Sandy Wexler


Sandy Wexler is pleased.

(2017) Comedy (Netflix) Adam Sandler, Jennifer Hudson, Kevin James, Colin Quinn, Nick Swardson, Jackie Sandler, Terry Crews, Rob Schneider, Lamorne Morris, Aaron Neville, Jane Seymour, Luis Guzman, Arsenio Hall, Quincy Jones, “Weird Al” Yankovic, Kenneth “Babyface” Edmonds, Mason “Ma$e” Betha, Rob Reiner, Chris Elliott, Eugenio Derbez, Milo Ventimiglia, Jessica Lowe. Directed by Steven Brill

 

We all know the big names in front of the camera. Some of the more dedicated movie buffs also know the big movers and shakers behind the camera Then there are the guys on the periphery, the outsiders. The guys like Sandy Wexler.

Wexler (A. Sandler) worked as a talent agent in the mid-90s in Los Angeles and to say he had A-list clients would be the kind of lie that he was well-known for saying; Sandy is almost pathologically incapable of telling the truth. He is also as pathologically loyal to his clients who are among the dregs of show business; a daredevil (Swardson) who has issues colliding with birds, a ventriloquist (James) who dreams of stardom on UPN and Bedtime Bobby Barnes (Crews) who’s a wrestler with a unique ring persona.

None of them have much of a future and quite frankly Wexler isn’t much of a manager either, promising gigs that never materialize or are much different than he represented on the phone. He drives his clients crazy but he’s also there for them when they need him most. One afternoon, he is taking the daughters of a client to a local theme park and there he hears the voice of an angel. It belongs to Courtney Clarke (Hudson) and Wexler knows that for the first time in his career, he has a legitimate talent right in front of him. After convincing her convict dad (Neville) that he can take her career to pop stardom, Courtney signs up with Wexler.

It doesn’t hurt that Sandy has a bit of an awkward crush on her, although she doesn’t seem to notice. Still, he manages to use his connections to get her in front of people the likes of Babyface and Quincy Jones. He also runs into a few sharks and it becomes pretty obvious that he’s way out of his depth but if there is one thing that is true about Sandy Wexler is that he believes in his clients and he believes that he can actually do them good. And maybe, in this one shining example, he might just find the warm glow of the big time within reach.

Sandler’s last three movies (including this one) have all been direct-to-Netflix and together with the last few theatrical features have been on a downward slide pretty much since Funny People. It’s nice to be able to say that this one is actually better than most of his recent films. There is a charm and warmth here that have been missing from his movies for awhile. There are few actors who can pass for amiable as well as Sandler – basically because that’s how he is away from the cameras by all accounts. He is at the top of his game in that regard here.

The story is mainly told in flashback, with dozens of celebrity cameos (including Chris Rock, Conan O’Brien, Penn Jillette, Rob Reiner, Pauly Shore, Jimmy Kimmel, Jon Lovitz, Dana Carvey, Janeane Garofalo, Louie Anderson, Jay Leno, Richard Lewis and Kevin Nealon, just to name a few) giving testimonials in some sort of celebration (we don’t find out what’s being celebrated until the very end of the picture). The celebrity testimonials are fun, one of the highlights of the movie. Some of them are genuinely funny.

The jokes for the most part are groaners, although not all of them are. It’s shtick for certain, but it is Grade A shtick nonetheless. The movie runs well over two hours long which may exceed your particular tolerance for an Adam Sandler movie, but for some may find that to be not a factor. I’ll admit I was checking my watch near the end.

This also has a definite feel for a lot of Sandler’s other films, particularly of the last decade or so which may be a deal breaker for some. It also may be for others a deal maker so it really depends on how you feel about Sandler and his type of humor in general. You will get the full Sandler shmear; shuffling hunched posture, funny voices, product placement and the usual cast of Happy Madison regulars (Happy Madison is Sandler’s production company).

Still, whether you love him or hate him, Sandler does have a knack for making one feel good as one watches the closing credits roll. This doesn’t stand among his best work but it is certainly the best movie that he has made for Netflix to date. Sandy Wexler stands as a heartfelt tribute to the outsiders on the fringe of the entertainment business, the ones who have more heart than talent whose eccentricities are endearing rather than annoying – mostly. There’s definitely room for a movie like that in the hearts of those who have a fondness for that kind of subject.

REASONS TO GO: The celebrity cameos are a lot of fun. The viewer is left with a pleasant feeling.
REASONS TO STAY: The jokes are really cornball. A little too much like Sandler’s other recent films.
FAMILY VALUES: There is some sexuality as well as rude humor.
TRIVIAL PURSUIT: The character of Sandy Wexler is based on Sandler’s real-life manager Sandy Wernick who also makes a cameo in the film.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 8/30/17: Rotten Tomatoes: 28% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Broadway Danny Rose
FINAL RATING: 6/10
NEXT: Pirates of the Caribbean: Dead Men Tell No Tales

Hotel Transylvania 2


Drac is back.

Drac is back.

(2012) Animated Feature (Columbia) Starring the voices of Adam Sandler, Selena Gomez, Andy Samberg, Kevin James, Steve Buscemi, David Spade, Keegan-Michael Key, Mel Brooks, Asher Blinkoff, Fran Drescher, Molly Shannon, Megan Mullally, Nick Offerman, Dana Carvey, Rob Riggle, Jonny Solomon, Chris Kattan, Jon Lovitz, Nick Swardson, Rose Abdoo. Directed by Genndy Tartakovsky

People and monsters may look different, but inside they really aren’t. The things that don’t conform are usually the things we fear; if we can’t keep everything in its proper compartment, the world becomes a much scarier place.

Dracula (Sandler) is in a happy place. His daughter Mavis (Gomez) is happily married to human Johnny (Samberg) and the two have had a baby named Dennis (Blinkoff). Proud grandpa is sure that the baby is going to be a monster but Mavis isn’t so sure that Dennis won’t turn out to be human and therefore be raised among humans. This terrifies Drac who doesn’t want Mavis to leave for the human world of Santa Cruz (where Johnny’s parents live) and lose both his daughter and grandson, so he concocts a plan to force Johnny to “get his fangs” which must happen before his fifth birthday.

So as Mavis is checking out California, Drac and his friends are trying to find ways to force little Dennis to find his inner monster before the dreaded fifth birthday. Drac is desperate as Mavis seems to lean more to going human – so desperate he’s even willing to enlist the help of his own father Vlad (Brooks) who doesn’t approve of human-monster intermarriages. And when all these monsters and humans get together, all hell is going to break loose.

Director Tartakovsky is proving himself to be one of the ablest directors of animation in the business currently. I can only imagine what he would do with the resources of a Pixar, but nonetheless he generates some of the best stuff out there. This really isn’t up to par with the best of his work but it’s still better than most of the animated features out there.

Sandler’s live action output in the last few years has been mostly lackluster but he seems more at home here. Many of his pals from his live action films are here, including James, Spade, Riggle and Samberg are here mainly reprising roles from the first film. Having Smigel in as a writer helps a lot; the plot is actually a little bit more sophisticated than the first film

The animation is pretty solid, although there is a bit of a cartoon-y feel to it which is just fine. The level of sophistication skews younger here but again, that’s five. There’s nothing here ostensibly offensive and parents won’t be bored watching this with their kiddies. Certainly the writing is better than most, as the movie explores themes of tolerance and acceptance and will give the kids something to think about – maybe their parents too.

Still, this isn’t anything that’s going to make the animated fan sit up and take notice. It’s pleasant and charming and of course anything with Mel Brooks in it is worth investigation, even if the comedy legend is barely in the movie at all. It’s a diversion for the older crowd and a video babysitter for the younger. I won’t recommend it highly but it’s still a recommendation.

WHY RENT THIS: Kids will undoubtedly love this.
WHY RENT SOMETHING ELSE: Not terribly memorable.
FAMILY VALUES: Some mildly scary images and rude humor.
TRIVIAL PURSUIT: Jonathan’s parents are played by real-life married couple Offerman and Mullally.
NOTABLE HOME VIDEO EXTRAS: Lots here as with most kid movies. There’s a music video from 5th Harmony as well as a look at the development of the drawings from sketch to finished product. The Blu-Ray edition also includes a karaoke track, instructions on how to throw a Hotel Transylvania-themed party, a how-to guide on drawing the various characters and a feature on how the sound effects were made.
BOX OFFICE PERFORMANCE: $468.2M on a $80M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray Rental only), Amazon, iTunes, Vudu, Google Play, M-Go
COMPARISON SHOPPING: Mad Monster Party
FINAL RATING: 6/10
NEXT: Jane Got a Gun

The Ridiculous 6


The Old West was never this wild.

The Old West was never this wild.

(2015) Western Comedy (Netflix) Adam Sandler, Luke Wilson, Rob Schneider, Nick Nolte, Jorge Garcia, Terry Crews, Will Forte, Steve Zahn, Harvey Keitel, Jon Lovitz, Whitney Cummings, David Spade, Danny Trejo, Nick Swardson, Blake Shelton, Vanilla Ice, Julia Jones, Saginaw Grant, Lavell Crawford, Steve Buscemi, John Turturro, Chris Kattan, Norm McDonald, Jackie Sandler. Directed by Frank Coraci

With Westerns making a bit of a comeback lately, it’s inevitable that there would be movies that poke fun at the genre. With Adam Sandler involved, that means there are a segment of people who will tune in no matter what. Others will stay away in droves.

White Knife (Sandler) is an orphan, taken in by the Apache when his mother was murdered. The Apache chief Screaming Eagle (Grant) teaches the young white boy how to fight, and the ways of the Apache warrior, which turn out to be somewhat more Zen than Caucasian culture gave them credit for. He is engaged to Smoking Fox (Jones), the most beautiful woman in the tribe. When a would-be outlaw (Zahn) tries to make trouble with her, White Knife makes short work of him.

However, there is trouble on the horizon. White Knife’s biological father, whom he never knew, shows up at the camp. His name is Frank Stockburn (Nolte) and he wants to make get to know the son he never knew. Just then, his old outlaw gang led by the notorious Cicero (Trejo) shows up and Stockburn hides his stash with the tribe, knowing Cicero will take it. Instead, Cicero takes Frank who tries to lead the gang away from the peaceful Native Americans by saying the stash is buried by an old windmill. White Knife knows that unless Cicero gets the $50,000 that Frank had taken, the old man would be killed.

Having just met his dad, White Knife isn’t willing to let him die. He heads out after them, vowing to obtain the money one way or another to rescue dear old dad. However, it turns out Dear Old Dad was very busy. White Knife discovers he has five half-brothers of other mothers – Ramon (Schneider) the Mexican bandito with the amazing diarrhea donkey, Lil’ Pete (Lautner) who’s the village idiot for more than one village but has a curiously strong neck, Chico (Crews) a saloon pianist who doesn’t use his fingers to tickle the ivories but something a little more genitalia-like, Herm (Garcia) the nearly unintelligible moonshiner and Danny (Wilson) who was Abe Lincoln’s bodyguard at Ford’s Theater who inadvertently showed John Wilkes Booth (Kattan) the road to infamy.

All six of these men have peculiar talents. All six are eager to rescue their father. And all six are incredibly, incredibly ridiculous. The Old West will never be the same once they’ve hit town.

Sandler as I alluded to earlier seems to affect people in extreme ways; either they are utterly devoted to him, or they hate him with a passion. He seems to inspire no middle ground. I try to be as objective as I can about him but I find that when he tends to be a little more serious I actually appreciate him more; his humor tends to be a little more scatological and quite frankly, a bit more juvenile-appealing than is my own personal taste.

He has assembled an impressive cast, several of whom (Crews, Schneider, MacDonald) are all veterans of SNL or of Sandler films, as well as folks like Nolte – who does a fine job here unsurprisingly – and Lautner, who does a really good job here, surprisingly. The latter hasn’t really exhibited much in the way of comedy chops previously, having done mostly action roles in movies that weren’t all that good. However, he proves to have some timing and comic presence, neither of which are easy tasks. I found myself liking him here, which isn’t my usual reaction to his performances.

Part of the problem here is that a lot of jokes fell flat for me, and it appears to a lot of other critics as well (see scores below). The whole thing about the amazing crapping donkey is humor at the level of five-year-olds and I know Sandler is better than that. Still, one can’t argue with success and most of the movies of his that reap box office gold have been the ones that have been, to me, the most childish. I think that says a lot more about the movie-going public than it does about Sandler.

Westerns tend to lend themselves to wonderful vistas and extraordinary cinematography and this movie was no different as veteran Dean Semler gives us some pretty pictures to look at. This is one of Sandler’s most cinematic films which makes it a bit ironic that it was released directly to Netflix as part of his four-picture deal with the streaming giant. However, it wasn’t for lack of trying; the film was in development at three different theatrical studios until Netflix finally came in and got it made.

There has been some controversy about the portrayal of Native American culture and I don’t intend to ignore it. While some outlets got nearly hysterical about it to the point of knee-jerkiness, the fact is that that several Native American extras had some concerns about the jokes made at the expense of their culture and eventually walked off the set when those concerns weren’t addressed. The initial reports made it sound like there was an uprising the size of Little Big Horn; in actuality the affair involved four extras, far less than the 150 Native American extras who were employed by the film. Watching the movie, I didn’t see anything that was more than culturally insensitive but the movie seemed to be that way to nearly everyone, in particular the white culture itself. Perhaps if the movie had been better written the insults would have seemed less egregious.

REASONS TO GO: A really good cast with Nolte and Lautner actually doing some good work. Lovely cinematography.
REASONS TO STAY: Unnecessarily dumb gags and situations. Attempts at parody miss the mark.
FAMILY VALUES: Some rude humor, mild profanity and sexual innuendo.
TRIVIAL PURSUIT: A group of Native American extras walked off the set due to what they perceived as negative and inaccurate portrayals of their culture; while initially the number of extras involved was reported to be about a dozen, sources close to the film put the number at four actors.
BEYOND THE THEATER:  Netflix
CRITICAL MASS: As of 12/18/15: Rotten Tomatoes: 0% positive reviews. Metacritic: 18/100.
COMPARISON SHOPPING: A Million Ways to Die in the West
FINAL RATING: 5/10
NEXT: Angels Crest

Misery Loves Comedy


Hanks talks comedy.

Hanks talks comedy.

(2014) Documentary (Tribeca) Freddie Prinze Jr., Amy Schumer, Tom Hanks, Jim Gaffigan, Christopher Guest, Jon Favreau, Jason Reitman, Steve Coogan, Kathleen Madigan, Martin Short, Judd Apatow, Jimmy Fallon, Andy Richter, Jim Norton, Kelly Carlin, Marc Maron, Lewis Black, Bobby Cannavale, Kevin Smith, Lisa Kudrow, Matthew Perry, Chris Hardwick, Sam Rockwell, Jemaine Clement, Greg Proopst, Kumal Nanjiani, Jimmy Pardo, Maria Bamford. Directed by Kevin Pollak

Comedy is like a drug, both to the audience and the comedian. The audience uses the jokes as a means of escaping their daily lives, a way to find insight into those lives and a way to realize that just about nothing is above laughing at or about. The comedian feeds on their laughter, the laughter a validation of their craft and indirectly of themselves.

This documentary, directed by veteran comic, actor and impressionist Pollak who never appears on-camera but can be heard conducting the interview off-camera, has more than 40 subjects many of whom are on the A-list of stand-ups and several of whom have graduated on to bigger and better things. Some of the interviewees are comic actors, others directors of comedies. There are many more interviewees than we had room for at the top of this review, with Rob Brydon, Janeane Garafalo, Whoopi Goldberg, Jim Jeffries, Robert Smigel, Larry Miller, David Koechner, Stephen Merchant, Nick Swardson, Gregg Hughes, William H. Macy and hordes of others.

The interviews don’t really go into the mechanics of comedy – putting together an act, writing jokes and so on – but more into how people become professional stand-ups. It looks at the influences of the various comics, and at what life events prompted them to become comedians. Many of the people interview have traumas at some point in their lives that prompted them to go into comedy, using standup almost as therapy.

It isn’t required for a comedian to be miserable, muses one of them, but “you have to know misery.” That makes a lot of sense when you think about it; to understand what makes people laugh you also have to understand what makes them cry. A good comedian can do both.

You do get a real sense of the insecurities that haunt a lot of the comics; they talk about what it’s like to bomb, what it’s like to kill and how comics bond together hoping that they all succeed. Nobody likes to follow a comic that bombed; the audience is less primed to laugh. When you follow someone who just killed, it’s not only easier to get the audience to laugh but they also laugh harder. Laughter multiplies exponentially.

One thing that is kind of glaring; there is only one African-American comic and no Latino comics among the forty or so interviewees and quite frankly, there’s too many interviewees to begin with. I would have liked to have seen a little more diversity in the interviews which might have given us some different perspectives. A lot of the stories the comics told about not being accepted in high school and so on were a little bit too similar; getting the perspective of minority comics might have really made for a more three-dimensional take on comedy than what we received.

Yes, there are a lot of laughs here but there are some truly affecting moments, as when Prinze talks about his father’s suicide and how it affected he and his mother. Indirectly, Prinze Junior went into stand-up mainly because his grandfather urged him to “clean up what your father effed up” which for a young kid can be kind of a daunting burden, considering the fame his dad had. Bamford also tells us about the first time she talked about her time in a mental hospital onstage, prompting others in the audience to shout out their own experiences. It must be a very powerful thing, having the ability to help others heal through the gift of laughter. It’s also a nice little grace note that the movie was dedicated to Robin Williams, whose suicide likely had people in the business thinking about the link between misery and comedy.

This isn’t a complete primer on what makes us laugh and how the people who make us laugh do it, but it does give us some insight into the mind of the standup comedian and of the others who make us laugh on the big and small screens. It is said that laughter is the best medicine; this is essentially over-the-counter stuff but it gets the job done.

REASONS TO GO: Lots of laughs as you’d expect hanging out with comedians. Powerful in places. Gives the viewer a sense of what the life of a standup comedian is like and why people do it.
REASONS TO STAY: Too many interviewees and only one African-American one and no Latinos. A little bit too scattershot.
FAMILY VALUES: Some fairly foul language and some adult comedy.
TRIVIAL PURSUIT: Pollak is best known for his standup routine and celebrity impressions, most notably Peter Falk and William Shatner.
CRITICAL MASS: As of 5/9/15: Rotten Tomatoes: 29% positive reviews. Metacritic: 50/100.
COMPARISON SHOPPING: The Aristocrats
FINAL RATING: 7/10
NEXT: The Water Diviner

New Releases for the Week of January 17, 2014


Jack Ryan: Shadow Recruit

JACK RYAN: SHADOW RECRUIT

(Paramount) Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh, David Paymer, Colm Feore, Peter Andersson, Nonso Anozie, Gemma Chan. Directed by Kenneth Branagh

A young CIA analyst uncovers a terrorist plot on US soil to throw the American financial market into chaos. His mentor lures him deeper into the shadow world of international espionage, putting a strain on his marriage as he faces off with a Russian master spy.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday)

Genre: Spy Thriller

Rating: PG-13 (for sequences of violence and intense action, and for brief strong language)

Back in the Day

(Screen Media) Morena Baccarin, Michael Rosenbaum, Nick Swardson, Harland Williams. Making a surprise visit to his high school reunion, a still-single ladies man from back in the day manages to convince his now-married friends to go out on one final fling, leading to some issues with their wives and friends.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language throughout, sexual content and some graphic nudity)

Devil’s Due

(20th Century Fox) Allison Miller, Zach Gilford, Sam Anderson, Catherine Kresge. A newlywed couple discovers that they are pregnant a bit earlier than anticipated. Still, it is welcome news but as time passes and the due date becomes closer, the wife’s personality begins to change and strange unexplainable things begin to occur around them. Soon the husband must face the unthinkable if he is to save his wife – and himself.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Horror

Rating: R (for language and some bloody images)

Life of a King

(Millennium) Cuba Gooding Jr., LisaGay Hamilton, Dennis Haysbert, Rachel Thomas. While doing an 18-year prison stint for bank robbery, a young con learns the game of chess. Hoping to help his neighborhood turn things around and to prevent others from going down the same tragic path he did, he founds a chess club which despite the skepticism of others both inside the neighborhood and out, does exactly what he hopes it will do.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: PG-13 (for thematic elements, some drug content and brief violent images – all involving teens)

The Nut Job

(Open Road) Starring the voices of Will Arnett, Brendan Fraser, Liam Neeson, Katherine Heigl . After accidentally destroying the park’s winter stores, a brash and independent squirrel discovers squirrel nirvana – a nearby nut store. But to get at the goodies he’s going to have to make a brilliant plan and that’s not something he or his friends are particularly good at.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for mild action and rude humor)

Ride Along

(Universal) Kevin Hart, Ice Cube, John Leguizamo, Tika Sumpter. Ben, a security officer at an Atlanta high school, longs for two things in life; to become a police officer and to marry his girl. When he is accepted to the police academy, he’s well on his way to achieving the first but the second is a little more problematic. Standing in the way is his girlfriend’s cop brother who doesn’t like Ben at all. Ben must prove himself worthy and what better way to do that than to take him on a ride-along into the worst part of the city?

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Crime Comedy

Rating: PG-13 (for sequences of strong violence, sexual content and brief strong language)  

Grown Ups 2


Adam Sandler tries to convince a mob of angry critics not to throw him and his friends over the cliff.

Adam Sandler tries to convince a mob of angry critics not to throw him and his friends over the cliff.

(2013) Alleged Comedy (Columbia) Adam Sandler, Kevin James, Chris Rock, David Spade, Salma Hayek, Maria Bello, Maya Rudolph, Nick Swardson, Steve Buscemi, Colin Quinn, Tim Meadows, Jon Lovitz, Taylor Lautner, Shaquille O’Neal, Alexander Ludwig, Georgia Engel, Peter Dante, Oliver Hudson, Allen Covert, Steve Austin, April Rose. Directed by Dennis Dugan

Growing older is not merely learning to cope with the aches, pains and infirmities that are visited upon our bodies; it is also learning to deal with our own increasing irrelevance as those who are younger are catered to and worshiped while those who were once sitting pretty in the sun are shuffled aside into the shadows. Growing old sucks.

But it doesn’t necessarily have to for Lenny Feder (Sandler). A successful career as a Hollywood agent has allowed him to move his family back to Amoskeag Lake where he grew up and where his friends Eric Lamonsoff (James) – a world class mama’s boy – Kurt McKenzie (Rock), a sharp-witted man and lady’s man gone to seed Marcus Higgins (Spade). All are family men who are feeling a little bit of middle age envy as their responsibilities as husband and parents have forced them to put aside the fun and games of their younger days.

Lenny’s restlessness increases as the last day of school coincides with the anniversary of Kurt and Deanne (Rudolph) which Kurt wants to celebrate with a big party at Lenny’s house, much to the surprise of Lenny’s wife Roxanne (Hayek) who although not consulted is all for an 80s-themed shindig.

But there’s a hell of a lot going on. When Lenny and his bro’s head on over to the quarry that they swam in as young men, they find it infested with the college kids who are none too happy to find mere townies invading what is their space. Particularly put out is Andy (an uncredited Lautner), leader of a bunch of preppy frat rats who bump chests, give weird intricate handshakes and spout off things like “Yeah, that just happened” and “Boo-yah!” ESPN couldn’t pay enough for the free advertising.

Now the Hideous Preppy Frat Villains are out looking to crash Lenny’s party and put a beat-down on him and his 2OldCrew. Lenny’s high school nemesis, Tommy Cavanaugh (Austin) who terrorized him back in the day, is the boyfriend of Lenny’s daughter ‘s hot dance teacher (Rose) and continues to frighten Lenny even now, a trait which he’s passed on to his son.

All of the buddies are basically dealing with mid-life issues from Marcus’ attempts to bond with  switchblade-wielding son he never knew he had to Lenny’s feeling that he’s missing out on things because he spends so much time doing the “right” things. Can they resolve them, show the frat kids who’s boss and throw one hell of a party?

I have to admit that I didn’t mind the first Grown Ups so much. It had some laughs and some real moments in which the talented comics (which also included Rob Schneider who wasn’t able to fit this movie into his schedule – and when Rob Schneider can’t find time to do your movie, you know there’s a problem) bonded and showed some genuine warmth. It looked like a lot of fun to make which made a second film inevitable (as did the massive box office the first film did). Sadly, I’m not looking forward to a third film, not even a little bit.

This is as bad a movie as I’ve seen this year. There’s nothing remotely funny going on here, at least other than in the trailer in which you can see all of the movie’s best moments. And as for plot, what you have here is a series gags strung together without rhyme or reason. It’s very much throwing whatever you can find against the wall and hoping it sticks and ladies and gents, moose piss sticks to any wall just fine.

This is a real waste of talent and time. I wish it were different but I had more fun glancing at Da Queen and shaking my head than I did watching the goings on onscreen. I can’t put it any more plainly – this is the very worst movie you’ll see this year.

REASONS TO GO: Because you missed the movie’s trailer where all the best moments can be found.

REASONS TO STAY: It’s. Not. Funny.

FAMILY VALUES:  Quite a bit of crude and sexually suggestive language and some male butt shots.

TRIVIAL PURSUIT: This is Adam Sandler’s first sequel.

CRITICAL MASS: As of 7/23/13: Rotten Tomatoes: 7% positive reviews. Metacritic: 19/100; critics hated this and for once I can scarcely blame them.

COMPARISON SHOPPING: I Love You, Beth Cooper

FINAL RATING: 2/10

NEXT: Pacific Rim

New Releases for the Week of January 11, 2013


Zero Dark Thirty

ZERO DARK THIRTY

(Columbia) Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong, Kyle Chandler, Edgar Ramirez, Reda Kateb, Harold Perrineau. Directed by Kathryn Bigelow

The hunt for Osama bin Laden was the most widespread, greatest manhunt in history, lasting a full ten years and two Presidential administrations. In between the mastermind of the deadliest terrorist attack on U.S. soil managed to evade the richest and most well-trained intelligence agency in the world. This is about how they caught a man who some thought was uncatchable.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: R (for strong violence including brutal disturbing images, and for language)

Gangster Squad

(Warner Brothers) Sean Penn, Josh Brolin, Ryan Gosling, Emma Stone. In the post-war mean streets of Los Angeles, the world belonged to mobster Mickey Cohen. An East Coast gangster, he was the de facto ruler of L.A., and had his tentacles so enmeshed in the Los Angeles Police Department that nothing could be done to root him out. It would take a small squad of hard men, willing to forego the law in order to uphold the law, to beat Cohen.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Gangster Crime Drama

Rating: R (for strong violence and language)

A Haunted House

(Open Road) Marlon Wayans, Nick Swardson, David Koechner, Cedric the Entertainer. A young couple moving into a new home have unexplained goings on captured by the husband’s video camera. Sound familiar? No, it’s not that movie. It’s a spoof of that movie…

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Spoof

Rating: R (for crude and sexual content, language and some drug use)

Naayak

(Praneeth Media) Ram Charan Teja, Kajal Agarwal, Amala Paul, Fish Venkat. A young boy must learn to fight hard in order to fulfill his brother-in-law’s ambition.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR