Fast & Furious 6


Vin Diesel is heartbroken to discover that Michelle Rodriguez looks better in a wifebeater than he does.

Vin Diesel is heartbroken to discover that Michelle Rodriguez looks better in a wifebeater than he does.

(2013) Action (Universal) Vin Diesel, Dwayne Johnson, Paul Walker, Luke Evans, Michelle Rodriguez, Chris “Ludacris” Bridges, Tyrese Gibson, Jordana Brewster, Sung Kang, Gal Gadot, Gina Carano, Elsa Pataky, Clara Paget, Joe Taslim, Kim Kold, Samuel M. Stewart, Shea Whigham, Benjamin Davies, Matthew Stirling, David Ajala, There Lindhardt, Magda Rodriguez. Directed by Justin Lin   

I’m not much of a car person. I seriously couldn’t tell a carburetor from an alternator. When I go car shopping, I look for dependable. I drive a Honda for god’s sakes.

Which would probably make the characters in this film franchise squirm in horror. Any one of them could rebuild an engine of a Ferrari with parts from a Camry with their eyes closed and half asleep. And can they drive? Hoo lawd! These gals and fellers could put a 12-wheeler through a doggie door in a steel house at 90mph. And this series has thrived on people who think that kind of thing’s cool.

In the sixth installment of the series, the members of the crew are living large internationally after their big score in Rio. However, things never stay quiet for long for these guys. Hobbs (Johnson) shows up at Dom’s (Diesel) door, not particularly welcome. Even less welcome is Hobbs’ request that Dom’s crew reassemble to nab an international bad guy who is out to assemble a super-weapon out of component parts. After all, as Dom is happy to point out, they’re all retired from the game.

But Hobbs has a wild card to play – a photo of Letty Ortiz (Rodriguez), Dom’s girlfriend who apparently was murdered in Fast & Furious. Nope. Like at least one other character in the series, she shows up from the dead (albeit with no memory) but as one of the crew of said Eurobaddie, Owen Shaw (Evans). This is all the incentive Dom needs. Family is family, after all so he puts out some calls.

Those phone calls find Brian (Walker) and Dom’s sister Mia (Brewster) as new parents, Roman (Gibson) and Tej (Bridges) living the high life in Spain, Han (Kang) and Giselle (Gadot) living together in Hong Kong. They agree to help Dom bring Letty back, but Dom wants more – pardons for everyone so that they can go home again.

While Mia and Dom’s new squeeze Elena (Pataky) stay home to guard the baby, Hobbs and his new flunky Riley (Carano) join up with the crew in London to see if they can catch the guy who has eluded Hobbs for years. But the stakes are sky-high, Shaw’s team is as skilled as Dom’s only more vicious and Letty can’t remember Dom at all – in fact the first time they meet face to face she shoots him. This isn’t like any other job; they will be betrayed from within and more than one member of Dom’s team won’t come back from this.

Now, I want you to understand something up front – this isn’t reality at all. There are car stunts that defy gravity, plot points that defy logic and human bodies getting beat up so bad that they defy death. Da Queen and I were consistently making the “jumping the shark” signal to each other (an inverted V on one hand with two fingers on the other making a parabolic arc over the first) throughout the movie. And you know what? It didn’t matter. As ludicrous as this movie often is, it doesn’t matter – the entertainment quotient is so sky high that you ignore these lapses and just enjoy the ballet of man, machine and road.

Vinnie D and the Rock are both fairy limited at this point in their careers in terms of acting ability. That isn’t a knock or a criticism, they both I think understand what their comfort zone is and tend to stay well within it. While that may make for some fairly one-dimensional performances (and occasionally have) they are both also highly charismatic so their own personalities tend to inflect themselves on their characters. It so happens I like hanging out with these guys (or would if I knew them personally) so that isn’t a bad thing at all.

There’s a lot of posturing, a lot of attitude and some great stunts and car chases. While there is a nod to the underground racing roots of the series, the franchise is way beyond that now which is a very smart move – I think the car racing thing got old after the first one and they’ve really allowed themselves to appeal to more than a niche audience, which explains that their highest box office numbers have come with the last two films.

There is a cut scene at the end that you should hang out for – it explains one of the most notorious continuity lapses in the series and introduces a surprise new character in one of the great twists you’re ever going to see in a cut scene (up there with the reveal of Thanos).

This is great summer entertainment and has helped make a solid opening to the 2013 summer blockbuster season. There is definitely a Fast & Furious 7 in the works (already scheduled as of this date to open on July 11, 2014) which the cut scene sets up. As much as a non-car person that I am (as delineated above) and as much as I was disinterested in the series for the first four movies, the last two have made me a fan and I can’t wait for the next one.

REASONS TO GO: Varies the formula from the first two movies nicely while sticking to the things that made the first movie great. More Jeong is never a bad thing.

REASONS TO STAY: Scattershot much more than the first two films.

FAMILY VALUES:  Plenty of violence and automotive mayhem, some swearing and a bit of sexuality..

TRIVIAL PURSUIT: Michelle Rodriguez didn’t have a driver’s license when the series first started and only obtained one after filming began on the first film in the franchise.

CRITICAL MASS: As of 6/2/13: Rotten Tomatoes: 72% positive reviews. Metacritic: 61/100; critics surprisingly have gotten behind this one.

COMPARISON SHOPPING: The Italian Job (2003)

FINAL RATING: 7/10

NEXT: Frances Ha

Fast Five


Fast Five

If you don't go see Vin Diesel's new movie, Paul Walker will shoot you.

(2011) Action (Universal) Vin Diesel, Paul Walker, Jordana Brewster, Dwayne Johnson, Chris “Ludacris” Bridges, Tyrese Gibson, Sung Kang, Joaquin de Almeida, Gal Gadot, Matt Schulze, Tego Calderon, Don Omar. Elsa Pataky, Michael Irby. Directed by Justin Lin

I’ve never been a particular fan of the Fast and Furious series. Street car racing doesn’t appeal to me much and the scene behind it really doesn’t do anything for me either. While I’ve always liked Vinnie D, Walker is a bit on the wooden side for my tastes.

So I really didn’t expect to want to go see Fast Five – I waited until the previous entries in the series were on home video in most cases before seeing them (Tokyo Drift I never saw at all). So when I found out that Dwayne Johnson was in the new one, my curiosity was piqued – Johnson is to my way of thinking the future of the action hero.

The movie takes a sharp left turn from the previous entries in the series. As it begins, Dominic Toretto (Diesel) is broken out of the prison he was being sent to at the end of the last movie. The escape is a daring one and involves his sister Mia (Brewster) and her boyfriend (and Dom’s best friend) Brian O’Conner  (Walker) – the former federal agent from the first movie – driving muscle cars recklessly to the sound of pulsating rock/rap music going to extravagant lengths to get the bus carrying Dom to crash.

Mia and Brian flee to Rio de Janeiro to meet up with Vince (Schulze), one of Dom’s crew from the first movie. Wait – ‘scuse me, he’s more than that. He’s family (as everyone who works with Dom apparently is). They’re running low on funds and on the run from the law. Vince has a job for them – stealing some cars from a moving train. Child’s play, right?

Wrong. The cars were apparently impounded by the DEA and one of them has a chip in it that contains all the secrets of the operation of Reyes (de Almeida), the drug kingpin of Rio and he’s kinda anxious to get it back – so much so that he sends out head thug Zizi (Irby) to kill everyone who gets in the way. That includes the federal agents on the train, who are murdered by Zizi and his men, although Reyes – through his control of the police and the media – makes sure that Dom, Mia and Brian are blamed.

The death of the agents is enough to make the U.S. Government sit up and take notice, so they send their most ruthless, dedicated manhunter, Hobbs (Johnson) after the trio. Hobbs is like a pit bull; he doesn’t care about guilt or innocence, he just cares about getting his man. He enlists the help of patrol officer Elena (Pataky) whose husband was gunned down in front of her doorstep (slum), prompting her to enlist in the police force. She is at least for the moment non-corrupted, her motivations to carry on in her husband’s memory. At least, I kinda think so.

Being chased from every direction makes Dom realize that in order to get out of this he’s going to need to attack the corrupt Reyes directly – and the best way to hurt him was to take his money. Thankfully, the chip tells him where it all is – sitting in a vault at Rio’s main police station. They realize they’re going to need a team in order to pull it off.

They pull friends they’ve worked with from the previous films, including Tej (Ludacris), Roman (Tyrese), Han (Kang) – who died in one of the earlier films if memory serves – Gisele (Gadot), Leo (Calderon) and Santos (Omar). They will need to be at their best to take on the corrupt Rio cops as well as Reyes’ thugs and the best protection money can buy to get at the cash – not to mention having a very angry Hobbs, whose team was killed off by Reyes, on their tail.

Those who loved the street racing element to the first four movies are going to be very disappointed with this installment. There’s only brief mention of street racing and only one scene essentially set at one. No, this is more of a heist flick, all about the car chases, the beat downs and Vin Diesel in a wifebeater.

The action sequences are beautifully choreographed and executed. There’s a chase sequence on the rooftops of Rio’s favelas (slums) that is kind of nifty, not to mention a car sequence involving two cars working in tandem dragging a bank vault through the streets of Rio. The movie has a fluid tempo that only rarely lets up. While the other F&F films were equally action-packed, they were mostly with car racing scenes but quite frankly, you can only do so many of them before they start to look the same to the untrained eye, which is what most of us have.

Diesel is solid as ever as Toretto, a role that seems perfect for Diesel’s skill sets; lots of glowering, a strong moral core and a good deal of swagger. Adding Johnson – the Rock – to the mix is a masterstroke. He and Diesel have a good deal of chemistry even in adversarial roles. The two have a big fight scene in third real that just frankly rocks; I wonder if Diesel was hoping he might get a people’s elbow at some point.

Walker is an actor who has never resonated with me, at least to this point. I’ve always found him wooden, although there’s a certain charisma that he displays from time to time. Here, I didn’t see it at all to be honest; he didn’t really add anything to a role that was pretty much has no color to it as written anyway.

While having all these extra characters from the previous films might have some nostalgia value, it rapidly becomes a “too many cooks spoil the broth” with too many characters taking too much screen time. Still, many of them (particularly Kang and Ludacris) make the most of their time onscreen.

This isn’t particularly smart filmmaking but it is solid and quite frankly, in a very disappointing first quarter of the year this is a glimmer of hope that Hollywood was looking for. The box office was the biggest so far this year, the biggest ever in the month of April and the biggest opening weekend in Universal history.  The American public seems to be waiting desperately for a movie that just blows stuff up and in that respect Fast Five delivers. It’s not a great movie but it’s a solid movie and the box office seems to be more of a commentary on the desire of the moviegoing public to see a decent action movie than an endorsement on what is an above average – but not great – movie.

REASONS TO GO: Great action sequences and Diesel vs. the Rock makes a great battle. This is by far the best movie of the series to date.

REASONS TO STAY: More of the same; muscle cars, cliché dialogue and barely-clothed women with nice butts.

FAMILY VALUES: There is plenty of violence and some fairly big action sequences, a bit of sexuality and plenty of bad language.

TRIVIAL PURSUIT: During the end credits, each of the main actors is shown with footage from their previous appearances in the series.

HOME OR THEATER: Oh, definitely the theater. It’s big, it’s brainless and it needs to be seen on a big screen.

FINAL RATING: 6.5/10

TOMORROW: Saw IV