Beast Stalker (Ching yan)


In Hong Kong action movies, even pedestrian overpasses aren’t safe.

(2008) Crime Drama (Emperor) Nicholas Tse, Nick Cheung, Jing Chu Zhang, Pu Miao, Kai Chi Liu, Ho Man Keung, Jing Hung Kwok, Sherman Chung, He Zhang, Suet Yin Wong, Sum Yin Wong, Kong Lau, Tung Joe Cheung, Simon Lee, Accord Cheung, Ka Leong Chan, Esther Kwan, Si-Man Man, Francis Luk, Sai Tang Yu, Kim Fai Che, June Tam. Directed by Dante Lam

Lives can be changed in the blink of an eye. Being in the wrong place at the wrong time can have devastating consequences, the effects rippling out like a rock thrown into placid waters. Rarely are those ripples pleasant although in time they can turn out to be beneficial but that isn’t often the case.

Hong Kong police detective Tong Fei (Tse) is ambitious and arrogant. He’s chasing a well-known Triad crime boss and has him in his relentless sights. Working with his team whom he sets very high standards for, he manages to get the criminal arrested – only to learn that the guy’s thugs have managed to break him out of custody. Fei personally leads the chase after him along with longtime friend and mentor Detective Sun (Liu). A violent car crash leads to a terrible tragedy in which an innocent little girl is killed. Fei is devastated.

Months afterwards, the prosecutor for the case, Ann Gau (J.C. Zhang) is getting past the grief of losing a child when her surviving child is kidnapped by Hung (N. Cheung), a half-blind assassin who is caring for a paralyzed wife and needs the dough. The guilt-wracked Fei is obsessed with finding the missing daughter despite Ann’s pleas for him to butt out – she has been warned to not involve the police. She agrees to alter the evidence that will put the crime lord behind bars for a very long time; so Fei goes out looking for the girl on his own. Hung is just as desperate to make sure that the girl isn’t found and both men play a game of cat and mouse with a little girl’s life hanging on the outcome.

Like many Hong Kong crime dramas, the plot hinges around a number of coincidences (some might say improbabilities) that require a whole lot of disbelief suspension. How likely is it that the crook would steal the car of his prosecutor who just happened to stop the car she was driving so she could yell at her ex-husband on the phone? And the coincidences don’t end there.

However if you can unwrap your head around those plot points you’ll be treated to a story with plenty of nice twists and turns, maybe one or two you won’t see coming. Nicholas Tse and Nicky Cheung are two of HK’s  best action stars and they are at their best in this movie. The action sequences, particularly the initial car chase that sets everything up, are extremely well done with the aforementioned chase being literally breathtaking.

The story does get a little bit maudlin in places but again that’s pretty much standard operating procedure for Hong Kong action films – is there a manual for these things? – and anyone who is a fan of that genre won’t mind a bit. Dante Lam is one of Hong Kong’s surest action directors and while this wasn’t his very best work, it was certainly one worth reviving. It played the recent New York Asian Film Festival. While I don’t see it listed on any of the standard streaming services, you can find the DVD and Blu-Ray in a variety of places. If you like Asian action, you won’t want to miss this one.

REASONS TO GO: The action scenes are uniformly excellent. The plot is full of lovely twists and turns.
REASONS TO STAY: The camerawork is so aggressive and kinetic it becomes distracting. The story is a little bit maudlin in places.
FAMILY VALUES: There is a whole lot of violence, some mild profanity and a few disturbing images.
TRIVIAL PURSUIT: The movie was nominated for five Hong Kong Film Awards in 2009, winning two.
CRITICAL MASS: As of 7/11/18: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Infernal Affairs
FINAL RATING: 6.5/10
NEXT:
The Looming Storm

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The Promise (Wu ji)


The Promise

Just one of many stunning visuals from The Promise.

(2005) Martial Arts Fantasy (Warner Independent) Hiroyuki Sanada, Dong-Kun Jang, Cecilia Cheung, Nicholas Tse, Ye Liu, Hong Chen, Cheng Qian, Anthony Wong. Directed by Chen Kaige

Over the past ten years or so America has discovered the films of Asia. Ever since Crouching Tiger, Hidden Dragon major Hollywood studios have been looking for the next Asian film to connect with Western audiences. In particular, the Weinstein Brothers of Miramax films and more recently of Weinstein films have snapped up a number of pictures in the Crouching Tiger vein and left them languishing on the shelf, leaving fans of Asian films (like myself) twisting in the wind.

Long listed on Weinstein release schedules as Master of the Crimson Armor, the Weinsteins and filmmaker Chen Kaige (who is best known for Farewell My Concubine) couldn’t agree on a release strategy so eventually the rights were let go and picked up by Warner Brothers, who in turn shuffled them off to their independent arm Warner Independent. Finally the now re-titled The Promise (which was its title in other English-speaking territories) would see the light of day here in America. Unfortunately, it didn’t get such a wide release that a ton of people were able to see it, and quite frankly it didn’t do thrilling box office numbers.

In all fairness, it’s somewhat of a confusing story and Western audiences may not appreciate Eastern fantasy. Set in the Kingdom where Gods, mortals and not-quite-mortals dwell side-by-side, a young girl makes a promise to a goddess to forego true love in exchange for wealth, comfort, beauty and power. Somewhat later, the young girl has become a princess (Cheung) in the Kingdom where the King’s best General (Sanada) fights against a ruthless warlord (Tse). Aiding the general is a slave (Jang) with remarkable powers.

The general receives word that the King (Qian) has been surrounded by the forces of the Warlord and sets out to save the King, but is attacked by a mysterious man in black (Liu) and wounded. He sends his slave to rescue the King, dressing him in the general’s magical Crimson Armor to hide the slave’s identity. The slave, not knowing who the King is, kills the King when the King tries to murder the Princess (don’t ask). The slave rescues the princess and the two fall in love, except that the Princess thinks he’s the general. Unfortunately, the Princess is recaptured and to spare her life, the slave agrees to jump over a cliff, which he does. This being a Chinese fantasy, he survives long enough to aid the General in rescuing the Princess. However, she thinks she’s in love with the General, who discovers her feelings early on and because he has fallen for the girl himself, doesn’t correct her error. However, according to her promise to the goddess, she is doomed to lose her love. What’s a fantasy princess to do?

The plot is all over the place and the less said about it the better. Don’t try to follow it or else your brain will swell up to the size of a dishwasher and float out of your head until it reaches some bizarre Chinese heaven at which point it will….see, it’s happening to me too. There are numerous CG effects in the movie and quite frankly, some of them simply don’t work. Both the writing and the special effects really make it difficult to love the movie.

What saves it is the cinematography of Peter Pau, who is for my money the best at what he does in Asia. Almost every shot is visual poetry, filled with color, form and elegance to the point that you nearly weep. After awhile, I found myself just tuning out the dialogue and plot points and just watching the visual imagery, like a visit to an art gallery.

The DVD contains both English and Mandarin versions of the movie. I do recommend the Mandarin version for two reasons. Firstly, the acting isn’t nearly as overwrought and quite simply it is much easier to then ignore the plot and subtitles to concentrate on the visuals. I can see now why the Weinsteins hesitated to give this the kind of general release that Kaige wanted. Quite frankly, it isn’t up to snuff in terms of Western storytelling expectations. Still, it is lovely to look at and worth seeing just for the visual aspect alone, but just don’t say you weren’t warned about the plot.

WHY RENT THIS: Stunning cinematography by Peter Pau. Impressive martial arts seqneuces.

WHY RENT SOMETHING ELSE: The plot meanders all over the place and quite frankly defies belief. The acting is nothing to write home about.

FAMILY MATTERS: There is some stylized violence and fantasy martial arts sequences, as well as a few moments of sexuality.

TRIVIAL PUSUITS: At the time of its release, this was the most expensive film ever made in China.

NOTABLE DVD FEATURES: None listed.

BOX OFFICE PERFORMANCE: $30.9M on a $35M production budget; the movie was a flop.

FINAL RATING: 6/10

TOMORROW: Green Lantern