(2016) Thriller (Random) Mason Rey, Joel P.E. King, Kelly Frances Hager, A.J. Sweatt, Chelsea Christopher, Dr. A. Goodwin, Nathan Goss, Rebecca Torres. Directed by Mason Rey
There was a joke going around some years ago: Ever have one of those days? Well, I have one of those lives. That can truly be said about Don Gos (Rey), a telemarketer trying to shill for investors into a precious metals company. Most of the people he speaks to aren’t exactly overjoyed to be speaking with a telemarketer which is pretty much true for all of us, even telemarketers. Still, he handles the abuse and the snide comments with as much grace as he can muster.
Afterwards, he gets to go home but not to a loving family but to an empty apartment. Don’s love life is all online with a girl named Olive he’s never met and frankly, considering the way things are going, probably never will. To say the least Don has some self-confidence issues.
On the way to work the next morning he decides to take the scenic route, trying to delay his arrival at the office for as long as possible. Not to He goes through a tunnel – which promptly collapses on top of him, burying him alive inside his car. At first, he thinks this will be a temporary inconvenience but as the hours pass by he realizes that help may well be on the way but it might not arrive in time. The car’s chassis has protected him thus far but the weight of the mountain on the steel encasing hi is beginning to take its toll and it seems only a matter of time before he’s crushed to death.
Don’s beginning to freak out more than a little bit until he hears the voice of a fellow survivor – Gym (King) who is not far away but unable to move any closer. The two get to talking and little by little Don begins to take a hard look at his life and his choices – and particularly to what happened to his marriage and why his wife (Hager) isn’t around anymore.
In this kind of cinematic situation, Hollywood tends to want heroic figures in peril and this surprisingly goes a different route. Not to knock Mason Rey but he is far from the action hero mold; he’s more of an everyman, not in great shape and a little bit too much into geek things. It’s not that he isn’t good looking, it’s just he isn’t the sort that is going to dig his way out of this with a plastic spork and a drinking straw.
I guess you can go as far as to say that this is an “in-action” movie rather than an action movie. All but the first 20 minutes is set in the interior of a crushed car and that doesn’t allow for a lot of camera movement., so most of the film we are stuck staring at Rey doing various things to pass the time, from taking stock of his food and water to drawing figures on the car to trying to dig his way out. There isn’t a lot for Rey to do but chat with the disembodied voice of Gym and that leads us to watch as Don’s grip on sanity begins to get somewhat loose. Rey is compelling given the circumstances but fair warning, some are going to find the film a bit too static.
=And it does move pretty slowly. This is a character study in which we essentially are trapped in Don’s head along with him. There are some flashbacks but for the most part this is the Mason Rey show, which considering he also wrote and directed this isn’t too surprising (if you looked carefully at certain festival screenings he was also selling popcorn in the lobby). Fortunately, Rey has enough presence to back it up so it doesn’t come off as auteur ego.
=There are some plot malfunctions that are a bit glaring; for example, one would think that Don would be in greater danger from asphyxiation than being crushed to death. He does an awful lot of talking which would fill his limited air supply with carbon dioxide but that aspect doesn’t seem to be addressed unless you attribute some of the of the sanity issues to hypoxia rather than stress. In any case, that isn’t made really clear. There are a couple of others but I won’t go into detail as they would constitute spoilers and this is a good enough film that it doesn’t deserve to be ruined by a venal critic trying to make a point.
Yes, this is a film I’d actually recommend with some caveats. It is ponderously slow and is more of a cerebral film than an action-oriented one so even if the buried alive aspect intrigues you, the approach may not be to your liking. Nonetheless there are some compelling features that make this flawed but ultimately satisfying film worth a look.
REASONS TO SEE: Mason Rey is a fairly compelling lead.
REASONS TO AVOID: Awfully slow-moving and not a lot of action.
FAMILY VALUES: There is some profanity as you might expect from someone being slowly crushed to death.
TRIVIAL PURSUIT: The film premiered at the Atlanta Film Festival in 2018.
BEYOND THE THEATERS: Amazon, Google Play, iTunes
CRITICAL MASS: As of 8/2/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Daylight
FINAL RATING: 6/10
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