Nobody’s Fool (2018)

A buncha girls in cars.

(2018) Romantic Comedy (Paramount Players) Tiffany Haddish, Tika Sumpter, Omari Hardwick, Mehcad Brooks, Amber Riley, Whoopi Goldberg, Missi Pyle, PJ Morton, Michael Blackson, Jon Rudnitsky, Chris Rock, Nev Schulman, Max Joseph, Adrian Conrad, Courtney Henggeler, Candace West, Crystal Lee Brown, Peyton Jackson, Al Hamacher, Victoria Ealy. Directed by Tyler Perry

 

Tiffany Haddish is one of the hottest comedians in the world. Tyler Perry is literally a brand name in African-American cinema. It would seem to be a match made in heaven. Instead, it’s a godawful mess.

For one thing, Haddish is basically an extended cameo. She plays Tanya, the recently released from prison sister to affluent, successful Danica (Sumpter) who has just landed a big contract at the marketing firm she works at, and is long-distance dating Charlie (Brooks), a man she has never seen or been in the same time zone with. Tanya thinks she’s being catfished – ironically (or not) a program on MTV, which is owned by Paramount’s parent corporation. Tanya even gets the hosts of Catfished (Joseph and Schulman) to investigate. Meanwhile, there’s lovesick Frank (Hardwick), the coffee house owner who is completely smitten with Danica but doesn’t quite measure up to Danica’s succinct list of qualities her husband must have. Apparently in Tyler Perry’s world, all single women have such a list.

The problem with the movie is that it really isn’t very funny, and when you’re talking a rom-com, that’s half the promise. Oh, there are a few momentary chuckles – mostly supplied by Haddish – but she’s a fish out of water here. This really isn’t a movie that utilizes her talents very well and quite frankly, there have been damn few of them that she’s been in that have. It’s like she’s trying to out-Madea Madea and we all know that’s just not possible.

Sumpter does a lot better. She’s a natural rom-com lead and while she looks somewhat flustered when she’s with Haddish, she does the upscale African-American woman maybe better than anyone. Sadly, the plot goes meandering into all sorts of different territories – a Perry trademark, and like most of his films it hits and misses. This one is much more of a miss; it’s one of the weakest movies in the Tyler Perry catalogue and it shouldn’t have been. I think he would have been better served to make a movie around either Haddish or Sumpter – but trying to do both doesn’t serve the film well, and since Haddish is absent from nearly the entire second half of the movie, it leaves audiences giving puzzled looks at their TV screen, wondering where their star went to. I’ll tell you where she went – she’s on an extended coffee break in Frank’s shop. Watching her do that would have made a better movie than this one.

REASONS TO SEE: Sumpter has real talent and should be getting better parts.
REASONS TO AVOID: Too many rom-com clichés. Too much overacting from Haddish.
FAMILY VALUES: There is profanity (including sexual references) as well as sexual situations and some drug material.
TRIVIAL PURSUIT: This is Perry’s first film for any studio other than Lionsgate.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Epix, Fandango Now, Google Play, Hulu, Vudu, YouTube
CRITICAL MASS: As of 2/29/20: Rotten Tomatoes: 24% positive reviews: Metacritic: 39/100
COMPARISON SHOPPING: Why Did I Get Married?
FINAL RATING: 4.5/10
NEXT: Murder Death Koreatown

Catfish

Nev Schulman wonders what's chasing him.

(Rogue) Nev Schulman, Ariel Schulman, Henry Joost, Angela Pierce, Megan Faccio, Melody C. Roscher, Abby Pierce, Vince Pierce.  Directed by Ariel Schulman and Henry Joost

Like it or not, social networks like Facebook have become a major part of our lives. We interact through them, make new friends and sometimes, romances bloom. As someone who met his own soulmate online, I can certainly relate, but there is a darker side to online romance as well.

Yaniv “Nev” Schulman is a photographer who lives in New York City and shares an office with his brother Ariel and Henry Joost, who are both documentary filmmakers. All three specialize in taking images, moving and otherwise, of dancers. After one of Nev’s photos end up in the New York Sun, he is surprised to find that the image motivated an 8-year-old girl named Abby Pierce to make a painting based on his photograph.

The two strike up an unlikely friendship mostly through Facebook. Nev is a sophisticated New Yorker, Abby lives in a rural Michigan town called Ish…Ishpem…it’s a town, okay? In any case, he begins to talk with the girl’s mother, Angela who tells him that the 8-year-old prodigy is already selling paintings to various collectors and is hoping to open up her own gallery.

As the friends and family of Angela and Abby begin to flock to Nev, one in particular gets his attention; Megan Faccio, Abby’s 19-year-old half-sister. Their relationship deepens into a full-on long-distance romance. Megan, a songwriter, begins to compose songs for her new flame. Abby sends painting after painting. Angela describes Sunday morning family breakfasts, and Megan talks about buying a horse farm, having been working for awhile in a veterinary office.

All this is being documented by Ariel and Henry, who are fascinated by the whole Facebook phenomenon which they are admittedly both a part of. However, as the trio venture out to Vail, Colorado to film a dance festival, cracks begin to appear in the facade of Nev’s new relationship. He begins to have qualms and doubts about the people he has lately become so fond of. He decides that he needs to visit them in person to try and get the skinny on who his new friends and would-be romance are, so the three of them fly to Chicago and drive roughly 500 miles to Ish…Ishpem…Ishpeming. Yeah, that’s it. Anyway, once they get there they discover something surprising.

The movie received a good deal of buzz at Sundance and has received some notoriety because of its trailer, which depicts the secret in a sinister light, on the order of The Blair Witch Project or Paranormal Activity. First off, this is not a thriller by any means, so don’t go expecting to find the Manson family living in Michigan.

What this actually becomes is an examination of how we interact in 2010. We have become totally dependent on very impersonal means of communication – cell phones, instant messaging, e-mails and so on. Face-to-face interaction has become much more of a rare commodity. We develop close relationships with people that in truth we barely know.

For the first hour of the movie, we only see Angela, Abby and Megan as voices on a telephone, text messages, or as messages on Facebook. We see far more of Nev, Ariel and Henry and really, most of it is Nev. Nev seems to be a genuinely sweet guy with a nice smile and a charming lack of self-confidence. Nev wearies of the constant on-camera existence and wants to pull out, although Ariel eventually talks him back into it – some would call it bullying. Still, it’s a good thing he did because we would have been deprived of a good movie otherwise.

The last half-hour belongs to Angela, and she is the focal point in many ways of what the movie is trying to get across. I am purposely going to be vague about what that message is because it’s difficult to articulate it without giving away the twist, and the movie is far more effective if the twist isn’t spoiled. I did pat myself on the back on the way out of the theater for having figured it out in a way that I thought was clever (if you ask me nicely I’ll tell you what I did) and in all honesty, those who have extensive experience with online relationships and certain movies and novels (again I’m being deliberately vague) may also see through to the end before the twist arrives. 

Is this a cautionary tale? To a certain extent, yes. We have a tendency to see what we want to see when it comes to online relationships, and we don’t always know what’s real and what isn’t. In the end, successful relationships – both online and off – are built on truth and trust, and when either is missing, the relationship fails.

There are those who believe that this movie is entirely a put-on, a hoax although the filmmakers deny it. For my money, I think that this is completely real, although I suspect some scenes were filmed after the fact to make for more compelling drama. However, that is neither here nor there; the movie could be real and I believe that it is. Maybe Nev is a little bit too good to be true, but I understand he is still single which I’m sure won’t last long; his stock as an eligible bachelor has certainly increased with this movie.

REASONS TO GO: A look at the pitfalls of modern romance in the age of the social network. Nev is very likable and the use of Google Earth-like graphics is rather clever.

REASONS TO STAY: The twist doesn’t really live up to the billing in the trailer. Some have found the movie narcissistic and condescending, although I personally don’t agree with that.

FAMILY VALUES: There is some strong language with some sexual references; while the subject matter is a bit adult, it should nevertheless be compelling viewing to any teenager or older, particularly if they are on Facebook.

TRIVIAL PURSUIT: The movie was the subject of a bidding war at Sundance after noted director Brett Ratner endorsed the film.

HOME OR THEATER: This movie isn’t on very many screens and may be hard to track down, but the intimate vibe makes it adequate home viewing.

FINAL RATING: 7/10

TOMORROW: Role Models