Top 10 of 2012


2012 Top 10

It is almost a given that any film critic worth their salt is going to do a year-end list of the best films of the year. It’s de rigueur; it’s expected; it’s standard; you don’t get to wear the film critics t-shirt unless you do one. As I’m particularly fond of mine, I guess I’d better go ahead and give it a shot.

Some critics have a kind of scientific method that they use to determine their list. Me, I’m much less formal. I look back over my ratings and choose the movies I gave 10s to at the top, ranking them basically by how I’m feeling about them now. Next comes the 9s, then the 8s if it comes to that (and this year it didn’t). I ignore the half points, so you might see a 9 ranked above a 9.5. I don’t stand on ceremony as you can see.

The story of 2012 is that there were three movies that were at the top of my charts basically the entire second half of the year – nothing that came out in the fall really challenged the top three. The thing is, none of the three really stood out head and shoulders among the others; you could say it’s a three way tie for first. I have ranked them from one to three for the purposes of this list but throughout the year I’ve generally waffled as to what order that I’ve placed them in. I’ve shuffled, re-shuffled and changed my mind a million times. Each one of them has been my favorite movie of the year at various times throughout the year.

In fact, the list (as most lists do) has a highly fluid quality to it. For the most part, I’m pretty satisfied with the ten movies on the list and I don’t think I’d change any of the movies on it, but you never know. For now, these are the top ten movies of 2012, although ask me again tomorrow and the order might change completely but I think you’d find all ten of these movies on the list.

Some of these movies remain in general release even as we speak; you can head right out to a theater and see them the way they were meant to be seen. Some are already out on DVD/Blu-Ray and you can enjoy them in the comfort of your own home – or they soon will be. Lag time between theatrical release and home video release has been shrinking of late plus many films are being released on VOD concurrently to their limited theatrical release, although none of those are on the top ten at the moment. For those whose interests are piqued about the movies from the snippets I publish here, click on the movie’s title to see my original review and if you’d like to find out more, click on the picture above the review to be taken to the film’s official website when available.

As with any list, I guarantee mine will differ with yours significantly. Although I don’t think anyone has ever taken issue (at least publically) with my list, feel free to leave a comment as to why I know nothing about movies and which movies should have been on it, or not on it. Why make a list after all if you’re not going to disagree with it?

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

Craigslist Joe, Renee, Arbitrage, Argo, Headhunters, Turn Me On Dammit, Hara-Kiri: Death of a Samurai, Bully, Thin Ice, God Bless America, Brave, Safety Not Guaranteed, Frankenweenie, The Salt of Life, Skyfall, Dr. Seuss’ The Lorax, Bernie, The Secret World of Arrietty, The Avengers, Girl Model, Moonrise Kingdom, ParaNorman, A Late Quartet, Sleepwalk With Me, Goon, Life of Pi, The Sessions, A Bag of Hammers, Paul Williams: Still Alive, Chely Wright: Wish Me Away, Seven Psychopaths, Ted, Salmon Fishing in the Yemen

The Hobbit An Unexpected Journey10. THE HOBBIT: AN UNEXPECTED JOURNEY

(New Line) Ian McKellen, Martin Freeman, Richard Armitage, Ian Holm, Elijah Wood, Cate Blanchett, Hugo Weaving, Christopher Lee and a cast of thousands. Directed by Peter Jackson

Released December 16, 2012 After years of being held up by MGM’s financial issues, the classic novel by J.R.R. Tolkien finally made it to the screen and in typical Hollywood fashion, the shortest of his novels will now be three films by itself. Still, the Lord of the Rings trilogy was a license to print money for WB so you know it was inevitable that they’d milk it for all it’s worth. We’ll be seeing another Hobbit movie every year through 2015. After that, Silmarillion anyone?
WHY IT IS HERE: An epic adventure on a grand scale. Jackson has made Middle Earth come to life, living and breathing and he does so once again here. Using high frame rate technology, the Shire never looked so beautiful or Rivendell so serene. While it didn’t impress me at the level of the first trilogy, this is still a very good movie.
HIGHLIGHT SCENE: At Rivendell, Gandalf and Galadriel communicate telepathically, both revealing hidden secrets as they discuss the dwarf mission to Erebor and the presence of the Hobbit. Two great actors do almost the entire scene with just their eyes and body language while the dialogue is read voice over. Magnificent.
BOX OFFICE RESULTS: $267.9 million domestic (as of 1/11/13), $830.7 million total.
BUDGET: Not available.
STATUS: Still in wide release.

The Dark Knight Rises9. THE DARK KNIGHT RISES

(Warner Brothers) Christian Bale, Anne Hathaway, Tom Hardy, Michael Caine, Gary Oldman, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman. Directed by Christopher Nolan

Released July 20, 2012 We knew in advance this would be Christopher Nolan’s last foray into Gotham and probably Christian Bale’s as well. After the major success that was The Dark Knight there was a great deal of anticipation although the inevitable backlash that comes after that kind of success was certainly lurking. The box office surely didn’t disappoint although one wonders if the competition from The Avengers didn’t keep this one from going a bit higher.
WHY IT IS HERE: A fitting end to the Dark Knight trilogy, Nolan pulls out all the stops with multiple villains, new gadgets and potential nuclear holocaust. The action was as good if not better than The Avengers and we get to see Batman at his most heroic.
HIGHLIGHT SCENE: Joseph Gordon-Levitt faces down a group of cops on a bridge with the lives of a bus load of kids hanging in the balance.
BOX OFFICE RESULTS: $448.1 million domestic (as of 1/11/13), $1.1 billion total.
BUDGET: $250 million.
STATUS: Currently available on home video. Download from iTunes/Amazon/Blockbuster. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Blockbuster.

The Intouchables8. THE INTOUCHABLES

(Weinstein) Omar Sy, Francois Cluzet, Anne Le Ny, Audrey Fleurot, Clotilde Mollet, Alba Gaia Bellugi, Cyril Mendy, Christian Ameri, Gregoire Oestermann, Josephine de Meaux, Dominique Daguier, Francois Caron, Thomas Soliveres. Directed by Olivier Nakache and Eric Toledano

Released May 25, 2012 This was a box office record setter in France, capturing the imagination of French audiences as well as critical acclaim and major awards (including a Cleo for Sy as best actor). While overly sensitive politically correct American critics took pot shots at the relationship between Driss and Phillippe (white paraplegic employer, black attendant) it was based on an inspirational true story.
WHY IT IS HERE: I dare anyone to watch this all the way through and not feel better about life and the universe we live in. Da Queen will tell you I was in a terrible mood when I went to see this; when we left the theater I was a decent human being again. This should be mandatory viewing for depressives.
HIGHLIGHT SCENE: When Driss gets to drive Philippe’s Mazerati for the first time. Priceless.
BOX OFFICE RESULTS: $10.2 million domestic (as of 1/17/13), $420.8M total.
BUDGET: Not available.
STATUS: Scheduled for home video release on March 5.

Monsieur Lazhar7. MONSIEUR LAZHAR

(Music Box) Mohamed Fellag, Sophie Nelisse, Emilien Neron, Danielle Proulx, Brigitte Poupart, Jules Philip, Daniel Gadouas, Seddik Benslimane, Marie-Eve Beauregard, Louis Champagne, Andre Robitaille, Francine Ruel, Helena Laliberte. Directed by Philippe Falardeau

Released April 13, 2012 As with the last feature on the top ten list, this was presented here in Orlando at the Florida Film Festival. It was, like the previous film, Oscar-nominated for Best Foreign Language film. The similarity stops there however; this is a much darker and dramatic film than the uplifting Intouchables.
WHY IT IS HERE: This deals with grief in several different ways, from the grief of children to the grief of adults. The snowy white Montreal backdrop gives the film a sense of insulation that is both warm and cold at once; it is no accident that the action begins in the winter and concludes in the spring. Fellag gives the kind of performance which would have attracted much more notice had he been working for a major distributor or for an American-made film. It’s a hard, hard film to watch at times but by the time it’s over chances are you’ll have learned something about yourself.
HIGHLIGHT SCENE: The courtroom scene in which Lazhar relives the tragic incident that drove him to Canada.
BOX OFFICE RESULTS: $2 million domestic (as of 1/17/13), $6.6M total..
BUDGET: Not available.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Netflix/iTunes.

Cloud Atlas6. CLOUD ATLAS

(Warner Brothers) Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Susan Sarandon, Hugh Grant, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Keith David, Xun Zhou, David Gyasi, Brody Nicholas Lee, Raevan Lee Hanan, Alistair Petrie. Directed by Tom Tykwer, Andy Wachowski and Lana Wachowski

Released October 26, 2012 This is based on the David Mitchell novel that was widely thought to be unfilmable. The Wachowskis engaged their close friend Tykwer with each directing half of the sequences. Despite the all-star cast, marketing this epic work turned out to be nearly impossible and the movie made almost no box office impact whatsoever here in the States.
WHY IT IS HERE: This is a movie that talks about repression and personal responsibility in ways that we’re often not used to it. It shows that the ability of one human to force another to end to their will is timeless; so is the ability of one human to stand up and say no. There is an epic scope in each of the different segments – each set in a different era in history, three in the past, one in the present and two in the future. Cerebral science fiction, when done well can be as stimulating as any genre of movie extant but sadly, it isn’t generally cost-effective. This was overlooked by a lot of critics and granted, there were some flaws but such was its ambition that one can overlook them when admiring the whole.
HIGHLIGHT SCENE: Timothy Cavendish’ s break-out from the nuthatch in the 2012 sequence.
BOX OFFICE RESULTS: $27.1 million domestic (as of 1/19/13), $71.2 million total.
BUDGET: $102 million
STATUS: Scheduled for home video release in May 2013. It may still be seen in second-run theaters.

Chasing Ice5. CHASING ICE

(Submarine Deluxe) James Balog, Svavar Jonatansson, Louie Psihoyos, Adam LeWinter, Kitty Boone, Jeff Orlowski, Tad Pfeffer, Suzanne Balog, Dennis Dimick, Emily Balog, Simone Balog, Sylvia Earle, Jason Box, Synte Peacock. Directed by Jeff Orlowski

Released November 16, 2012 The growing climate change has become an issue everywhere else in the world, but here in the United States there is oddly no dialogue, unless it is to ridicule Al Gore for his attempts to bring it to the attention of Americans. This movie was an attempt by one of the world’s most passionate and respected nature photographers to document the erosion of the world’s glaciers. It received an Oscar nomination for Best Song but oddly, not for Best Documentary Feature.
WHY IT IS HERE: This documentary shows graphically the importance of glaciers to the global eco-system, the potentially catastrophic consequences of their continued erosion and shows measurably that it is happening right now. The movie is eerily beautiful as it terrifies.
HIGHLIGHT SCENE: The scenes near the end of the film where the erosion of the glaciers is graphically shown. It’s beautiful and terrifying.
BOX OFFICE RESULTS: $970,721 domestic (as of 1/19/13), $970,721 worldwide.
BUDGET: Not available
STATUS: Scheduled for home video release in April 2013.

Lincoln4. LINCOLN

(DreamWorks) Daniel Day-Lewis, Sally Field, Tommy Lee Jones, David Strathairn, Joseph Gordon-Levitt, James Spader, Hal Holbrook, John Hawkes, Jackie Earle Haley, Bruce McGill, Tim Blake Nelson, Jared Harris, Lee Pace, Peter McRobbie, Gloria Reuben. Directed by Steven Spielberg

Released November 9, 2012 This biography of America’s 16th (and perhaps best) president had long been in gestation as Spielberg meticulously researched his life and times, recreating his office down to the wallpaper. It has been something of a surprise hit, with Day-Lewis up to his usual standards of performance, garnering an Oscar nomination and a Golden Globe win to add to his trophy collection.
WHY IT IS HERE: This really gives you a sense of the man behind the majesty, a man who has carried the weight of a bloody civil war on his broad shoulders and is beginning to buckle. This Honest Abe is not above political chicanery and is not above shouting at his subordinates to get this vote done. And the great Mr. Lincoln drove the people around him crazy with his stories, like the long-winded uncle everyone avoids at family reunions. Not that I have a long-winded uncle.
HIGHLIGHT SCENE: The vote on the floor of the House of Representatives is gripping even though most Americans who know their history know how it turns out.
BOX OFFICE RESULTS: $156.6 million domestic (as of 1/18/13), $156.6 million total.
BUDGET: $65 million.
STATUS: Still in wide release.

Cabin in the Woods3. THE CABIN IN THE WOODS

(Lionsgate) Chris Hemsworth, Kristen Connolly, Anna Hutchison, Fran Kranz, Jesse Williams, Bradley Whitford, Richard Jenkins, Sigourney Weaver, Brian White, Amy Acker, Tim De Zarn, Tom Lenk, Dan Payne, Jodelle Ferland, Dan Shea, Maya Massar, Matt Drake. Directed by Drew Goddard

Released April 13, 2012 This was a pretty good year for Joss Whedon who not only directed the biggest blockbuster of the year but produced this film as well. The movie actually had been languishing in the vaults of MGM during its bankruptcy woes and was picked up by Lionsgate who were sadly never really able to get across to the public what a great ride this movie is.
WHY IT IS HERE: Those who love Sam Raimi’s Evil Dead (which itself is being remade later this year) are going to love this. Part horror spoof, part action flick, part Lovecraftian gorefest, part conspiracy flick and all of it fun, we get a solid cast, put them in a playground and watch them get mind raped. It has been a rare thing that I’ve had this much fun at a movie and although it starts off a bit slow, when it gets going it REALLY takes off! Just keep asking yourself this: Am I on speaker phone?
HIGHLIGHT SCENE: The elevator ride down into the bowels of the complex.
BOX OFFICE RESULTS: $42.1 million domestic (as of 1/20/13), $66.5 million total.
BUDGET: $30 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes/Blockbuster.

The Lady2. THE LADY

(Cohen Media Group) Michelle Yeoh, David Thewlis, Jonathan Raggett, Jonathan Woodhouse, Susan Wooldridge, Benedict Wong, Flint Bangkok, William Hope, Victoria Sanvalli, Danny Toeng, Nay Myo Thant. Directed by Luc Besson

Released April 11, 2012 This biopic of Burmese freedom fighter Aung San Suu Kyi was my favorite film from last year’s Florida Film Festival and a very real contender for my favorite of the year period. Oddly, it got extremely disappointing reviews which I found incomprehensible – but the box office figures were far more disappointing than the reviews.
WHY IT IS HERE: This is a movie that shows how resilient the human spirit is. Suu Kyi is one of the most courageous people of our time and yet her story is largely unknown in the West. Michelle Yeoh gives a performance that in a just world would have been considered for an Oscar – it’s at least on par with favorite Jessica Chastain’s. However because of the almost non-existent theatrical release and the critical shellacking it received, most people will never get a chance to see it.
HIGHLIGHT SCENE: The scene in which Aung proudly listens to her son Alexander give the acceptance speech for her Nobel Peace Prize, the ceremony for which she was unable to attend.
BOX OFFICE RESULTS: Domestic box office figures unavailable (as of 1/23/12), $3.4 million total.
BUDGET: $29.4 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes/Blockbuster.

The Best Exotic Marigold Hotel1. THE BEST EXOTIC MARIGOLD HOTEL

(Fox Searchlight) Judi Dench, Bill Nighy, Tom Wilkinson, Maggie Smith, Penelope Wilton, Celia Imrie, Ronald Pickup, Dev Patel, Tena Desae, Lillette Dubey, Sid Makkar, Seema Azmi, Diana Hardcastle, Lucy Robinson, Paul Bhattacharjee. Directed by John Madden

Released May 4, 2012 General movie audiences notoriously find movies about the elderly to be anathema. It’s not hard to figure out why – moviegoers are mostly teens and young adults; that demographic doesn’t really care about the elderly and their issues because they simply aren’t there yet. This one, however, struck a chord with audiences of all age groups.
WHY IT IS HERE: I have to admit I wasn’t particularly interested in visiting India for most of my life. I’d heard about the noise, the smell, the crowded conditions and the heat – it didn’t sound like my particular cup of tea. That all changed after I saw this movie and saw India from a completely different viewpoint. Besides that, this is a movie about aging and living as an “old person.” You might look at aging differently when you see this.
HIGHLIGHT SCENE: Tom Wilkinson’s strolls through town were always full of joy.
BOX OFFICE RESULTS: $46.4 million domestic (as of 1/23/12), $134.4 million total.
BUDGET: $10 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes.

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New Releases for the Week of May 4, 2012


May 4, 2012

MARVEL’S THE AVENGERS

(Disney/Marvel) Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Stellan Skarsgard, Samuel L. Jackson, Clark Gregg, Cobie Smulders, Gwyneth Paltrow, Paul Bettany (voice), Alexis Denisof. Directed by Joss Whedon

At long last it is here, the movie we’ve been waiting for ever since Iron Man brought the Marvel franchise to the forefront of comic book films. Here Loki leads an alien invasion of Earth and it will take the combined strength of Earth’s mightiest heroes to save the planet from subjugation. Some theaters around the country will be holding a Marvel marathon, showing all six films preceding The Avengers chronologically on Thursday, culminating with a midnight showing of this film – check your local listings to see which theater is presenting this in your neck of the woods. As Stan Lee himself might say, Excelsior!

See the trailer, featurettes, clips, interviews and promos here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Superhero

Rating: PG-13 (for intense sequences of sci-fi violence and action throughout, and a mild drug reference)

Damsels in Distress

(Sony Classics) Greta Gerwig, Adam Brody, Analeigh Tipton, Aubrey Plaza. A group of fashionistas at a college take a new girl under their wings in order to teach her their somewhat unorthodox ways of helping people who they deem are in need of it. When the new girl is pursued by a young man, it sets off a chain of events that will change the dynamic of the girls and maybe – just maybe – give them an entirely new viewpoint on life.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for mature thematic content including some sexual material)  

The Kid with a Bike

(Sundance Selects) Cecile de France, Thomas Doret, Jeremie Renier, Egon Di Mateo. A young boy is abandoned by his father who leaves him with only a bicycle. The boy reasons that the father must still care something for him since the bike was left. He is taken under the wing of a kindly hairdresser who finds herself caring for the boy despite his erratic behavior and troubled nature. His search for a father figure may threaten the last relationship he has yet if he isn’t careful.

See the trailer and clips here.

For more on the movie this is the website

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for thematic elements, violence, brief language and smoking)  

Monsieur Lazhar

(Music Box) Mohammed Fellag, Sophie Nelisse, Emilien Neron, Danielle Proulx.  A Montreal middle school class, devastated by the suicide of their teacher whose body was discovered by one of their number, is given a new teacher who has some baggage of his own. Cinema365 saw this as part of the recent Florida Film Festival, the review for which can be read here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for mature thematic material, a disturbing image and brief language)

The 2012 Florida Film Festival


Well, the Florida Film Festival is over for another year and this one was by all accounts a good one. With record-setting ticket sales as well as the most movies ever presented by the Festival, it’s just an indication as to the general growth in popularity of film festivals nationwide and of this one in particular. Those looking for alternatives to the wide Hollywood releases in the same multiplexes are finding themselves drawn to the film festival environment.

Although the festival is over officially, here on Cinema365 it will continue on indefinitely. I will continue to review movies screened at the festival this year, including some I saw at the festival (as I await their release date to print their full review) and each one will be accompanied by the Florida Film Festival banner as you see above. Also for those films I missed seeing at the Festival as they appear here in Orlando I will review those as well; and for those I see on DVD or stream from wherever those will also receive the FFF/Cinema365 treatment.

There were some amazing films here at the festival this year, some of which have already been reviewed. My favorites were in this order;

The Lady
Monsieur Lazhar
Renee
The Intouchables
Headhunters
The Salt of Life
Turn Me On, Dammit
God Bless America
Where Do We Go Now?
Girl Model
Jiro Dreams of Sushi
Lovely Molly
Eye of the Hurricane

Look for coverage of the Festival to continue throughout the year. I’m already looking for the 2013 edition, which Cinema365 will once again be covering in depth.

In the meantime, our newest special feature is coming this weekend. It’s called Offshoring and will be our own mini-film festival of all non-American films. We’ll have movies from Israel, Norway, China, France and India during six days of global cinema coverage that will serve to celebrate the diversity and quality of films from all over the planet. I hope you enjoy it as much as I did watching and reviewing these films; I intend it to be a regular post-Florida Film Festival feature annually.

Look for our new American Experience mini-festival of movies celebrating the uniqueness of American life coming around the July 4th Holiday, and at the end of this week our annual summer movie preview. It’s busy around here at Cinema365 World HQ but it’s worth it as we gear up to further bring to you our passion for films of both the summer blockbuster and independent and foreign cinematic variety. Hope you like what you read!

Monsieur Lazhar


Monsieur Lazhar

The face may be smiling but it's the eyes that are haunted.

(2011) Drama (Music Box) Mohamed Fellag, Sophie Nelisse, Emilien Neron, Danielle Proulx, Brigitte Poupart, Jules Philip, Daniel Gadouas, Seddik Benslimane, Marie-Eve Beauregard, Louis Champagne, Andre Robitaille, Francine Ruel, Helena Laliberte. Directed by Philippe Falardeau

 

We tend to take for granted what a strong impression teachers make on the lives of our students. Most of us can remember at least one teacher whose influence lasted throughout our lives. The student-teacher relationship can be a strong one.

In a middle-class middle school in Montreal that seems to be true. One day, however, Simon (Neron), a student in the middle school, comes to his classroom early to distribute milk and snack for the kids and discovers his teacher, Martine Lachance (Laliberte) hanging. One other student, Alice (Nelisse) also sees the body of her teacher.

The suicide shakes up everyone in the school. The principal, Madame Vaillancourt (Proulx) avails the class of a therapist but knows she has to find a teacher to fill the spot. As it is the middle of the school year, not many teachers want to fill in for a dead woman, particularly one who died so publically. However in walks Monsieur Bachir Lazhar (Fellag) who has 19 years of experience teaching in Algeria.

With no other options, Vaillancourt hires the quiet, softly smiling Algerian. At first he and his class have a rocky start. Lazhar is far more formal than the beloved Martine, ordering the desks in rows rather than the semi-circle Martine had utilized. He is also to give a misbehaving kid a little smack upside the head which of course is a strict no-no in the more liberal Canadian educational system than he’s used to.

Slowly, the kids start taking to Monsieur Lazhar, whose gentle nature seems to cut through the negative feelings they have. In fact, it seems that the kids are adjusting to the loss of Martine much better than the adults with one exception – Simon. Simon is acting out and it soon becomes apparent that he’d had some kind of run-in with Martine that might have had something to do with her decision to do what she did, particularly when she knew that it was Simon who would find her.

But it might just be Alice who has the most difficult time adjusting. And on top of that, Monsieur Lazhar has some secrets of his own. Something that has caused his smile to be so sad. Despite the efforts of comely fellow teacher Claire (Poupart), Monsieur Lazhar might just be the most wounded soul of them all.

Movies that have children dealing with death are few in number and those that are out there are generally treacly in nature, as are those that try to deal with the student-teacher bond. Monsieur Lazhar is anything but that. It takes kids, puts them in a situation that could happen to any kid and then lets them be kids.

The kids are wonderful here; there is no posturing and it really doesn’t seem like they’re acting, a major fault among most juvenile actors. Instead, they react to the things happening around them the way most kids do – sometimes in an annoying manner, sometimes rambunctiously and other times thoughtfully. This helps elevate the movie into something far more real and compelling. Particularly exceptional are Nelisse and Neron, both who show virtuoso abilities. Should they choose to pursue acting, they both have promising careers ahead.

Fellag is marvelous himself. He carries himself with great dignity and gentle self-effacing humor here. He imbues the character with great decency, but never lets us forget the pain that is just below the surface. As what the cause of that pain is revealed, one marvels once again at human resiliency; I don’t know if I could stir myself out of bed with all that Monsieur Lazhar is carrying around with him. Fellag displays that pain not through his dialogue but through his eyes. He may have that soft smile you see above but every time you get a good look in his eyes it becomes obvious that the man is bearing a terrible burden. It’s a shame that he didn’t get Best Actor consideration at the Oscars this year – he deserved at least a look.

This movie handles things in a kind of low-key manner. Other than the scene at the beginning of the film where Simon discovers Martine, everything takes place here at a kind of slow-paced quietude. Sure the kids scream and yell as kids do but the scenes here aren’t doing so; the action is subtle but authentic. There are a lot of nice little touches – personal effects for example play an important role in the movie, as does snow – both as allegories. I found myself wrapped up in the film and the people in it; I wanted to be part of it, talking to the characters and helping them get through that. A film that inspires that kind of compassionate urge is not only one to be respected and admired, it is one to be sought out, even if you must go out of your way to do so.

REASONS TO GO: Moving and ultimately unforgettable. Juvenile cast comes through magnificently.

REASONS TO STAY: Very low-key which some may find difficult to deal with.

FAMILY VALUES: The themes here are pretty adult and there’s one image that might be disturbing for the sensitive. There are also a couple of not-so-nice words here and there.

TRIVIAL PURSUIT: Was nominated for a Best Foreign Language Film Oscar this year as was In Darkness, a Polish-Canadian co-production which marks the first time in history that two movies with Canadian connections were nominated in that category.

CRITICAL MASS: As of 4/17/12: Rotten Tomatoes: 93% positive reviews. Metacritic: 82/100. The reviews are stellar.

COMPARISON SHOPPING: To Sir With Love

SNOW GEAR LOVERS: The kids (and adults) have a plethora of different snow apparel and accoutrements on display for those looking to enhance or upgrade their snow season wardrobe.

FINAL RATING: 9/10

NEXT: Jiro Dreams of Sushi

Four-Warned: April 2012


April 2012Every month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.

The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. THE RAVEN (1.1)
2. CABIN IN THE WOODS (1.4)
3. SAFE (1.5)
4. THE PIRATES! BAND OF MISFITS (1.8)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. THE LADY (1.3)
2. WE HAVE A POPE (1.5)
3. MONSIEUR LAZHAR (1.6)
4. COMIC-CON EPISODE IV: A FAN’S HOPE (1.7)
TIE. MY WAY (1.7)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

APRIL 4, 2012

TITANIC 3D (Paramount) Genre: Romance. A ship goes down and a lot of people drown yadda yadda yadda. Release Strategy: Wide (Standard, 3D, IMAX 3D). RATING: 3.8 Another cash grab for those suckers who haven’t seen this in a theater or want to see it again.

APRIL 5, 2012

AIR RACERS 3D (3D Entertainment Distribution) Genre: Documentary. A look at the Reno National Championships Air Race, from its history to its most recent running.. Release Strategy: Limited (IMAX 3D). RATING: 3.2 Not my cup of tea.

APRIL 6, 2012

AMERICAN REUNION (Universal) Genre: Sex Comedy. The teens from American Pie are all grown up and return to town for a 15 year high school reunion. Release Strategy: Wide. RATING: 3.5 Basically this franchise went off the rails after the first one; I wonder if this one will have any kind of entertainment value beyond watching grown-ups act like horny teens.
THE ASSAULT (Screen Media) Genre: True Life Drama. The story of the hijacking of the 1994 hijacking of Air France flight 8969 and the determined rescue attempt by the elite counter-terrorism unit of the French National Guard. Release Strategy: Limited. RATING: 2.2 Looks like the equivalent of our United 93.
ATM (IFC Midnight) Genre: Thriller. Three co-workers leave a Christmas party to get cash from an ATM which turns into a struggle for survival. Release Strategy: Limited. RATING: 2.1 A locked room thriller with a maniacal killer stalking three innocents – always up for that kind of goodness.
COMIC-CON EPISODE IV: A FAN’S HOPE (Wrekin Hill) Genre: Documentary. Morgan Spurlock’s loving and irreverent visit to San Diego Comic-Con 2010. Release Strategy: Limited. RATING: 1.7 I’m geeking out over this already.
DAMSELS IN DISTRESS (Sony Classics) Genre: Dramedy. A group of style-obsessed college students take a new girl under their wings until a prospective suitor drives a wedge between all of them. Release Strategy: New York City/Los Angeles. RATING: 2.4 Sort of a cross between a collegiate sex comedy and a dry martini.
THE HUNTER (Magnolia) Genre: Thriller. A ruthless mercenary hunting a Tasmanian tiger thought to be extinct bonds with a family that is terrorized by the creature. Release Strategy: Limited. RATING: 3.4 The trailer was, sad to say, non-impressive to me.
KEYHOLE (Monterey Media) Genre: Drama. A gangster enters his home with the body of a young girl and a bound and gagged teenage boy, protected by his gang which is in disarray, pursued by police and seeking his wife in a house that grows stranger by the moment. Release Strategy: Limited. RATING: 3.6 Film noir as filtered through the mind of avant garde Winnipeg-based director Guy Maddin.
PLAYER HATING: A LOVE STORY (Film Fatale) Genre: Documentary. The filmmakers follow Half-a-Mill, a budding rap star from the mean streets of Crown Heights in Brooklyn willing to do whatever it takes to achieve stardom. Release Strategy: New York City only. RATING: 3.8 Nope. Not interested.
SURVIVING PROGRESS (First Run) Genre: Documentary. Is progress and technology a good thing for society? Release Strategy: New York City (expands April 20). RATING: 2.8 Based on the book A Short History of Progress.
WE HAVE A POPE (Sundance Selects) Genre: Comedy. The newly elected pope suffers from stage fright and must be seen by a psychiatrist. Release Strategy: Limited. RATING: 1.5 Look like another sweet, warm-hearted Italian comedy.
WE THE PARTY (Xlrator) Genre: Urban Comedy. Five kids in an ethnically diverse inner-city L.A. High School deal with the pressures of being a teen in the 21st century. Release Strategy: Limited. RATING: 3.7 Sort of like a Breakfast Club for Generation RFN.

APRIL 11, 2012

THE LADY (Cohen Media Group) Genre: True Life Drama. Aung San Suu Kyi fights for democracy and peace in Burma against the despotic regime there at the cost of her family. Release Strategy: Limited. RATING: 1.3 One of the most compelling stories of our time with one of the most compelling actresses (Michelle Yeoh) of our time starring in it.
POST-MORTEM (Kino Lorber) Genre: Dramedy. A coroner’s assistant trying to woo a stripper is caught up in the 1973 Chilean coup. Release Strategy: New York City only. RATING: 2.1 The newest from the director of Tony Manero.

APRIL 12, 2012

THE EYE OF THE STORM (Sycamore) Genre: Drama. A dying old woman continues to pull the strings on her family even as they hold vigil at her deathbed. Release Strategy: Limited. RATING: 2.4 A deliciously arch Aussie drama based on the novel by Nobel Laureate Patrick White.

APRIL 13, 2012

BAD ASS (Goldwyn) Genre: Action. A decorated Vietnam vet who becomes a hero 40 years later protecting an elderly black man on a subway looks into the death of a friend that the police are ignoring. Release Strategy: Limited. RATING: 2.4 Danny Trejo in the title role – talk about perfect casting!
BLUE LIKE JAZZ (Roadside Attractions) Genre: Drama. A young man brought up by evangelical Christians in Texas experiences culture shock when attending one of the most liberal colleges in the country in the Pacific Northwest. Release Strategy: Limited. RATING: 2.6 Looks a little self-indulgent and arrogant to me – not bad things necessarily.
THE CABIN IN THE WOODS (Lionsgate) Genre: Horror. A group of friends go to a remote cabin in the woods and bad things happen there. Release Strategy: Wide. RATING: 1.4 This is Josh Whedon, man. Anything can happen.
DEADLINE (Freestyle Releasing) Genre: Mystery. An investigative journalist re-opens a case of a murdered African-American boy that was never properly investigated by the police. Release Strategy: Limited. RATING: 2.4 Inspired by a true story, and reminds us that racism is still with us.
DETENTION (Goldwyn) Genre: Horror Comedy. A group of kids race to stop a serial killer terrorizing their high school – realizing that he is meant to save the world from destruction later. Release Strategy: Limited. RATING: 2.1 Looks like it could be an interesting mish-mash that has a healthy amount of self-parody.
HERE (Strand) Genre: Romance. A satellite engineer and an expatriate photographer impulsively decide to take a road trip across the more desolate landscapes of Armenia then must decide where they’re going to go from “here” – once they get there. Release Strategy: New York City only. RATING: 2.4 This is a remake of a 1960 Korean film which is considered to be one of the best movies ever produced from that country.
HIT SO HARD (Well Go/Variance) Genre: Musical Documentary. Among the casualties of the grunge movement is Patty Schemel, former drummer of Hole – this is her story. Release Strategy: New York City/Los Angeles. RATING: 2.3 A no-punches-pulled look at the effects of drug addiction and rampant out-of-control egos on art and music.
HOW TO GROW A BAND (International Film Circuit) Genre: Musical Documentary. Chris Thile of bluegrass stars Nickel Creek creates a new band that crosses genre lines; the formation of his new group is documented here with unprecedented access. Release Strategy: New York City only. RATING: 2.0 The music is flat-out amazing.
L!FE HAPPENS (PMK*BNC) Genre: Comedy. A woman who loves to party parties a little too hard and winds up pregnant; her lifestyle is turned on its head but she discovers that parenting has its own rewards. Release Strategy: Limited. RATING: 3.3 Looks to be fairly cliche.
LATE BLOOMERS (Olive) Genre: Romantic Comedy. A couple approaching old age react to it in different ways. Release Strategy: New York City only. RATING: 2.8 Favorite line: “Getting old ain’t for sissies”.
LOCKOUT (FilmDistrict) Genre: Science Fiction. A crack ex-government agent about to be incarcerated for a crime he didn’t commit is called into service to rescue the President’s daughter from an orbital maximum security prison that the prisoners have taken over. Release Strategy: Wide. RATING: 2.0 Escape from New York much?
MONSIEUR LAZHAR (Music Box) Genre: Dramedy. A middle school class in Montreal is shaken by the death of their well-liked teacher; an Algerian immigrant volunteers to take over and is hired as a substitute, helping the students cope with their grief as they help him to cope with his own. Release Strategy: Limited. RATING: 1.6 Oscar-nominated for Best Foreign Film and deservedly so.
THE THREE STOOGES (20th Century Fox) Genre: Allegedly a Comedy. Three orphans raised by nuns grow up to be Stooges. Release Strategy: Wide. RATING: 3.9 It just looks like a bad idea executed badly.
TOUCHBACK (Anchor Bay) Genre: Fantasy. A promising football player who is permanently injured on the winning touchdown of the high school championship gets a chance to do it all over again. Release Strategy: Limited. RATING: 1.8 A little bit like It’s a Wonderful Life only without the angels.
WOMAN, THOU ART LOOSED!: ON THE 7TH DAY (Codeblack) Genre: Thriller. When their young child is kidnapped, a couple are forced to confront their own pasts and secrets. Release Strategy: Limited. RATING: 2.7 The trailer looks pretty intense.

APRIL 16, 2012

OKI’S MOVIE (Jeonwonsa) Genre: Dramedy. A young woman hikes up a mountain twice a year apart, each time with a different boyfriend which gives her a different perspective both times. Release Strategy: Limited. RATING: 2.9 Has been on the festival circuit for two years.

APRIL 20, 2012

CHIMPANZEE (DisneyNature) Genre: Nature Documentary. A young chimpanzee is orphaned in the wild and taken under the wing of the tribe’s alpha male. Release Strategy: Wide. RATING: 2.3 Should be one of the most accessible of the DisneyNature films.
DARLING COMPANION (Sony Classics) Genre: Dramedy. A distracted husband loses the family dog at their vacation home, prompting a search and rescue operation that will lead the remaining games on a journey of surprising depth. Release Strategy: Limited. RATING: 2.0 Kevin Kline, Diane Keaton, Richard Jenkins, Dianne Wiest and Sam Shepard head an awesome cast.
DOWNTOWN EXPRESS (International Film Circuit) Genre: Drama. The virtuoso son of an immigrant finds himself torn between the worlds of classical and pop music. Release Strategy: New York City only. RATING: 2.5 A little bit Jazz Singer but the music sounds terrific.
FIGHTVILLE (MPI) Genre: Documentary. A group of young MMA fighters go all-out for their dream in a small town in Southern Louisiana. Release Strategy: New York City/Los Angeles. RATING: 3.8 Not sure now this stacks up against other TV shows of a similar nature.
GOODBYE FIRST LOVE (IFC) Genre: Romance. The chronicle of the romance between Camille and Sullivan, which began during their childhoods. Release Strategy: Limited. RATING: 2.1 As with most French romance films very sensual and very profound.
JESUS HENRY CHRIST (EOne) Genre: Comedy. A prodigious youngster who was a Petri dish baby goes on a quest to find the sperm donor who helped create him. Release Strategy: Limited. RATING: 2.1 Includes the great Michael Sheen and Toni Collette in the cast; looks pretty good.
THE LUCKY ONE (Warner Brothers) Genre: Romance. A soldier picks up a photograph of a woman in the rubble and is saved by that act; after he is discharged he hunts for the woman in the photo to thank her and discovers that she has far more effect in his life than he first realized. Release Strategy: Wide. RATING: 2.8 Yes, it’s a Nicholas Sparks novel adaptation; enjoy it for what it is.
MARLEY (Magnolia) Genre: Musical Documentary. The story of reggae icon Bob Marley whose music still is causing ripples in both the political and social landscape of the world. Release Strategy: Limited. RATING: 2.6 From Academy Award-winning documentarian Kevin Macdonald.
THE MOTH DIARIES (IFC) Genre: Thriller. A bereaved girl at an all-girl’s boarding school suspects that the glamorous new girl is a vampire. Release Strategy: Limited. RATING: 2.3 This has been done before but with Mary Harron directing this could be quite interesting.
MY WAY (PMK*BNC) Genre: War. Bitter boyhood rivals find themselves fighting both against each other and for the same side during World War II. Release Strategy: Limited (Expands May 4). RATING: 1.7 Looks like some absolutely stunning war footage from the trailer.
PENUMBRA (IFC) Genre: Horror. On the day of a solar eclipse, a greedy Argentine businesswoman rents her decrepit family apartment to the wrong guy. Release Strategy: Limited. RATING: 1.9 Looks very Roman Polanski-esque, particularly of his works from the 1960s.
THINK LIKE A MAN (Screen Gems) Genre: Urban Romance. A group of men are startled to find that the objects of their affections have read Steve Harvey’s bestselling book and now know all of their moves. Release Strategy: Wide. RATING: 3.6 I can’t say as this looked terribly interesting from the preview.
TO THE ARCTIC 3D (Warner Brothers) Genre: Nature Documentary. Climate changes threaten the polar bear population in the Arctic. Release Strategy: Wide (IMAX). RATING: 3.4 The last IMAX nature doc from Warners was unimpressive.

APRIL 25, 2012

PAYBACK (Zeitgeist) Genre: Documentary. An essay by acclaimed writer Margaret Atwood on the nature of debt is examined in this documentary who uses it to help us understand the changing political and economic reality of our world. Release Strategy: New York City only. RATING: 3.9 Atwood is one of the greatest minds of the past century; her perspective is one worth looking into.

APRIL 27, 2012

96 MINUTES (ARC Entertainment) Genre: Thriller. Four kids are caught in the maelstrom of a carjacking – not all of them are innocent and not all of them will survive. Release Strategy: Limited. RATING: 2.7 Supposedly inspired by true events, the trailer looks like a run-of-the-mill thriller.
BERNIE (Millennium) Genre: Drama. A small Texas town is shocked when one of its most well-liked citizens is arrested for murder. Release Strategy: Limited. RATING: 2.9 Also a true story albeit more offbeat; terrific cast includes Jack Black, Shirley MacLaine and Matthew McConaughey.
CITIZEN GANGSTER (IFC) Genre: Crime Drama. A World War II veteran is reduced to robbing banks to get by but love and crime make for an explosive concoction. Release Strategy: Limited. RATING: 2.6 I’m still kinda wait-and-see based on the trailer.
ELLES (Kino Lorber) Genre: Drama. A young mother working as an investigative journalist for Elle magazine looking into student prostitution finds her perceptions of the world’s oldest profession changing. Release Strategy: Limited. RATING: 2.4 Provocative and eye-opening, might offend blue-noses with the portrayal of prostitutes as essentially pragmatic, strong women.
THE FIVE-YEAR ENGAGEMENT (Universal) Genre: Romantic Comedy. Two people engaged to be married are forced by circumstances to continually push out their wedding date. Release Strategy: Wide. RATING: 2.1 Jason Segel and Emily Blunt make an attractive couple.
HEADHUNTERS (Magnolia) Genre: Thriller. A Norwegian headhunter living beyond his means gets in way over his head when he tries to acquire a rare painting from a mercenary by any means necessary. Release Strategy: Limited. RATING: 2.1 Looks like another home run from Norway.
THE PIRATES! BAND OF MISFITS (Columbia) Genre: Animated Feature. A somewhat befuddled pirate vies for the Pirate of the Year award with a crew that is more enthusiastic than competent. Release Strategy: Wide (Standard, 3D). RATING: 1.8 The newest animated feature from Aardman looks like a ton of fun.
THE RAVEN (Relativity) Genre: Thriller. A series of murders based on those found in a series of stories force police to call in the author who penned them – Edgar Allen Poe . Release Strategy: Wide. RATING: 1.1 You had me at John Cusack as Edgar Allen Poe.
SAFE (Lionsgate) Genre: Action. A former MMA fighter who blew a rigged fight which caused the Russian mafia to decree that anyone who develops a relationship with him will be killed takes a young Chinese girl under his wing that might be the key to his redemption – or death. Release Strategy: Wide. RATING: 1.5 Jason Statham is my favorite action star at the moment and this one looks like it could be one of his best.
SOUND OF MY VOICE (Fox Searchlight) Genre: Drama. A husband-wife documentary filmmaking team infiltrate a cult leader’s inner circle with unforeseen results. Release Strategy: Limited. RATING: 1.9 Looks like it could be an early Oscar hopeful from the indie ranks.
WARRIORS OF THE RAINBOW: SEEDIQ BALE (Well Go USA) Genre: War. During World War II an uprising of the aboriginal tribes of Taiwan threaten the invading Japanese hold on the island. Release Strategy: Limited. RATING: 2.3 Actually looks really well-made with some pretty complex action sequences.

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
Lockout, The Lady, Monsieur Lazhar, Chimpanzee, The Lucky One, The Five-Year Engagement, Headhunters, Pirates! Band of Misfits, The Raven, Safe

Florida Film Festival 2012


That time of year is upon us as the Florida Film Festival will return for its 21st year on April 13th through April 22nd. The FFF’s unique combination of exciting films, delicious food and fun make it one of the most laid-back, enjoyable film festivals anywhere. It is also one of the best-curated – two out of the last three years the movie I chose as best of the year was one I saw right here at the Florida Film Festival. That gives you an idea of the quality of the films selected year after year.

Why go to a film festival? Aren’t they for film snobs so they can get together and watch subtitled and indie films while looking down their noses at mainstream movies? Maybe at some festivals but not this one. The people who attend the Florida Film Festival are film lovers; their only criterion is that the movie have something to offer. Sure, they might turn up their noses at movies that aren’t made well or don’t have anything in particular to say but for the most part the people who are regular attendees at the FFF are people who see a lot of movies, mainstream as well as independent.

And these aren’t all movies about 20-something hipsters in complicated relationships while living in lofts in New York City; at the FFF you’ll find children’s films, horror movies, classic films, action films, hysterically funny shorts, compelling documentaries and musicals. There is literally something for every taste in movies and every kind of story imaginable. If you are a little open-minded and like to have a good time, this is the party you’re missing and trust me, it’s one you want to go to.

There are special food events where celebrity chefs show off their skills; there are movies that take special pride in our Florida home as Florida-bred filmmakers show why this area is rapidly becoming a spawning ground for great filmmakers. There are midnight movies showing the best in genre filmmaking from around the world. There are short films from around the world and around the corner, both animated and live action (and just for the record, the most recent winner of the Oscar for Animated Short Subject was screened at last year’s Florida Film Festival).

So what do they have in store for us this year? A wealth of great movies – over 170 features will be screened during this year’s Festival. Some of the ones I’m looking forward to are Renee, the locally made film covering the story of Renee Yohe, the inspiration for the charity group To Write Love On Her Arms (it is also the opening night film) and Jiro Dreams of Sushi, a documentary covering the world’s only three Michelin star-rated sushi chef. There’s also the latest horror film from Don Coscarelli (auteur of Phantasm and Bubba Ho-Tep) called John Dies in the End. There’s the Norwegian sexual coming of age film Turn Me On, Dammit! and the Canadian schoolroom drama Monsieur Lazhar (which was also nominated for a Best Foreign Film Oscar this year although it didn’t win), not to mention the Paul Simon documentary Under African Skies and the sophisticated animated feature A Cat in Paris.

Some that I’m planning to see (among most of the ones above as well) include Salt of the Earth (the sequel to Mid-August Lunch), the thriller Headhunters, Luc Besson’s biopic of Aung San Suu Kyi (the pro-democracy activist and Nobel laureate under house arrest in Myanmar) The Lady and the French box office record breaker The Intouchables. Those whose tastes lean towards classic movies will be thrilled to hear that among those classics screening this year include Marriage Italian Style, To Kill a Mockingbird, Monty Python and the Holy Grail and Liberty Heights.

Of note is the Rick Springfield documentary Affair of the Heart. Made by local documentary director Sylvia Caminer, it set a Florida Film Festival record by selling out it’s Thursday night screening in less than an hour (it doesn’t hurt that Springfield will be making an appearance at the screening). There are a few tickets left for the Saturday noon screening on April 14th if you’re still looking to see it – it’s supposed to be an amazing documentary and from the clips I’ve seen it is going to appeal to his fans and non-fans alike.

And I could go on and on – but you get the point. There are some really good movies, several of which are most likely destined for my year-end top ten. There is the good food not only at the Enzian and Eden Bar but also at events hosted by Luma of Winter Park, Whole Foods Market and of course the Opening Night Party, featuring food from some of the best restaurants in Central Florida. There are great venues including the Enzian itself, The Regal in Winter Park Village and Central Park in downtown Winter Park. You can find more ticket information for the Festival and information about all the movies and shorts being screened at their website here.

So keep an eye on Cinema365 for more information about upcoming celebrity appearances at the Festival, reviews of the movies being screened and further preview information about the Festival. This year looks to be bigger and better than ever and we wouldn’t want you to miss a thing.

Tickets for individual films run at $10 apiece (once they go on sale – see website for details) and packages start as low as $50 (and usually include goodies like posters or programs) or you can go whole hog and get yourself a pass which gets you into any and/or all screenings. Those start at $450 and go up to $1000 a pass (for the film lover who has everything – and wants more). So yeah, ten bucks a ticket isn’t all that bad and even if you just pick a single film to see, you’ll be hooked for life. There’s nothing quite like a film festival and there are none quite like the Florida Film Festival. See for yourself – you’ll be thanking me for it later.