(2021) Biographical Drama (Super LTD/Neon) Sharlto Copley, Drew Powell, Christian Calloway, Tahmus Rounds, Kate Scott, David Ward, Lois Keister, Teresa Garland, Nicole Welch, Andrew Senn, Megan Folsom, Brandon Seaman, Vincent James Carnevale, Ian Primus, Ben Fundis, Bobby Tisdale, Joe Felece, Amber Rose Mason, Travis Bruyer, Robert Braine, Nancy Rothman. Directed by Tony Stone
We are aware of those folks who for whatever reason choose to withdraw from society. We envision them, in their lonely cabins in the wilderness, shouting at the universe, their rage echoing harmlessly off the walls of their place of exile, taking no effect on the universe or those living in it. There are those, occasionally, who venture from their lairs and do real damage.
We are informed in a pre-credits crawl that Ted Kaczynski (Copley) was a math prodigy who got his PhD in mathematics at age 16 and was well on his way to a brilliant career as a college professor when after a year he withdrew from his university and went to live on the land near Lincoln, Montana, in an isolated cabin he built with his brother Dave.
Ted’s natural reverie is interrupted by the noise and damage of snowmobilers. Ted waits until they are away from their luxury cabin, when he breaks in and takes at their things with an axe. One gets the sense that Ted is a powderkeg of rage just waiting to explode, but he turns out to be more of a slow-burner, one whose frustration and anger percolate and simmer, releasing from time to time in acts of violence – constructing homemade bombs that would kill three and injure 22, some horribly. His acts of domestic terrorism, aimed at random targets he felt were advancing technology which he thought would destroy the human race, or defiling nature, would earn him the name he is better known as – the Unabomber.
If you’re looking into insight about what makes Ted click, you won’t find it here. Although the film uses Kaczynski’s own words (from over 25,000 pages of writing found in his cabin after his arrest) for the voiceover narration. Kaczynski’s writing style can be dubbed radical academic. A brilliant, literate man, he was nonetheless a pompous writer.
Stone, who previously directed the lyrical documentary Peter and the Farm, utilizes cinematographer Nathan Corbin’s talents extensively, creating beautiful and often bucolic images of life in rural Rocky Mountain Montana. He also utilizes the electronic noodling of Blanck Mass to often create a disturbing, discordant background. Stone doesn’t use the narrative tropes of your average biopic, but rather intersperses surreal dream images in an effort to give audiences a taste of the madness that Kaczynski was experiencing, including manufacturing a fantasy woman figure (Mason) to illustrate Ted’s simultaneous longing for companionship and misogyny.
We are not meant to understand what turned a brilliant mathematics professor into a remorseless, heartless bomber and Stone wisely doesn’t try. We get the broad strokes that Kaczynski left behind in his manifesto, but no sense of how the transformation actually occurred. We are left, then, to wonder at how someone so rational could change so radically that any logical thought he had – and it’s clear Stone believes that he had some – were suborned by acts of chaos. We never feel sympathy towards Ted Kaczynski, but we get the sense that Stone is saying that just because the Unabomber was insane doesn’t necessarily mean he was wrong.
REASONS TO SEE: Copley is mesmerizing. Wonderful cinematography.
REASONS TO AVOID: If you’re looking for answers as to what made Kaczynski tick, you won’t find any.
FAMILY VALUES: There is violence, plenty of profanity and some sexual situations including brief nudity.
TRIVIAL PURSUIT: A good deal of the production was filmed where Ted Kaczynski’s cabin actually once stood (it has since been torn down).
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Google Play, Microsoft, Spectrum, Vudu
CRITICAL MASS: As of 2/19/2022: Rotten Tomatoes: 84% positive reviews; Metacritic: 67/100.
COMPARISON SHOPPING: One Hour Photo
FINAL RATING: 7.5/10
NEXT: A Banquet