The Other Lamb


It’s all there in black and white.

(2019) Drama (IFC Midnight) Raffey Cassidy, Michael Huisman, Denise Gough, Eve Connolly, Kelly Campbell, Isabelle Connolly, Aibhe Cowley, Irene Kelleher, Jane Herbert, Charlotte Moore, Mallory Adams, David Khalid Fawaz, Zara Devlin, Eva Mullen, Juliette Crosbie. Directed by Malgorzata Szumowska

 

It is, for better or worse (mostly the latter), a man’s world. Men take women for granted, objectify them, abuse them and for generations, women have borne their cross with quiet grace. The thing is, you can only push someone to the wall for so long before they push back.

Selah (Cassidy) has been raised in one of those cults which time has forgotten. Run by the charismatic Shepherd (Huisman) – the only male member – he sets the women to working hard, tending sheep, cooking, cleaning and raising the children. He has divided his flock into two groups; sisters and wives. When one of his wives has a baby, it always seems to be female. He makes sure the women wear plain, homespun dresses. They lead a life the Amish would find rustic.

But Selah isn’t like the other cult members. She’s intelligent, headstrong and doesn’t accept everything at face value. She is warned by outcast wife Sarah (Gough) that Shepherd isn’t necessarily the loving and caring creature he makes himself out to be. And as the outside world begins to encroach on their wooded paradise, Shepherd decides to move his flock to an even more remote, pastoral location where he can continue to live life as he sees fit but Selah, on the cusp of her first period, soon realizes that Shepherd is keeping some mighty dark secrets from his flock.

This largely allegorical tale incorporates elements of The Handmaid’s Tale and The Apostle into a beautiful pastoral setting. Cinematographer Michal Englert is the unsung hero here, filming the misty Irish countryside with a kind of grey sheen that is both oppressive and beautiful at the same time. This is as beautiful a film as it is disturbing.

Huisman, looking every inch the WASP Jesus, has the charisma to pull off the role. Handsome and soft-spoken, it’s not hard to figure ot why the women fall for him as they do. Shepherd is a master manipulator, as many sexual predators are. There’s a scene in which the flock grows almost hysterical in their devotion, whipped into a frenzy by their love for Shepherd. But, as Chrissie Hynde once sang, there’s a thin line between love and hate.

Cassidy is absolutely revelatory here. Already haven distinguished herself with performances in Vox Lux and The Killing of a Sacred Deer, she knocks it out of the park here. It’s always telling when you realize that she really doesn’t have a lot of dialogue to utter; much of her performance is done facially and through body language. There is a scene with Huisman when she is initiated into wife-hood that is heartbreaking and makes you want to reach through the screen and rescue her.

It is one of several scenes of disturbing content, such as one where Selah encounters a lamb prematurely born, hairless and in terrible pain. This isn’t a horror film per se, but one can’t discount the elements in it as being horrific. In that sense, the film will chill you to the bone.

It’s not perfect, though. The film drags a little bit and there is a lack of context that makes it hard to follow the action, occasionally. Szumowska has stated that the film is “a dark cry against the patriarchy” and if ever something deserved a cacophony of banshee-like shrieks, it’s the patriarchy but in some ways it fees a bit manufactured; certainly we’ve seen enough films about cults and this doesn’t really add a lot to the overall “cults are bad” dialogue.

This is the kind of movie that demands your full attention. When you watch it, make sure your smart phone is put away, the shades are drawn and any distractions are set aside. You can’t watch this passively, or as background noise. Give it the benefit of your commitment. You’ll be glad you did.

REASONS TO SEE: Cassidy delivers a powerful performance. Creepy and foreboding throughout.
REASONS TO AVOID: Does the world need another “cults are bad” movie?
FAMILY VALUES: There are some disturbing images, some sudden and unexpected violence and much sexuality.
TRIVIAL PURSUIT: Three cast members (Kelly Campbell, Eve Connolly, Isabelle Connolly) have also appeared in the History Channel series Vikings.
BEYOND THE THEATERS: Amazon, Vudu
CRITICAL MASS: As of 4/6/20: Rotten Tomatoes: 72% positive reviews, Metacritic: 68/100
COMPARISON SHOPPING: Martha Marcy May Marlene
FINAL RATING: 7.5/10
NEXT:
Creed II

The Guernsey Literary & Potato Peel Pie Society


Wheels keep on turning.

(2018) Drama (NetflixLily James, Michael Huisman, Jessica Brown Findlay, Glen Powell, Matthew Goode, Tom Courtnay, Katherine Parkinson, Clive Merrison, Bernice Stegers, Penelope Wilton, Kit Connor, Bronagh Gallagher, Florence Keen, Andy Gathergood, Nicolo Pasetti, Marek Oravec, Jack Morris, Stephanie Schonfeld, Pippa Rathbone, Rachel Olivant, Emily Patrick. Directed by Mike Newell

 

In 1946, England was still picking itself up and dusting itself off after the war. In London, the ruin of the Blitz was still very much in evidence and while there was an attitude of starting fresh, the pain and horror of the war wasn’t far from the surface.

Author Juliet Ashton (James) is making a tidy amount off of plucky war-set stories that are popular but bring her no intellectual satisfaction. A fan letter from a book club in picturesque Guernsey, a Channel Island that had been occupied by the Nazis during the war (a fact that this ignorant American wasn’t aware of) leads her to visit the club to perform a reading. She is captivated by the beauty of the island but even more so by the people, particularly those in the club. Although she is engaged to a flashy American diplomat (Powell), she finds herself drawn to farmer Dawsey Adams (Huisman). She is also drawn to the mystery of Elizabeth McKenna (Findlay), once the heart and soul of the club but whose absence nobody seems to want to talk about.

Mike Newell is one of the UK’s most capable directors with movies such as Four Weddings and a Funeral as well as Harry Potter and the Goblet of Fire, one of the better installments in the franchise, to his credit. He does a marvelous job of evoking the post-war Era and gathering together an even more marvelous cast. James is never more attractive than she is here, and nearly all of the ensemble cast has some wonderful moments, particularly veterans Courtnay and Wilton, particularly Wilton who is much undervalued as an actress. There are sequences here where the raw emotions brought on by survivor’s guilt are communicated without theatrical hysterics. It’s a nuanced and brilliant performance that very nearly steals the show.

The romantic elements of the movie are a bit too sweet, leaving one with an unpleasant taste in the mouth – I truly wish that the plot had revolved more on the tale of Elizabeth McKenna than on the romance between Dawsey Adams and Juliet Ashton which came off like a British period soap opera only less interesting. I can’t not recommend a Mike Newell film however and the strong performances in this one make it a perfect candidate to Netflix and Chill.

REASONS TO SEE: The era is recreated beautifully.
REASONS TO AVOID: Contains more than a little bit of treacle.
FAMILY VALUES: The themes are somewhat adult; there are also some sexual references and occasional mild profanity.
TRIVIAL PURSUIT: James, Findlay, Good and Wilton also have appeared in the hit PBS series Downton Abbey; one of the filming locations for the show also doubled as exteriors for Guernsey (the Charterhouse in cases anyone is keeping score).
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 9/24/19: Rotten Tomatoes: 81% positive reviews: Metacritic: 65/100.
COMPARISON SHOPPING: The Man Who Went Up a Hill & Came Down a Mountain
FINAL RATING: 7/10
NEXT:
Jim Allison: Breakthrough

New Releases for the Week of March 10, 2017


KONG: SKULL ISLAND

(Warner Brothers/Legendary) Tom Hiddleston, Samuel L. Jackson, Brie Larson, John Goodman, John C. Reilly, Corey Hawkins, Toby Kebbell, Tian Jing, Shea Whigham. Directed by Jordan Vogt-Roberts

An expedition made up of a team of scientists, soldiers and explorers go to a previously uncharted and unmapped island in the Pacific and find a world of nightmares. Hostile locals aren’t even the half of it; the island is infested with ferocious creatures that are so much further up the food chain than human beings that we might as well be lambs for the slaughter. The island is rules by Kong, a gigantic ape whose existence has ever only been legend. Now, the team – stranded on the island – has no choice but to rely on all their skills to make it home with the proof that the legend exists, or die trying.

See the trailer, interviews, clips, promos, B-Roll video and Premiere footage here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Adventure
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for brief strong language)

Badrinath Ki Dulhania

(Fox Star) Varun Dhawan, Alia Bhatt, Gauhar Khan, Shweta Prasad. Two young people growing up in neighboring small towns seem to be polar opposites. Everything he believes in, she believes in the opposite. Even though they both recognize the good hearts in the other, their ideologies might just get in the way of a perfectly good romance.

See the trailer and music videos here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

I Am Not Your Negro

(Magnolia) Samuel L. Jackson (narrator), James Baldwin, Dr. Martin Luther King, Malcolm X. When James Baldwin passed away in 1987 left unfinished was a manuscript for a book that examined the murders of three of his closest friends – Martin Luther King, Malcolm X and Medgar Evers. Director Raoul Peck has created a documentary using Baldwin’s still-timely prose and archival footage to remind us that the progress we have made in racial relations is not really as much as we thought.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: PG-13 (for disturbing violent images, thematic material, language and brief nudity)

The Ottoman Lieutenant

(Paladin) Michael Huisman, Hera Hilmar, Josh Hartnett, Ben Kingsley. A plucky American nurse is charmed by a doctor working at a charitable hospital in one of Armenia’s most desolate areas. As it is 1919 and war is brewing not only in Europe but in the Ottoman Empire as well (as Turkey and Armenia were then called) her resolve to bring medical supplies and a much-needed truck into a dangerous place leads her into contact with a dashing young lieutenant in the Ottoman army – and a romantic triangle that threatens to explode even as war does.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, Regal Oviedo Marketplace, Regal Winter Park Village

Rating: R (for some war violence)