(2013) Crime Drama (Warner Brothers) Josh Brolin, Ryan Gosling, Sean Penn, Emma Stone, Anthony Mackie, Giovanni Ribisi, Robert Patrick, Michael Pena, Nick Nolte, Jack McGee, John Aylward, Jon Polito, Mireille Enos, Austin Abrams, Lucy Davenport . Directed by Ruben Fleischer
Power is something most people covet. Power means control over your own life. For most of us, our desire for power ends there but for others that’s just not enough. They want control over every life, absolute power. Absolute power, as they say, corrupts absolutely.
In postwar Los Angeles, corruption is rampant. The police and politicians are in the pocket of organized crime and in L.A. that means Mickey Cohen (Penn). An ex-boxer and bodyguard from Brooklyn, he has made his way up through the ranks of the Meyer Lansky gang and has been sent West where he has achieved absolute power over the criminal underworld.
Chief Parker (Nolte) realizes that he has lost control of his city and that there is little he can do to regain it. Legal remedies have proven ineffective as he has the corrupt Judge Carter (Aylward) under his thumb, along with a surfeit of politicians and police both in Los Angeles and neighboring Burbank. Parker realizes the only way to deal with Cohen is to go outside the law.
To that end he enlists the help of Sgt. John O’Mara (Brolin), a war hero whose wife (Enos) is very, very pregnant. O’Mara isn’t afraid to stand up to Cohen and knows how to wage guerilla warfare. O’Mara can’t do it alone though so he brings aboard Coleman Harris (Mackie), the so-called Sheriff of Central Avenue who keeps the peace in the largely African-American section of L.A. Harris, who has watched the influx of heroin destroy his community. He jumps at the chance to do something about it at the source.
He also brings in quick draw Max Kennard (Patrick), an old-style gunfighter with an anachronistic moustache and an Old West attitude, and Kennard’s partner Navidad Ramirez (Pena) who idolizes Kennard and wants to make a difference. He also brings in tech whiz (for the era) Conway Keeler (Ribisi) who is the best at tapping wires on the Force.
Finally there’s Jerry Wooters (Gosling), a crack detective who like O’Mara was a hero during the war. Now he’s just trying to keep his head down and stay out of the way of the freight train that is Cohen. Of course, if you’re going to do that you probably shouldn’t fall in love with his girl, who is the beautiful redhead Grace Faraday (Stone) who is ostensibly his etiquette instructor. We all know what she really is though.
Assassinating Cohen won’t do the trick as someone who could well be worse would just rise up and replace him. His whole organization must be smashed to pieces, beyond repair. The Gangster Squad must operate under the radar and in the shadows. Should Cohen find out who they are, not only their lives but the lives of everyone they care about will be in grave danger.
If this sounds very much like The Untouchables, well the similarities are unmistakable. This isn’t the same movie mind you – it lacks the epic scope of the Brian de Palma classic, but it’s cut from the same cloth. However, that cloth has faded and grown a little ratty over the years so it’s not quite the same fit.
Then again, Gangster Squad doesn’t have David Mamet writing the script. Not that Will Beall is a bad writer – he isn’t – but he’s not quite at that level, y’know? And this isn’t one of his better works; the script is long on action and short on sense. Quite frankly, the detectives in the Gangster Squad should have been killed many times over. It’s a case of Hollywood baddie bad aim syndrome, and brainless thug disease.
What that winds up doing is wasting another superlative performance by Sean Penn. He radiates menace in the same way as a pit bull does. He can be genial and charming one moment, bloodthirsty and rabid the next. It’s certainly comparable to De Niro’s Capone in The Untouchables except more volatile. Yes, you read that right.
Brolin does okay as the hero, although he simply is eaten alive by Penn. Wisely, he doesn’t try to compete so much as support which takes a pretty generous guy considering he is ostensibly the lead character. Gosling in fact makes a better foil for Penn (although they have no scenes together). Brolin is a fine actor in his own right and with the right role can really make some magic but it doesn’t happen here. However Gosling, who has been on a real hot streak, underplays as he usually does and it makes for a good counterpoint to Penn’s theatrics.
Stone is gorgeous to look at but she doesn’t connect with Gosling quite as well as they did in Crazy, Stupid, Love. Still, she fills the role nicely and quite frankly the era suits her. In fact, the filmmakers really do capture the era nicely, recreating Slapsy Maxie’s nightclub (a favorite hangout of the real Mickey Cohen) and other Los Angeles/Hollywood landmarks of the time.
This isn’t a bad movie, not at all. It’s just not really distinctive. It certainly doesn’t reach the heights of Zombieland which Fleischer helmed back in 2009. He hasn’t really reached that level of creativity since; hopefully the sequel which is currently in the works will bring him back to that standard. Unfortunately, Gangster Squad feels more like a project done to fill the time before he can get something he really wanted to do more.
REASONS TO GO: Penn is mesmerizing. Vision of L.A. in its heyday is well-achieved.
REASONS TO STAY: Shark-jumping ending. Predictable at times.
FAMILY VALUES: There’s quite a bit of gangster-style violence and a fair amount of foul language.
TRIVIAL PURSUIT: The Garden of Allah apartment complex, where Wooters lives in the movie, was a real place, a landmark in Hollywood which was famous for some of the people who lived there, including F. Scott Fitzgerald and Robert Benchley. It was well-known for the Spanish-Moorish architecture and for the fair number of actors and actresses that lived there. It was torn down in 1959 and replaced with a strip mall and a bank.
CRITICAL MASS: As of 1/17/13: Rotten Tomatoes: 34% positive reviews. Metacritic: 40/100. The reviews are unspectacular.
COMPARISON SHOPPING: Mulholland Drive
OLD TIME BOXING LOVERS: There’s a scene where Cohen is watching a film of one of his old boxing matches. Yes, that’s the real Mickey Cohen fighting.
FINAL RATING: 6/10
NEXT: O Brother, Where Art Thou?