(2011) Dramedy (MPI) Jason Ritter, Jake Sandvig, Chandler Canterbury, Rebecca Hall, Carrie Preston, Todd Louiso, Gabriel Macht, Amanda Seyfried, Johnny Simmons, Josh Cooke, Micah Hauptman, Barbara Rossmeisl, Devika Parikh, Greg Clark, Ricardo Chacon, Dale Waddington Horowitz, Jordan Green, Sally Kirkland, Elmarie Wendel. Directed by Brian Crano
Responsibility for a lot of people is a four-letter word. While it’s true there are few who eagerly go out looking for it, most of us are able to accept it when it comes time. However there are those who flee it at every available opportunity.
Ben (Ritter) and Alan (Sandvig) are really good friends and why shouldn’t they be? They have a great deal in common. For one thing, neither one is particularly interested in growing up. Neither of them are out to make a conventional living and for the most part, neither one cares what the rest of the world thinks one way or the other.
They make a living with a scam in which they set up a valet parking stand at funerals. Someone gives them their keys, they give the bereaved a ticket, drive off with their car…and keep going. The bereaved will have something else to mourn.
Mel (Hall), Alan’s sister, works as a waitress and nags them both to find a respectable occupation but neither one is ready to. They’re having too much fun. Then Lynette (Preston) moves into their neighborhood along with her son Kelsey (Canterbury). Kelsey takes a liking to the boys and they to him. He begins to accompany them on their scams and actually turns out to be pretty helpful.
When a sudden tragedy forces the boys to take stock, they begin to see the world as finally not revolving around their immediate gratification. In short, they grow up fast. But is it too late for them and more importantly, for Kelsey?
In many ways this is a coming-of-age indie comedy although it is also in many ways a forced-to-face-responsibility indie drama. It blends both of those chestnuts together into a kind of hybrid which, even if it isn’t exactly fresh is at least diverting.
Ritter and Sandvig play their roles like they’d been acting together since childhood. They have an easy banter that goes beyond the occasionally very witty one-liners they’re given to work with. They have that ability to anticipate each other in an organic way so it at least seems like people who are familiar with each other doing the give and take thing. You know, like real people actually conversing.
The dialogue also for the most part impresses. So often in indie films the screenwriters sacrifice authenticity for hipness, which might appeal to the horn-rim glasses-wearing PBR-drinking bearded guy crowd but few others. Here yeah there is a certain patina of smug hipness but there is also at least some reasonably genuine emotional content too.
This is more of a pleasant diversion than it is a deep-thinking exploration of The Way Things Are, but there’s much to be said for the former. It won’t challenge you overly much but it will draw you in if you’re anything like me. I liked the vibe here and it was a place I wanted to stay in after the movie ended. You can’t ask for more than that from any film.
WHY RENT THIS: Nice chemistry between Ritter and Sandvig. Well-written dialogue.
WHY RENT SOMETHING ELSE: Seen it before kind of plot.
FAMILY VALUES: Some foul language, adult themes and disturbing parenting techniques.
TRIVIAL PURSUIT: Johnny Simmons, who plays Kelsey at age 18, is the same age as Jake Sandvig who plays his adoptive father.
NOTABLE HOME VIDEO EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
SITES TO SEE: Netflix (DVD/stream), Amazon (rent/buy), Vudu (rent/buy), iTunes (rent/buy)
COMPARISON SHOPPING: Paper Moon
FINAL RATING: 7/10
NEXT: To Be Takei