The Chronicles of Narnia: Prince Caspian


The Chronicles of Narnia: Prince Caspian

Ben Barnes has sworn off taking LSD before battle sequences.

(2008) Fantasy (Disney) Ben Barnes, Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell, Peter Dinklage, Warwick Davis, Liam Neeson (voice), Sergio Castellitto, Eddie Izzard (voice), Vincent Grass, Harry Gregson-Williams (voice), Tilda Swinton. Directed by Andrew Adamson

 

When last we left the magical world of Narnia, the Pevensies – High King Peter (Moseley), King Edmund (Keynes), Princess Susan (Popplewell) and Princess Lucy (Henley) have returned to our world of wartime England only moments after they left, despite having spent a lifetime in Narnia, growing up to be young men and women. Instead, they are children again with a lifetime of memories and experiences. I guess they can scarcely be called children with that in their heads.

While standing in a London tube station they suddenly realize that they are being called back into Narnia and wind up on the beach. But isn’t that Cair Paravel, their beautiful Camelot-like castle? And why is it in ruins?

Things have changed in Narnia. For one thing, centuries have passed and the Four Kings and Queens have passed into legend. Narnia has been invaded by a race called the Telmarines who speak with a Latin accent (some say Spanish, others Italian) who have routed the magical creatures that live there until they have faded into mythology. Some say they never existed.

Miraz (Castellitto), brother of the recently deceased King of Narnia and Uncle of the rightful heir Caspian (Barnes) , is the proud father of a newborn baby. It’s an occasion for joy, but what Caspian doesn’t realize is that Miraz was the one who had his father killed. He needed Caspian to legitimize his rule over the kingdom; now that Miraz has a son, Caspian is unnecessary. Caspian’s tutor, Doctor Cornelius (Grass) realizes this. He also, being a native Narnian (an increasingly rare breed under Telmarine rule) is privy to the information that the magical creatures are still alive and living in hiding in the woods of Narnia.

Cornelius urges Caspian to flee and find the natives which he does, but Miraz discovers his absence and sets out his soldiers to find him. Caspian blows on a horn – Susan’s horn – which is what summons the Pevensies back. It also gets Caspian aid from the creatures of Narnia, whom Caspian had always thought of as monsters. There are some tense moments as neither Caspian nor the Narnians trust each other.

However after the Pevensies witness some Telmarine soldiers preparing to drown Trumpkin (Dinklage), a surly dwarf, they rescue him and in return he takes them to the headquarters of the Narnians where they meet up with Caspian. Of course, a bit of a pissing contest ensues between the ancient King of Narnia and the rightful king but as Caspian’s confidence grows, Peter realizes that he isn’t there to run things.

As the Telmarines begin building a bridge that will allow their main army to attack the Narnians (over which they have a vast numerical advantage), the Narnians must lead a daring raid on the castle and then prepare to defend themselves against the Telmarines. With Aslan (Neeson) nowhere in sight, it will take a miracle to save Narnia and restore her to her rightful citizens.

This is a much darker film than The Lion, The Witch and the Wardrobe which was more of a straightforward fantasy. This has political intrigue as well as medieval battle scenes which are realistic although fairly bloodless. It is also a bit more talky than the first movie which was a bit more action-oriented.

The problem with the Narnia series is that the lead quartet of actors are just not nearly as accomplished as the Harry Potter leads. Simply put, they’re bland and not as appealing – Keynes and Henley, the two younger ones, can be downright annoying in places (although Keynes would redeem himself in The Voyage of the Dawn Treader). Barnes, the latest addition to the main cast, is handsome but he seems a little bit unsure of himself in the movie. This isn’t his first rodeo but I doubt any of his other projects have put as much weight on his shoulders and on top of that he’s given a ridiculous accent to master, one that disappears (thankfully) in Dawn Treader.

Dinklage and Izzard fare well in their roles bringing some gravitas and comic relief and the effects can be marvelous. The battle scenes are well-choreographed and much better than those in the first film. While they don’t have an antagonist as evil as the White Witch nor a performance on par with Swinton’s (who makes a cameo as the Witch midway through the movie). However, the Telmarines are far more realistic a foe, giving the movie an entirely different feel, which is a good thing.

This is to date the weakest of the three films although it isn’t that bad as you can see by the score. The series is currently on hold; a fourth film was planned but the untimely death of one of the producers has left the franchise waiting for someone to pick up the slack and bring the series back on track. Certainly given the box office of this film, the future movies in the series (if any) will have much smaller budgets.

While this series has never gotten the love of other fantasy franchises, it’s still managed  to produce some quality movies thus far. That’s not to say that the movie measures up in quality to Potter or the Lord of the Rings films but it isn’t a total loss either. Let’s just say that those who love fantasy won’t be disappointed; those who loved the books from their childhood might be.

WHY RENT THIS: Some fine battle and special effects sequences. Creature effects are pretty nifty. Peter Dinklage – need I say more?

WHY RENT SOMETHING ELSE: The Pevensies are still wooden and bland. The movie is a little more talky and why are the Telmarines Spaniards?

FAMILY VALUES:  Fantasy violence and a few somewhat scary creatures.

TRIVIAL PURSUIT: In addition to playing the White Witch, Tilda Swinton also makes a cameo as a centaur.

NOTABLE HOME VIDEO EXTRAS: There is a fascinating featurette on how this big production affected the tiny village of Bovec in Slovenia, where the bridge scene was filmed. The Blu-Ray edition contains something called Circle Vision Interactive which allows the viewer to watch the castle raid sequence with commentary and features all shot with a 360 degree field with HD resolution. It’s pretty nifty.

BOX OFFICE PERFORMANCE: $419.7M on a $225M production budget; the movie didn’t quite make its production and marketing budget back..

COMPARISON SHOPPING: Inkheart

FINAL RATING: 7/10

NEXT: Kill Bill: Vol. 2

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The Chronicles of Narnia: Voyage of the Dawn Treader


The Chronicles of Narnia: Voyage of the Dawn Treader

Anyone who says there are no stars in Voyage of the Dawn Treader is crazy!

(2010) Fantasy (Fox Walden) Georgie Henley, Skandar Keynes, Ben Barnes, Will Poulter, Liam Neeson (voice), Simon Pegg (voice), Gary Sweet, Laura Brent, Bille Brown, Bruce Spence, Terry Norris, Colin Moody, Tilda Swinton, Anna Popplewell, William Moseley, Shane Rangi, Arthur Angel, Arabella Morton, Rachel Blakely. Directed by Michael Apted

When we sail for unknown waters, it takes a certain amount of fortitude. Not only do you never know quite what to expect, but it’s also likely that you won’t return the same way you left.

Lucy (Henley) and Edmund (Keynes) Pevensie remain in England during the Blitz while brother Peter (Moseley) and sister Susan (Popplewell) go off to America – apparently because they’re older, they deserve greater safety. Lucy and Edmund are packed off to Cambridge where they are rooming with their despicable cousin Eustace Scrubb (Poulter) who is an insufferable know-it-all and quite the twit. Edmund would like nothing better than to punch him in the face, but prefers to try and join up for the British Army, although he is too young by a couple of years.

He is frustrated because as a King in Narnia, he has fought wars against superior forces and led armies into battle but here on Earth he is just a silly boy. Lucy is the embodiment of the Stiff Upper Lip but she is deeply insecure about her looks; while Susan is already a bit of a stunner, Lucy feels invisible and ignored by comparison.

When the nautical painting in the bedroom Edmund shares with Eustace begins to change and a Narnian-looking ship appears on the horizon, Lucy realizes magical forces are work and a call back to the magical land is just around the corner. Eustace has always pooh-poohed their talk of Narnia and thinks them barking mad. He’s about to find out how wrong he is.

The sea floods out of the painting and into the bedroom; rather than opening the door or window and escaping the children essentially wait for the room to fill up before swimming to the surface and being greeted by the flagship of Narnia’s fleet, the Dawn Treader. On board is good Prince Caspian..err, King Caspian (Barnes) who is searching for seven lord of Telmar that supported his father but then had to flee for their lives. They carried with them seven magic swords that Aslan (Neeson) had given the Narnians for protection. They don’t know it but they are about to need them.

The two Pevensies are overjoyed to be back in Narnia; Eustace not so much. He thinks that everyone and everything not named Eustace are complete idiots and utterly lacking in…well, anything useful. He is basically the ultimate spoiled brat, a precursor to Dudley Dursley from the Harry Potter series, only far more venal and wretched.

Also aboard is the swashbuckling Reepicheep (Pegg), the mouse with the gentlemanly mien and the bold attitude. He becomes something of a mentor to Eustace, although of course Eustace detests him at first. There’s more involving a malevolent green mist, an island that is the embodiment of evil and a blue star that is in fact not a star but you get my drift. Eustace also turns into a dragon, a Lord turns into gold and the Dawn Treader will battle a vicious sea serpent before the final credits.

This is based on the third in the six-book series by C.S. Lewis which was meant to be Christian allegories as well as morality lessons for children. Amazingly, both of those aspects of the books were left intact in all three of the movies (much more overtly here).

However, there’s a new director in town; Apted, who has previously directed Coal Miner’s Daughter and The World Is Not Enough. This is kind of a new genre for him and he does a great job, never allowing the special effects to overwhelm the movie but using them when he needs to. While the effects aren’t particularly groundbreaking, they are serviceable – the sea serpent particularly at the end is hideous and scary.

Part of the problem with the first two movies is that the acting wasn’t up to the level of the Harry Potter movies. The child stars were all a bit on the wooden side; thankfully, Keynes has gotten much better and Henley as well, although she still can be annoying in places. Poulter, who was in the indie film Son of Rambow was actually really good, bringing out both the awful and redeemed sides of Eustace nicely.

Barnes also gets to shed the ill-advised Spanish accent of Prince Caspian and comes off much more mature and far more likable here. While the character tends to be much more of a second banana to the Pevensies than perhaps he should be, nonetheless Barnes makes the most of what he has to work with. My only wish is that Apted had let Caspian’s feelings for his father get a little more attention; that was an interesting subplot that seemed to go nowhere really.

I actually liked this film better than the first two and even better than TRON: Legacy to be honest. The books were a big part of my childhood, being a lover of fantasy and science fiction from an early age as I was. Seeing these films is a bit like going home, Dawn Treader a bit more than even the first two (and I thought The Lion, the Witch and the Wardrobe was a good solid movie). While the box office numbers have been underwhelming for a movie with this kind of budget, I’m hoping that it makes enough to warrant the making of The Silver Chair. This might well be the most entertaining movie of the holiday season, far more so than the overly grim and overwhelming Harry Potter and the Deathly Hallows Part 1 and a little bit more than the uneven TRON: Legacy. Unfortunately, it doesn’t appear like the audiences are giving it the chance it deserves.

REASONS TO GO: The best of the series so far. Poulter brings the horrible Eustace Scrubb to life. Barnes has improved 100% as Caspian.

REASONS TO STAY: Not really groundbreaking effects work and Henley remains a work in progress.

FAMILY VALUES: There are some scenes that are probably too scary for younger, more impressionable children (particularly during the sea serpent battle) but by and large, perfect movie material for most kids.

TRIVIAL PURSUIT: Simon Pegg as Reepicheep replaces Eddie Izzard who voiced the cavalier mouse in The Chronicles of Narnia: Prince Caspian.

HOME OR THEATER: This may sound a bit strange but as big a movie as this is, I don’t know that the epic scope is diminished on the smaller screen. I usually recommend the multiplex for movies like this but it might be just as well for you to see it at home.

FINAL RATING: 8/10

TOMORROW: The Holly and The Quill begins!