Hall Pass


Hall Pass

Life's a party when you have a Hall Pass.

(2011) Sex Comedy (New Line) Owen Wilson, Jason Sudeikis, Jenna Fischer, Richard Jenkins, Christina Applegate, Alexandra Daddario, Stephen Merchant, Nicky Whelan, Larry Joe Campbell, Tyler Hoechlin, Joy Behar, J.B. Smoove, Alyssa Milano, Kathy Griffin. Directed by Peter and Bobby Farrelly

 

Hollywood has made a good profit off of the immaturity of men who are really adolescent boys in grown-up bodies. It plays into a female stereotype of men as being more or less lost and helpless without them, not to mention oversexed and a little bit ridiculous. Not that there isn’t any truth to this, mind you – where there’s smoke there’s fire – but definitely it’s a stereotype the movies have helped perpetuate.

Rick (Wilson) and Fred (Sudeikis) are best buddies, and their wives Maggie (Fischer) and Grace (Applegate) are likewise. Rick and Fred have a lot of things in common, not the least of which is possessing the names of the “I Love Lucy” husbands, but also they both possess a case of the Wandering Eye. You know; whenever a pretty girl walks by the two of them are compelled to stare. Fred is a little bit more subtle about it than Rick is but nonetheless both are caught out by their wives who are none too pleased by their propensity to girl-watch.

Finally fed up with their spouses behavior, the two women determine to give their fellas a hall pass. They agree to leave for a week on a Cape Cod vacation and whatever happens during that week is a freebie – they can do whatever they want without repercussion. The boys accept eagerly.

Of course, these guys – who have been married 15 years or more – have absolutely no game. They are as rusty as Newt Gingrich’s exercise equipment. They flounder around trying to pick up hot chicks – at Applebee’s. Meanwhile, their wives – far better looking physical specimens – are discovering that they have a Hall Pass of their own and are far more likely to cash in with the minor league baseball team whose manager is friends with Maggie’s dad (Jenkins).

Of course each member of this foursome will have their moment of truth and they may find out just what is important to them and who they are. At least, that’s the idea.

The Farrelly Brothers had the blessing/curse to make an iconic movie early on. Everything they’ve made since has been compared to There’s Something About Mary and let’s face it folks, not many movies are going to turn out that good. Hall Pass is nowhere near that level, which is disappointing but inevitable in some ways. There are some moments that are laugh out loud funny but the movie, like many comedies, is uneven to say the least.

Owen Wilson has made a career out of playing affable young men who have a good deal of charm, and he does it very well. Still, there are occasions when he breaks out of the mold a little bit and those tend to be his best movies. This won’t be remembered as one of those, however; that doesn’t mean he is any less capable in it. He pulls off his part with charm.

Sudeikis has shown some flashes of brilliance over his career and has been impressive in a number of films as of late. He plays the everyman with a bit of a twinkle in his eye, and that again serves him well here although the part is not written as well as I might have liked. I get the sense that Sudeikis didn’t really get a handle on the character, although I may be wrong on that score – I certainly didn’t and that did make the movie less successful for me.

I enjoyed the parts with the wives more and not just because Applegate and Fischer are far easier on the eyes. It just seemed more realistic to me and less of a goof. I mean, yeah make the guys a little awkward in terms of their game but don’t turn them from horndogs into eunuchs. That seemed a little stereotypical – guys talking a good game but falling short when it came time to man up.

I’ll admit the male ego is easily bruised and has a tendency to overcompensate for our insecurities. I am also willing to admit that this is a legitimate source for humor and entire movies have been made – successfully – about this fact and this one could have been successful as well. It could have used less juvenile humor and a little more wit. I have nothing against dumb jokes but maybe my fragile male ego could have used a little less smacking around. I’d rather laugh with this movie than be laughed at by this movie in other words.

WHY RENT THIS: The girls are very hot. Jenkins, Smoove and Merchant are veteran scene-stealers.

WHY RENT SOMETHING ELSE: Dumb and dumber. Too many gags fall flat. Too much sophomoric humor.

FAMILY VALUES:  Well, there’s quite a bit of crude sexual humor, a little bit of drug use, some graphic nudity and its share of bad language.

TRIVIAL PURSUIT: Maggie’s father is played by longtime Boston Red Sox outfielder Dwight Evans. The Farrelly Brothers are both sports fans, particularly of Boston-area sports teams and often have sports personality from that region cameo in their films.

NOTABLE DVD EXTRAS: Nothing listed.

BOX OFFICE PERFORMANCE: $83.2M on a $36M production budget; the movie was profitable.

FINAL RATING: 5/10

TOMORROW: Encounters at the End of the World

Sugar


Sugar

In baseball there is always fireworks.

(Sony Classics) Algenis Perez Soto, Rayniel Rufino, Andre Holland, Michael Gaston, Jamie Tirelli, Jose Rijo, Ann Whitney, Richard Bull, Ellary Porterfield. Directed by Anna Boden and Ryan Fleck

Dreams are a very personal thing. We all have them – some sort of goal that we yearn to achieve, be it a career, a relationship or a life goal. Sometimes, our dreams turn out to be very different in reality than they are in our minds.

In the Dominican Republic, baseball is more than a sport; it’s a ticket out of the abject poverty that blankets much of the country. For Miguel “Sugar” Santos, a pitcher with raw talent, that ticket is about to be cashed. He attends the camp of the Kansas City Knights, a Major League Baseball team with a talent camp in the Dominican.

Sugar’s talent nets him a minor league contract and he reports to the Quad City Swing, a team located in the middle of Iowa. Sugar is sent to live with the Higgins family; motherly Helen (Whitney) and curmudgeonly Earl (Bull). This is farm country and it’s as alien from Sugar’s circumstances as you could possibly get.

The Higgins’ granddaughter Anne (Porterfield) takes a shine to Sugar, but she like her grandparents are Evangelical Christians and as much as she likes him, it’s his soul she’s more concerned with. Sugar also has friends on the ballclub, fellow Dominican Jorge (Rufino) and Brad (Holland), a whiz-bang prospect who already has grad school at Stanford lined up if baseball doesn’t work out for him.

Sugar has no such prospects; it’s either baseball or nothing. At first, he tears up the league but as the summer wears on, Sugar begins to fall prey to the physical toll of the game. As his frustration mounts, he begins to wonder if his major league dream is just the fantasy of a naïve young man or truly his destiny to achieve.

This sounds a lot like every other sports underdog movie you’ll ever see, but almost immediately you’ll begin to discover it’s not anything like that. For one thing, this isn’t about baseball; it’s about life. One of the coaches tells Sugar early on “life gives you many opportunities; baseball gives you just one” and he’s right about that. This is a move about opportunity and what you do with them.

This is the first major role for Soto and he makes the most of it. You get the impression that this might very well be the role he’s remembered for and if that’s the case it’s not a bad legacy to leave behind. Sugar is quiet and sweet-natured but he has a breaking point. He gets angry, frustrated and weak. He makes mistakes and he does things he knows he shouldn’t do, but like most of us, does them anyway.

I’m told that the nuts and bolts of the story are very accurate; camps like the one depicted here are commonplace in the Dominican and the portrayal of the minor league system is just as correct.

Again, this isn’t about baseball. It’s about making choices. It’s about making the most about opportunities. It’s about friendships and rivalries and romances and mentoring. It’s about life, and that’s a movie worth seeing always.

WHY RENT THIS: A realistic and moving look at the dreams and aspirations of a Dominican baseball player.  

WHY RENT SOMETHING ELSE: The pace drags in places.

FAMILY VALUES: There’s some foul language and a little sexuality. Nothing more gratuitous than you might find on the average HBO show.

TRIVIAL PURSUIT: The Kansas City Knights aren’t a real major league baseball team (the Kansas City Royals are the name of the MLB team); the nickname is a nod to The Natural in which Roy Hobbs played for the New York Knights.

NOTABLE DVD EXTRAS: There is an interesting featurette on baseball in the Dominican.

FINAL RATING: 7/10

TOMORROW: The Losers