The Fourth Kind


 

 

The Fourth Kind

Milla Jovovich wonders if this whole thing isn't a new threat from the Umbrella Corporation.

 
 

(Universal) Milla Jovovich, Elias Koteas, Will Patton, Charlotte Milchard, Hakeem Kae-Kazim, Corey Johnson, Enzo Cilenti, Mia McKenna-Bruce, Raphael Coleman, Daphne Alexander, Alisha Seaton. Directed by Olatunde Osunsanmi

 

 According to the filmmakers, Nome, Alaska has a disproportionate number of disappearances every year, to the point where the FBI makes more visits than they do to Anchorage, a city with many times the population of Nome. Of course, according to the filmmakers, everything you see in this movie is real and is backed up with “archival” footage.

 

It isn’t until she puts them under hypnosis that the excrement hits the air conditioner. The terror of her patients becomes so insistent that they literally break their own backs to get away from the trauma of their repressed memories.

 

Abbey has some trauma of her own. Her husband Will, also a psychologist, passed away recently. Abbey believes he was murdered by an intruder who stabbed him in the heart, although Sheriff August (Patton) is just as adamant that he died of a self-inflicted gunshot wound. Which one is right? Would you believe…both of them?  More to the point, would you believe either of them?

 

After one of her patients (Johnson) becomes so traumatized by her sessions that he visits an unthinkable tragedy on his family, August begins to regard Abbey with the stink-eye, thinking she may be somehow planting some kind of post-hypnotic suggestion in her patients. He really doesn’t have a motive, but he does have the ability to bellow quite a bit.

 

Abbey has also been seeing a therapist of her own, Dr. Campos (Koteas) who is at first skeptical about her claims until he sees things that defy explanation, like patients levitating off of beds which, sadly, are missing from the videotape due to unexplainable distortion. When a deputy witnesses a bright light coming from the sky to bathe Abbey’s home and her daughter Ashley (McKenna-Bruce) disappears shortly thereafter, Abbey really comes under scrutiny. Nobody believes it could possibly be alien abduction – nobody except Abbey, Dr. Campos and linguist Awolowa Odusami (Kae-Kazim) who identifies strange gibberish on the tapes as Sumerian, the most ancient language on Earth and one even today that we have trouble translating properly.

 

The movie is presented as “found footage” i.e. documentary footage that has been discovered by researchers or whatever. This format has been very successful in the horror genre of late, initiated by The Blair Witch Project and continuing with Cloverfield and Paranormal Activity. It can be very effective in creating an atmosphere in which the jeopardy seems real.

 

Unfortunately, the filmmakers chose to proclaim this footage as genuine a bit too loudly. It didn’t take long for enterprising researchers to discover that the characters and events are all cut from whole cloth. Now, normally I wouldn’t mind – it is a movie after all – but don’t present it as a documentary when it’s clearly not. The movie would have been far more effective had it not pressed it’s claims to be real and instead just allow you to sit back and immerse yourself in the footage, as Paranormal Activity did, rather than conduct an inner debate as to the veracity of the film’s claims.

 

I’m wondering why on earth director Osunsanmi decided to go with name actors like Jovovich, Koteas and Patton to re-enact scenes that they’re showing “archival” footage of, nearly word for word on split screen. It’s unnecessary and annoying. Osunsanmi was trying to have his cake and eat it too – he would have been better served either to simply make a movie with the star power, or preferably, with the “archival footage” which was far more effective than the “re-enactments.”

 

Jovovich is a solid action star, but she played the grieving Abbey with a lack of passion which is certainly a way to go. She winds up with a curiously detached feeling, as if you could open up a zipper on the actress’ back and discover that inside is only air. It made it hard to truly develop an emotional link to the character.

 

The suspense was well done and while I do like the premise, it eventually bogs down in its own conceit and comes off like Whitley Streiber was given a digital cam and sent off into the Maryland woods in search of the Blair Witch. I’m not saying that this is a bad movie – it has its moments and some of the footage is well-crafted – but it could have been better had the director not tried to have it both ways. Sometimes, simple is better.

 

WHY RENT THIS: The suspense aspect is very well done, and some of the scares quite effective. Jovovich is an outstanding lead actress who doesn’t get the props she deserves, and Koteas does a good job of channeling Christopher Meloni in his role.

 

WHY RENT SOMETHING ELSE: The outing of the “real” footage takes away some of the film’s effectiveness which remains a catch-22.

 

FAMILY VALUES: Some of the images are exceedingly disturbing.  There is also some rough language and implied sexuality, but definitely this is not for those who might be given to nightmares.

 

TRIVIAL PURSUIT: Although Nome is 51% aboriginal in population, none of the characters in this movie appear to be of that ethnic background.

 

NOTABLE DVD EXTRAS: None listed.  

 

BOX OFFICE PERFORMANCE: $47.7M on an unreported budget; I’m thinking that the movie probably broke even or made money.

 

FINAL RATING: 6/10

 

TOMORROW: Six Days of Darkness concludes with a horror classic.

Actress Milla Jovovich (you can tell she’s an actress; she says so at the very beginning of the film) plays Abbey Tyler, a psychologist (who is also “played” by English actress Charlotte Milchard) who has noticed several of her patients who have difficulty sleeping have eerily similar stories; they all awaken at about 3am with an owl staring at them, an image that fills them with inexplicable terror.

New Releases for the Week of October 22, 2010


Hereafter
Matt Damon peers out the window, afraid he is still being stalked by Ben Affleck.

HEREAFTER

(Warner Brothers) Matt Damon, Cecilie de France, Frankie McLaren, George McLaren, Jay Mohr, Bryce Dallas Howard, Richard Kind, Steven R. Schirripa. Directed by Clint Eastwood

The lives of three people in three different places on Earth are touched by death in different ways; a blue collar American is able to communicate with the dead but finds this less a gift and more of a curse. A French journalist has a near-death experience in a tsunami, shaking her to the very core of her being. Finally a young London boy loses his twin brother and searches for answers. Their lives will eventually intersect as they embark on a path to search for the truth of what they believe awaits in the hereafter.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Drama

Rating: PG-13 (for mature thematic elements including disturbing disaster and accident images, and for brief strong language)

Anton Chekhov’s The Duel

(Highline) Andrew Scott, Fiona Glascott, Tobias Menzies, Nicholas Rowe. A ne’er do well in a Russian village begins an illicit affair with a married woman, but when they plan for her to leave her husband for her paramour, his true nature begins to emerge in this well-reviewed version of a classic tale by the Russian author.

The trailer for this movie is unavailable.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NR

I’m Still Here

(Magnolia) Joaquin Phoenix, Sean Combs. Actor Joaquin Phoenix shocked Hollywood in the fall of 2008 by announcing that he was retiring from his acting career and instead, becoming a hip-hop artist. Oscar-nominated actor Casey Affleck was behind the camera documenting this “career reinvention” that would later turn out to be a hoax. Still, the film that came out of it has gotten a good deal of buzz as a look at life in the public eye and the odd worship of celebrity that creates an environment that allows celebrities to do whatever they please.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Mockumentary

Rating: R (for graphic nudity, sexual material, pervasive language, some drug use and crude content)

Lebanon

(Sony Classics) Yoav Donat, Michael Moshonov, Zohar Shtrauss, Dudu Tassa. During the First Lebanon War of 1982, a lone Israeli tank and a platoon of paratroopers are sent to a hostile town for a simple mission that turns into a nightmare of survival as the soldiers, motivated by fear and instinct, try not to lose the best part of themselves in a situation that demands their worst.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: War Drama

Rating: R (for disturbing bloody war violence, language including sexual references and some nudity)

Paranormal Activity 2

(Paramount) Katie Featherston, Gabriel Johnson. Further supernatural goings-on are captured in a house via security cameras, this time affecting a different family in the sequel to the smash hit horror movie that was made for only $15,000 – I’m assuming the sequel cost them a bit more to make.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Supernatural Thriller

Rating: R (for some language and brief violent material)

Stone

(Overture) Robert De Niro, Edward Norton, Milla Jovovich, Frances Conroy. A man imprisoned for covering up the murder of his grandparents with a fire is up for early parole, and that decision rests in the hands of a parole officer approaching retirement age. In order to up his odds, the prisoner sends his sexy, amoral wife to help convince the parole officer to set him free.

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for strong sexuality and violence, and pervasive language)

The Tillman Story

(Weinstein) Pat Tillman, Dannie Tillman, Richard Tillman. When pro football star Pat Tillman gave up his lucrative career to fight for his country in Afghanistan, that was big news. When he gave his life for his country, that was even bigger news. The real story is his family’s fight to find out the truth behind his death, and the government’s equal determination to cover up that truth.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: R (for language)

Waiting for “Superman”

(Paramount Vantage) George Reeves, Geoffrey Canada, Michelle Rhee, Randi Weingarten. Oscar-winning documentarian Davis Guggenheim (An Inconvenient Truth) focuses his lens on the American public education system. Once the best in the world, it has become a morass of drop-out factories and bureaucratic bungling that inhibits rather than promotes academic excellence. However, there is still some hope as good teachers and innovative administrators are creating a new educational system with programs in charter schools and other enlightened academic institutions that may eventually deliver on the promise of leaving no child behind.

See the trailer, clips and an interview here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: PG (for some thematic material, mild language and incidental smoking)

A Perfect Getaway


A Perfect getaway

Steve Zahn wonders who put the "Kick Me" sign on his backpack.

(Rogue) Timothy Olyphant, Milla Jovovich, Steve Zahn, Kiele Sanchez, Chris Hemsworth, Marley Shelton, Anthony Ruivivar, Dale Dickey, Peter Navy Tuiasosopo. Directed by David Twohy

The trouble with people is that you can never be sure that they are who they seem to be. They may be volunteers for a charitable foundation that help starving children in Africa; they may also be a vicious serial killer.

Cliff Anderson (Zahn) is paid to come up with ideas like that. He’s a Hollywood screenwriter who is apparently successful; after all, he’s getting work. He is also getting married, to lovely Cydney (Jovovich). They decide to honeymoon, as many newly married couples do, in Hawaii. They also decide to go hiking down a mountain trail in Kauai that leads to a secluded beach to which no roads go. The only way to get there is to hoof it.

On the way to the trail they run into another couple, Cleo (Shelton) and Kale (Hemsworth), who apparently has some anger management issues. They briefly get into a tiff, but then Cliff drives off. Smart man.

While hiking down the trail, they run into yet another couple; ex-special forces operative Nick (Olyphant) and his Georgia peach of a girlfriend Gina (Sanchez). Cliff isn’t much of an outdoorsman and Nick seems to be a handy guy to have around in the jungle. Moreover, when he finds out that Cliff is a screenwriter, he gets a little starry-eyed, having some awesome ideas for a movie, not to mention that most of them are taken from his own experiences in Iraq. He even got the back of his skull blown off, to which Gina proudly drawls “Muh bay-abee is hahd ta key-ill.”

Of course, even in paradise there are cloudy days and the two couples are about to have one. They discover there was a vicious murder of a couple back in Honolulu, where both couples were just days before. Could Cleo and Kale, who have followed Cliff and Cydney onto the trail, be murderers? Or is one of the other couples the killers? Or maybe is someone unknown to them stalking them? And when will I stop asking rhetorical questions?

Director David Twohy has written and/or directed some pretty impressive films, including Pitch Black, Below and The Fugitive but he’s also had his share of missteps, such as The Chronicles of Riddick. This one falls in between.

The movie is well-cast. Zahn, who is usually cast in comedic second banana roles, plays this one straight and is much more effective. Jovovich, a veteran of genre movies, is not only easy on the eyes, she gets one of the better non-verbal moments in the movie when she has to make a life-or-death decision near the end of the movie. Her eyes are very expressive in the moment.

Olyphant is a much-underrated performer who has done some impressive work and he is again, perfectly cast here as a bit of a blowhard who, when the rubber hits the road, can definitely walk the walk. Olyphant makes the character not only believable but sympathetic.

There is a twist in this movie; some critics have praised it, others derided it. I’m in the latter group; I honestly believe that most veteran viewers, particularly those who like thrillers and suspense movies, should be able to guess it by the time the movie hits the halfway point. Also, the pacing is a bit on the slow side for the first two-thirds of the movie; once the reveal of the twist is made, it picks up steam considerably.

This is a throwback to the B-Movie thriller of the 80s and 90s, and that is not meant as an insult. It’s the kind of movie that keeps you on the edge of your seat, has just enough sex and gore to titillate and has an attractive cast that performs solidly enough that you care about their characters. This is solidly entertaining and makes for great dark night video viewing. Me, when I visit Hawaii (astonishingly enough, I’ve never been) I think I’ll pass on the isolated trail hiking and just take the tour bus instead.

WHY RENT THIS: The suspense is handled very nicely and the leads are awfully attractive.

WHY RENT SOMETHING ELSE: The “twist” is not as leftfield as the filmmakers thought; most savvy viewers will figure it out well before it’s revealed.

FAMILY VALUES: As you might expect, there is a good deal of violence and some sexuality, although nothing overt. There is one scene in which drug use is depicted also; I would expect mature older teens would do fine with this, but I’d hesitate for anyone younger.

TRIVIAL PURSUIT: Both Olyphant (Hitman) and Jovovich (the Resident Evil series) have both appeared in videogame adaptations.

NOTABLE DVD EXTRAS: None listed.

FINAL RATING: 6/10

TOMORROW: Machete

New Releases for the Week of September 10, 2010


Resident Evil: Afterlife

Unfortunately, this isn’t an S&M fantasy: Milla Jovovich is going to kick some SERIOUS ass!

RESIDENT EVIL: AFTERLIFE

(Screen Gems) Milla Jovovich, Ali Larter, Kim Coates, Shawn Roberts, Boris Kodjoe, Sienna Guillory, Spencer Locke, Wentworth Miller, Sergio Peris-Menchta. Directed by Paul W.S. Anderson

In the fourth installment of the franchise based on a hit videogame, superhuman Alice continues to search for survivors in a world ravaged by a bio-plague unleashed by the Umbrella Corporation that turns people into flesh-eating zombies. She finds an unexpected ally when she runs into an old friend. With clues pointing to a small survivor enclave in Los Angeles, Alice and her ragged band of humans walk into a deadly trap, but escape it to force a deadly confrontation with Umbrella’s executives. Talk about global downsizing!

See the trailer, promo, featurette, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Action Horror

Rating: R (for sequences of strong violence and language)

Flipped

(Warner Brothers) Madeline Carroll, Callan McAuliffe, John Mahoney, Aidan Quinn. For 7-year-old Juli, it’s love at first sight. For 7-year-old Bryce, it’s a horror beyond imagining. For the next five years, Bryce does everything in his power to hold the love-besotted Juli at bay, until finally he does something that may rip Juli’s heart into pieces. By then, Bryce begins to realize that he kind of likes the girl. Is it too late? This is based on Wendelin Van Draanen’s book and is directed by Rob Reiner.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: PG (for language and some thematic material)

New Releases for the Week of November 6, 2009


Disney's A Christmas Carol

Ebeneezer Scrooge discovers a chain is gonna come.

DISNEY’S A CHRISTMAS CAROL

(Disney) Jim Carrey, Gary Oldman, Colin Firth, Bob Hoskins, Robin Wright Penn, Cary Elwes, Lesley Manville, Jacquie Barnbrook, Daryl Sabara. Directed by Robert Zemeckis

There are very few humans alive in the western world that isn’t aware of the story of Charles Dickens’ A Christmas Carol. The book has been the source of many film and television versions of the story, starring actors as disparate as Reginald Owen, Bill Murray, Henry Winkler, Marlo Thomas, George C. Scott, Alastair Sim and Tim Curry to name just a few taking on the role of notorious skinflint and Christmas hater Ebeneezer Scrooge. Now, Carrey is taking his shot, which is a loooong way from The Mask. This is also another motion capture film from Zemeckis (Polar Express, Beowulf).

See the trailer here.

For more on the movie this is the website.

Rating: PG (for scary sequences and images)

An Education

(Sony Classics) Carey Mulligan, Peter Skarsgaard, Alfred Molina, Emma Thompson. Set in mid-60s London when it was just beginning to swing, young schoolgirl Jenny seems to be set on course for an education at Oxford when she meets an urbane and witty 30-something guy who becomes her new object of desire. He introduces her to a rarefied world of classical concerts, late-night supper clubs, art auctions and sophisticated company. He manages to charm her conservative parents, but her introduction into this new life threatens the one she had been making for herself. Mulligan is already receiving extravagant critical praise for her performance in this role.

See the trailer here.

For more on the movie this is the website.

Rating: PG-13 (for mature thematic material involving sexual content, and for smoking)

The Box

(Warner Brothers) Cameron Diaz, James Marsden, Frank Langella, James Rebhorn. What would you do if someone came to your door with a mysterious wooden box that contained a large red button and offered you a million dollars to push the button? The catch is that if you push the button, a complete stranger will die before their time in response. For the financially strapped Lewis family, this is not just a hypothetical situation when a horribly disfigured man arrives on their stoop with just such a proposition. They quickly learn the price for making that kind of decision could mean far more terrifying consequences than they could ever imagine.

See the trailer here.

For more on the movie this is the website.

Rating: PG-13 (for thematic elements, some violence and disturbing images)

The Fourth Kind

(Universal) Milla Jojovich, Elias Koteas, Will Patton, Corey Johnson. Ever since the 1960s the town of Nome, Alaska has had a disproportionate amount of disappearances among its general population, a trend that has never been explained. When a psychiatrist begins hypnotizing several traumatized patients to try and get at the root of what is distressing them, she videotapes the sessions. What happened next is all the more astonishing because it actually happened and the filmmakers here weave in footage from the actual hypnotherapy sessions with the recreated scenes here. My son thought this was the most disturbing trailer he’d ever seen. He might have something, there.

See the trailer here.

For more on the movie this is the website.

Rating: PG-13 (for violent/disturbing images, some terror, thematic elements and brief sexuality)

The Men Who Stared at Goats

(Overture) George Clooney, Jeff Bridges, Ewan McGregor, Kevin Spacey. A reporter looking for the kind of news story that will bring him fortune and glory instead finds Lyn Cassady, a broken down, scruffy man who claims to be part of an elite and shadowy military group that trains soldiers to use psychic powers to do, among other things, read minds, walk through solid walls and kill goats with a single thoughts. Now Cassady is off to find the program’s founder who has gone missing. Inspired by a non-fiction article in Esquire magazine, this marks the directorial debut of Oscar-nominated writer Grant Heslov.

See the trailer here.

For more on the movie this is the website.

Rating: R (for language, some drug content and brief nudity)