Ant-Man and the Wasp


The well-prepared superheroes scan the room to determine who cut the cheese.

(2018) Superhero (Disney/MarvelPaul Rudd, Evangeline Lilly, Michael Peňa, Michael Douglas, Laurence Fishburne, Hannah John-Kamen, Bobby Cannavale, Walton Goggins, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Abby Ryder Fortson, Randall Park, Michelle Pfeiffer, Tim Heidecker, Divian Ladwa, Goran Kostic, Rob Archer, Sean Thompson Kleier, Riann Steele. Directed by Peyton Reed

 

Following up Avengers: Infinity War as a Marvel superhero is like being the guy who bats after Babe Ruth; anything you do is going to be anti-climactic.

Scott Lang (Rudd) has hung up his Ant-Man mantle and placed under house arrest following the events of Captain America: Civil War and is just days away from getting his freedom back. He’s far more interested in being a better dad to his daughter Cassie (Fortson) and starting up a corporate security firm with his buddies Luis (Peňa), Dave (Harris) and Kurt (Dastmalchian) than resuming his superhero career with the tech he was awarded by crusty Dr. Hank Pym (Douglas).

But Pym and his daughter Hope (Lilly) believe they are on the verge of being able to rescue Hank’s wife and Hope’s mom Janet van Dyne (Pfeiffer) – who is also the original Wasp – from the Quantum Realm where she has been trapped for decades. Lang’s successful escape from the Realm makes him Hank’s best friend from a scientific standpoint. However, Hank’s tech is in high demand and after it are corporate espionage maven Sonny Burch (Goggins) and the insubstantial super-villain Ghost (John-Kamen). With a friendly but suspicious federal agent (Park) watching Scott’s every move and with his freedom on the line, can Scott rescue Janet and stay ahead of both the feds and the bad guys?

This, like the first Ant-Man film the tone is light and irreverent – not to the same degree as Thor: Ragnarok but more like a 90s sitcom; not a bad thing at all There are some genuinely funny lines and bits and if you don’t think about the physics of the Pym particles too much the plot moves along at a nice clip. The stakes here aren’t very high, compared to other recent Marvel films, but who says every superhero movie has to be about The End of the World As We Know It?

Rudd continues to be intensely likable and thankfully they integrate Lilly into the action much more; I wouldn’t mind seeing a Wasp solo movie down the line someday (from my pen to Kevin Feige’s ears). The effects are solid and the cast is awfully strong This isn’t the kind of grand-slam that Marvel has been hitting regularly lately but it certainly is a solid base hit that most Marvel fans should enjoy.

REASONS TO SEE: Lilly as the Wasp is integrated better into the story.
REASONS TO AVOID: A little bit watered down from the first film.
FAMILY VALUES: There is some comic book violence.
TRIVIAL PURSUIT: The younger version of Bill Foster in the flashback sequences is played by Langston Fishburne, son of Laurence who plays the older Bill Foster.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Movies Anywhere, Netflix, Redbox, Vudu, YouTube
CRITICAL MASS: As of 9/19/19: Rotten Tomatoes: 88% positive reviews: Metacritic: 70/100.
COMPARISON SHOPPING: Fantastic Voyage
FINAL RATING: 6.5/10
NEXT:
Bathroom Stalls and Parking Lots

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New Releases for the Week of July 6, 2018


ANT-MAN AND THE WASP

(Disney/Marvel) Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, Hannah John-Kamen. Directed by Peyton Reed

Scott Lang deals with the consequences of his decisions made during Captain America: Civil War, trying to balance his responsibilities as a father and as a superhero. When Hank Pym and Hope Van Dyne come to him with an urgent mission with personal ramifications for them both, Scott wants to help but wonders how his choices will effect his relationship with his daughter.

See the trailer, interviews, video featurettes and a promo here.
For more on the movie this is the website.

Release Formats: Standard, 3D, D-BOX, D-BOX 3D, Dolby, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD-3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for some sci-fi action violence)

Boundaries

(Sony Classics) Vera Farmiga, Christopher Plummer, Lewis MacDougall, Christopher Lloyd. A struggling single mom and her precocious son are forced to drive her freewheeling, pot-dealing devil-may-care father across the country after he is kicked out of the nursing home she put him in.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Old Mill Playhouse, Regal Winter Park Village

Rating: R (for drug material, language, some sexual references and nude sketches)

The First Purge

(Universal/Blumhouse) Y’lan Noel, Lex Scott Davis, Marisa Tomei, Joivan Wade. This is where it all began; the New Founding Fathers’ solution to crime – let everyone get it all out of their system in one night be it looting, assault or murder. It’s a lot different than the Purge we’ve come to know.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release (opened Wednesday)

Rating: R (for strong disturbing violence throughout, pervasive language, some sexuality and drug use)

Na Band Na Baraati

(HUM) Komal Farooqi, Saram Jaffery, Ali Kazmi, Zuhair Jaffery. A Pakistani family living in Toronto has their hands full planning a wedding for both their sons. Traditions from their homeland collide with expectations in a new world that they don’t entirely understand; nor does it understand them.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Touchstar Southchase

Rating: NR

No Postage Necessary

(Two Roads) George Blagden, Charleene Closshey, Robbie Kay, Raymond J. Barry. A convicted computer hacker, barred from using the Internet and not quite scraping by working minimum wage jobs, takes to stealing mail to make ends meet. He reads a letter a beautiful young woman wrote to her husband, a Marine killed in Afghanistan. Intrigued, he begins to fall in love with her. Hoping to be the man she deserves and the man he’s always thought he could be, he tries to turn his life around but the past has a way of catching up with you

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Universal Cineplex

Rating: PG-13 (for some drug references and brief language)

Whitney

(Miramax/Roadside Attractions) Whitney Houston, Cissy Houston, Bobby Brown, Kevin Costner. She was one of the most distinctive voices of her generation and one of the greatest female vocalists ever. She had everything; a loving family, a skyrocketing career, fame and talent beyond measure. Her meteoric rise was matched by a startling fall ending in the tragedy of a life ended too soon. This is her story, buttressed by plenty of interview and performance footage.

See the trailer here.
For more on the movie this is the website
Release Formats: Standard
Genre: Music Documentary
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex, AMC West Oaks, Old Mill Playhouse, Regal Ormond Beach, Regal Waterford Lakes, Regal Winter Park Village
Rating: PG-13 (for some thematic elements and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Neither Wolf Nor Dog
Pantham

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Ava
En El Septimo Dia
Pantham
Tej I Love You
Under the Tree

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Amma I Love You
Bleeding Steel
Tej I Love You

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Amma I Love You
Pantham
Tej I Love You

SCHEDULED FOR REVIEW:

Ant-Man and the Wasp
The First Purge
Whitney

Trumbo (2007)


Bath time is work time for Dalton Trumbo.

Bath time is work time for Dalton Trumbo.

(2007) Documentary (Goldwyn) Dalton Trumbo, Joan Allen, Brian Dennehy, Michael Douglas, Paul Giamatti, Nathan Lane, Josh Lucas, Liam Neeson, David Strathairn, Donald Sutherland, Dustin Hoffman, Kirk Douglas, Helen Manfull, Mitzi Trumbo, Christopher Trumbo, Walter Bernstein, Kate Lardner, Peter Hanson, Emanuel Azenberg. Directed by Peter Askin

documented

One of the core values of the United States is the freedom of speech. Our forefathers in their wisdom decreed that nobody’s right to it would be abridged by congress or any other legislative body. That freedom is one we take for granted…until someone tries to take it away.

In the late 1940s we were riding high, but all was not perfect. The Nazis had been defeated, but we weren’t quite out of the woods yet; the communists in the Soviet Union and elsewhere were on the rise and we were fully certain that a World War III was just on the horizon and there was a fatalism that it would be nuclear.

At that time in Hollywood, Dalton Trumbo was also riding high. One of the most acclaimed and honored screenwriters in the business, he fell afoul of the House of Un-American Activities Committee, or HUAC led by the notorious Senator Joseph McCarthy. The committee, attempting to root out what was rumored to be a heavy communist influence in Hollywood, went after Trumbo who was unapologetically a member of the Communist Party (although he would later leave it, disillusioned). When questioned as to his activities, Trumbo asserted his First Amendment rights and refused to answer. He was found in contempt of Congress and jailed for a year. When he was released, he discovered he was blacklisted by the major studios and had to make a living writing scripts under “fronts” – other screenwriters who were credited with the scripts that Trumbo (and other members of the so-called Hollywood Ten) wrote. Two of them, The Brave Ones and Roman Holiday, would net Oscars for Trumbo which he couldn’t collect at the time.

Eventually Kirk Douglas enlisted Trumbo to write Spartacus, perhaps the most well-known of all his movies. Once that became a blockbuster, the blacklist essentially ended. and Trumbo resumed his writing career which lasted into the mid-70s (he would die in 1976 of a heart attack).

His son Christopher Trumbo created a play from the letters Trumbo wrote during the period of his trial before HUAC, his incarceration and the years he was blacklisted. Askin has skillfully weaved that into an unusual documentary, taking the elder Trumbo’s words read by a variety of socially conscious Hollywood actors skillfully interwoven with archival footage, home movies and contemporary interviews detailing Trumbo’s ordeal.

The readings themselves vary; some are very emotional, while others feel stiff. Clearly some of the voice actors connected more with the material than others did, and quite frankly some of the letters sound better in the mind read on the printed page than they do spoken aloud. However, the home movies and some of the archival footage is absolutely riveting, and Askin maximizes their effect. Editor Ken Engfehr is to be commended for his deft touch.

Through these readings, interviews and footage, we get a glimpse of Trumbo the man, a man of unique principles and courage. Standing up for his beliefs at a time when conformity was more the norm – well, I suppose that can be said of any time – but certainly at a time when rocking the boat when it came to communism was tantamount to treason. Trumbo, despite his disdain for capitalism, had a deep abiding love for the Constitution and despite the fact that he could have pleaded the Fifth chose not to and ended up going to jail because he did not. He felt that the First Amendment was precious and needed to be protected, no matter the cost.

We honor those soldiers who have fought to keep us free and justifiably so. They put their lives on the line to uphold the principles that founded this nation and made it, despite all its flaws, a great one, and that’s something that should be treated with respect. However, along with those who defended our nation on the battlefield, respect should also be given to those who fought for our liberty on different battlefields; in the courtrooms, in the halls of our legislature and in the hearts and minds of our citizens. It would take decades before Dalton Trumbo’s courage would be recognized and honored but better late than never.

The story is compelling enough that it has been made into a feature film, with Bryan Cranston starring as Trumbo. It is in the process of a staggered release and should be coming to a theater near you soon (it’s already out in major markets like Los Angeles and New York City as this is published). Cranston is said to be on the Oscar shortlist for Best Actor and wouldn’t it be ironic indeed if he won an Oscar for the role. I haven’t seen the new movie yet but something tells me it will be a sentimental favorite.

WHY RENT THIS: Excellent use of archival footage. Some of the letters are really touching.  Important story.
WHY RENT SOMETHING ELSE: Some of the readings sound a bit stilted.
FAMILY VALUES: There are some sexual references.
TRIVIAL PURSUIT: Debuted at the 2007 Toronto International Film Festival.
NOTABLE HOME VIDEO EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $109,057 on an unknown production budget.
SITES TO SEE: Netflix, Amazon, iTunes, Vudu
COMPARISON SHOPPING: Trumbo (2015)
FINAL RATING: 8/10
NEXT: Documented concludes!

Ant-Man


Ant-Man on the wrong side of the tracks.

Ant-Man on the wrong side of the tracks.

(2015) Superhero (Disney/Marvel) Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Michael Pena, Anthony Mackie, Judy Greer, Bobby Cannavale, Abby Ryder Fortson, David Dastmaichian, T.I, Hayley Atwell, Wood Harris, John Slattery, Martin Donovan, Garrett Morris, Gregg Turkington, Rod Hallett, Joe Chrest, Hayley Lovitt. Directed by Peyton Reed

Good things come in small packages. It’s a truism that was likely created by short people. Still, it can be true even for superheroes.

Scott Lang (Rudd) is not a thief. He’s a burglar. But not your ordinary burglar. He’s a man with a Masters in Electrical Engineering and plenty of skills with a computer. He saw that a software company had been ripping off its customers, so he decided just to return the funds they had been overcharging to their customers. Kind of a modern day Robin Hood.

But even though his good buddy Luis (Pena) puts him up, Scott is finding it hard to make it in the outside world. Even a job at Baskin-Robbins doesn’t pan out when they find out he’s an ex-con. Baskin-Robbins always finds out. Anyway, his ex-wife (Greer) doesn’t want him anywhere near their cute daughter Cassie (Fortson) and her new husband Paxton (Cannavale), a cop, is going to make sure he stays away.

Hank Pym (Douglas) is a brilliant inventor who came up with a particle that compresses molecules, enabling the wearer of the suit he invented to utilize them to shrink to the size of an insect. He left SHIELD after a disagreement with Howard Stark (Slattery) and more to the point, Mitchell Carson (Donovan) led him to resign.

He entered the private sector and took on a protégé named Darren Cross (Stoll). After the death of his wife, Janet van Dyne (Lovitt) led to an estrangement with his daughter Hope (Lilly) to the point where she now uses her mother’s maiden name as her own, he had largely left the company. He only came back in because Cross was on the verge of discovering the secret to his particles – and planned to use a weaponized version of the suit to sell to the highest bidder. He needs someone to steal the suit and erase all the data from the system pertaining to it. But who could pull it off?

Of course it’s Scott Lang. And he and Hope (who, finding out about Cross’ plans has teamed up with her father) have a very short time to train Scott in using the suit properly, to fight effectively in it and use all the properties (like controlling ants) to become a hero in his own right. But will it be enough to beat the villainous Yellowjacket – the alter ego of Cross?

One of the things I have admired most about the Marvel Cinematic Universe is that the movies are not interchangeable. Each of them has their own style and Ant-Man continues that tradition. This is much more light in tone than the previous entries in the Marvel Universe, more like Guardians of the Galaxy than Avengers: Age of Ultron, the latter of which immediately preceded it in the Marvel timeline.

And maybe the MCU needed it; I think that other than the staunchest of Marvel fans were feeling a touch of burn-out after Age of Ultron. For whatever reason the powers-that-be at Disney decided that this would come out a mere two and a half months after the preceding movie which is a poor tactical decision and will likely cost this movie millions of box office dollars. Perhaps they just wanted a longer gap between the movie that ends Marvel’s Phase II (which this one does) and the one that begins Phase III (which Captain America: Civil War will on May 6, 2016). Still, with the Avengers still in a lot of theaters, it doesn’t make sense to release this one. I guess they’re getting ready to ratcheting up the film production to three a year rather than two which Marvel is planning on doing in 2017.

In any case, I suspect that the relatively low box office numbers (which would still be the envy of plenty of summer films) is largely due to the short turnaround. It may also be due to fan dissatisfaction over the change in director (see below) as fan favorite Edgar Wright left (or was forced out as many conspiracy-minded fanboys have opined) and Peyton Reed came aboard. I can’t say that Reed was a crackerjack replacement, but he does tend to keep things very simple in terms of framing shots and blocking action, but he also realizes this is necessarily effects-driven and allows the digital wizards to do their thing and do it they do.

The effects are for the most part well-executed, although the 2001-style sequence near the end of the movie as Scott enters the Microverse is a bit psychedelic, some might even say Dali-esque. The movie works best when they are in the world with ants as big as SUVs and where Thomas the Tank Engine becomes a runaway locomotive.

Rudd has always been a personable actor with a flair for the sarcastic and his winning personality is at full throttle here. He has bulked up his musculature to superheroic proportions and despite the fact that he is playing a convict (albeit a philanthropic one) the audience roots for him from beginning to end. There were those who might have rolled their eyes when he was cast but again, it turns out to be perfect casting as Marvel seems extremely adept at matching their superheroes with the right actors to play them.

I’ve always been a big Michael Douglas fan and for me, he is the best reason to go see this. Hank Pym is undeniably the best character he’s gotten in ages and this is his best performance in years. This is the Michael Douglas we remember from such films as Romancing the Stone, Wall Street and Fatal Attraction. He owns the screen every time he’s on it.

In the supporting realm, Evangeline Lilly is somewhat enigmatic in her pageboy haircut that reminded me of silent movie star Louise Brooks; ever since her breakout performance in Lost she hasn’t really gotten a part that takes advantage of her skills until now. Hopefully she’ll get plenty of good parts off of her performance here. Also Pena shows remarkable comic ability here; he has tended to play second banana roles for the most part – lots of cops on his filmography – but he steals the show here.

The light-hearted tone may be disappointing to fans who prefer their superheroes dark and undoubtedly we’ll get plenty of that in the next several Marvel films starting with Fantastic Four next month. Still, this is fine summer entertainment, better than the majority of the blockbusters that have appeared this summer to date and that’s saying something. This won’t stand up with the best of the Marvel Cinematic Universe but it won’t disappoint either. Marvel keeps on rolling and I for one continue to look forward to each new Marvel movie with anticipation.

REASONS TO GO: A little more light-hearted than most superhero films. Douglas gives his best performance in years.
REASONS TO STAY: May be too light for hardcore fans.
FAMILY VALUES: Superhero-style violence.
TRIVIAL PURSUIT: The film was originally developed by Edgar Wright who had brought the film to casting; however he dropped out at the 11th hour due to creative differences with Disney who had bought Marvel Studios in the intervening years; Reed stepped in, retaining the cast Wright had chosen.
CRITICAL MASS: As of 7/26/15: Rotten Tomatoes: 79% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: The Incredible Shrinking Man
FINAL RATING: 7/10
NEXT: Shaun the Sheep Movie

New Releases for the Week of July 17, 2015


Ant-ManANT-MAN

(Disney/Marvel) Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Michael Pena, Bobby Cannavale, Judy Greer, T.I., Hayley Atwell. Directed by Peyton Reed

Hank Pym, a noted inventor and scientist has long hidden his Ant-Man suit away from the world because he doesn’t think it is ready for its awesome powers. Now he is forced to use it but he himself cannot handle the physical demands of the suit, so he recruits a master thief named Scott Lang. Scott, he believes, can be a true hero and he will need to be to overcome the villain who means to enslave the world. Scott will have to call on the powers of the Ant-Man suit – the ability to shrink down in size, to become super-strong and to control insects – as well as his own skills as a thief to pull of the ultimate heist and save the world.

See the trailer, clips, promos, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX (opens Thursday)
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for sci-fi action violence)

Infinitely Polar Bear

(Sony Classics) Mark Ruffalo, Zoe Saldana, Keir Dullea, Imogene Wolodarsky. Set in the 1970s, a father who has made a number of mistakes in life and has lost his family as a result, tries to win back his estranged wife by showing her that he can take responsibility for his daughters. His skeptical kids though aren’t going to make that a particularly easy task. His eccentricities aren’t going to make it easy to begin with.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language)

Mr. Holmes

(Miramax/Roadside Attractions) Ian McKellan, Laura Linney, Frances de la Tour, Roger Allam. The great detective Sherlock Holmes is in his waning years, living in a seaside town with his housekeeper and her son in 1947, dealing with the powers of his mind which have begun to slip away. With the aid of his housekeeper’s son, he will take on the unsolved case that forced him into retirement so that he can at last put it to rest and go to his grave with a clear conscience. From acclaimed director Bill Condon.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: AMC Downtown Disney, Regal Winter Park Village
Rating: PG (for thematic elements, some disturbing images and incidental smoking)

Trainwreck

(Universal) Amy Schumer, Bill Hader, Brie Larson, Colin Quinn. A young woman has been trained from birth to believe that monogamy is unrealistic; now grown, she bounces from bed to bed without committing to anyone other than her BFF and her job at a men’s magazine. When she conducts an interview with a sports surgeon, though, all her tightly held beliefs begin to unravel. The latest from Judd Apatow has been getting early notices as the funniest film thus far this year.

See the trailer, clips, interviews, promos, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Comedy
Now Playing: Wide Release
Rating: R (for strong sexual content, nudity, language and some drug use)

New Releases for the Week of July 25, 2014


HerculesHERCULES

(MGM/Paramount) Dwayne Johnson, Ian McShane, John Hurt, Rufus Sewell, Ingrid Bolso Berdal, Joseph Fiennes, Peter Mullan, Rebecca Ferguson. Directed by Brett Ratner

Hercules the legend is also Hercules the man and the man and the legend don’t always coexist well. Haunted by the sins of his past, Hercules the man has turned his back on Hercules the legend and become a mercenary, using his reputation to intimidate those who oppose those who hire him. When the good King of Thrace and his daughter beg for help against an implacable warlord, Hercules finds that in order for justice to triumph he must once more shoulder the mantle of hero and let him embrace his legend – and perhaps at last put to bed the ghosts that haunt him. Assuming he survives, of course. Based on the revisionist take on the Hercules myth Radical Studios graphic novel.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Swords and Sandals

Rating: PG-13 (for epic battle sequences, violence, suggestive comments, brief strong language and partial nudity)

A Most Wanted Man

(Roadside Attractions) Philip Seymour Hoffman, Robin Wright, Willem Dafoe, Rachel McAdams. The arrival of a half-dead Chechen man on the run from mysterious forces brings the attention of the German secret service. They enlist an idealistic lawyer and a banker to discover what’s going on, with a top-ranked spy willing to go to any lengths to discover the truth, even if it means innocent lives. Based on a novel by master spy novelist John Le Carré.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Spy Thriller

Rating: R (for language)

And So It Goes

(Clarius) Michael Douglas, Diane Keaton, Frankie Valli, Frances Sternhagen. Oren Little has everything all mapped out. He’s going to sell one last house, retire from real estate and live a quiet life undisturbed by people. When his son drops off a nine-year-old granddaughter he never knew he had, his plans are thrown into chaos. Completely unprepared and ill-qualified to be a caregiver to a child, he at first foists the girl off on his extremely tolerant and patient neighbor but gradually he learns that being an obnoxious, curmudgeonly loner isn’t all it’s cracked up to be.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romance

Rating: PG-13 (for some sexual references and drug elements)

The Fluffy Movie

(Open Road) Gabriel Iglesias, Jacqueline Obradors, Ron White, Tommy Chong. Iglesias went from a contestant on Last Comic Standing to being kicked out of that competition for violating the competition’s rules for calling home and going on to become a cultural phenomenon. The performance footage here is taken from his Unity Through Laughter tour which spanned 23 countries and sold out nearly everywhere.

 

See the trailer, clips and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Stand-Up Comedy Concert

Rating: PG-13 (for suggestive material and sexual references)

Kick

(UTV) Salman Khan, Jacqueline Fernandez, Nawazuddin Siddiqui, Randeep Hooda. When a young woman finally figures out that her fiancée who lives for thrills is just not responsible enough for marriage, she calls things off. She tells the story of her previous engagement to a new prospective suitor who happens to be a police inspector. He also happens to be chasing her ex who has become a notorious thief who is giving all his ill-gotten gains away to charities for children. Seems like kind of an extreme way to win your lover back.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood Action

Rating: NR

Lucy

(Universal) Scarlett Johansson, Morgan Freeman, Min-sik Choi, Analeigh Tipton. A young woman is caught up in forces beyond her control as ruthless drug smugglers put a bag of a revolutionary new drug in her tummy in order to smuggle it to the United States. The bag starts to leak and the drug enhances her brain to allow her to use 100% of it. She begins to change into something more than human, which not only makes her a danger to the drug smugglers but potentially to the whole human race as well.

See the trailer, interviews, featurettes, clips and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Sci-Fi Thriller

Rating: R (for strong violence, disturbing images, and sexuality)

She’s Dating the Gangster

(Star Cinema) Kathryn Bernardo, Daniel Padilla, Sofia Andres, Khalil Ramos. A Filipino teen and a rebellious friend start up a false romance in order to spite his ex-girlfriend. However, their feelings begin to get deeper and the relationship shows signs of growing into something greater, but the boy may be a part of a vicious Manila gang.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: NR

Willow Creek

(IFC) Alexie Gilmore, Bryce Johnson, Peter Jason, Tom Yamarone. A Bigfoot enthusiast drags his long-suffering girlfriend to the place where the iconic Patterson-Gimlin film was shot years before to try and catch footage of his own. He gets a lot more than he bargained for and the couple discover the meaning to their horror of the term “forest bride.” A send-up of found footage horror films by comedian and director Bobcat Goldthwaite.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Comedy

Rating: NR

New Releases for the Week of June 20, 2014


Jersey BoysJERSEY BOYS

(Warner Brothers) John Lloyd Young, Erich Bergen, Vincent Piazza, Michael Lomenda, Christopher Walken, Steve Schirripa, John Griffin, Lou Volpe. Directed by Clint Eastwood

The Four Seasons were not just pop stars from a bygone era. They were four Jersey boys who went from the mean streets of the Garden State to the highest of heights. With the signature voice of Frankie Valli, they were one of the major pop forces of the 60s all the way through the 70s. A Tony Award-winning musical about their lives and music took Broadway by storm and at last hits the big screen, directed by none other than Clint Eastwood himself.

See the trailer, clips, interviews, featurettes and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Musical

Rating: R  (for language throughout)

Cold in July

(IFC) Michael C. Hall, Sam Shepard, Don Johnson, Vinessa Shaw.On a hot summer night in Texas in 1989, a man investigates noises in his living room and surprises a burglar. A split second decision sees the man pull the trigger and become a local hero. Not everyone appreciates his actions; the criminal’s ex-con father is coming to town and he has nothing but bloody revenge on his mind.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for disturbing bloody violence, language and some sexuality/nudity)

The Grand Seduction

(eOne) Brendan Gleeson, Taylor Kitsch, Liane Balaban, Gordon Pinsent. A small Canadian town desperately needs a new petrochemical plant in order to survive. The company will not locate a plant there unless they have a resident doctor which is one thing they don’t have. When a doctor passes through, they realize that they have to convince him that this town is the paradise he’s been looking for.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for some suggestive material and drug references)

Humshakals

(Fox Star) Saif Ali Khan, Ritesh Deshmukh, Ram Kapoor, Bipasha BasuAshok and Kumar are best friends who unbeknownst to them have two lookalikes, also named Ashok and Kumar who are also best friends. Unbeknownst to both of these pairs of friends is another pair of lookalikes, also named Ashok and Kumar, also the best of friends. Add to this a man named Mamaji who also has a lookalike who in turn has a look alike of his own (you guessed it – all named Mamaji) and you have chaos waiting to happen.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

The Rover

(A24) Guy Pearce, Robert Pattinson, Scoot McNairy, Susan Prior. In a future ten years following the collapse of society, a loner in the Australian outback has his car stolen by a gang of thieves. However, they leave one of their members behind in the ensuing chaos and the loner uses him (quite unwillingly) to track his former mates so that he can retrieve the only thing that really matters to him. The latest film from the director of Animal Kingdom.

See the trailer, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sci-Fi Action

Rating: R (for language and some bloody violence)

Supermensch: The Legend of Shep Gordon

(Radius)  Shep Gordon, Alice Cooper, Sylvester Stallone, Michael Douglas.In the annals of managers both in the film and music industries, the name of Shep Gordon looms among the pantheon of the best. One of the few in the business who is beloved by both clients and corporate alike, he has created a storied life that would make a Hollywood movie – if it weren’t true. Now, close friend Mike Myers aims to tell the story of the man who redefined the word mensch .

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: R (for language, some sexual references, nudity and drug use)

Think Like a Man Too

(Screen Gems) Kevin Hart, Michael Ealy, Gabrielle Union, Taraji P. Henson. This sequel to the surprise hit of 2012 finds the same couples still hanging in there after a couple of years but now they are headed to Las Vegas to celebrate the wedding of one of their own. They find themselves unable to keep themselves from getting into hot water and forget one of the most basic rules of Hollywood – what happens in Vegas doesn’t always stay in Vegas.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy (opens Thursday)

Rating: PG-13 (for crude sexual content including references, partial nudity, language and drug material)