New Releases for the Week of November 8, 2019


DOCTOR SLEEP

(Warner Brothers) Ewan McGregor, Rebecca Ferguson, Kyleigh Curran, Carl Lumbly, Zahn McClamon, Emily Alyn Lind, Bruce Greenwood. Directed by Mike Flanagan

Forty years after the events of The Shining, Danny Torrence is a middle-aged man on the run from his nightmares. He is drawn to a small New England town where he meets a young girl even more powerful than he; she needs his help against a group of psychic vampires who feed off of those with psychic powers. Their battle will lead them to where it all began for Danny; the Overlook Hotel.

See the trailer here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: R (for disturbing and violent content, some bloody images, language, nudity and drug use)

Jojo Rabbit

(Fox Searchlight) Roman Griffin Davis, Taika Waititi, Scarlett Johansson, Sam Rockwell. A young boy living in Nazi Germany is shocked to discover his mother hiding a young Jewish girl in their attic. He will be forced to confront his blind nationalism while fending off his idiotic imaginary friend: Adolph Hitler.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Orlando, Regal Winter Park Village
Rating: PG-13 (for mature thematic content, some disturbing images, violence, and language)

Last Christmas

(Universal) Emilia Clark, Henry Golding, Emma Thompson, Michelle Yeoh. One of the most cynical women you’ll ever meet has the job of being an elf in a year-round Christmas store – talk about a bad fit. When she meets a man too good to be true, she at first resists him but his persistence and the oncoming holiday season help melt her heart.

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Wide Release
Rating: PG-13 (for language and sexual content)

Midway

(Lionsgate) Ed Skrein, Patrick Wilson, Aaron Eckhart, Luke Evans. The story of the battle that proved to be the turning point in the Pacific Theater of World War II – a battle that was almost never fought.

See the trailer here
For more on the movie this is the website  
Genre: War
Now Playing: Wide Release
Rating: PG-13 (for sequences of war violence and related images, language and smoking)

Playing with Fire

(Paramount) John Cena, Judy Greer, Keegan-Michael Key, Brianna Hildebrand. A group of tough, no-nonsense firefighters have their lives turned upside down when they rescue three kids from a wildfire who are forced to bunk at their station with them.

See the trailer here
For more on the movie this is the website  
Genre: Family
Now Playing: Wide Release
Rating: PG (for rude humor, some suggestive material and mild peril)

ALSO OPENING IN ORLANDO/DAYTONA:

Acceleration
Bala
For Sama
Primal
Shapludu
Thiparaa Meesam

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Bala
By the Grace of God
Love is Blind
My Dear Liar
Santa Sangre
Thiparaa Meesam

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Bala
No Safe Spaces
Thiparaa Meesam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Bala
Becoming Nobody
Thiparaa Meesam

SCHEDULED FOR REVIEW:

Doctor Sleep
Jojo Rabbit
Last Christmas
Midway
Playing with Fire

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Central Florida Jewish Film Festival, Maitland FL
Cinema Venezuela, Miami FL
Florida Surf Film Festival, New Smyrna Beach FL
Fort Lauderdale International Film Festival, Fort Lauderdale FL

Master Z: Ip Man Legacy (Ye wen wai zhuan: Zhang tian zhi)


Jin Zhang and Michelle Yeoh have a tete a tete.

(2018) Martial Arts (Well Go USA) Jin Zhang, Dave Bautista, Michelle Yeoh, Tony Jaa, Patrick Tam, Xing Yu, Naason, Chrissie Chau, Yan Liu, Henry Zhang, Brian Thomas Burrell, Kevin Chang, Adam Pak, Yuen Wah, Adel Ali Mohamed, Mathieu Jaquet. Directed by Woo-Ping Yuen

 

The Ip Man series of films (currently at seven and counting – another one is set for American distribution in July) have yielded big box office success in China and Hong Kong over the years. The series revolves around Ip Man, the revered and legendary martial arts master whose claim to fame in the West is that he mentored Bruce Lee. Most of the Ip Man movies revolve around the master defending the citizens of Hong Kong from the excesses of the corrupt British colonialists and deadly local criminal gangs. Although highly fictionalized accounts of the master’s life, the popularity of the series in Asia is undeniable.  It was inevitable that a spin-off would be created. Does it deliver on the action goods as the original series did?

Wing chun master and formerly the head of a prestigious school Cheung Tin-chi (J. Zhang) lost a closed-door match to Ip Man (the only connection to Ip Man and an outrageously tenuous one at that) and has been reduced to beating up people for a low-life criminal (Wah). Disillusioned by the way his life has turned out, Cheung elects to walk away from fighting. He opens up a tiny grocery store and sets about raising his rambunctious yet precocious young son Fung (H. Zhang) himself.

Nana (Chau) is hooked on drugs and is deeply in debt to local crimelord Kit (Chang). He is the hot-headed younger brother of Cheung Lok matriarch Kwan (Yeoh) who yearns to take her criminal enterprise legitimate, much to the consternation of Kit and her underlings who in the words of one, only know crime. Nana’s soon-to-be sister-in-law Julia (Liu) pays off Nana’s debt. She is the sister of Fu (Naason), one of the leaders on Hong Kong’s notorious garish Bar Street. He owns the successful Gold Bar, where Nana – his fiancée – works as a waitress and Julia sings. Kit though is not satisfied with the principle being paid off; he ants the interest too and refuses to release Nana. The feisty Julia manages to yank Nana away and the two women flee don an alleyway trailed by a pack of Kit’s goons here they run into Cheung making a delivery.

The goons are no match for Cheung, who now finds himself having acquired the enmity of Kit who firebombs Cheung’s store in retaliation. Cheung and his son, who lived above the store, have no place to go so the compassionate Julia puts them up and Cheung gets a job as a waiter at the Gold Bar. Still, Kit isn’t finished with them and when he goes too far leading to tragedy, Cheung knows he won’t get justice through the corrupt police ho are in the pockets of Kwan and Kit. Justice must be acquired the old-fashioned way.

The thing about most martial arts films is that the plot is pretty generic, the acting over-the-top and the characters barely developed at all and this is true of Master Z. However, Jin Zhang (also known as Max Zhang) is a charismatic lead who could appeal to audiences in much the same way as Ip Man’s Donnie Yen does. It doesn’t hurt to have Yeoh, easily one of the most accomplished actresses in the globe and a terrific martial artist in her own right, on the marquee. Tony Jaa, the spectacular fighter from the Thai series Ong Bak cameos as a mysterious assassin employed by various factions in the Hong Kong criminal underground, as well as former WWE wrestler Dave Bautista as a vicious racist restaurateur who is the drug supplier for Kit. Bautista’s British accent is a mite unconvincing though.

The real stars here are the production design and the fight scenes. Bar Street which in its day was a garish cross of Times Square and the Vegas strip. Recreated on a sound stage, it is a fantasy land of light and motion and a perfect place to stage spectacular fight scenes. The film is set in the early 60s judging from the costumes and the hair style of the women (lots of beehives and bouffants). While the era is inexact in some ways, the look is undeniable eye candy.

Despite having one of the greatest martial arts fight choreographers in history in the director’s chair, the fights are curiously uneven. The first in which Cheung encounters Kit’s goons in the alleyway is surprisingly tame; the next one, among the neon signs of Bar Street, is spectacular. Yeoh and Zhang have some nifty fights including one with a whiskey glass which they endeavor to pass from one to the other without spilling a drop. However, the climactic fight between Bautista and Zhang is once again not as thrilling as it might have been. When the fight scenes are at their best, though, they are stupendous.

There is certainly potential for sequels to Master Z and it did quite well at the box office when it was released in China earlier this year. In all fairness despite the star power in the cast (and behind the camera) the movie doesn’t really add much to the genre but it is entertaining in its own right and that’s enough for the martial arts enthusiast like me.

REASONS TO SEE: The production design is dazzling. Michelle Yeoh is always worth the price of admission.
REASONS TO AVOID: Some of the fight sequences (like the first one) don’t measure up to the show stoppers. The plot is pretty generic.
FAMILY VALUES: There is a whole lot of martial arts violence, some mild profanity as well as drug use.
TRIVIAL PURSUIT: Although the character of Ip Man (played in the series by Donnie Yen) doesn’t appear in the film, Yen remains on as a producer for it.
CRITICAL MASS: As of 4/13/19: Rotten Tomatoes: 81% positive reviews: Metacritic: 72/100.
COMPARISON SHOPPING: Ip Man 2
FINAL RATING: 6/10
NEXT:
Ramen Shop

New Releases for the Week of Aptil 12, 2019


HELLBOY

(Summit) David Harbour, Milla Jovovich, Ian McShane, Sasha Lane, Daniel Dae Kim, Penelope Mitchell, Sophie Okonedo, Thomas Haden Church. Directed by Neil Marshall

Hellboy, the cigar-chomping half-demon entity and operative for the Bureau of Paranormal Research and Defense, must go up against Nimue, a resurrected sorceress with a grudge. She seeks to avenge a past betrayal; he seeks to stop her without bringing about the end of days.

See the trailer, video featurettes, clips, interviews and B-roll video here
For more on the movie this is the website
Genre: Action/Adventure
Now Playing: Wide Release

Rating: R (for strong bloody violence and gore throughout, and language)

After

(Aviron) Josephine Langford, Hero Fiennes Tiffin, Selma Blair, Jennifer Beals. Based on the Anna Todd bestseller, After follows the dutiful, lawyer and well-behaved Tessa as she enters her first semester of college. Unusual for her age in that she has a clear idea of who she is and what her goals are in life, she meets a brooding, handsome young rebel who throws her carefully planned life and future into absolute chaos.

See the trailer, clips, interviews and B-roll video here
For more on the movie this is the website  
Genre: Romance
Now Playing: Wide Release

Rating: PG-13 (for sexual content and college partying)

Little

(Universal) Regina Hall, Issa Rae, Marsai Martin, Tone Bell. A young woman feels the stresses of adult life getting to her to the point she can’t stand it anymore. She longs to relive her carefree childhood days and this being the movies, it comes to pass. Think of this as the anti-Big.

See the trailer, video featurettes and a clip here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Wide Release

Rating: PG=13 (for some suggestive content)

Master Z: Ip Man Legacy

(Well Go USA) Jin Zhang, Dave Bautista, Michelle Yeoh, Tony Jaa. After suffering defeat at the hands of Ip Man in a martial arts battle, Cheung Tin Chi turns his back on fighting to raise his young son and run a small store. However, he’s reluctantly drawn back when the hotheaded brother of a gang leader has a run-in with him.

See the trailer here
For more on the movie this is the website  
Genre: Martial Arts
Now Playing: Regal Waterford Lakes

Rating: NR

Mia and the White Lion

(Ledafilms) Daniah de Villiers, Mėlanie Laurent, Langley Kirkwood, Ryan McLennan. 10-year-old Mia’s life is turned upside down when her family decides to move from London to manage a lion farm in South Africa. Mia is heartbroken to leave everything she knows but develops a close friendship with a rare white lion cub. As the cub grows to full maturity, Mia uncovers a family secret. Distraught, she decides to run away with her white lion on a desperate journey to find somewhere her friend can live in peace and freedom.

See the trailer here
For more on the movie this is the website  
Genre: Family
Now Playing: AMC Altamonte Mall, Cobb Plaza Cinema, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Rialto Spanish Springs Square

Rating: PG (for thematic elements, peril and some language)

Missing Link

(Annapurna/United Artists) Starring the voices of Hugh Jackman, Zach Galifianakis, Zoe Saldana, Emma Thompson. The latest from the inventive animation house Laika, an anthropological wonder who lives in the Pacific Northwest longs to find others of his kind in the fabled valley of Shangri-La and recruits a famous adventurer to take him there.

See the trailer, clips, interviews, a video featurette and B-roll video here
For more on the movie this is the website  
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for action/peril and some mild rude humor)

ALSO OPENING IN ORLANDO/DAYTONA:

Acres & Acres
American Warfighter
Chitralahari
Diane
Los Domirriqueños 2
Madhura Raja
Mary Magdalene
Noah: Sight and Sound

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Chitralahari
Diane
Ferrante Fever
Los Domirriqueños 2
Madhura Raja
Manje Bistre 2
Mary Magdalene
Noah: Sight and Sound
Penguin Highway
Sherdil
The Sower

ALSO OPENING IN TAMPA/ST. PETERSBURG:

A Dark Place
Chitralahari
Diane
Gangs of Madras
Kavacha
Los Domirriqueños 2
Madhura Raja
Noah: Sight and Sound

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Chitralahari
Madhura Raja
Noah: Sight and Sound
Transit

SCHEDULED FOR REVIEW:

Hellboy
Master Z: The Ip Man Legacy

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Florida Film Festival, Maitland/Winter Park FL
Sarasota Film Festival, Sarasota FL

New Releases for the Week of August 17, 2018


CRAZY RICH ASIANS

(Warner Brothers) Constance Wu, Henry Golding, Michelle Yeoh, Gemma Chan, Lisa Lu, Awkwafina, Harry Shum Jr., Ken Jeong, Sonoya Mizuno. Directed by Jon M. Chu

A native New Yorker of Asian descent falls in love with a young man from Singapore. As things are starting to get serious between them, she is invited to meet his family and it turns out that they’re crazy wealthy – not to mention just plain crazy. This romantic comedy has been getting strong reviews which is unusual for any rom-com.

See the trailer, interviews and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release (opened on Wednesday)

Rating: PG -13 (for some suggestive content and language)

1945

(Menemsha) Peter Rudolph, Bence Tasnádi, Tomás Szabó Kimmel, Dóra Sztarenki. As a small Hungarian village prepares for the wedding of the son of the town clerk one morning in August 1945, two mysterious strangers in black show up at the railway station, starting a chain reaction as the town is brought short to face the actions of the War.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: NR

Alpha

(Columbia) Kodi Smit-McPhee, Natassia Malthe, Leonor Varela, Jóhannes Haukur Jóhanneson. In the Ice Age, a young hunter is injured. Left to die, he helps an injured wolf. The two face a harsh world as allies as he struggles to reach home before winter.

See the trailer here
For more on the movie this is the website

Release Formats: Standard, 3D, IMAX 3D
Genre: Adventure
Now Playing: Wide Release

Rating: PG-13 (for some intense peril)

Gold

(ZEE) Akshay Kumar, Mouni Roy, Kunal Kapoor, Amit Sadh. In 1948 India was a newly minted country, released from colonial status from the British empire. They were participating in their first Olympic Games as an independent nation. Their field hockey team was set to take on the British team. They were not expected to win. You can imagine what happened next.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Sports Drama
Now Playing: AMC West Oaks

Rating: NR

The Little Mermaid

(Freestyle) Poppy Drayton, Shirley MacLaine, William Moseley, Gina Gershon. Loosely based on the Hans Christian Andersen fable, a young reporter and his niece discover a beautiful girl that they suspect might be the real Little Mermaid.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Fantasy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex

Rating: PG (for action)

Mile 22

(STX) Mark Wahlberg, Lauren Cohan, Iko Uwais, John Malkovich. A police officer with sensitive information needs to be smuggled out of his native country. Assigned to the job is an American intelligence officer and his elite tactical squad. However, in order to make the rendezvous at Mile Marker 22 he is going to have to run a gauntlet of those who want the cop silenced – and they seem to know every move he makes before he makes it. This is another collaboration between Wahlberg and director Peter Berg.

See the trailer here
For more on the movie this is the website

Release Formats: Standard, Dolby, IMAX
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

Puzzle

(Sony Classics) Kelly Macdonald, Irrfan Khan, David Denman, Helen Piper Coxe. A suburban housewife, taken for granted by her family, develops a passion for solving jigsaw puzzles. She impulsively enters a jigsaw competition and finds herself immersed in a whole new world she could never have imagined.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for language)

Summer of ‘84

(Gunpowder & Sky) Graham Verchere, Judah Lewis, Caleb Emery, Tiera Skovye. A group of suburban teens suspect that the neighborhood cop might be the serial killer who has been plaguing their town. They spend the summer keeping an eye on him and looking for evidence. But the closer they come to discovering the truth, the more dangerous things get. This Florida Film Festival favorite has been compared to Stranger Things.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater (Friday and Saturday midnight shows only)
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Benched (Rounding Third)
Geetha Govindam
Kolamavu Kokila
Koode

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Billionaire Boys Club
Geetha Govindam
The Good Life
Koode
The Miseducation of Cameron Post
Puppetmaster: The Littlest Reich

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Billionaire Boys Club
Down a Dark Hall
Geetha Govindam
The King
Koode
McQueen
Running for Grace
The Spy Gone North

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Geetha Govindam
Kolamavu Kokila

SCHEDULED FOR REVIEW:

Alpha
Crazy Rich Asians
The Little Mermaid
Mile 22
Summer of ‘84

Guardians of the Galaxy Vol. 2


Box office champions tend to have the last laugh.

(2017) Science Fiction (Disney/Marvel) Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Michael Rooker, Karen Gillan, Pom Klementieff, Sylvester Stallone, Kurt Russell, Sean Gunn, Tommy Flanagan, Rob Zombie, Rhoda Griffis, Seth Green (voice), David Hasselhoff, Gregg Henry, Michelle Yeoh, Ving Rhames, Chris Sullivan, Elizabeth Debicki. Directed by James Gunn

 

Okay, in the interest of full disclosure, Da Queen loves everything Guardians, particularly Rocket Raccoon. If I were to say anything negative about either the franchise or the characters, I am likely to get the cold shoulder for weeks on end at best or a heavy object upside my head at worst. Thus, I waited for her to go out of town on business before publishing my review for this massive hit.

Taking place only four months after the first Guardians (making this 2014), the nascent team continues to bicker like, well, family. They are getting set to take on a CGI alien tentacle thing that is kind of a cross between a squid and the machine ships of the Matrix trilogy. Incongruously, Baby Groot (Diesel) sets up a boombox and dances along to the strains of ELO’s “Mr. Blue Sky” while all around him is chaos. That kind of sets things up and sums things up at the same time.

Rocket (Cooper) being a raccoon has a distinctly kleptomaniac kind of attitude and before long their former employers, the genetically perfect (but not too bright) Sovereign are after them and they are saved by a mysterious figure but are forced to crash land on a primitive planet to make repairs. There the mysterious figure reveals himself; his name is Ego (Russell) but more to the point, he’s also Star Lord’s (Pratt) dad and he invites his boy over to his planet for a bit of father-son bonding time. Rocket and Groot stay behind to repair the Merano and guard their prisoner Nebula (Gillan) while Gamora (Saldana) – sister to Nebula – and Drax (Bautista) go along for the ride, joining the ultra-empathetic Mantis (Klementieff) who works as a kind of valet for Ego.

Things being what they are for the Guardians, Ego turns out to be a God-like Celestial and as the saying goes, absolute power corrupts absolutely and Ego’s power is as absolute as it gets. The Guardians are once again called into battle but can they overcome the power of a god?

This is everything fans of the first film hoped it would be; there’s a lot of Easter eggs in it for Marvel fans in general (like a cameo appearance of Howard the Duck) and Guardians fans in particular like the appearance of the original Guardians team of Yondu (Rooker), Starhawk (Stallone), Charlie-27 (Rhames) and Aleta Ogord (Yeoh).

The downside of that is that it feels at times like Gunn is trying to cram a bit too much into the movie; not only is he setting up future Guardians movies as well as, indirectly, the upcoming Avengers: Infinity War but he’s also trying to throw in a whole lot of Guardians lore while trying to tell a coherent story of his own. There is also a whole lot of carnage and some impressive battle scenes – a ton of them in fact – and for some it might end up being geek overload.

Gunn also wisely spreads the wealth among his talented cast; we get to learn a whole lot of backstory for all of the characters and while Peter Quill is the ostensible focus, Drax ends up getting almost all of the laughs while Nebula and Yondu are given some scenes of tremendous pathos. And yes, the sci-fi spectacle is all there from the art deco splendor of the Sovereign to Ego’s planet which the most ambitious computer effect is ever created to date with something over a trillion polygons of computer graphics.

The chemistry between the cast continues to be strong and while the story sometimes might be a little hard to follow, there is still some investment and I’m sure that Marvel’s lords and masters over at Disney were smiling at the theme of family which is one of their sweet spots. This year’s summer blockbuster slate has been inconsistent in quality but certainly it has had its share of smart and entertaining successes and this is one of the biggest so far.

REASONS TO GO: One of Kurt Russell’s best performances in years. The song selection is masterful. The special effects are truly special. Baby Groot nearly steals the show.
REASONS TO STAY: Gunn tries to pack in a little bit too much into the film.
FAMILY VALUES: There is plenty of violence (of the sci-fi nature), some mild profanity and a little suggestive content.
TRIVIAL PURSUIT: Glenn Close filmed scenes as Nova Prime but they ended up on the cutting room floor.
CRITICAL MASS: As of 7/29/17: Rotten Tomatoes: 82% positive reviews. Metacritic: 67/100.
COMPARISON SHOPPING: The Ice Pirates
FINAL RATING: 9/10
NEXT: Naledi: A Baby Elephant’s Tale

Morgan (2016)


Mirror images.

Mirror images.

(2016) Sci-Fi Thriller (20th Century Fox) Kate Mara, Anya Taylor-Joy, Rose Leslie, Michael Yare, Toby Jones, Paul Giamatti, Michelle Yeoh, Chris Sullivan, Boyd Holbrook, Vinette Robinson, Brian Cox, Jennifer Jason Leigh, Crispian Belfrage, Amybeth McNulty, Jonathan Aris, Charlotte Asprey, Frank Cannon, Bobby Marrio, Martin O’Sullivan, Chrissie Harris. Directed by Luke Scott

 

As our technology and scientific understanding progress, we will be confronted by questions having to do with what it means to be human – and whether or not that definition is broad enough to cover the wonders that are sure to follow. Will artificial life forms have the same compunctions we do? Can we ever truly trust them?

Morgan (Taylor-Joy) is the results of a bio-engineering experiment using artificial DNA. She is brilliant, strong and yet emotionally immature; she’s only five years old chronologically speaking although she is in her teens in terms of physical development. When she suddenly and without warning attacks a psychologist (Leigh) in the compound, the corporation funding the experiments sends risk analyst Lee Weathers (Mara) to make the determination if the plug should be pulled on the experiment.

When she reaches the secluded Pacific Northwest compound where the scientists studying Morgan are housed, she is met with wariness. Lee is surprised to find the personal attachment many of the scientists have with Morgan with the exception of nutritionist Skip Vronsky (Holbrook) who still refers to Morgan as “it.” The rest of the team has bonded with the girl in spite of the attack on one of their number; they show affection towards her, even though they keep her in what amounts to a cage.

After an examination by another psychologist (Giamatti) ends in disaster, the lead scientist on the Morgan project (Yeoh) reluctantly decides to terminate Morgan which meets with resistance from the team, but Lee is adamant that the directive be carried out. However, like all living beings, Morgan is possessed with a strong survival instinct. She also has not only the ability to use it, but deadly abilities not even her handlers were aware she had.

Artificial life forms gone amuck have long been a staple of Hollywood sci-fi horror films. This isn’t really a horror movie per se, although there are some pieces of shocking violence here (particularly the initial sequence). Mostly this is a thriller with philosophical overtones as the cold, calculating Lee is put up against the occasionally sympathetic Morgan, although at the end of the film all our sympathies are confused.

Most will see the twist coming, although that isn’t the fault of the actors involved. Mara and Taylor-Joy both play polar opposites for much of the movie and both do credible jobs, with Mara getting a slight edge in terms of performance. The supporting cast, including Leigh, Yeoh and Giamatti, are stellar and are sadly underused here; their combined screen time is probably less than ten minutes all told and we end up wishing to have seen more of them by the time the movie ends.

There are some beautiful images here as well, with Ireland subbing for the Pacific Northwest. Then again, this is a micro-budgeted film and that unfortunately shows in some of the production design; for whatever reason the housing compound for the supposedly high tech facility is ramshackle and looks pointedly like the Psycho house. If they had just gotten ordinary dormitories it would have looked more realistic and I can’t believe it would have cost them any more to use, particularly in the exterior shots.

Mostly this is a credible thriller that goes off the rails near the end of the movie when it becomes a standard action film and quite frankly, the action portions aren’t particularly noteworthy. That spoils some of the nifty mood making that Scott engaged in during the bulk of the movie, in which viewers are given a disturbing feeling that things Aren’t Quite Right Here, which of course most would know anyway from seeing the trailer.

Scott has some good techniques and when he gets something in his wheelhouse, he knows what to do with it. I can’t say if he’ll end up being as good or better a director as his dad but for my money he has the potential to do so. Let’s hope he finds the right material to enable him to do just that.

REASONS TO GO: Mara is cold and remorseless. The film raises some interesting philosophical questions.
REASONS TO STAY:
Another film peopled with characters who don’t behave like real people. Several terrific actors in the cast are wasted in roles that go nowhere.
FAMILY VALUES: The violence in the film is pretty brutal; there’s also a fair amount of foul language.
TRIVIAL PURSUIT: Scott is the son of director Ridley Scott.
CRITICAL MASS: As of 10/3/16: Rotten Tomatoes: 39% positive reviews. Metacritic: 48/100.
COMPARISON SHOPPING: Ex-Machina
FINAL RATING: 6/10
NEXT: Train to Busan

Mechanic: Resurrection


Jason Statham raises stubble to an art form.

Jason Statham raises stubble to an art form.

(2016) Action (Summit) Jason Statham, Jessica Alba, Tommy Lee Jones, Sam Hazeldine, Michelle Yeoh, John Cenatiempo, Toby Eddington, Femi Elufowoju Jr., Anteo Quintavalle, Rhatha Phongam, Bonnie Zellerbach, Francis Tonkala Tamouya, Tais Rodrigues Dias, Allan Poppleton, Soji Ikai, Vithaya Pansringam, Lynnette Emond. Directed by Dennis Gansel

 

Jason Statham is my favorite action hero at the moment. He’s smart, he’s tough and he’s talented. He has his own unique voice and has the chops to hang with the legendary action stars of the 80s and 90s; Schwarzenegger, Stallone, Willis, van Damme…Statham if nothing else can proudly put his name in that pantheon, even if most of the films he makes in the genre are more of the B variety.

So he’s back, now in his 50s, in a sequel to his 2011 hit. Arthur Bishop (Statham) is a world class assassin who specializes in making his hits look like accidents but after faking his own death has been living under the radar in Brazil. However, in this day and age nobody can slip notice for long and he is found by Crain (Hazeldine), an old “friend” of his who needs his special talents. In order to obtain them, Crain needs to have some leverage on his old buddy and what better way than to set him up to fall in love with the altruistic and somewhat naïve Gina (Alba) who happens to fall into his radar.

He takes refuge at the Thai resort run by his friend Mei (Yeoh) but Crain finds him there and kidnaps Gina. Now Bishop must perform three nearly impossible assassinations of three very dangerous, evil gentlemen in a short amount of time or Gina is going to get dead, which Bishop is anxious to prevent. He knows that Crain will likely kill them both anyway so he needs to have a plan. Here’s your word of wisdom for the day; never force a world class assassin to work for you unless you intend to die yourself.

The film this is a sequel to was itself a remake of a 1972 Charles Bronson flick which was darker in tone than this. There is more of a 90s action vibe, a cross between the Mission: Impossible series and the action films of Schwarzenegger. One of my issues of the 2011 film was that Bishop was almost too good; there was never a sense that he was in any jeopardy. They’ve rectified that here, but there are other issues unfortunately.

The main one is that it doesn’t really add anything to the franchise. Bishop was, as Statham put it, a “thinking man’s killer” who has the ability to plan three or four steps ahead and improvising on the fly when he needs to. It’s mostly the latter here and we lose some of the more thoughtful aspects of Bishop which is what made him unique. Worse though, this is pretty much action film making 101; it is interchangeable with all sorts of recent action films (many of which were made for the Lionsgate/Summit banner) and we can pretty much predict what happens next – and it does.

Statham is the main reason to see this. He has settled into being one of the premiere action heroes of the 21st century and while he could use a shave pretty much throughout the movie, he continues to be one of the most impressive hand-to-hand fighters in action films ever. He’s capable of being over-the-top in the Crank films or more subtle as he is here. The man can actually act, as he showed in his Guy Ritchie films as well as The Bank Job, still to date his best performance.

The movie is at its best when the dialogue stops i.e. the action and stunt sequences. The trailer hinted at a stunt in which Statham climbs up the side of a glass building and sets a charge in the glass bottom of a pool hanging over the side, waving goodbye to the victim as the glass shatters and he plummets to his doom below. It is as good a sequence as you’ll find in any action movie this year and fortunately, the trailer omits some of the best parts of the sequence. There are others that are also in the elite class as far as stunt and fight sequences in 2016 are concerned.

But the movie’s main sin is that it simply isn’t interesting. The stunt sequences are great but the romance between Gina and Bishop is not and Yeoh, one of the greatest action heroines ever is held to a largely lifeless cameo. If you’re going to go to the trouble of casting someone the caliber of Michelle Yeoh, the least you can do is give her something to do. It’s a shame that she never got Hollywood’s interest in her prime; she’s not only an extraordinary action star but an extraordinary actress as well, as Crouching Tiger, Hidden Dragon proved and its sequel reiterated earlier this year.

Jones fares better as a jocular arms dealer but he really is the only one who looks like he’s having a good time here. Unfortunately, the audience for the most part will side with the rest of the cast and not have much of a good time either. This is a blah entry into what could have been an interesting action franchise.

REASONS TO GO: There are some really nifty action sequences and stunts. Statham has become a dependable lead actor.
REASONS TO STAY: Overall, the film is predictable and dull. They took an interesting character and converted him into just another action figure.
FAMILY VALUES:  All sorts of violence and foul language.
TRIVIAL PURSUIT:  This is the American film debut of Gansel, who has directed a number of films in his native Germany.
CRITICAL MASS: As of 9/25/16: Rotten Tomatoes: 23% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: John Wick
FINAL RATING: 5/10
NEXT: Kubo and the Two Strings