Red Tails


Red Tails

The Tuskegee Airmen, circa 2012.

(2012) War (20th Century Fox) Cuba Gooding Jr., Terrence Howard, Bryan Cranston, Nate Parker, David Oyelowo, Tristan Wilds, Cliff Smith, Rick Phillips, Ne-Yo, Lee Tergesen, Daniela Ruah, Elijah Kelly, Marcus T. Paulk, Andre Royo, Gerald McRaney, Michael B. Jordan. Directed by Anthony Hemingway

 

The story of the Tuskegee Airmen is one of the most inspiring ones to come out of the Second World War. An all-black Air Squadron in the U.S. Army Air Corps (kind of a precursor to the Air Force which didn’t exist at the time), the group encountered prejudice and the prevailing attitude that African-Americans were incapable of learning the complex workings of the fighter planes and were cowardly in nature, certain to turn tail and run in combat. Spurious studies done by the U.S. Army War College apparently supported that myth.

Most people who saw the brilliant HBO movie The Tuskegee Airmen will know that the Airmen shattered that myth, posting one of the proudest records of any squadron in the war. They protected the bombers that were dropping the smackdown on Hitler and saved uncountable lives; not just the men in the bombers but the soldiers on the ground as well for whom the war was shortened because the bombers were able to do their work.

It’s high time that the Tuskegee Airmen got a proper treatment on the big screen and George Lucas, creator of the Star Wars saga, has been trying to do just that since the 1980s. However, studios were reluctant to approve a big-budget movie with an all African-American cast – it seems some battles remain un-won in the struggle.

Unfortunately, the movie that Lucas placed in the hands of first-time feature director Hemingway (who has helmed the justly acclaimed “Treme” series for HBO) falls way short of the mark. I’m not even sure where to begin with it. The script I guess for starters; it’s cliché and full of cut-out characters taken from war movies of bygone times. It’s predictable in the extreme, lacking in either vision or creativity. For whatever reason, Lucas opted to go with a fictional version of the Airmen and these Airmen lack depth and are even worse, uninteresting.

Howard fares best as Maj. Bullard, the squadron commander. He at least has some life in what he does and commands screen attention. Gooding, who was in the HBO version of the story, uses a pipe to distraction, substituting props for creating a genuine character. He sleepwalks through the part, lacking his usual energy.

Lucas is well-known for his dogfight sequences in the Star Wars movies and has said in interviews that the fights in this movie are as close as we’re going to ever come to an Episode VII in that series. If that’s the case, it’s a good thing they cut it off after six. The CGI is not just bad, it’s embarrassing. It never looks very realistic at all; it looks like a ten-year-old videogame.

For some odd reason, it appears that Terence Blanchard, who composed the score, went for a beat-heavy synthesized score rather than something more period-friendly. It’s distracting which is not what you want from a score; it should enhance the film experience, not be noticed for all the wrong reasons.

I can understand wishing to make an action movie based on the exploits of the Airmen; that would expose the squadron to a wider audience, theoretically. That’s admirable, but at least if you’re going to do that, give that wider audience a movie they’re going to want to not only see in theaters but recommend to friends.

There is an elephant in the room about this movie that I guess I’m going to address here. I’m a white critic criticizing a nearly all-African American film. To say that I don’t like the movie doesn’t mean I don’t like the subject, or that I don’t like African-Americans. I have nothing but respect for the accomplishments of the Tuskegee Airmen; I just wish they had a better film that honors those accomplishments.

REASONS TO GO: Howard lends some dignity and restraint.

REASONS TO STAY: Where to begin? Poorly acted, amateurish CGI, one of the most annoying film scores ever, a movie-of-the-week plot…the story of the Tuskegee Airmen deserved a better movie.

FAMILY VALUES: There is plenty of war violence, some of it gruesome and there’s also some sexuality.

TRIVIAL PURSUIT: George Lucas has been developing the story since 1988; since studios have not been willing to finance the project, he has put his own money into making the film, almost $100 million for production and marketing.

CRITICAL MASS: As of 1/29/12: Rotten Tomatoes: 35% positive reviews. Metacritic: 46/100. The reviews are bad to mixed.

COMPARISON SHOPPING: Miracle at St. Anna

AERIAL COMBAT LOVERS: There are a few scenes in which you get an idea of the chaotic nature of WW2 dogfights.

FINAL RATING: 2/10

TOMORROW: El Bulli: Cooking in Progress

Advertisements

New Releases for the Week of March 11, 2011


March 11, 2011

Even alien invaders love to blow a good smoke ring.

BATTLE: LOS ANGELES

(Columbia) Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Ne-Yo, Michael Pena, Ramon Rodriguez, Noel Fisher. Directed by Jonathan Liebesman

Those pesky aliens are back and they are after Los Angeles in a big way. Having taken over most of the rest of the world, they only have L.A. to take down and then Earth is theirs. Mankind will make its last stand in the City of Angels, which could be bad news for mankind;  saving the planet might have to wait if there’s really bad traffic.

See the trailer, promos, interviews, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Science Fiction Action

Rating: PG-13 (for sustained and intense sequences of war violence and destruction and for language)

Even the Rain 

(Vitagraph) Gael Garcia Bernal, Luis Tosar, Karra Elejalde, Raul Arevalo. A film crew making a movie about the landing of Christopher Columbus in the Americas becomes involved with the fight of native aboriginals of Bolivia to secure water rights in the small village of Cochabamba. The concurrent story of Columbus’ affect on the natives as well as their fight for rights in the 21st century makes for a powerful juxtaposition.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NR

Mars Needs Moms

(Disney) Starring the voices of Seth Green, Dan Fogler, Joan Cusack, Mindy Kaling. From the folks that brought you The Polar Express comes this new motion capture film about a young boy who, like most young boys, resents his mother because she demands soooo much from him. When she is kidnapped to provide some mothering to Martian children, however, he accidentally stows away and realizes he must find a way to bring her back home and along the way gets an interesting new perspective on what it means to be a parent.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Animated Science Fiction Feature

Rating: PG (for for sci-fi action and peril)

Red Riding Hood

(Warner Brothers) Amanda Seyfried, Gary Oldman, Billy Burke, Virginia Madsen. When a werewolf terrorizes a small village, a famed wolf hunter is called in to help hunt down the beast. When he declares that the beast is human by day, suspicion falls on a young girl and several who are close to her. When it appears she has a connection with the werewolf, she becomes prime suspect numero uno – or, failing that, bait for the beast.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for violence and creature terror, and some sensuality)