(Focus) With the voices of Dakota Fanning, Teri Hatcher, Dawn French, Ian McShane, Jennifer Saunders, Keith David, John Hodgman, Robert Bailey Jr.. Directed by Henry Selick
Do our parents ever pay as much attention to us as we want them to? We get so wrapped up in providing the necessities we forget about the most basic necessity of all.
Coraline Jones (Fanning) is one pissed off little girl. Not only have her parents moved away from everything she knows and away from all her friends, they’ve moved into an apartment building in the middle of nowhere with nothing to do and it always rains. Her mother (Hatcher) can’t cook to save her life, is irritable and always busy. Her father (Hodgman) works incessantly and has nothing resembling a backbone. The two bicker and sit hunched over computer screens, all but ignoring their daughter and not listening to a word she says.
For her part, Coraline is not exactly Pollyanna. She whines, complains and is somewhat mean to the only young man her age in the neighborhood, the awkward and ungainly Wyborne (Bailey) who hides his own loneliness with nervous chatter and prefers to be known as “Wybie”. Admonished to explore their strange, drafty old house, Coraline discovers a tiny door that has been covered with wallpaper. After coercing her mother to open the door with a skeleton key, Coraline is disappointed to find the doorway bricked over. It isn’t until darkness falls that the doorway opens into a parallel world that is strangely like her own…only better.
In this world, food tastes better, the garden is more colorful and life is just the way she wants it to be. Replacing her parents are two look-alikes who hang on her every word, give her everything they want and love her much more than her real parents ever have. There are wonderful things to do and Wybie cannot speak. This world is in every way better than the one she’s used to. The only unsettling thing is that everyone in the other world has buttons sown over their eye sockets – that and their constant wheedling for her to stay in this perfect world forever. Coraline soon learns that the most terrible trap is everything you’ve ever wanted.
Director Henry Selick is best known for directing Tim Burton’s The Nightmare Before Christmas and while the styles are similar, they aren’t quite the same. This film is based on a Neil Gaiman story and the combination of Gaiman and Selick is a winner just as Burton and Selick were. The visuals here are inventive and memorable. As with his previous film, Selick works in the medium known as stop motion animation, in which actual live objects are manipulated frame by frame to give the illusion of movement and life.
While this is a great movie to look at, it might be a little bit too intense and too frightening for the smaller kids. While this is ostensibly an animated feature that doesn’t mean it’s for kids. Parents should think twice about whether they want their younger kids to view this.
That said, one of the drawbacks to the movie is Coraline herself. She is so nasty, so petulant and so self-pitying that you can’t help but feel that she deserves to find herself in an alternate dimension in terrible peril. It’s not that Fanning does a bad job voicing her; it’s just the character as written is pretty unlikable. That makes it difficult to really care what happens to her after awhile.
Still, although the movie overdoses on the eccentricity from time to time, it’s still so visually impressive and the story so clever you can forgive the occasional excesses and even the excesses of Coraline herself. While this is more of a Grimm’s Fairy Tale in the darkest sense of the genre, it retains a certain modern edge which gives it a distinct flair.
Coraline is a beautiful, strange movie that celebrates its own uniqueness and dares you to accept it as it is. It isn’t always easy to love, but love it you will. I know I did. The Academy did as well – it is one of the five nominees for Best Animated Feature for next month’s Oscars, although it will have an uphill battle to beat Up. Still in all Coraline has all the goods, and as dark a fairy tale as it is, it’s still the kind that will bear repeated viewings.
WHY RENT THIS: Amazingly imaginative, this is a movie that rediscovers the painstaking art of stop motion animation and elevates it.
WHY RENT SOMETHING ELSE: A little quirkiness goes a long way; a lot of quirkiness doesn’t. How can I root for a character I just want to shake some sense into?
FAMILY VALUES: Some of the images may be a little too horrific for smaller kids.
TRIVIAL PURSUIT: This is the longest stop-motion movie ever made, and also the first one filmed entirely in 3D.
NOTABLE DVD EXTRAS: The Blu-Ray uses the U-Control system to integrate features, animatics and commentary into the film, allowing viewers to get in-depth information about how difficult this film was to make. There’s also a brief 6-minute interview with author Neil Gaiman discussing the differences between the book and the movie.
FINAL RATING: 7/10
TOMORROW: The White Ribbon