Ode to Joy (2019)


Love means never having to stand in the rain.

(2019) Romantic Comedy (Mosaic) Martin Freeman, Morena Baccarin, Jake Lacy, Melissa Rauch, Jane Curtin, Shannon Woodward, Ellis Rubin, Jackie Selden, Adam Shapiro, Jason Altman, Alex Perez, Ravi Cabot-Conyers, Tyler Bourke, dL Sams. Directed by Jason Winer

Love is a difficult enough proposition without throwing in an exotic illness. The highs, the lows…it’s a real test of our emotional capabilities. It can affect even the best of us in unexpected ways. Those who are especially sensitive…it can be a real war.

Charlie (Freeman) is such a case. He has a rare condition called Cataplexy which affects those who suffer it whenever they are struck by strong emotions. Although portrayed here as a separate disease, it is actually a side effect of narcolepsy. For Charlie, whenever he feels joy, he loses consciousness. That can be a real mood-killer, romantically speaking.

He lives a carefully ordered life, one in which he tries to avoid any situations that might affect him emotionally and the sight of newborn babies will have him reciting lists of the most depressing thigs imaginable. He tries to keep as even a keel as possible, aided by his generally irresponsible younger brother Cooper (Lacy). That all takes a sharp left turn when he meets Francesca (Baccarin). Charlie and Francesca hit it off immediately and soon Charlie takes a chance and asks her out. It seems to go really well until she asks him up to her apartment – and Charlie’s condition makes a very nasty appearance.

Charlie, fearing what might happen, calls things off with Francesca and ends up seeing Bethany (Rauch), a friend of Francesca’s. Cooper, noticing that Francesca is available, starts dating his brother’s ex – except Charlie and Francesca aren’t at all sure that they are with the right partners.

Freeman is a charming lead with oodles of likability. While the chemistry with Baccarin isn’t 100% convincing, it’s a good 95% at least; maybe it’s the imperfections that make the romance at the center of the movie more powerful. While the medical basis for the film is a little bit shaky, it should be remembered that this isn’t meant to be a medical textbook and thus the disease is meant to fit the story rather than the other way around.

At times the dialogue gets a little florid, not unusual in a rom-com although the film valiantly tries and mostly succeeds at avoiding the clichés of the genre. Still, there is plenty of heart here and while I could do without the quirky indie New Yorker tropes, this is actually a heart-warming and charming little film that hopefully will get at least a limited release (it has a distribution deal with a boutique Sony label so there’s that) because this is the kind of movie the world needs more of.

REASONS TO SEE: Not your typical rom-com. Really strong performances all around. Bizarre in a good way.
REASONS TO AVOID: Some of the dialogue is overwrought.
FAMILY VALUES: There are some sexual references and mild profanity as well as a bit of violence.
TRIVIAL PURSUIT: Freeman and Baccarin have both appeared in Marvel movies; Freeman as Agent Everett Ross, Baccarin as Vanessa Carlyle.
CRITICAL MASS: As of 5/14/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: As Good As It Gets
FINAL RATING: 8/10
NEXT:
Carmine Street Guitars

New Releases for the Week of December 14, 2018


SPIDER-MAN: INTO THE SPIDERVERSE

(Columbia) Starring the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Lily Tomlin, Nicolas Cage, Zoë Kravitz, Liev Schreiber. Directed by Bob Perischetti, Peter Ramsey and Rodney Rothman

Brooklyn teen Miles Morales is the Spider-Man of his dimension. He’s new to the job but shows a lot of promise. However, a threat to all of reality brings different Spideys from a variety of dimensions to face down the threat in this first feature-length animated film from Marvel to hit theaters.

See the trailer, clips, interviews and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for frenetic sequences of animated action violence, thematic elements, and mild language)

Mortal Engines

(Universal) Hugo Weaving, Hera Hilmar, Robert Sheehan, Jihae. Based on a series of young adult books, this introductory film to what Universal hopes will be a major franchise for them picks up after a cataclysmic event has decimated the Earth. Cities have become mobile, scavenging for dwindling resources and London is the most predatory of all of them. A mysterious girl whose memory of her mother may unlock the key to her survival, joins forces with a dangerous outlaw, a defector from London and a brave young man to stop the ambitions of the mad Thaddeus Valentine.

See the trailer, clips, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, Dolby, IMAX, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of futuristic violence and action)

The Mule

(Warner Brothers) Clint Eastwood, Laurence Fishburne, Michael Peña, Dianne Wiest. An old man, broke and alone and facing nearly insurmountable financial problems, takes a job driving a load of cargo. What he doesn’t know is that he’s inadvertently become a mule for a vicious Mexican cartel. He does so well that he gets more and bigger cargoes until he finds himself on the radar of the DEA.. He must also face the mistakes of his past before his present deeds catch up to him.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language throughout and brief sexuality/nudity)

Once Upon a Deadpool

(20th Century Fox) Ryan Reynolds, Josh Brolin, Morena Baccarin, Fred Savage. Essentially, this is Deadpool 2 re-cut to a PG-13 version with all the naughty bits edited out and some new footage edited in.

See the trailer and stuff (mostly for Deadpool 2) here
For more on the movie this is the website

Release Formats: Standard
Genre: Superhero Comedy
Now Playing: Wide Release (Kinda)

Rating: PG-13 (for intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material)

Vox Lux

(NEON) Natalie Portman, Jude Law, Willem Dafoe (voice), Jennifer Ehle. America at the beginning of the 21st century is seen through the eyes of a jaded pop star. This festival favorite is just now making its way into local theaters – with a whole lot of buzz over Portman’s performance.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language, some strong violence, and drug content)

ALSO OPENING IN ORLANDO/DAYTONA:

Antidote
Backtrace
DriverX
ROMA

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Anna and the Apocalypse
Backtrace
Becoming Astrid
Natacha
Odiyan
ROMA
Shoplifters

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hushaaru
Odiyan

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Burning
Hushaaru
Odiyan
ROMA
Science Fair

SCHEDULED FOR REVIEW:

DriverX
Mortal Engine
The Mule
ROMA
Spider-Man: Into the Spiderverse
Vox Lux

Elliot: The Littlest Reindeer


When the Reindeer Games become more like the Hunger Games.

(2018) Animated Feature (Screen Media)  Starring the voices of Josh Hutcherson, Samantha Bee, Morena Baccarin, Martin Short, John Cleese, Christopher Jacot, Rob Tinkler, George Buza, Jeff Dunham, Jean Yoon, Julie Lemieux, Carlos Bustamante, Scott Farley, Steph Lynn Robinson, Darren Frost, Angela Fusco, Quancetia Hamilton, Carly Heffernan. Directed by Jennifer Westcott

 

Every year at this time we get a glut of Christmas-themed animated movies and TV shows, all looking to take their place among the perennials that get watched over and over again year after year. Elliot: The Littlest Reindeer has the ingredients to join that rarefied company but it won’t be an easy hike to get there.

In a world (and what critic hasn’t dreamed of starting a review off with those three words) where Santa (Buza) is real and everyone knows it, he is struggling to keep up with increasing demand as the world’s population explodes. His original team of reindeer are shrinking with one going to an ashram to find himself, another defecting to Russia for a romance, and most recently Vixen (Hamilton) leaving for the Florida Keys to open up a juice bar – three days before Christmas.

This leads to a frantic try-out competition for the coveted position on Santa’s team but his right-hand elf Lemondrop (Short) is no fan of reindeer and he has a point; reindeer have become arrogant, egotistical and overbearing and the elves loathe them. Santa keeps them on as a kind of nod to tradition.

There are reindeer trainers all over the world and as word gets out about the tryouts, Walter (Tinkler) – the owner of a slowly failing petting zoo – is counting on DJ (Jacot) to be his meal ticket. He has already sold off the animals in the petting zoo including pony (“MINIATURE HORSE!”) Elliot (Hutcherson) and Elliot’s omnivorous friend Hazel the goat (Bee). Elliot has long had the goal of being part of Santa’s team but it’s a reindeer-only club. Nonetheless he and supportive Hazel stow away on a rocket sleigh (all the trainers have them although Walter’s is in line with his status falling apart) and swaggers his way into the tryout with the help of fake antlers.

The rest of the plot is fairly formulaic; the buyer of the farm animals turns out to be a producer of exotic jerky meat, there is a conspiracy in Santa’s village to force the reindeer out and convert to rocket sleighs, and saving the lives of his farm friends as well as saving Christmas itself will eventually rest on the broad miniature shoulders of Elliot.

The animation here is mostly nondescript, although some of the Santa’s village and arena scenes are pretty imaginative and for once the characters have expressive faces rather than robotic ones. While he only appears in two scenes as Santa’s haughty reindeer Donner, John Cleese is always a pleasure. Something tells me that if filmmaker Jennifer Westcott had let Short, Cleese and Dunham improvise a bit, it might have benefited her film a lot.

Some critics have latched onto a subplot involving magic cookies which make the reindeer fly (as well as any other animal that eats them) and some unscrupulous reindeer taking more of them than they’re allowed, some even suggesting it promotes performance enhancing drug use. Sorry colleagues; sometimes a magic cookie is just a magic cookie.

For that reason the film feels more than a little bit formulaic which hurts its chances of ascending the heights as does the overbearing soundtrack which sounds like what you might have heard in a cartoon circa 1975. However, there’s still a chance for plucky Elliot to become a seasonal favorite. Many of the movies and TV shows that we consider to be classics really aren’t all that good; they resonate with us because we saw them over and over again as children. And I will say given the avalanche of product that comes out each year, this is head and shoulders above the rest which is mostly mindless soulless dreck. I don’t know that I’d want to revisit this year after year but there are children seeing it this year for whom this will become a treasured childhood memory. One certainly can’t argue with that.

REASONS TO GO: This has the makings of a Christmas perennial. The voice work is splendid and any chance to hear John Cleese at work is worth it.
REASONS TO STAY: The soundtrack is annoying. There are a few too many clichés in the script.
FAMILY VALUES: There is some rude and mildly suggestive humor.
TRIVIAL PURSUIT: In addition to a very small limited release as well as a VOD release, the film has a one day special screening on December 1 at about 100 additional theaters across the U.S.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Vudu
CRITICAL MASS: As of 12/1/18: Rotten Tomatoes: 29% positive reviews: Metacritic: 38/100.
COMPARISON SHOPPING: Rudolph, the Red-Nosed Reindeer
FINAL RATING: 6/10
NEXT:
Family in Transition

New Releases for the Week of November 30, 2018


THE POSSESSION OF HANNAH GRACE

(Screen Gems) Shay Mitchell, Grey Damon, Kirby Johnson, Nick Thune, Louis Herthum, Stana Katic, Max McNamara, Jacob Ming-Trent. Directed by Diederik Van Rooijen

A young woman dies during the course of an exorcism. Months later, a morgue attendant working the graveyard shift takes delivery of a disfigured corpse. She begins having horrifying visions and begins to suspect that the corpse may be possessed by a demonic force. Formerly known as Cadaver, the movie has been bouncing around the release schedule for more than a year.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for gruesome images and terror throughout)

Border

(NEON) Eva Melander, Eero Milonoff, Jorgen Thorsson, Ann Petrén. A customs office has the uncanny knack of being able to sniff out the guilt of smugglers – literally. One day a mysterious man walks past her and for the first time in her life, confounds her senses. This leads her down the rabbit hole of secrets and incredible revelations, into strong feelings and choices of whether to live a life or an uncomfortable truth.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: R (for some sexual content, graphic nudity, a bloody violent image, and language)

Elliot: The Littlest Reindeer

(Screen Media) Starring the voices of Josh Hutcherson, Morena Baccarin, John Cleese, Martin Short. When one of Santa’s reindeer retires unexpectedly, a frantic search for a replacement gets underway. Elliot, a horse with big dreams, heads to the North Pole to try his luck. In the interim his farm gets a new owner with nefarious plans of his own. Elliot must choose between achieving his dream and saving Christmas in doing so, or saving the lives of his friends.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Epic Theaters at Lee Vista (Saturday only)

Rating: PG (for some suggestive and rude humor)

Maria by Callas

(Sony Classics) Maria Callas, Omar Sharif, Aristotle Onasis, Catherine Deneuve. The life of the iconic opera star is told in her own words.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: PG (for mild thematic elements, some smoking and brief language)

ALSO OPENING IN ORLANDO/DAYTONA:

2.0
12 Round Gun
The Clovehitch Killer
Mirai
Pokémon the Movie: The Power of Us
Searching for Ingmar Bergman

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

2.0
A Cool Fish
Becoming Astrid
Dead in a Week (or Your Money Back)
The Great Buster
Mirai
On Her Shoulders
Oru Kuprasidha Payyan
Pokémon the Movie: The Power of Us
Return of the Hero

ALSO OPENING IN TAMPA/ST. PETERSBURG:

2.0
Blood Brother
Dark Was the Night
Pokémon the Movie: The Power of Us

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Great Buster

SCHEDULED FOR REVIEW:

Border
Elliot: The Littlest Reindeer
The Possession of Hannah Grace

Deadpool 2


Deadpool: Superhero in training.

(2018) Superhero (20th Century Fox/Marvel) Ryan Reynolds, Josh Brolin, Zazie Beetz, Morena Baccarin, Julian Dennison, T.J. Miller, Leslie Uggams, Karan Soni, Brianna Hildebrand, Jack Kesy, Eddie Marsan, Terry Crews, Bill Skarsgård, Brad Pitt, Lewis Tan, Rob Delany, Nikolai Witschl, Randal Reeder, Shioli Kutsuna, Stefan Kapicic, Matt Damon, Alan Tudyk. Directed by David Leitch

 

The Merc with a Mouth returns for a second go-round (third if you count the abortion that was X-Men Origins: Wolverine) in a movie that takes nothing seriously, least of all itself.

In this blockbuster sequel, a despondent Wade Wilson attempts to kill himself which turns out to be impossible. He finds a reason to live when he befriends a 14-year-old sexual abuse victim who calls himself Firefist (Dennison). The kid seeks revenge against the headmaster (Marsan) of an orphanage who has tortured and abused him. When you can shoot fireballs from your hands, revenge isn’t all that hard to come by.

Standing in the way is Cable (Brolin), a time-travelling cyborg who has come back in time to kill the boy. Apparently in the future, a grown up Firefist kills his family and scorches a whole lot of the Earth. To fight the nearly indestructible Cable, Deadpool recruits a superteam of his own although they turn out to be short-lived. Extremely although Domino (Beetz) whose superpower is crazy good luck survives – which is a good thing because she’s one of the best things about the movie.

Nonetheless, Deadpool hopes to reason with Firefist and get him not to turn to the dark side while Thanos…I mean Cable…thinks that the greater good will be served by ghosting a 14-year-old boy. I gotta admit, I was rooting for him to kill the boy at times.

Like the first film there are plenty of occasionally gruesome action sequences. Also like the first film there is an explosion of meta-based humor, poking fun of everything from comic book movies (duh) to Barbra Streisand (Brolin’s stepmother) to every action cliché ever to Les Miserables. There are plenty of brief cameos, some of them virtually unrecognizable.

In short, it’s a hoot and a half. The humor is hit and miss at times but hit more often than not. The movie feels a lot more cluttered than the first but it also has much more scope than the first. The action is an improvement and there’s even a little bit of pathos to mix things up a little bit. I don’t think those who loved the first one will feel any less love for the sequel and I’m pretty sure that most of us will be eager for the threequel. Maybe they can convince Hugh Jackman to show up for the third. That would give Reynolds a whole new opportunity to riff.

REASONS TO GO: Reynolds continues to make Wade/Deadpool a compelling character. There are lots of fun celebrity cameos and Easter eggs throughout.
REASONS TO STAY: The movie is a little bit more cluttered than the first.
FAMILY VALUES: There is plenty of violence – some of it extreme, gore, profanity and a brief scene of drug use.
TRIVIAL PURSUIT: Dennison, who was 15 when the movie was released, was legally unable to see it in his native New Zealand.
BEYOND THE THEATERS: Amazon, Fandango Now, Fios/Verizon, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 8/22/18: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Super
FINAL RATING: 7.5/10
NEXT:
Blue Iguana

Deadpool


Deadpool is knocking the movie industry sideways.

Deadpool is knocking the movie industry sideways.

(2016) Superhero (20th Century Fox) Ryan Reynolds, Morena Baccarin, Ed Skrein, Gina Carano, T.J. Miller, Brianna Hildebrand, Stefan Kapicic (voice), Michael Benyaer, Karan Soni, Leslie Uggams, Rob Hayter, Greg LaSalle, Hugh Scott, Donna Yamamoto, Kyle Cassie, Taylor Hickson, Randal Reeder, Jed Rees, Style Dayne, Aatash Amir, Chad Riley, Emily Haine. Directed by Tim Miller

We’re all used to the ponderous superhero movies with tons of special effects as we see how the hero went from a young nobody to being a powerful and charismatic hero, saving the world (or at least New York) from threats that even Schwarzenegger at his best couldn’t overcome.

Wade Wilson (Reynolds) is an ex Special Forces vet with 41 kills to his credit. These days he makes a living by being a bad guy taking out worse guys, as he puts it. He hangs out in the St. Agnes School, which is really a bar where mercenaries hang out awaiting assignments and the bartender Weasel (Miller) is Wilson’s best friend.

Then Wilson meets Vanessa (Baccarin), a cocktail waitress and hooker who agrees to go out on a date with him and eventually, the two become a couple. But when things are going good, fate has a way of laying the smack down on us. Wilson is diagnosed with terminal cancer. While drinking away his troubles, he is met in the bar by a recruiter (Rees) for an experimental medical program that can cure Wade’s cancer but also give him superpowers. With nothing to lose, he leaves Vanessa’s bed in the middle of the night and heads for the clinic (which is more like a warehouse) overseen by psychotic scientist/super villain Ajax (Skrein) who hates his given name of Francis. The process which it takes to cure Wade is a brutal one and an excruciating one.

When he escapes the compound after Ajax and his super-strong minion Angel Dust (Carano) – whom Wilson describes as a less angry Rosie O’Donnell – torture him with a modified hyperbaric chamber, Wade is disfigured and pissed off. Donning a costume with a mask so nobody can see his face, he adopts the name Deadpool after a pastime at the bar, and goes on the hunt for his nemesis.

In the meantime, the X-Men in the form of Colossus (Kapicic/LaSalle) and Negasonic Teenage Warhead (Hildebrand) are trying to recruit Deadpool for their team although ‘pool is far too focused on getting revenge to bother with saving the world. Not that he’s against saving the world, as long as he gets the girl, puts the bad guys into the ground and has plenty of chimichangas afterwards.

Reynolds has been trying to get this made for six years, ever since the unsatisfying appearance of the Merc with a Mouth in X-Men Origins: Wolverine. Fox has been resistant to the idea of doing an R-rated superhero movie and for once, the filmmakers got their way and I’m sure the executives at Fox are happy that they did. The movie has been a phenomenal success; already some pundits are talking that it will force the industry to rethink the entire release concept of tentpole blockbusters.

I don’t know if this will eventually be that kind of game-changer but it is excessively entertaining. As has been noted basically everywhere, the tone is irreverent (the opening credits proclaim the movie was directed by “An Overpaid Tool” and has similar credits for most of the cartoonish opening) and the main character often addresses the audience directly, or makes references to the fact that he’s in the movie as when he tells Negasonic Teenage Warhead and Colossus that they are the only two X-Men he ever sees despite living in a huge mansion: “I guess the producers couldn’t afford any more X-Men” he says snidely.

Reynolds was born to play this role. He has the right amount of attitude and the right amount of physicality and somewhat importantly, the right amount of looks. He’s also willing to take a bit of a right cross to the career jaw and make fun of his own image even as his movie is lampooning the genre and Marvel in one fell swoop. Reynolds is engaging and even though his character is violent, annoying and a little bit psychotic, he ends up carrying the audience’s interest throughout.

The rest of the cast is for the most part pretty much unknown although Baccarin, best known for her stint in Firefly, makes for a fine love interest, Carano (a former MMA fighter) a mostly line-less henchwoman and Skrein a suave villain who gets annoyed whenever his real name is used. While Skrein isn’t the most charismatic man to hit Hollywood ever, he nonetheless fulfills the role of an urbane British villain nicely.

I think overall the movie captures the spirit of the comic book pretty well, which is good news for fans. If there are any sticking points it’s that the movie slows down a little near the end when it should be building momentum, and the excessive gore and profanity may be a little much for those sensitive for such things. And parents, please do NOT bring your kids to this. Unless you feel comfortable dropping the F-bomb in front of them regularly and exposing them to scenes of heads being sliced off of their necks, this isn’t meant for kids. I don’t know how many people have to say this however many different ways – and I still see idiot parents bringing their six and seven year old kids to the movie. Get a flippin’ babysitter if you want to see it that badly.

In any case, this is the movie we asked for, it’s the movie we deserve. It’s fun and while I get the sense that Fox kind of hedged their bets with the budget, it’s clear that there will be lots more Deadpool goodness in our futures. And that suits me just fine.

REASONS TO GO: A fun romp throughout. Stays true to the spirit of the comic book.
REASONS TO STAY: The gore and profanity may upset the sensitive.
FAMILY VALUES: Ohmygod ohmygod ohmygod ohmygawd! Do not take your children to this movie. If they’re under ten chances are it will be too much for them. There’s a TON of f-bombs, gratuitous violence (always the best kind), and some graphic nudity.
TRIVIAL PURSUIT: Became the first R-rated film to open with more than $100 million at the box office.
CRITICAL MASS: As of 2/21/16: Rotten Tomatoes: 83% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Super
FINAL RATING: 7/10
NEXT: Kung Fu Panda 3

New Releases for the Week of February 12, 2016


DeadpoolDEADPOOL

(20th Century Fox) Ryan Reynolds, Morena Baccarin, T.J. Miller, Gina Carano, Ed Skrein, Lesley Uggams, Greg LaSalle, Taylor Hickson. Directed by Tim Miller

This is not your daddy’s superhero movie – although it might just end up being your daddy. Wade Wilson is a mercenary with a particular set of skills…oh, not that tired old movie again. But Wade has a big problem – it’s cancer and it’s everywhere in his body. Things don’t look good for our good ol’ buddy Wade – until a mysterious man recruiting for a mysterious agency makes a proposal that Wade might not be able to turn down. One of the hotly anticipated movies of the year.

See the trailer, clips, interviews and promos here.
For more on the movie this is the website.

Release Formats: Standard (3D, IMAX 3D)
Genre: Superhero
Now Playing: Wide Release

Rating: R (for strong violence and language throughout, sexual content and graphic nudity)

Fitoor

(UTV) Katrina Kaif, Tabu, Aditya Roy Kapoor, Aditi Rao Hydari. A Bollywood take on the Charles Dickens classic Great Expectations. A young street boy in Kashmir falls in love with an upper class girl but the girl’s mother conspires to keep the young lovebirds apart.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: PG-13 (for sexual content and some thematic issues)

How to Be Single

(New Line/MGM) Dakota Johnson, Rebel Wilson, Damon Wayans Jr., Leslie Mann. A group of young unmarrieds in the Big Apple cope with the vagaries of the dating scene in a digital world as well as the sometimes confusing rules of behavior between the sexes.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for sexual content and strong language throughout)

The Lady in the Van

(TriStar) Maggie Smith, Alex Jennings, Jim Broadbent, Roger Allam. Playwright and television presenter Alan Bennett is annoyed to discover an elderly woman living in her van in his driveway. Grudgingly, he allows her to stay, a decision that will change both their lives.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D
Genre: True Life Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for a brief unsettling image)

Tumbledown

(Starz Digital Media) Jason Sudeikis, Rebecca Hall, Dianna Agron, Blythe Danner. The widow of an iconic folksinger finds it hard to move on and retreats to the woods of Maine. When a brash New York writer approaches her with the proposal of writing his biography, she is at first cool to the idea but the more she allows him to write his story, the more she heals.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: R (for a sex scene)

Where to Invade Next

(Drafthouse) Michael Moore, Tim Walker, Kirsta Kiuru. Professional gadfly and documentarian Moore turns his eye to the American dream and how it seems to be alive and well – and living in other places around the globe. He comes up with ways that dream is being pursued, and how the ideas that other countries have used can work here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: R (for language, some violent images, drug use and brief graphic nudity)

Zoolander 2

(Paramount) Ben Stiller, Owen Wilson, Penelope Cruz, Will Ferrell. Down on his heels and irrelevant, supermodel Derek Zoolander gets back in the game in more way than one when a mysterious Interpol agent discloses that the world’s most beautiful celebrities are turning up dead – with Zoolander’s famous “blue steel” look on their faces. Lucky bastards

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for crude and sexual content, a scene of exaggerated violence, and brief strong language)