Primeval

Orlando Jones and Brooke Langton were hoping this would be a lot more like Chariots of Fire than it turned out to be.

(2007) Horror (Hollywood) Dominic Purcell, Orlando Jones, Brooke Langton, Jurgen Prochnow, Gideon Emery, Gabriel Malema, Dumisani Mbebe, Ernest Ndhlovu, Erica Wessels, Patrick Lyster, Eddy Bekombo, Vivian Moodley, Lika Van Den Bergh, Linda Mpondo, Lehiohonolo Makoko, Chris April, Andrew Whaley, Jacqui Pickering. Directed by Michael Katleman

Man is capable of committing absolute horrors to his fellow man. However, man is also part of a larger natural order of things – survival of the fittest where the strong prey on the weak. And upon occasion, Man isn’t necessarily at the top of the food chain.

The African nation of Burundi is caught up in a terrible civil war that has been ongoing for twelve years. When a mass grave is located in the Northern portion of the country, a United Nations team is sent to investigate the find, led by one of the foremost forensic pathologists (Wessels) in the world. In a shocking turn of events, the woman is attacked and dragged into the waters of the river by a gigantic crocodile known to the locals as “Gustave.”

Tim Manfrey (Purcell), a television news network producer, is riding out a scandal in which he apparently ran a story without adequately checking the facts. The network chief (Lyster) wants to send him to Burundi not only to get the story of the gigantic crocodile, more than 20 feet long, but to capture the beast. He’ll be sent with wildlife reporter Aviva Masters (Langton), Manfrey’s regular cameraman Steven Johnson (Jones) and naturalist Matthew Collins (Emery), who is confident that he has built a contraption capable of capturing the massive reptile.

They are met in Burundi by a political functionary known as Harry (Mbebe) who warns them about a warlord in the bush known as “Little Gustave.” He introduces them to Jakob Krieg (Prochnow), their local guide and an expert on the crocodile whom he has been hunting for years. Krieg wants to kill the creature whereas Collins wants to capture it alive, which leads to some tension between the two.

Once in the village nearest the most recent attack, the news crew is struck by the friendliness of the people as well as by the horrible poverty of the village. They are required to receive a blessing by the local shaman (Ndhlovu) who predicts that they will find what they seek but they will also find death. Meanwhile, Johnson captures on film the brutal execution of a family from the village by a murderous lieutenant (Bekombo) of Little Gustave. Now they are being chased by the warlord’s men and being stalked by the croc. Great, you can end of being dinner or part of a mass grave for some other UN forensic pathologist to examine.

Purcell (TV’s Prison Break) is the lead here and he does a credible albeit colorless job. Unfortunately, his character is written without much for Purcell to work with, leaving him to cling to action hero clichés in order to move things along. Jones provides adequate comic relief in a role in which he is sadly underused, and Prochnow (who deserves better fare than this) handles the Robert Shaw role with as much dignity as he can muster.

The giant croc looks fairly realistic as CGI creations go. Some of the scenes in which the croc is seen below the surface of the water look hastily slapped together by someone with a Commodore VIC-20, but otherwise the monster was scary enough. The cinematographer utilizes the African vistas nicely.

This is based on true events – a naturalist in Burundi did attempt to capture Gustave (who is an actual beast that has been credited with killing more than 300 people along the Ruzizi River and also along the northern shore of Lake Tanganyika. They raise some good points about the situation in Africa; it takes the death of a white UN official to bring an American news crew to Burundi to cover a crocodile who has killed more than 300 Africans. The writing is taut and crisp, and they don’t waste too much time getting to the meat of the story – the stalking of the news crew by Gustave.

The film slyly alludes to Jaws which is a bit of a mistake; there are a lot of similarities to that film, and the comparison isn’t particularly flattering. Too many clichés clog up the writing, and the subplot about the Little Gustave warlord is unnecessary. Had they decided to focus on the hunt for the crocodile, they would have had a much better movie…but then again, it would have been Lake Placid.

The filmmakers were going for a cross between Lake Placid and Hotel Rwanda and instead got a four-legged Jaws. This isn’t a total waste of time – Jones is entertaining and the African vistas are worth seeing. However, it’s probably a bit too graphic for those who would be drawn in by the civil war story, and a bit too preachy for those who are more interested in the horror element. Yet another instance of a movie that can’t decide what it wants to be and so it ends up being nothing.

WHY RENT THIS: Gorgeous African vistas. Jones provides much-needed comic relief.
WHY RENT SOMETHING ELSE: Lackluster acting. Cliches abound. Some of the CGI is laughable.
FAMILY MATTERS: Kids and dogs are eaten, and people are stalked by a terrifying crocodile. There are also some graphic executions and a boatload of corpses, some half-eaten and others murdered by the two-legged monsters in the movie, as well as some foul language if that bothers you at this point.
TRIVIAL PURSUITS: A similar team in reality attempted to capture Gustave, using much the same methods but were unsuccessful due to equipment failure, inclement weather and deteriorating political conditions which eventually forced them to leave the country.
NOTABLE HOME VIDEO FEATURES: The “Crocumentary” featurette focuses on the actual Gustave who inspired the film.
BOX OFFICE PERFORMANCE: $15.3M on an unknown production budget.
SITES TO SEE: Netflix (DVD Rental only), Amazon, iTunes, Vudu
COMPARISON SHOPPING: Rogue
FINAL RATING: 4/10
NEXT: Robot Overlords

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Master and Commander: The Far Side of the World

Russell Crowe wonders where the grog has gone off to.

(2003) Adventure (20th Century Fox) Russell Crowe, Paul Bettany, James D’Arcy, Edward Woodall, Chris Larkin, Max Pirkis, Billy Boyd, Jack Randall, Max Benitz, Lee Ingleby, Richard Pates, Robert Pugh, Richard McCabe, Ian Mercer, David Threlfall . Directed by Peter Weir

 

After years of fan clamoring, Patrick O’Brian’s revered Master and Commander saga finally made it to the big screen, and was given the royal treatment in Hollywood as befitted the beginning of a potential major franchise. It didn’t quite make it there but was that because the movie wasn’t up to snuff?

Captain “Lucky” Jack Aubrey (Crowe), master of the HMS Surprize, is given orders by the admiralty to track down the French warship Acheron in the waters off of the Americas and track it as far as Brazil, with the orders to take her if possible, and sink her if not. He commands a crew including the ship’s surgeon, Stephen Maturin (Bettany), who is an amateur naturalist as well as Aubrey’s best friend. The two often end their evenings by playing duets on violin and cello.

The Acheron proves to be a superior ship in size, firepower and speed, and creates havoc for the Surprize, which barely escapes sinking in battle. Aubrey must use all his wits to outwit his clever adversary, but also wrestles with his own motivations; does he chase the Acheron out of loyalty, duty or pride? And what price will he pay to find the answer to that question?

The Master and Commander books are very well researched. The 20-novel series features detailed accounts of life in the British Navy in the Napoleonic era, as well as battle tactics, the political climate of the times and life in general at the dawn of the 19th century.

That a movie was to be made of it was met not only by the anticipation I mentioned but also a healthy amount of skepticism as well. Fans of the series (and they are a rabid lot) were concerned that the careful, meticulous research O’Brian put into the novels might be washed away in a storm of Hollywood clichés and shortcuts.

Well, there was reason to celebrate (and reason for dirges — more in a moment). Although Russell Crowe is perhaps too Hollywood-handsome for the role of Aubrey (he is described in the books as being a bit on the pudgy side and Crowe’s casting in the role made purists howl), he carries the charisma of a leader of men. His performance is such that you believe he is the kind of man you yourself would follow without hesitation to the gates of Hell and back. In that sense, he caught the essence of the character if not the physical embodiment.

The movie also captures the brutal and cramped conditions in which swabbies of the British Navy lived and worked. Better still, the raw courage it took to fight a naval battle is noted, as cannon fire obliterates hulls and decks, causing wood to splinter in a thousand directions, acting as lethal darts. Rarely are the cannonballs themselves seen by the naked eye, but the damage they inflict to vessel and flesh is well in evidence. The battle scenes are absolutely terrifying to behold.

The movie is well-cast even down to the extras who possess faces that have the look of the 19th century; most bear scars of battle, or the more insidious scars of years of toil on a tiny vessel in the midst of the unforgiving ocean, imperiled by both the elements and merciless foes. Whether those scars were put there by make-up or were there to begin with, they go a long way in establishing the film’s authenticity, which I have to say overall seemed pretty believable to my admittedly inexpert eye.

Aubrey is a decent sort but a stern taskmaster as captain; he knows the crew’s ability to perform amid hellish cannon fire and terrible storms will mean the difference between returning home or taking a long nap in Davey Jones’ locker. The discipline was by necessity brutal and if anything is understated here.

Weir filmed on the Galapagos Islands, one of the most remote and fascinating places on earth. It is where Charles Darwin was motivated to formulate his Theory of Evolution, and remains today, due to preservationist efforts, nearly pristine. The scenes with Maturin on the island are priceless and are among the movie’s highlights.

But there are a few marks against the film. In the novels, the American Navy was Aubrey’s adversary. Here, perhaps so that the American audience isn’t offended, Aubrey fights the French. Also, some of the expository scenes drag, leading to the audience shifting in its seats uncomfortably during the two and a half hour movie. Audiences are more ADHD than ever these days; I can’t imagine one sitting through this without whipping out cell phones to check for messages and texts at least once.

Crowe is in my opinion one of the most compelling stars in Hollywood; at this point in his career he’d hit his stride not only as an actor but as a screen presence, the very definition of stardom. The movie is much better when he’s onscreen than when he’s offscreen. Also, his chemistry with Paul Bettany as Maturin is undeniable; they bicker, but they are still the closest of friends, and the two play well off each other.

Weir walks a tightrope over a pool of hungry sharks just in making this movie and I think he does as good a job as it’s possible to do under the circumstances. The ship’s interior is made to feel cramped without making the audience too claustrophobic. The emptiness of the ocean and the isolation of the English vessel on it is noted but not overdone. And while he did compress some of the action, eliminate scenes and beloved novel characters, he makes the movie lively for most of the running time.

Master and Commander: Far Side of the World is an epic piece of filmmaking in every sense of the word. While the storyline may not be new, it is well-told. It is a combination action movie, adventure flick and history lesson all rolled into one neat package. Students of history will love this one, as much if not more so than lovers of action. It’s a shame that this franchise never made it past the first movie.

WHY RENT THIS: Epic battle sequences. Crowe at the top of his game. Combination action movie/adventure/history lesson.

WHY RENT SOMETHING ELSE: About half an hour too long. Drags in places. Differs in critical places from the book.

FAMILY MATTERS: Some of the battle sequences are intense and gruesome. There are a few bad words now and then.

TRIVIAL PURSUITS: The first movie ever to film in the Galapagos Islands.

NOTABLE HOME VIDEO FEATURES: The two-disc DVD Collector’s Edition has a wealth of features including a look at the historical accuracy of the books and the film’s endeavors to follow as closely as possible in accuracy, including getting authentic period props. This is oddly missing from the Blu-Ray edition, which does have a trivia track and a map overlay which shows you the positions of the Suprize and the Archeron at various points in the film.

BOX OFFICE PERFORMANCE: $212.0M on a $150M production budget; the movie wasn’t financially successful.

COMPARISON SHOPPING: Captain Horatio Hornblower, RN

FINAL RATING: 8/10

NEXT: The Expendables 2