The Hero


Laura Prepon and Sam Elliott are most definitely amused.

(2017) Dramedy (The Orchard) Sam Elliott, Laura Prepon, Nick Offerman, Krysten Ritter, Katherine Ross, Doug Cox, Max Gail, Jackie Joyner, Patrika Darbo, Frank Collison, Andy Alio, Ali Wong, Cameron Esposito, Linda Lee McBride, Christopher May, Demetrios Sailes, Sherwin Ace Ross, Ryan Sweeney, Todd Glieberhain, Norman De Buck, Barbara Scolaro. Directed by Brett Haley

In many ways, we use the term “hero” a bit too loosely in our society. A hero can be a first responder rushing into a burning building to rescue those trapped inside, or it can be a dad willing to play catch with his son. It’s a matter of perspective. One person’s hero is another person’s non-entity.

Lee Hayden (Elliott) was once upon a time an actor of Westerns who was one of the best of his time. His film The Hero remains an iconic look at the Old West. However, he didn’t know that was to be his career highlight. Now in his 70s, the actor smokes pot, hangs out with a former co-star and child actor now turned pot dealer Jeremy (Offerman) who ends up introducing him to another client, stand-up comedian Charlotte Dylan (Prepon). Lee’s agent isn’t exactly what you’d call a go-getter; his career has been stalled for some time, having only a barbecue sauce radio commercial to fall back on and a Lifetime Achievement award for a small-time Western Film Appreciation Society. We all know Lifetime Achievement awards are code for “I didn’t know he was still alive.”

This is all taking place about the time that Lee learns he has stage four pancreatic cancer. Lee copes with the news by snapping at his friends and smoking all the pot he can get his hands on. A chance encounter with Charlotte at a taco truck leads to an endearingly awkward invitation to be his date at the award ceremony.

His acceptance speech in which he pays a somewhat heartfelt but molly-addled thanks to his fans goes viral and suddenly he has offers and opportunities that he hasn’t had in decades. His relationship with Charlotte though is going through some rocky patches, his daughter Lucy (Ritter) doesn’t want to see him and Lee is terrified at what his future holds. What truly makes a hero?

Let’s begin with the elephant in the room – Sam Elliott is an iconic actor with a voice that sounds as timeless as the Grand Canyon and a face twice as lined. This folks is arguably the best performance of his storied career. While I admit it’s a bit strange watching Elliott as a pot head, this is as nuanced and as versatile a performance as I can recall him giving. He has moments when he’s funny as hell (as when he tells an adoring fan who loves his moustache “It loves you too, honey” and gives her a sweet peck on the cheek) and others that are pure pathos. My favorite moment in the movie is when he tells his ex-wife (played by his actual real life wife Katherine Ross) that he has cancer. The scene is shot in long shot and we don’t hear what’s actually said. We just see the ex break down and Lee move to comfort her. It’s an amazing moment by two pros who I wouldn’t mind seeing much more of on the silver screen.

And now for the other elephant in the room (this room sure holds a lot of elephants); the cancer-centric plot. It’s not that we haven’t been through hordes of movies that are about aging parents with limited time left trying to reconcile with their angry children and yes, that’s exactly what’s going on here. However, it never feels maudlin under the sure direction of Brett Haley and Elliott and his fine supporting cast make sure that the characters always feel real; never do we feel like Hayden is almost superhuman in his stoic acceptance of his oncoming date with death. Hayden shows moments of terror and at last realizing he can’t do it on his own reaches out to those closest to him.

The movie was a big hit at Sundance and was selected as the opening night film at this year’s Florida Film Festival. That’s a high bar to live up to but The Hero easily reaches its lofty expectations and exceeds them. While some may think of the movie as being too sugary sweet on paper (and I admit it looks that way but only on paper) the reality is that the emotions felt genuine to me and Elliott’s performance transcends a lot of the fears I’d normally have with a movie like this. You may need a few tissues here and there but in reality this is the portrait of a truly heroic man, the kind of man who has become increasingly rare these days – a man’s man. With the scarcity of that particular species, it makes all sorts of sense to me that a woman Prepon’s age would fall for a man of Elliott’s. As hoary as the Hollywood May/December romance is, it works here. That’s a minor miracle in and of itself.

REASONS TO GO: Simply put, this may be the best performance of Elliott’s career. There are some real nice visuals. The film is an interesting take on the nature of heroism.
REASONS TO STAY: The plot is a little bit cliché.
FAMILY VALUES: There is more drug use than you’d expect as well as a fair amount of profanity, some sexuality and brief partial nudity.
TRIVIAL PURSUIT: Elliott and Ross are married in real life (they play exes here); this is the first cinematic appearance by Ross in ten years.
CRITICAL MASS: As of 6/30/17: Rotten Tomatoes: 76% positive reviews. Metacritic: 61/100.
COMPARISON SHOPPING: After Fall, Winter
FINAL RATING: 8/10
NEXT: The Gangster’s Daughter

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New Releases for the Week of June 30, 2017


DESPICABLE ME 3

(Universal/Illumination) Starring the voices of Steve Carell, Kristen Wiig, Trey Parker, Miranda Cosgrove, Steve Coogan, Julie Andrews, Jenny Slate. Directed by Kyle Balda, Pierre Coffin and Eric Guillon

Supervillain Gru is on the straight and narrow now that he has a family to take care of. He’s even working on the other side – law enforcement – but when tasked with taking down up and coming supervillain Balthazar Bratt he fails and loses his job. Adrift, he is reunited with the twin brother he never knew he had and who has been continuing the family legacy of villainy. It doesn’t take much cajoling to get Gru on board for a twin brother villain team but how will his girlfriend Lucy react to his return to criminal behavior?

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for action and rude humor)

Baby Driver

(Tri-Star) Ansel Elgort, Lily James, Kevin Spacey, Jamie Foxx. Fan favorite director Edgar Wright has come up with another winner in this much-anticipated crime epic. Baby is a gifted getaway driver with a few quirks, not the least of which is putting on his own personal playlist to drown out the white noise when he’s working. After he falls hard for a waitress, he realizes he wants a different life but getting out of the life he’s in is not easy at all.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence and language throughout)

The Beguiled

(Focus) Colin Farrell, Nicole Kidman, Kirsten Dunst, Elle Fanning. Who would have ever thought that “Sofia Coppola remakes Clint Eastwood” would ever become a sentence? In the waning days of the Civil War a wounded Union soldier is taken in by the headmistress of a girl’s school in the rural South. As he is nursed back to health, some of the girls in the school begin to fall for his charm. The headmistress realizes that he is far more dangerous to the school than she first thought and takes steps to protect her charges.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: R (for some sexuality)

The Hero

(The Orchard) Sam Elliott, Laura Prepon, Nick Offerman, Krysten Ritter. An aging actor who was once a respected Western actor spends most of his time smoking dope and hanging out with a fellow actor. When he meets a much younger woman who falls head over heels for him, he begins to turn things around, even reaching out to bridge the rift between himself and his estranged daughter. Can he resurrect his career and heal old wounds? The Hero was not only a big hit at the Sundance Film Festival earlier this year, it was also the opening night film at the Florida Film Festival as well.

See the trailer, clips and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC New Smyrna, Enzian Theater, Regal Pavilion Port Orange, Rialto Spanish Springs Town Square

Rating: R (for drug use, language and some sexual content)

The House

(New Line) Will Ferrell, Amy Poehler, Jason Mantzoukas, Nick Kroll. When a doting pair of parents loses their daughter’s college fund, they start scrambling to find a way to make sure she can afford the high-end college she has not only gotten into but has always dreamed of attending. They come up with the somewhat desperate plan of turning their home into a Las Vegas-style casino. As you might expect, things go crazily out of control quickly.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for language throughout, sexual references, drug use, some violence and brief nudity)

Past Life

(Goldwyn) Nelly Tagar, Joy Rieger, Dovon Tavory, Evgenia Dodina. While touring West Germany in the late 70s, a soloist is accosted by an elderly German woman who claims she’s the daughter of a murderer. Understandably shaken, she and her sister – a caustic woman who has a chilly relationship with her father – begin to investigate what he did during the war and discover some family secrets are best left buried.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Regal Winter Park Village

Rating: NR

OPENING IN ORLANDO/DAYTONA

None

ALSO OPENING IN MIAMI:

David Lynch: The Art Life
Inconceivable
Manifesto
Queen of Thursdays
Sex Doll
The Student
The Wedding Plan

ALSO OPENING IN TAMPA:

A Stork’s Journey

ALSO OPENING IN JACKSONVILLE:

The Wedding Plan

My Life as a Zucchini (Ma vie de Courgette)


A snow day is a great day!

(2016) Animated Feature (GKIDS) Starring the voices of Will Forte, Erick Abbate, Romy Beckman, Ness Krell, Nick Offerman, Ellen Page, Amy Sedaris, Susanne Blakeslee, Barry Mitchell, Olivia Bucknor, Clara Young, Finn Robbins, JD Blanc, Michael Sinterniklaas, Stephanie Sheh. Directed by Claude Barras

 

What makes a movie a kid’s movie? Is it because the protagonist is a child? Or is it because it’s animated? Maybe the subject matter is less complicated than a film aimed at older audiences? These are all fair questions and while it is generally fairly easy to tell what is a movie meant for the elementary school set and what is not, some films are a little bit harder to gauge.

Icare (Abbate) is a sad, lonely child. He lives with his alcoholic mom in a flat which is littered with empty beer cans that his mom has consumed. His father is long gone. His only joy is flying a kite with a superhero drawn on it – one that perhaps is his notion of who his dad is. On a stormy day, his mother will no longer be able to abuse him any longer .

A kindly cop named Raymond (Offerman) takes Icare to a local orphanage where he declares that his name is Zucchini which is apparently what his mom called him for reasons never explained. As he has so little of her left to remember her by (poignantly he brings an empty beer can with him and his kite – his only two possessions) he insists on being referred to by that sobriquet even though it doesn’t really suit him, as Simon (Beckman), the resident bully, points out while spitefully calling him “Potato” which while cruel is entirely apt.

Most of the kids have a horror story to tell; Ahmed (Mitchell) waits for his deported mom to return, while Alice (Young) was removed from an abusive household and bangs her fork on her plate when she is stressed. Simon himself is the son of criminals who are jailed, leaving him in the orphanage to hope for adoption – although as Simon cynically informs Zucchini whom he eventually learns to respect, the kids are too old to have a chance at adoption.

Into this wacky family of kids comes Camille (Krell) whose father murdered her mother in front of her and then turned the gun on himself. She lives with an aunt (Sedaris) who only keeps her for the stipend the state pays her and is cruel and abusive towards her niece. Zucchini takes a shine to Camille and the two rapidly become inseparable. A field trip to the mountains with married teachers Paul (Forte) and Rosy (Page) only cements that bond. As for Zucchini, he has developed a close relationship with Raymond who is thinking of adopting him and maybe Camille as well. But the Aunt wants to bring back Camille to her house so she can get the government payments again. Will this new family be quashed before it can even be started?

The film is based on a children’s book which is apparently much darker than what is onscreen here; the look of the film is much different than the illustrations that are part of the book as well. This stop motion animated feature has a very European look to it; the big heads but expressive faces, the eerily long bendy arms and the backgrounds that speak of the Alps. It certainly doesn’t look like an American film and maybe that will put off some.

And, like European films that are aimed at children, it refuses to talk down to them. The movie looks at tragedy and doesn’t turn away or sugarcoat it. It allows the children to grieve, to be sad. It allows them to overcome and that is the important message; not that Zucchini had a tough time of it but that he came through it and in doing so was able to trust and love again.

The movie does have some flaws; from time to time I felt myself wondering how much was going to be piled onto Zucchini and let’s face it, there’s a lot. While the kids are a little bit too good to be true for the most part – Simon is the clear exception and even he is basically a decent kid – the adults are damn near Saints other than Zucchini’s mom and Camille’s aunt.

The movie does have the virtue of brevity; the film is only 70 minutes long so even those with the most acute cases of ADHD should be able to sit through the entire length of it. It also has a lot of bright colors that will keep the really little ones engaged. Never underestimate the value of bright colors and simple shapes in keeping the toddlers out of trouble.

The movie is full of moments of genuine emotion without leaving you feeling manipulated; it comes by those moments honestly. You can’t help but feel for these orphans who have been through so much yet are so resilient. Despite his mother’s shortcomings, Zucchini misses her. He feels her absence keenly. Perhaps that is the most human thing about Zucchini after all.

REASONS TO GO: The movie certainly tugs at the heartstrings. For once, the film doesn’t talk down to children. The subject of parental loss is tackled with some sensitivity.
REASONS TO STAY: The plot is overly dramatic in places.
FAMILY VALUES: The loss of parents might be a bit more difficult for the young and impressionable.
TRIVIAL PURSUIT: This was Switzerland’s official submission for the Best Foreign Language film for the 2017 Oscars; while it didn’t make the final short list, it did pick up a nomination for Best Animated Feature.
CRITICAL MASS: As of 4/9/17: Rotten Tomatoes: 100% positive reviews. Metacritic: 85/100.
COMPARISON SHOPPING: Pippi Longstocking
FINAL RATING: 8.5/10
NEXT: Raw

New Releases for the Week of April 7, 2017


SMURFS: THE LOST VILLAGE

(Sony Animation) Starring the voices of Demi Lovato, Julia Roberts, Mandy Patinkin, Rainn Wilson, Jack McBrayer, Michelle Rodriguez, Ellie Kemper. Directed by Kelly Asbury

Has anyone ever wondered why there is only one girl Smurf? Neither have I but I’m sure someone has. Smurfette sets out with her friends through the Forbidden Forest to find a mysterious village before the evil sorcerer Gargamel does and when they do, we find out where all the girl Smurfs are. How Smurfy is that?

See the trailer, clips, interviews, featurettes, premiere footage and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some mild action and rude humor)

1 Mile to You

(Gravitas) Melanie Lynskey, Tim Roth, Billy Crudup, Stefanie Scott. When a teenage boy’s friends die in a car accident, he is completely devastated. He takes up running to deal with the pain and also to remember his friends. His running however catches the attention of track coaches who recognize his raw potential. Can they bring him from dwelling on his past into creating a bright future?

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

The Case for Christ

(Pure Flix) Mike Vogel, Erika Christensen, Faye Dunaway, Robert Forster. Based on the experiences of Lee Strobel, an award-winning journalist and atheist, he sets out to disprove the existence of Christ after his wife undergoes a faith renewal. What he discovers in his investigation is not what he expected at all.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith Drama
Now Playing: Wide Release

Rating: PG (for thematic elements including medical descriptions of crucifixion, and incidental smoking)

Going in Style

(New Line) Morgan Freeman, Michael Caine, Alan Arkin, Ann-Margaret. Three retirees, lifelong friends all, are startled when their pension fund is wiped out by the greed of a bank. Desperate to make ends meet, they decide to not only solve their financial problems but exact a little justice as well when they determine to rob the very bank that stole their money. Poetic justice, yes, but much easier said than done when you consider that none of them has committed a crime in their lives.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for drug content, language and some suggestive material)

Mine

(Well Go USA) Armie Hammer, Tom Cullen, Annabelle Wallis, Clint Dyer. After their assignment ends in failure, a U.S. Marine sniper and his spotter are forced to cross the desert when the helicopter assigned to evacuate them from the enemy zone is grounded due to sand storms. Nearing the village where they will be driven back to their base, the two find themselves in a field of land mines where the sniper has stepped on a mine and cannot move without setting it off. Low on food and water with no way to go even a step further, he is forced to contemplate what got him there in the first place. Look for a review of this in Cinema365 tomorrow.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: War
Now Playing: AMC Disney Springs

Rating: NR

My Life as a Zucchini

(GKIDS) Starring the voices of Will Forte, Nick Offerman, Ellen Page, Amy Sedaris. Nominated for a Best Animated Feature Oscar in the most recent Academy awards, this charming French stop-motion film follows an imaginative young boy who is sent to an orphanage after his mother passes away suddenly. Lonely in a sometimes hostile environment, he searches for a family to call his own while learning to trust once again. The Enzian will be presenting the film both in its original French with subtitles as well as an English language version. Be sure and check which version is playing when you head out to the theater.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Enzian Theater

Rating: PG-13 (for thematic elements and suggestive material)

Queen of the Desert

(IFC) Nicole Kidman, James Franco, Robert Pattinson, Damian Lewis. The true story of Gertrude Bell, a English woman in the early years of the 20th century who chafed at the role she was relegated to in Victorian England. She traveled to the Middle East and fell in love with the culture and the freedoms it afforded her. Her views on the Bedouin helped shape the course of the century and indeed the modern world itself.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: PG-13 (for brief nudity and some thematic elements)

Raw

(Focus World) Garance Marillier, Ella Rumpf, Rabah Nait Oufella, Laurent Lucas. A vegetarian who is following in her family’s footsteps to become a veterinarian undergoes a ritual hazing involving eating meat. This awakens a taste for flesh inside her that becomes more and more irresistible until it threatens to consume her. This French film was the talk of the most recent Cannes Film Festival.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying)

Your Name

(FUNimation) Starring the voices of Michael Sinterniklaas, Stephanie Sheh, Kyle Hebert, Cassandra Morris. This beautiful anime, the number one movie in Japan last year, concerns two young people who randomly switch bodies from time to time. They learn to communicate with each other and eventually, bond for each other. At last that realize that they need to meet face to face but making that happen proves to be a much thornier problem than either one could anticipate.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG (for thematic elements, suggestive content, brief language and smoking)

The Founder


Ray Kroc worshiping at the Golden Arches.

(2016) Biographical Drama (Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Laura Dern, Linda Cardellini, B.J. Novak, Patrick Wilson, Justin Randell Brooke, Kate Kneeland, Griff Furst, Wilbur Fitzgerald, David de Vries, Andrew Benator, Cara Mantella, Randall Taylor, Lacey King, Jeremy Madden, Rebecca Ray, Adam Rosenberg, Jacinte Blankenship. Directed by John Lee Hancock

 

Most of us are more than familiar with McDonald’s. It is Main Street, America on a global scale; on a typical day the fast food chain will feed something like 8% of the world’s population. They are convenient and in a fast-paced world where meals can be afterthoughts, a necessity. But how did they get to be that way?

Salesman Ray Kroc (Keaton) is having a spectacular lack of success selling his five spindle milkshake mixer to diners and drive-ins in the Midwest. When he gets an order for five of the machines from a burger joint in San Bernadino, California, he is gratified – gratified but amazed. The operation he visits is staggering; lines snake through the parking lot. Counter service only, he makes his order for a cheeseburger, fries and a coke and gets it delivered to the window in less than a minute. Dumbfounded, he sits down to eat his meal – and it’s actually pretty darn good. The restaurant, named McDonald’s for the McDonald brothers who own it, looks promising as visions of a franchise operation begin to dance in his head.

At first the brothers – Dick (Offerman) and Mac (Lynch) aren’t too interested. They’d tried something like it before and ended up with franchise owners adding their own flair – fried chicken, barbecue, straying from the formula of keeping the menu simple and the quality high. Kroc thought he could make that happen by being a hands-on boss. As it turned out, that didn’t quite work out the way he expected.

At home, his wife Ethel (Dern) lives a life of loneliness and boredom, living for those precious times when they go to dinner at the local club. He uses those occasions to snare investors and Ethel tries to help in her own way. Soon though Ray’s dreams are fast outstripping those of his partners as well as those of his wife. The wife (Cardellini) of a potential investor (Wilson) catches his eye. As for the McDonald brothers, they are content with having a quality restaurant and what Ray is looking to build is more than they intended to take on and their reluctance to change or to compromise quality becomes a major frustration for Ray. He becomes aware that the biggest hurdle in making McDonald’s a household name are the McDonald brothers themselves.

I’m not too sure what the executives at the McDonald’s corporation think of this movie; they are in a very real sense the descendants of Ray Kroc and they owe their position to his vision and his drive to achieve it. I think they appreciate the free advertising but Ray doesn’t come off terribly well here in many ways although he did do a lot of the less savory things that are depicted here, including taking credit for some of the aspects of the image that the McDonald brothers introduced (like the golden arches) and effectively excising the brothers from the history of the company (he labeled an Illinois franchise McDonald’s #1 when in fact it was the ninth store to open). Keaton imbues Ray with a surfeit of charm without ignoring the man’s more vicious traits; he also gives Ray enough energy and charisma that when he does some pretty bad things, one still roots for him. Maybe there’s something in that secret sauce that compels us to but I think that Keaton’s performance has a lot to do with it too.

The film only covers a short period in the history of the fast food Goliath and doesn’t really get into the globalization of the brand or examine the effect of their product on the obesity epidemic in this country which has disappointed some critics but not this one. There are plenty of things one can get into concerning the pros and cons of McDonald’s from their catchy advertisements, their shrewd marketing to children with the play areas and Ronald McDonald and their recent move to adding more nutritional selections on their menu and offering a wider variety of food in general. I think the movie accomplished what it set out to do and examine how McDonald’s went from being a small roadside burger joint in California to the global giant it is today and that’s plenty of story for one movie.

There’s plenty of dramatic conflict that goes on but this simply isn’t going to appeal to those who are easily bored. Although there might be a niche group interest for those who are interested in how corporate entrepreneurs achieved their success, I’m not sure if America (or anywhere else) is waiting for movies about Col. Sanders, Sam Walton (founder of Wal*Mart) or Bill Gates. I did find Keaton’s performance fascinating and that kept enough of my interest to give this a mild recommendation.

REASONS TO GO: Keaton delivers a solid performance.
REASONS TO STAY: Some might find this a bit boring.
FAMILY VALUES: There is a bit of profanity.
TRIVIAL PURSUIT: All of the McDonald’s restaurants depicted in the film were built from scratch in parking lots and vacant lots because producers couldn’t find suitable locations that matched the look of the film that they were aiming for.
CRITICAL MASS: As of 3/15/17: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: The Social Network
FINAL RATING: 6/10
NEXT: It’s Not My Fault (And I Don’t Care Anyway)

New Releases for the Week of January 20, 2017


xXx: The Return of Xander CageXXX: THE RETURN OF XANDER CAGE

(Paramount) Vin Diesel, Samuel L. Jackson, Donnie Yen, Toni Collette, Tony Jaa, Nina Dobrev, Deepika Padukone, Ruby Rose, Kris Wu, Ice Cube. Directed by D.J. Caruso

An elite team led by the enigmatic Xiang is pursuing a powerful weapon named Pandora’s Box. This team is so deadly as to be nearly unstoppable, prompting the government to try and persuade Xander Cage, the legendary “Triple X,” to come out of “retirement.” He assembles an elite team of his own to take on Xiang but discovers that not everything that is happening is the way it seems.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D

Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for extended sequences of gunplay and violent action, and for sexual material and language)

20th Century Women

(A24) Annette Bening, Elle Fanning, Greta Gerwig, Billy Crudup. As the 70s come to an end, a 50ish single mom in Santa Barbara finds raising her son a challenge and enlists the help of two younger women to help raise him to be the man she hopes he can become. Bening got a Golden Globe nomination for her performance and has a good shot to see some Oscar love as well.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: R (for sexual material, language, nudity and some drug use)

The Founder

(Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Linda Cardellini. The story of Ray Kroc, a milkshake machine salesman who one day stopped off at a popular burger joint in San Bernardino and discovered their method of producing burgers could revolutionize the way America eats. He determined to hitch his wagon to that restaurant and in doing so made it one of the biggest businesses in history. Today there’s a McDonald’s on every corner – and you have Ray Kroc to thank for it.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Paterson

(Bleecker Street/Amazon) Adam Driver, Golshifteh Farahani, Nellie, Barry Shabaka Henley. Paterson, a bus driver in Paterson, New Jersey (yes, they have the same name) spends his days watching the world go by his windshield. Snippets of conversations and his own observations make it into a book of poetry he has written but allows nobody to read. He likes his life and is content to let it remain as is. His wife, an artist, however is changing as new dreams inspire new creations. They love each other very much but are they drifting apart? This is the latest from director Jim Jarmusch.

See the trailer, interviews and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: R (for some language)

The Resurrection of Gavin Stone

(BH Tilt/High Top) Brett Dalton, Anjelah Johnson-Reyes, Shawn Michaels, D.B. Sweeney. A former child star, fallen on hard times gets arrested and sentenced to community service at a local megachurch. In order to land the role of Jesus in the annual Passion Play, he pretends to be a devout Christian. Soon enough he discovers that the role requires more than just lip service.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Waterford Lakes

Rating: PG (for thematic elements including a crucifixion image)

Split

(Universal/Blumhouse) James McAvoy, Anya Taylor-Joy, Haley Lu Richardson, Betty Buckley. A gifted young man with 23 distinct personalities fighting for dominance within him kidnaps three young women. His psychiatrist realizes that a 24th is set to emerge, one that is vicious, evil and set to dominate the others. Can the three kidnap victims find a way to escape their captor before the world is introduced to The Beast? This is the newest film from M. Night Shyamalan.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for disturbing thematic content and behavior, violence and some language)

Sing


Ta-da!

Ta-da!

(2016) Animated Feature (Universal/Illumination) Starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, Taron Egerton, John C. Reilly, Tori Kelly, Jennifer Saunders, Jennifer Hudson, Garth Jennings, Nick Kroll, Peter Serafinowicz, Beck Bennett, Jay Pharoah, Nick Offerman, Leslie Jones, Rhea Perlman, Laraine Newman. Directed by Garth Jennings

 

It is said by some, not without justification, that this is the golden age of animation. Studios like Pixar, Ghibli and Laika consistently turn out features that enchant, illuminate, entertain and excite. They don’t dumb down their movies to basic levels because these studios have more respect for kids than that; they create stories that address things that matter, create unforgettable characters and transport us to worlds that elicit wonder.

And then there’s Illumination. The studio, which has a long term deal with Universal, hit their first pitch out of the park with Despicable Me but their output since then has left a lot to be desired. Their world building has been haphazard and their stories basic, utilizing cliché over imagination and marketing opportunities over characters. It is, in every sense of the word, corporate animation.

Sing is meant to appeal to those who find American Idol and America’s Got Talent to be supreme entertainment. It sends a message that anyone, no matter how large or small, can achieve their dreams if only…if only…well, if only someone markets a singing contest, which Buster Moon (McConaughey), a koala with a somewhat slippery moral compass, organizes in order to save his theater which is overrun by creditors and about to be seized by the bank. However, his ditzy assistant accidentally ups the amount of the prize from $1,000 to $100,000. Oops.

And so all sorts of animals inhabiting Anthropomorphic San Diego come crawling out of the woodwork to audition, including put-upon piggy mom Rosita (Witherspoon) who is in a perpetual state of exhaustion from taking care of 25 piglets and a seemingly uncaring husband (Kroll) who takes her for granted like a boss; Mike (MacFarlane), an arrogant mouse who cons his way through life and croons like one of the rat pack. Then there’s Ash (Johansson), a punk rock porcupine determined to emerge from the shadow of her boyfriend, and Meena (Kelly) an elephant with a case of stage fright as big as…an elephant. Finally there’s Johnny (Egerton – who has the best voice in the movie) who is the scion of a gorilla criminal and has the leather jacket to prove it, although just because this is a kid’s movie, Johnny has absolutely no criminal intent whatsoever. Get that kids? Crime doesn’t pay!

There are something like 85 songs (mostly snippets) that have at least some vague familiarity and are mostly from the last five years or so. In fairness, most of them are sung well or at least competently but it points out another depressing flaw in modern culture; we have become all about the singer and give absolutely no thought about the song. Apparently dreams should be about becoming stars, not becoming artists. Make money, not a lasting contribution to our culture is the message here.

Egerton is an amazing singer and McConaughey’s voice is virtually unrecognizable but it is still a fine vocal performance. To be fair the movie picks up steam in the second half and the finale is pretty nice, if predictable. While most of the animation is fairly rote it is at least entertaining to the undiscerning and some of the images are cute.

And it is this last adjective that really drives the movie; they’re not going for great, they’re going for cute. They want to see these characters on action figures, video games, fast food meals and whatever cross-promotional activity they can think up. You’ll walk out of the theater remembering none of the characters who were in it, nor will you be affected by the story in any way. What you will remember are the songs and if that’s all you’re after, that’s fine but what this amounts to is a 90 minute karaoke contest that really isn’t going to inspire repeated viewings unless you are six years old or the parent of one. Unless you have a child who absolutely insists on seeing this, there is far better movies that deserve your attention.

REASONS TO GO: Some of the animation is engaging and some of the performances are cute.
REASONS TO STAY: This is more of a marketing opportunity than a complete movie, with little thought given to characters other than how they’ll do as toys and absolutely no thought to story.
FAMILY VALUES: There is some rude humor but nothing most parents would be offended by.
TRIVIAL PURSUIT: This marks the first occasion that Illumination has released two films in the same year. It is also the longest movie to date that Illumination has produced.
CRITICAL MASS: As of 1/13/17: Rotten Tomatoes: 70% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: American Idol
FINAL RATING: 5/10
NEXT: La La Land