Badland


That’s one tough hombre.

(2019) Western (CinedigmKevin Makely, Mira Sorvino, Bruce Dern, Wes Studi, Trace Adkins, Jeff Fahey, Tony Todd, James Russo, Amanda Wyss, Ryan Kelly, Todd A. Robinson, Aidan Bristow, Reggie Watkins, Anita Leeman Torres, Omid Zader, Laura Cantwell, Lauren Francesca. Directed by Justin Lee

 

A good Western will make you feel the dust of the trail on your boots, feel the hot wind of the Southwest in your hair and maybe the smell of the campfire in your nostrils. A good Western is tonic for the soul. A bad Western, however, can leave you feeling cheated.

=Matthias Breecher (Makely) is a Pinkerton detective riding out West at the behest of Senator Benjamin Burke (Todd) to seek out Confederate war criminals and bring them to justice by whatever means necessary. His run-in with a bloodthirsty general (Adkins) ends up in an impressive shoot-out in which the numerical tactical advantage the general enjoys is for naught.

Next on the list for Breecher is one Reginald Cooke (Dern) who it turns out is on his deathbed with his devoted daughter Sarah (Sorvino) trying to hold things together on the farm, which baddie Fred Quaid (Russo) is eager to possess. Breecher, rather than executing his quarry, decides to let things take their natural course and give Sarah a hand on the ranch and with the nefarious Quaid. She is able to coax Breecher out of his shell somewhat, although likewise that all goes for naught.

Finally, Breecher goes after a crooked sheriff (Fahey) who is terrorizing a small town, including comely barmaid Alice (Wyss). Can Breecher save the day and maybe settle down at last? Fans of the Western genre ought to know the answer to that question.

=In an era where Westerns remain studiously out of favor despite evidence that a good Western will attract an audience. Lee has made a name for himself with low-budget Westerns shot efficiently. This one probably has the biggest budget of the bunch; it certainly has the most impressive cast. Adkins – who doesn’t have a whole lot of screen time – is nevertheless memorable as is Fahey who is clearly having a good time despite the cliched nature of the character. Makely is a handsome brooding sort with a gravelly voice who seems well-suited for Westerns; he has enough presence to make the movie interesting although not enough to raise the film above its own limitations.

The movie is divided into chapters, I suppose to try and give it a literary bent; it doesn’t really work. The coda chapter with Alice and Wainwright is somewhat unnecessary. It would have made a decent sequel (should one be warranted) but it feels like we’re getting a movie and a half for the price of a movie. The running time is a good twenty minutes too long; I would have liked to have seen the pacing pick up some and more character development given to the Cooke section which is, to be fair, the best of the three segments. Todd is also pretty decent in what is essentially linking sections.

While I’m not the sort who lives and dies by Louis L’Amour, I am fond of Westerns in general and it always tickles me to see a well-made one This one is a few bricks shy of a load in that regard, but there is enough here to give genre fans something to build on; hopefully Lee can take his next Western and elevate it to the next level.

REASONS TO SEE: Makely has some potential as a lead.
REASONS TO AVOID: The last half-hour feels completely unnecessary.
FAMILY VALUES: There is a fair bit of western-style violence.
TRIVIAL PURSUIT: In the last two calendar years, Lee has had six films released to date – half of them Westerns.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Vudu, YouTube
CRITICAL MASS: As of 11/5/19: Rotten Tomatoes: 50% positive reviews: Metacritic: No score yet.
COMPARISON SHOPPING: Diablo
FINAL RATING: 6/10
NEXT:
To Be of Service

New Releases for the Week of July 12, 2019


STUBER

(20th Century Fox) Kumail Nanjiani, Dave Bautista, Iko Uwais, Natalie Morales, Betty Gilpin, Jimmy Tatro, Mira Sorvino, Karen Gillan. Directed by Michael Dowse

A mild-mannered Uber driver picks up a hyper-violent cop who has had his wheels taken away. On a high-stakes case, the cop will enlist the driver to go above and beyond the standard rideshare contract.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website
Genre: Action Comedy
Now Playing: Wide Release
Rating: R (for violence and language throughout, some sexual references and brief graphic nudity)

Bethany Hamilton: Unstoppable

(Entertainment Studios) Bethany Hamilton. The subject of the hit movie Soul Surfer gets a documentary of her own. Champion surfer Bethany Hamilton has a brush with death when a shark attack takes one of her arms. Undaunted, she works hard and returns to being one of the best in the world at the sport she loves.

See the trailer here
For more on the movie this is the website  
Genre: Documentary
Now Playing: AMC Disney Springs, Regal Oviedo Marketplace, Regal Waterford Lakes
Rating: PG (for thematic elements)

Crawl

(Paramount) Kaya Scodelario, Barry Pepper, Ross Anderson, Morfydd Clark. When a massive hurricane batters Florida, a young woman, unable to contact her father, drives desperately to his lake house to find him gravely injured. As the flood waters rise, they discover that the flooding is the least of their problems.

See the trailer, interviews and a clip here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: R (for bloody creature violence, and brief language)

The Fall of the American Empire

(Sony Classics) Alexandre Landry, Maripier Morin, Rėmy Girard, Louis Morissette. A delivery man with a PhD in philosophy is dropping off a package when he comes across the aftermath of a hold-up gone terribly wrong. With millions in money bags on the ground, will he do the moral thing or do the human thing?

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Cinematique of Daytona, Regal Winter Park Village
Rating: R (for some strong violence, sexual content/nudity and language)

Super 30

(Reliance) Hrithik Roshan, Mrunal Thakur, Amit Sadh, Pankaj Tripathi. This is the true story of a mathematics genius from a poor family who is determined to prove that the best minds don’t necessarily come from the right side of the tracks. He begins a training program designed to help disadvantaged students in India the opportunity to attend the most prestigious technical college and make something better of themselves and their country.

See the trailer and clips here
For more on the movie this is the website  
Genre: True Life Drama
Now Playing: AMC West Oaks, Cinemark Artegon Marketplace, Touchstar Southchase
Rating: NR

Wild Rose

(NEON) Jessie Buckley, Julie Walters, Sophie Okonedo, Jamie Sives. A young British mother of two children dreams of being a country music superstar and has the talent to get her foot in the door. However, she is far away from Nashville and having just been released from prison, her responsibilities to her family are complicating the achievement of her dreams.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Musical
Now Playing: Enzian Theater, Rialto Spanish Springs Square
Rating: R (for language throughout, some sexuality and brief drug material)

ALSO OPENING IN ORLANDO/DAYTONA:

Konttho
Phil
Summer Night
Sunshine Family
Trespassers

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Be Natural: The Untold Story of Alice Guy-Blanche
Dorasaani
In the Aisles
Maiden
The Other Story
The Reports on Sarah and Saleem
The White Storm 2: Drug Lords
Yuli

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Dorasaani
I Got the Hook-Up 2
Lying and Stealing

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Dorasaani

SCHEDULED FOR REVIEW:

Crawl
Maiden
Stuber
Wild Rose

Angels Crest


Here's an angel that Charlie missed.

Here’s an angel that Charlie missed.

(2011) Drama (Magnolia) Thomas Dekker, Lynn Collins, Jeremy Piven, Mira Sorvino, Elizabeth McGovern, Emma Macgillivray, Joseph Morgan, Greg Lawson, Chris Ippolito, Dave Brown, Colin A. Campbell, Marty Antonini, Ameko Eks Mass Carroll, Jonathan Lachlan Stewart, Julian Domingues, Aedan Tomney, Wally Houn, Lindsay Burns, Barbara Williams, Christianne Hirt, Kate Walsh. Directed by Gaby Dellal

Bad things happen, sometimes to good people and sometimes to bad. Even the worst of events that occur have nothing to do with a person’s goodness or lack thereof. What the true measure of a person is depends on how they deal with the truly awful things that life throws at us.

Ethan (Dekker) is a 21-year-old young man who works at an auto shop in the working-class Rocky Mountain town of Angels Crest. It’s one of those places where everyone knows everyone else, where rugged individualism is the expectation and where the bleak winters often mirror the bleak outlook for many, who have no hope of escaping the lives they lead.

Ethan is the father to 3-year-old Nate (Carroll) and his sole caregiver, mainly because Nate’s mommy Cindy (Collins) is a mess, a raging alcoholic who can barely care for herself with a side order of promiscuity. One bright afternoon, Ethan takes Nate for a boy’s trip into the woods. On the way back, an exhausted Nate falls asleep and as Ethan drives towards town, he sees some deer. For whatever reason, he gets out of his truck, makes sure Nate is strapped in to his child’s seat, and leaving the heater running, follows the deer out into the woods.

You can guess that wasn’t a very smart idea. When Ethan returns to the truck, Nate is gone. He searches through the woods fruitlessly, then races back to town, returning with a search party but Nate is nowhere to be found. It takes a little while but little Nate is eventually found, frozen to death. Of course, Ethan is devastated and the hot mess that is Cindy blames Ethan for her little boy’s demise.

The town is sharply divided by the event, some joining Cindy in blaming Ethan and calling for his arrest for negligence (a feeling that the prosecutor (Piven) shares) while others believe Ethan when he says he was gone for just a few minutes and that this was just one of those horrible things that could have happened to anyone.

Like Atom Egoyan’s The Sweet Hereafter, the film examines the effects of a tragedy on a small town but the similarities end there. In the Egoyan film, the school bus accident that took the lives of a fair amount of children touched nearly every family in town; here, the directly affected are few. Still, the howls of Ethan’s grief are no less heart-wrenching no matter the number of children lost; in some ways the grief of a single person is more relatable than the grief of multiple people.

But the movie goes off the rails because of the excessive number of subplots which for the most part have no real bearing on the matter of hand. There is a lesbian couple (McGovern and Walsh) struggling for acceptance, with McGovern trying to win the affections of her own son (Domingues) who is also a horror show. The prosecutor has some deep dark secret that is motivating him to obsessively pursue an investigation that is tearing the town apart. A diner waitress (Sorvino) struggles to raise her own son on her own and happens to be Cindy’s best friend. Ethan’s best friend (Lawson) feels guilt over having been banging Cindy at the time of the incident.

All of these little subplots are enacted by characters whose only reason to be in the movie is to be involved in these subplots. They add no insight and don’t really enhance the story any. While the movie is beautifully shot with plenty of picturesque snow-covered vistas, the whole thing feels a bit like a soap opera more than a drama. While some of the scenes carry a good deal of emotional resonance, an equal number of scenes fall flat. This is as inconsistent a film as you’re likely to see.

Still, there is enough here that the movie is worth a casual glance if the opportunity presents itself although I wouldn’t put a whole lot of effort into seeking it out. The deficiencies in the film’s story and script nearly (but don’t quite) exceed the movie’s emotional impact.

WHY RENT THIS: Some of the scenes work. Evocative. Beautiful cinematography.
WHY RENT SOMETHING ELSE: Some of the scenes don’t. Heavy-handed and plodding. Soap opera-esque.
FAMILY VALUES: Adult themes, strong language and some sexual content.
TRIVIAL PURSUIT: The film was titled Abandoned in the UK.
NOTABLE DVD EXTRAS: There are interviews with Dekker and Sorvino.
BOX OFFICE PERFORMANCE: $832 on an unknown production budget.
SITES TO SEE: Netflix. Amazon, iTunes, Google Play, Vudu
COMPARISON SHOPPING: Gone Baby Gone
FINAL RATING: 6/10
NEXT: Creed

New Releases for the Week of September 4, 2015


Best of EnemiesBEST OF ENEMIES

(Magnolia) William F. Buckley Jr. Gore Vidal, Kelsey Grammer (voice), John Lithgow (voice), Dick Cavett, Christopher Hitchens, Noam Chomsky. Directed by Robert Gordon and Morgan Neville

In 1968, the Vietnam War was raging and LBJ had announced that he would not run for President. The counterculture was beginning to make its presence felt and there was a great deal of anger directed towards the American government for the first time. Richard Nixon, who would eventually win the presidency, was running against Vice-President Hubert Humphrey with Alabama governor George Wallace running on an independent ticket, and the election was as vitriolic as it had ever been. Trying to make sense of everything, a series of televised debates was set up – not between the candidates, but between conservative commentator/essayist William F. Buckley Jr. and liberal author Gore Vidal. Both men were urbane, charming and literate and both absolutely loathed one  another with a passion. These debates would change the way television covers politics.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: R (for some sexual content/nudity and language)

Chloe and Theo

(ARC Entertainment) Dakota Johnson, Theo Ikummaq, Mira Sorvino, Andre De Shields. Elders of the Inuit Eskimos, disturbed by the effects of climate change on the polar ice cap, send Theo to New York City to speak to the United Nations. He meets and befriends a young homeless woman who becomes inspired by his gentle wisdom. With the help of a kind lawyer, they will get the opportunity to present their message to the world; change our destructive ways before we are destroyed by them.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: AMC West Oaks
Rating: PG-13  (for brief violence)

Mistress America

(Fox Searchlight) Greta Gerwig, Lola Kirke, Michael Chernus, Rebecca Henderson. A lonely college freshman in New York City is compelled by her mother to look up the daughter of the man mom is about to marry, a kind of soon-to-be stepsister. The two hit it off and the freshman begins to accept her proto-sister as a role model. However, as she is seduced by the energy and madcap schemes of her friend, things take an abrupt change. An early review for the film can be found here.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: AMC Downtown Disney, AMC West Oaks, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for language including some sexual references)

Tangerine

(Magnolia) Kitana Kiki Rodriguez, Mya Taylor, James Ransone, Clu Gulager. Christmas Eve in El Lay is like nowhere else, and even on Christmas Eve there can be prodigious drama. Sin-Dee, just released from jail after doing 28 days for soliciting and when the volatile working girl finds out that her pimp slash boyfriend has been cheating on her while she was cooling her heels, the proverbial ca-ca is going to hit the fan.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater
Rating: R (for strong and disturbing sexual content, graphic nudity, language throughout and drug use)

The Transporter Refueled

(EuropaCorp) Ed Skrein, Ray Stevenson, Loan Chabanol, Gabriella Wright. The franchise is rebooted with Ed Skrein taking over for Jason Statham as Frank Martin, a dapper, fastidious sort who has a complicated set of rules for his vocation of transporting sensitive cargo for questionable people. A father-son bonding weekend is interrupted when he takes a job for a client, a quartet of lovely femme fatales who orchestrate a daring bank robbery. Unfortunately, they have stolen from the Russian mob and Frank is caught reluctantly but squarely in the middle.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Action
Now Playing: Wide Release (opens Thursday)
Rating: PG-13 (for scenes of violence and action, sexual material, some language, a drug reference and thematic elements)

Un gallo con muchos huevos

(Pantelion)  Starring the voices of Bruno Bechir, Carlos Espejel, Angelica Vale, Omar Chaparro. Amongst Mexican children, Huevo Cartoon is king and the animated television series makes it to the big screen and for the first time, to El Norte. A small, timid young chicken must find his inner rooster if he and his friends are going to save his family and his home from an evil rancher.

See the trailer, interviews and a clip here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal The Loop
Rating: NR

A Walk in the Woods

(Broad Green) Robert Redford, Nick Nolte, Emma Thompson, Mary Steenburgen. A travel writer rather than retiring to his beautiful wife and large family, decides to push himself one last time and hike the length of the Appalachian Trail. He can only find one friend to accompany him however; the irascible and womanizing Katz, who is more interested in sneaking out of town to avoid paying a debt. The peace and tranquility that the writer longs for goes right out the window with that decision.

See the trailer, clips, interviews, promos and a featurette here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Adventure
Now Playing: Wide Release
Rating: R (for language and some sexual references)

New Releases for the Week of March 20, 2015


The Divergent Series InsurgentTHE DIVERGENT SERIES: INSURGENT

(Summit) Shailene Woodley, Kate Winslet, Theo James, Miles Teller, Ansel Elgort, Jai Courtney, Mekhi Phifer, Daniel Dae Kim, Octavia Spencer. Directed by Robert Schwentke

Tris and Four are on the run, outlaws being chased by the power-mad Erudite faction. Seeking to discover what Tris’ family died to protect, the future of Chicago and maybe the world beyond depends on them finding answers, answers that Jeanine will do anything to keep them from.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for intense violence and action throughout, some sensuality, thematic elements and brief language)

Do You Believe?

(Pure Flix) Sean Astin, Mira Sorvino, Lee Majors, Alexa PenaVega. A suburban pastor is shaken to his core by the obvious faith of an old street corner preacher. Knowing that true faith demands action, he commits to a response that will touch the lives of complete strangers in ways that could only come from the divine. From the creators of God’s Not Dead and certain to be popular with the evangelical audience.

See the trailer, clips and interviews here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: Selected Theaters
Rating: PG-13 (for thematic elements, an accident sequence and some violence)

The Gunman

(Open Road) Sean Penn, Javier Bardem, Idris Elba, Ray Winstone. An assassin with a particular set of skills is betrayed for the secret organization he works for. With the only woman he cares about in the hands of his enemies and no place left to turn, he embarks on a deadly game of cat and mouse across Europe, knowing only his skills can save the woman he loves – and himself.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard (Opens Thursday)
Genre: Action Thriller
Now Playing: Wide Release
Rating: R (for strong violence, language and some sexuality)

Tracers

(Lionsgate) Taylor Lautner, Marie Avgeropoulos, Adam Rayner, Rafi Gavron. A bike messenger deeply in debt to a violent crime gang crashes his bike into a young woman one day and everything changes. Turns out she’s part of a gang herself, one that uses their parkour skills for heists. Knowing this might be his ticket out of debt, he joins the gang whose heists grow increasingly more daring and dangerous. He’ll need all of his skills, especially with gang enforcers right on his tail.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex
Rating: PG-13 (for some intense violence, perilous action, sexual content and language)

The Wrecking Crew

(Magnolia) Cher, Brian Wilson, Mickey Dolenz, Nancy Sinatra. The most famous band you’ve never heard of is the Wrecking Crew. They were the studio band that created the music for some of the greatest bands in rock and pop music in the 1960s and 1970s. They backed such bands as Sonny and Cher, The Beach Boys, Nancy Sinatra, the Monkees, the Byrds, Nat “King” Cole, Dean Martin and the Association, winning six Grammys in a row for Record of the Year, a feat that no other group of musicians has accomplished in history.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater
Rating: PG (for language, thematic elements and smoking images)

Wyrmwood

(IFC Midnight) Jay Gallagher, Bianca Bradley, Leon Burchill, Luke McKenzie. When the zombie apocalypse hits New Zealand, an unassuming family man and brilliant auto mechanic soups up his car for a perilous journey to rescue his sister from a mad doctor with a penchant for disco. With clever homemade weapons on oodles of gory goodness, this is destined to become the next cult classic.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror Comedy
Now Playing: Enzian Theater
Rating: NR

Gods and Generals


The Civil War: the greatest American tragedy of them all.

The Civil War: the greatest American tragedy of them all.

(2003) True Life War (Warner Brothers) Stephen Lang, Robert Duvall, Jeff Daniels, Bruce Boxleitner, C. Thomas Howell, Kali Rocha, Frankie Faison, William Sanderson, Mira Sorvino, Alex Hyde-White, Matt Letscher, Joseph Fuqua, Jeremy London and a cast of thousands. Directed by Ronald F. Maxwell

The American Experience

When Gods and Generals came out in 2003, it was made by pretty much the same team that made the very successful Gettysburg in 1993 and certainly there had to have been high hopes that this would follow suit. However, while Gettysburg had Ken Burns’ highly personal and riveting PBS miniseries The Civil War to leapfrog from, it’s prequel would have no such assistance.

Based on a book by Jeffrey Shaara (whose father Michael wrote the book that Gettysburg was based on), the movie follows Confederate Lt. General Thomas “Stonewall” Jackson (Lang) who was one of the most brilliant and fearless military minds of his time. He worked well with General Robert E. Lee (Duvall), who considered him his best field general. Jackson, a devout man who prayed to God even as he set out to kill as many Northern invaders as he could, resigned from his post as an instructor at the Virginia Military Institute to take a post in the Confederate Army. He was responsible for some of the most important victories the Confederacy would have in the war and died senselessly, shot by his own men who mistook him and his escort for Union scouts.

I’ve always had a soft spot for the movie, even though critics at the time lambasted it for being florid, long on dialogue and riddled with too many subplots and characters. Some even criticized it for depicting Southerners as being more concerned with States rights than with Slavery. Nobody ever accused movie critics of being knowledgeable about history however. For the South, Slavery drove their economic engine and the feeling was that the abolition of Slavery would be an economic catastrophe. They didn’t want Northern politicians to tell them how to run their affairs. There is a tendency with some to depict the South as sadistic twisted slave owners who wanted the institution of Slavery to continue because of a cruel streak. What it really was about, as it usually is, was money.

So how does this film depict the American Experience? It captures a period in time when America stood at a crossroads and would in four bloody years come to define itself and its future. Certainly the movie tends to lean a little bit towards the Southern point of view, but to tar the South with a single brush is both inaccurate and a disservice. Quite frankly, I think it’s a good thing to see things from the other side – history is written by the winners and while Slavery was an abhorrent practice, to see what the South really thought they were fighting for is certainly worth considering. Gods and Generals definitely captures the period, not only in the sense of how the armies operated but the civilians as well. One thing that has been praised about this movie was their attention to detail when it came to accuracy; in fact this may be one of the most historically accurate films ever made.

Lang’s performance brings Jackson to life. While the style of speech has been heavily criticized, this is how the people of the time spoke. Clearly there is an element of history lesson here and it might be argued that the length and pacing of the movie is akin to one of those history professors who talks on and on and on and on. However, the sumptuous visuals and the attention to detail make this a history lesson that if one is willing to sit through will inform and amaze, and that’s the kind of history professor that always got my attention.

WHY RENT THIS: Unusual historical accuracy. Terrific performance by Lang. A crackerjack reproduction of the era.

WHY RENT SOMETHING ELSE: Slow and ponderous. Too much speechifyin’. Overly long.

FAMILY VALUES:  While the battle sequences are tamer than some, there is still enough material here that might disturb the very sensitive.

TRIVIAL PURSUIT: Duvall, who played Robert E. Lee, is actually descended from the great general.

NOTABLE HOME VIDEO EXTRAS: There is an introduction by Ted Turner who put up the production budget of the film himself (nearly $60 million) as well as music videos from Mary Fahl and Bob Dylan and  a look at the life of Stonewall Jackson.

BOX OFFICE PERFORMANCE: $12.9M on a $56M production budget; unfortunately the movie has to be considered a financial failure.

COMPARISON SHOPPING: Gettysburg

FINAL RATING: 8/10

NEXT: The American Experience concludes!

Multiple Sarcasms


 

Multiple Sarcasms

Stockard Channing reluctantly admits how many times she laughed in the movie.

(2010) Drama (Multiple Avenue) Timothy Hutton, Dana Delaney, Mira Sorvino, Mario van Peebles, India Ennenga, Laila Robins, Stockard Channing, Nadia Dassouki, Joan Jett, Chris Sarandon, Alex Manette, Julia K. Murray, Stephen Singer, Steve Sirkis. Directed by Brooks Branch

 

Mid-life crises are nothing to sneeze at. It is a time when we feel the most self-doubt; a sinking feeling that things are as good as they’re ever going to be, that the things we haven’t yet accomplished never will be. Self-doubt becomes our friend and we often make sweeping changes as kind of a last hurrah to our youth.

Gabriel (Hutton) is a successful architect who is married to Annie (Delaney), a devoted wife and has a wonderful daughter, Elizabeth (Ennenga) who is full of joy. He lives in a beautiful home in Manhattan and has everything going for him. While it’s 1979 and the Reagan era is just about to begin, things are looking good for Gabriel.

Except he isn’t happy. While all the elements (you would think) should add up to happiness, the equation just doesn’t work. He is moping and feeling somehow unfulfilled and decides to write a play about it. He finds himself an agent (Channing) and at her urging, begins writing, using incidents from his own life and family to act out his misery.

This brings on some resentment, particularly in his patient wife who has put up with his moping for some time. Gabriel is also finding some attraction to his long-time platonic friend Cari (Sorvino) who runs a hip CBGB-esque nightclub. She feels much the same way but rejects his advances, knowing that an affair between the two of them would be bad for both of them.

As Gabriel places more and more of his attention on his project, he loses his job and his relationship with Annie crumbles. Will his mid-life crisis lead to him losing everything in his life that matters?

There is a decent movie to be had here but what we kind of end up with is a mess. While Hutton is normally a fine performer and he has a strong supporting cast behind him, he is given a role which while it harkens a bit to the films of John Cassavetes lacks the depth of character that Cassavetes was known for. Here, Gabriel’s general despondency feels more like a plot contrivance than anything genuine.

It seems reasonable to assume that Gabriel feels that he is married to the wrong woman; certainly that’s not uncommon among men of middle age. It is also true that men going through the middle age blues tend to do incredibly dumbass things. In that sense, Branch (who also co-wrote this) gets it right. What he fails to do is capitalize on it. The events aren’t organic; it’s like the writers wrote an outline of the story, decided what they wanted to do and never gave a thought as to how to get there properly.

That’s a shame because there is plenty of fertile ground to explore. Branch also lucked out in getting a lively performance from Ennenga, who might turn out to be the most memorable aspect of this film. She lights up the screen whenever she’s on. I do hope that she attracts some notice for it but in all honesty this micro-indie didn’t get much of a release and while it’s been popping up on Showtime from time to time, hasn’t been on the radar for many and for good reason. With a more polished script and a bit more insight, this could have been marvelous instead of mediocre. Maybe the next one will be a better bet.

WHY RENT THIS: Hutton is fine and Ennenga is marvelous.  

WHY RENT SOMETHING ELSE: Overbearing at times, preposterous at others. Gabriel’s mid-life crisis feels more like a plot point than a genuine issue.

FAMILY VALUES: There are plenty of sexual references as well as a bit of foul language.

TRIVIAL PURSUIT: Joan Jett makes a cameo as a 1979-era punk singer.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $29,731 on an unreported production budget; I’m quite sure this failed to recoup its costs.

COMPARISON SHOPPING: Peep World

FINAL RATING: 5/10

NEXT: The Freebie