole lot of attitude. She’s a cutter – inflicts wounds on herself in order to relieve her psychological pain – and has a hair-trigger temper that explodes at the least provocation. She’s a problem child but Grace is patient and soon begins to notice that the two of them are not quite so different as it would first appear.

Grace however turns out to have some issues of her own – she rarely takes the advice she hands out her own kids and talk out her problems with Mason. However, Mason isn’t willing to give up on her and with the patience of a saint, waits for whatever it takes for her to open up and commit and as Grace faces an imminent life changing event, everything she’s built threatens to crumble down around her.

Cretton apparently worked in a facility such as the one depicted here and the first observation that comes to mind is “authentic.” The kids here aren’t monsters but they aren’t saints either; they’re just trying to cope despite having a deck particularly stacked against them. Grace, likewise is neither monster nor saint – she tries to help out the best she can but there is little authority that she can exercise (while the kids can be forcibly be brought back inside if they try to run away, once they actually leave the property they can’t be touched although staff member will follow them to whatever destination they have in mind and try to talk them back). As she tells Nate “We’re not therapists. You’re here to create a safe environment, and that’s it.” That’s a task not unlikely trying to juggle chainsaws and live hand grenades.

The relationship between Grace and Mason is genuine as well. They’re both twenty-somethings who spend nearly the entire day together but Grace has intimacy issues – not necessarily having to do with sex. Letting Mason in is nearly impossible for her and as it turns out with good reason. He is moon-crazy about her and she knows it and it tears her apart that she can’t give him what he needs. This is romance in the real world although men as patient as Mason are pretty hard to come by. Most guys would have said “hasta la vista” to Grace awhile ago.

This is extremely well-acted. Gallagher, who has turned a few heads for his work on the acclaimed HBO series The Newsroom shows big screen promise here. While at times Mason’s a bit too good to be true, he’s basically the kind of guy that most young women search their entire lives for. Not all of them find one.

Dever, who plays the youngest daughter on the Tim Allen sitcom Last Man Standing is also a revelation. This is a very different role for her, much more of a stretch than Gallagher had to make. I was impressed at the depth of emotion Dever went to and basically this is her clarion call to one and all that here is a very fine young actress who is going to be competing for some top acting awards in the future. Meryl Streep, watch your back.

However the movie truly belongs to Brie Larson and this is also a big step forward from The United States of Tara. If this movie had been distributed by a major studio, Larson would doubtlessly be on the short list for Best Oscar actress buzz this year. Maybe she still will be – certainly if critics voted for them she would be. This is a layered, deep portrayal of a young woman helping kids with some pretty serious issues while her own just-as-serious issues remain unresolved. She’s keeping it together with smoke and mirrors and as her façade begins to crumble, we see at last her rage and sorrow not just at Jayden’s predicament but at her own.

This isn’t all hankies and angst. There are some pretty humorous moments, like the opening scene in which Mason tells a self-deprecating story which very cleverly sets up the rules for the facility and sets the tone for the film. It is a masterful piece of writing (and acting) that labels Cretton as a talent to keep an eye on. While there are a few scenes that are somewhat predictable if you’ve watched any of ABC’s Afternoon Specials, by and large this is a rare take at a major societal problem from a point of view we rarely get to see – those young people who are actually responsible for the day-to-day care for troubled kids at facilities like this.

Many critics and film buffs have labeled this one of the best movies of the year and I have to agree. It’s still out there on a few screens but your best bet to catch it is on home video where it will be arriving soon. Keep an eye out for it – this is the kind of movie that you won’t soon forget.

REASONS TO GO: Heart-breaking and heart-warming. Larson, Dever and Gallagher are amazing. Exceedingly authentic and well-written.

REASONS TO STAY: A couple of scenes carry the faint smell of Afterschool Specialness.

FAMILY VALUES:  Some fairly salty language and a bit of sexuality, not to mention some fairly adult themes.

TRIVIAL PURSUIT: Cretton previously directed a short film with the same title and setting but with a completely different cast of characters and plot.

CRITICAL MASS: As of 11/2/13: Rotten Tomatoes: 98% positive reviews. Metacritic: 82/100.

COMPARISON SHOPPING: Warrendale

FINAL RATING: 9/10

NEXT: Escape Plan

New Releases for the Week of November 1, 2013


Enders Game

ENDER’S GAME

(Summit) Asa Butterfield, Ben Kingsley, Harrison Ford, Viola Davis, Hailee Steinfeld, Abigail Breslin, Nonso Anozie, Brandon Soo Hoo, Moises Arias. Directed by Gavin Hood

After barely surviving a vicious alien invasion, humanity’s future rests on the shoulders of a little boy named Ender. Alone out of all the candidates for Battle School, he shows the most potential to lead humanity to victory against the Formic. However, the aliens are returning and time is running out. Ready or not, Ender must lead the forces of humanity against a formidable foe and impossible odds. Is he up to the challenge?

See the trailer, promos, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday night)

Genre: Science Fiction

Rating: PG-13 (for some violence, sci-fi action and thematic material)

12 Years a Slave

(Fox Searchlight) Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Brad Pitt. This is the true story of an African-American born a free man in New York City. In 1841, Solomon Northup was a respected violinist who traveled around North America performing recitals, but one night he is betrayed, drugged and transported to New Orleans where he is sold as a slave. His struggle to escape and return home to his wife and children became the stuff of legend.

See the trailer, clips, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Historical True Life Drama

Rating: R (for violence/cruelty, some nudity and brief sexuality)

About Time

(Universal) Domhnall Gleeson, Rachel McAdams, Bill Nighy, Lindsay Duncan. At first skeptical, a young man discovers that he has indeed inherited the family gift to be able to travel back to any moment in his life and relive it. He uses his gift to woo a comely young woman and to make his life better but eventually learns that time travel cannot cure everything and that there is a price to pay for every gift. This is opening at the Regal Winter Park Village only at present in the Orlando area but will expand to most theaters on November 8.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Fantasy

Rating: R (for language and some sexual content)

Free Birds

(Relativity) Starring the voices of Owen Wilson, Woody Harrelson, Amy Poehler, George Takei. A somewhat delusional militant turkey recruits the very unwilling Thanksgiving turkey presidential pardon for a mission back in time. Their destination: the very first Thanksgiving. Their mission: to substitute some other meat for turkey. Good luck with that.

See the trailer, clips and a promo here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for some action/peril and rude humor)

Krrish 3

(Filmkraft) Hrithik Roshan, Priyanka Chopra, Vivek Oberoi, Kangna Ranaut. An Indian superhero must battle an evil scientist and the mutant creatures he has created to save the world from a hostile takeover.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Last Vegas

(CBS) Michael Douglas, Robert De Niro, Morgan Freeman, Kevin Kline. Four childhood friends, now edging somewhat reluctantly from middle age to old age, decide to head to Sin City to celebrate the impending wedding of the last hold-out to bachelorhood among them. While they’ve changed, so has Vegas baby and once these four hit the Strip, neither will be the same.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for sexual content and language)

Man of Tai Chi

(Radius) Keanu Reeves, Tiger Hu Chen, Karen Mok, Iko Uwais. A young martial artist studies Tai Chi to improve his spiritual self but an unscrupulous promoter on the underground fight circuit in Hong Kong ropes him into that lucrative field. As the matches grow more intense, the young fighter turns his back on the precepts he once held dear and his will to live must carry him through this crisis.

See the trailer and a link to stream the full movie here.

For more on the movie this is the website.

Release formats: Standard

Genre: Martial Arts

Rating: R (for violence) 

Skinwalker Ranch

(Deep Studios) Jon Gries, Kyle Davis, Erin Cahill, Devin McGinn. Strange goings-on at an isolated ranch and the literal disappearance of the ranchers 8-year-old son garner media attention. A year afterwards, a security firm sends an investigative team to look into what really happened. What they discover is much more than anyone could have imagined.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sci-Fi Horror

Rating: R (for language and some violence)

Underdogs

(Media Services) D.B. Sweeney, William Mapother, Melora Walters, Natalie Imbruglia. A perennially underachieving Ohio high school football team gets a new coach, a new attitude and a new lease on life. However, they still have to play their crosstown rival, a traditional powerhouse, in order to make that move to the next level.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Sports Drama

Rating: PG (for some language) 

Missing Pieces


Missing Pieces

Mark Boone Jr. looks off into a confusing future.

(2012) Drama (Contraction Entertainment) Mark Boone Jr., Melora Walters, Alana Jordan, Taylor Engel, Daniel Hassel, Victoria Mullen, Joyce Liles, Hannah Hughes, Jocelyn Druyan, Jackson Pyle, Jeremy Windham, Emana Rachelle, Carlissa Arrow. Directed by Kenton Bartlett

Love is not the easiest thing in the world to understand or come to grips with. We just know when we’re in it and we don’t always know when we’re out of it. Sometimes, it ends sooner for one participant than the other; sometimes we have to go to extraordinary lengths to figure out why.

David Lindale (Boone) is not your ordinary average guy. He’s a big hulking dude who looks like he might rip your head off of your neck but a look at his eyes shows that he’s really just a big teddy bear who has a few light bulbs short of a chandelier. It’s not his fault – an accident left him a bit fragile from a mental standpoint – but if David seems a little slow on the uptake he still follows his own path of logic that is at least a different way of thinking.

Delia (Walters) is his girlfriend and she’s had enough. David has been getting worse in his confusion and his well-intentioned but ultimately inappropriate actions, and she wants to call it quits. David tries everything he can to get her to stay but she is adamant; it’s time for the both of them to move on. David is nowhere near ready to and that leads him to an act that may on the surface seem very crazy and spontaneous but in truth took a good deal of planning; he kidnaps two young people – Maggie (Engel) and Daylen (Hassel) – and puts them in a situation where they must learn to rely on each other. What will become of what David considers to be a social experiment?

This movie, first and foremost, is a labor of love. Bartlett only picked up a video camera for the first time a mere three years from the time he finished this movie, and clearly this project means the world to him. He got a number of friends and professionals to lend their talents gratis for the movie and you get a sense that the cast and crew had complete buy-in regarding the project.

Bartlett did quite a few things right here. For one thing, he cast the main roles to near-perfection. Boone, who has had minor roles in Batman Begins and Memento (both Christopher Nolan films) makes a terrific David. He has a mournful pair of eyes that sits in the body of a man who you wouldn’t necessarily see as sensitive at first glance. Boone does a lot of acting with those eyes and gets across his frustration in failing to understand what is happening and why. He’s not stupid – he’s just confused. The difference is huge and important here.

Walters, Engel and Hassel all do bang-up jobs in roles that could have easily been clichés (and would have been in a studio film) but bring some humanity and personality to their parts. That makes for a compelling character study and to my mind, that’s essentially what this film is.

Now to the bad news. This is told in a non-linear fashion (as was Memento) and while that’s an ambitious, ballsy move, it is also incredibly difficult to pull off and Bartlett doesn’t quite do it – the beginning of the movie is confusing at times. It is worth hanging in there for however.

Again, this is clearly a labor of love. The intent of the moviemakers was not to get headlines in Ain’t It Cool News or to be on everybody’s lips at Sundance, but to make a quality movie and get people to see it. They have an uphill climb ahead of them and I do wish them well. However, they managed to get some theater space in Birmingham in September and played a night in Los Angeles; I’m sure they will be making the festival rounds next year.

They were kind enough to provide a review copy for me and while I can’t laud them as the best thing since sliced bread, I can say that if you take a chance on this movie and give it a viewing (and if you hurry, they’re available on prescreening.com (link below) until mid-November 2011) you may well be pleasantly surprised. This movie got made for all the right reasons and there is enough here to make it worth your while. If you love movies, this is a film after your own heart.

REASONS TO GO: Well-acted with a story that is unique and compelling.

REASONS TO STAY: The narrative is told in a non-linear fashion and the beginning of the movie is often hard to follow.

FAMILY VALUES: There are some adult situations and language.

TRIVIAL PURSUIT: The movie had 588 people volunteer their time at no charge for various duties on the production.

HOME OR THEATER: This will be awfully hard to find in a theater; it should be much easier to find either on Netflix (eventually) or on prescreen.com.

FINAL RATING: 6.5/10

TOMORROW: Chasing Amy