(2011) Dramedy (Phase 4/Submarine) Katie O’Grady, Art Alexakis, Theresa Russell, John Keyser, Storm Lange, Melik Malkasian, Betty Moyer, John Breen, Orianna Herrman, Ritah Parrish, Melinda Chilton, Geno Romo, Angie Rutan, Julie Vhay, Cora Benesh, Emily Galash, Jana Lee Hamblin, Brendan Robinson, Leslie Taylor, Adrienne Vogel. Directed by James Westby
They say hell hath no fury as a woman scorned and there is some truth to that. However, if you’re the scorned woman, how do you get to the point where you become more furious than Hell itself?
Meris Canfield (O’Grady) seems to have a rock-solid marriage with her husband Mitch (Keyser). They have recently moved from Southern California to the small Oregon town where Mitch grew up. Everyone there seems to have married their high school sweetheart and mousy Meris suddenly becomes the odd woman out. Despite her best intentions, the snobby clique that Mitch was part of freeze her out and she realizes that they have more in common with Mitch than she does.
History can bite you in the ass in that regard and Mitch decides that he would have been better off with his high school girlfriend Briann (Lange) so he divorces Meris and it’s out with the old, in with the new. Or maybe out with the new, in with the old if you look at it a certain way.
In any case, Meris isn’t willing at first to give up – she still loves Mitch. But as she gets a job at a candy store and her obsessive and compulsive stalking of her ex grows more pathetic, she falls in with a bunch of punk girls. The Pacific Northwest, you might recall, was Ground Zero for the riot grrl movement and ladies are grown non-conformist out there.
As Meris becomes more enamored of the culture of these punks she begins to learn more about who she is as a person and more importantly, who she wants to be. What she wants is to be a great big middle finger to society and to her POS husband and his snooty friends who quite frankly are the sort of people that you really wish bad things would happen to.
This is all about Meris’ growth as a person and you need someone strong in the role – someone who can play mousy, conformist and something of a wanna-be Stepford Wife, but also someone who is just as comfortable as a street urchin/punk goddess/what are YOU looking at sort. O’Grady makes every phase of Meris’ development realistic and believable. I don’t know O’Grady’s work well but if this is any indication, you should keep a sharp eye out for any other movie she’s done.
My issue with the film lies with the director. Too many camera tricks, unnecessary zooms, and movement otherwise known as “Look Ma, I’m Directing” syndrome. That kind of thing can be a sign of a director who is lacking the confidence in his own abilities to tell a story and has to resort to all sorts of visual gimmickry to get noticed – trust me Mr. Westby, you’ve got what it takes. You don’t need to get all gimmicky on us to make the movie worth seeking out.
In any case, this is one of those films that you’ve probably never heard of but nonetheless is worthy of the attention of any film buff. This isn’t the kind of movie that reinvents the wheel, but O’Grady’s performance is simply put, unforgettable.
WHY RENT THIS: An extraordinary performance by O’Grady. Ruggedly nihilist.
WHY RENT SOMETHING ELSE: Look ma, I’m directing!
FAMILY VALUES: Some foul language and suggestive material.
TRIVIAL PURSUIT: The movie was shot in Multnomah Village near Portland where director Westby has lived most of his life.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $11,740 on an unreported production budget.
COMPARISON SHOPPING: Trainspotting
FINAL RATING: 6/10
NEXT: Cold in July