Spider-Man: Into the Spider-Verse


A gathering of Spiders.

(2018) Animated Feature (Columbia) Starring the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld, Lily Tomlin, Mahershala Ali, Brian Tyree Henry, Luna Lauren Velez, Zoe Kravitz, John Mulaney, Kimiko Glenn, Nicolas Cage, Kathryn Hahn, Liev Schreiber, Chris Pine, Natalie Morales, Oscar Isaac, Jorma Taccone, Lake Bell. Directed by Bob Perischetti, Peter Ramsey and Rodney Rothman

Spider-Man has been perhaps the most popular character in the history of Marvel Comics. So much so that the hero has progressed beyond Peter Parker; there are a number of iterations of the character in the comics; some serious, some not.

Miles Morales (Moore) is one of those characters. A young, African-American/Hispanic teen, he likes hanging out with his Uncle Aaron (Ali), and less so with his cop father (Henry). He’s a very smart kid, but not so interested in school and a little on the timid side. When he’s bitten by a radioactive spider, he gets the powers of Spider-Man. He relies on the comic books to kind of guide him through.

But then the Kingpin (Schreiber), a corpulent villain, opens up gateways to a multitude of parallel universes, threatening all of them. Spider-men from all around the multiverse begin to flood in, including a tired and nearly broken Peter Parker (Johnson), an iteration in which Gwen Stacy (Steinfeld) becomes Spider-Gwen, a black and white character from the 30s called Spider-Noir (Cage), a porcine cartoon pig named Spider-Ham (Mulaney) and a sprightly teen from the future named Peni Parker (Glenn). Together they will have to face down against the Kingpin and his scientific advisor Doc Octopus (Hahn) if they are to save the multi-verse.

Visually, this is a striking film that is meant to look more like a comic book than conventional animated features. It is certainly meant to appeal to Spider-Fans, with lots of little in-jokes and Easter Eggs for those who follow the character in the comics, but even for those unfamiliar with the various Spider-Man characters, there is some clever dialogue to keep the story moving, even though at just a hair under two hours long it might be too much for the attention-challenged. Still, this was the Oscar winner for Best Animated Feature at the 2019 Academy Awards and quite honestly, it deserved to be.

REASONS TO SEE: Wonderful animation. Plenty of Easter Eggs for fans. Clever dialogue.
REASONS TO AVOID: A bit too long.
FAMILY VALUES: There is some cartoon violence, mild profanity and thematic material.
TRIVIAL PURSUIT: Both Steve Ditko and Stan Lee, the original creators of the Spider-Man comic, passed away during production of the film.
BEYOND THE THEATERS: Amazon AMC On Demand, AppleTV, Fandango Now, FlixFling, Google Play, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 5/12/20: Rotten Tomatoes: 97% positive reviews, Metacritic: 87/100
COMPARISON SHOPPING: The Incredibles
FINAL RATING: 8.5/10
NEXT:
Hope Gap

New Releases for the Week of January 17, 2020


DOLITTLE

(Universal) Robert Downey Jr., Michael Sheen, Antonio Banderas, Jim Broadbent, Jessie Buckley, Harry Collett, Emma Thompson (voice), Rami Malek (voice). Directed by Stephen Gaghan

The beloved series of children’s stories gets a modern retelling as the Victorian-era veterinarian and physician Dr. John Dolittle, who much prefers the company of animals to humans, races against time to save a gravely ill little girl, voyaging to a mysterious remote island in search of a cure. Did I mention he can talk to the animals?

See the trailer here
For more on the movie this is the website
Genre: Fantasy/Family
Now Playing: Wide Release
Rating: PG (for some action, rude humor and brief language)

Bad Boys for Life

(Columbia) Will Smith, Martin Lawrence, Vanessa Hudgens, Joe Pantoliano. Bad boy detectives Lowrey and Burnett go for one last ride on the mean streets of Miami to take on a well-heeled and ludicrously armed villain who is out to blow away the both of them. Wha’cha gonna do?

See the trailer here
For more on the movie this is the website  
Genre: Action
Now Playing: Wide Release
Rating: R (for strong bloody violence, language throughout, sexual references, and brief drug use)
 

Color Out of Space

(RLJE) Nicolas Cage, Joely Richardson, Madeleine Arthur, Brendan Meyer. When a meteorite lands in a small New England town, it brings with it an extraterrestrial organism that infects the minds and bodies of the inhabitants. Based on a classic H.P. Lovecraft story.

See the trailer here
For more on the movie this is the website  
Genre: Sci-Fi Horror
Now Playing: Enzian Theater (Wednesday Only)
Rating: NR

The Song of Names

(Sony Classics) Tim Roth, Clive Owen, Catherine McCormack, Jonah Hauer King. As Europe prepares to erupt into World War II, a prodigal violinist disappears without a trace on the eve of his debut concert performance. His adopted brother spends his life trying to track him down and discover why he fled so abruptly.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for some strong language, brief sexual material, thematic elements and smoking)

Weathering with You

(GKIDS) Starring the voices of Kotaro Daigo, Nana Mori, Tsubasa Honda, Sakura Kiryu. A young runaway surviving (barely) on the streets of Tokyo meets a young girl who can seemingly control the weather.

See the trailer here
For more on the movie this is the website  
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG-13 (for suggestive material, some violence and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Anjaam Pathira
Entha Manchivaadavuraa
Intrigo: Death of an Author
Miracle in Cell No. 7
Pattas

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Anjaam Pathira
Big Brother
Disturbing the Peace
Entha ManchivaadavuraaNana Mori
Host
Intrigo: Death of an Author
Invisible Life
Miracle in Cell No. 7
My Hindu Friend
Pattas

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Ashfall
Entha Manchivaadavuraa
Pattas

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

63 Up
Entha Manchivaadavuraa

SCHEDULED FOR REVIEW:

Bad Boys for Life
Color Out of Space
Dolittle
Weathering For You

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Miami Jewish Film Festival, Miami Beach, FL
Palm Beach Jewish Film Festival, West Palm Beach, FL
Saint Augustine Film Festival, St. Augustine, FL
Sunshine City Film Festival, St. Petersburg, FL

Grand Isle


Nicolas Cage, after reading the script to his next movie.

(2019) Thriller (Screen MediaNicolas Cage, Luke Benward, KaDee Strickland, Kelsey Grammer, Beatrice Hernandez, Emily Marie Palmer, Zulay Henao, Duncan Casey, Oliver Trevena, Haley Milsap, Isabella Grace Roark. Directed by Stephen Campanelli

 

Nobody freaks out in the movies better than Nicolas Cage and I mean that as a compliment. Sure, Conan O’Brien once suggested the Department of Homeland Security use clips from his films to demarcate the various terrorist threat levels (not a bad idea, actually) but nonetheless Cage knows how to lose his shit onscreen better than anybody.

In this film he plays Walter, a Vietnam vet slowly drinking himself to death in a small Southern town. It’s one of those delta locales where the steam seems to rise from the skin and even the flies find it too humid to buzz. Campanelli does a good job of establishing the locale (you can almost smell the sweat) although his actors for the most part overdo the Southern accent.

Walter hires a fellow vet (albeit much younger) named Buddy (Benward) to fix a section of picket fence just as a hurricane is arriving in town. As Buddy’s long-suffering wife Fancy (Strickland) observes, it takes some kind of idiot to repair a fence before a hurricane but I suppose it makes sense to the bourbon-soused.

Buddy has been chronically unemployed, putting massive strain on his relationship with his wife Lisa (Palmer) who is coping not only with Buddy’s lack of income but with the health problems of their infant daughter as well. It goes without saying that he’s happy to take any sort of work, even if the job makes him feel uneasy. Much of that uneasiness stems from Fancy (Strickland), the oversexed wife of Walter.  Her husband is, shall we say, less than a stellar performer in the bedroom and she’s plenty frustrated over it.

Of course, Buddy gets caught in the hurricane and is forced to hunker down with Walter and Fancy. And of course, the tension between the three starts to edge over the boiling point. And of course, Walter and Fancy are hiding a dirty secret in that basement which has been locked in such a way as to guarantee curiosity if not outright suspicion.

There are elements of both Southern Gothic and film noir, two genres that usually compliment each other well and to be fair to the filmmakers they manage to strike a fine balance here. However, there is also a lot of disquieting elements to the film. For starters, the actors chew the scenery with so much gusto one would question whether or not they had just been liberated from a prison camp.

Cage is usually the actor I look to when it comes to commanding attention, but he’s much more low-key than usual here which I suppose has to do with the southern demeanor. Naturally, it came as a bit of a surprise that it was Strickland who really made an impression on me, in this case as a Southern femme fatale. She is as seductive as a siren, as acerbic as a pundit and as merciless as a snake.

The script kind of falls apart in the last third. The clichés and tropes begin to pile up and all plausibility goes right out the window. The saving grace here is the entertainment factor; if you don’t think about this one too much you might find yourself enjoying it in spite of itself.

This is the sixth film starring Cage to be released in 2019 (with at least four more scheduled for 2020), almost all of them action thrillers and none of them released wide. Not a great standard for an Oscar-winning actor but hey, you take work where you can get it.

REASONS TO SEE: Southern gothic meets film noir.
REASONS TO AVOID: Southern-fried clichés.
FAMILY VALUES: There is violence, profanity and some sexual situations
TRIVIAL PURSUIT: Although Walter is supposed to be an ex-Marine, the uniform he wears in the penultimate scene carries Army insignias and medals.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 12/13/19: Rotten Tomatoes: 0% positive reviews: Metacritic: 29/100
COMPARISON SHOPPING: Key Largo
FINAL RATING: 5.5/10
NEXT:
Noelle

Becoming Iconic: Jonathan Baker


Jonathan Baker, meet Jonathan Baker.

(2018) Documentary (Random)  Jonathan Baker, Jodie Foster, Taylor Hackford, Faye Dunaway, Nicolas Cage, Adrian Lyne, John Badham. Directed by Neal Thibedeau

 

It goes without saying that it takes a certain amount of ego to be a successful Hollywood motion picture director. You need that ego to maintain focus on your vision and refuse to let compromise and collaboration dilute it or divert it. Without that ego, a director’s crew, his/her actors and financial backers will walk all over them like a linoleum runner on your mom’s best carpet.

Jonathan Baker is nothing if not ambitious. Not only does he want to direct movies, he wants to be really good at it – Oscar-winning good, name above the title good. He was getting ready to direct his first feature film – a suspense film from Lionsgate called Inconceivable with a stellar cast including Nicolas Cage, Faye Dunaway and Gina Gershon. Baker wisely figured out that he could avoid a lot of pitfalls by talking to other directors and finding out what their experiences were on their first films – and what advice they had for an aspiring director.

The interviews with such luminaries as Foster (Little Man Tate), Badham (Blue Thunder), Hackford (Ray) and Lyne (Fatal Attraction) are actually mega-informative and have some good advice for those who want to direct movies as a career – in fact much of their advice can be applied to leadership roles in other fields as well.

Baker is clearly passionate about film and filmmaking and I have no doubt that he wanted to make the best film he could. He talks about the interference and lack of faith from the studio, the bond holders and even his own crew. Often he felt that it was “me versus them alone on an island,” a comparison he uses more than once. Overcoming these sorts of hurtles and completing his film was a Herculean effort that is worth respecting.

But Baker is also extremely full of himself. Some might remember him from The Amazing Race 6 which he ran with his then-wife Victoria Fuller and became one of the most hated contestants in the history of the show, allegedly shoving his wife to the ground in anger after losing a foot race to the rest stop for one of the legs in Paris. While Baker maintained that he would never hit his wife (and the tape is inconclusive as to whether she lost her footing or if he shoved her), he certainly verbally abused her throughout the race. He seems a lot calmer now.

Getting back to the present, Baker drops names incessantly, particularly that of Warren Beatty whom he characterizes as his mentor – not once but at least a good half a dozen times during the film. He also mentions that he owns Beatty’s first house, which he claims that the legendary actor/director wouldn’t have sold to just anybody. We’ll just have to take your word on that one, Mr. Baker.

So much of the movie we’re made to watch Baker walking down streets, walking in parks, sitting in an editing bay…at times it is difficult to figure out whether this is meant to be an instructional documentary or a biographical one, omitting his stint on The Amazing Race which brought him notoriety and fame enough that likely opened a few doors for him.

Baker’s advice often comes off as a means of pumping himself up, to illustrate that he had the inner strength and purity of vision to withstand all of the obstacles and in honesty those obstacles were considerable. When he concentrates on the other directors and their experiences – even on his own experiences – the movie is at its best. When we hear the actors on his single feature film describe what it’s like to work with the Iconic (eventually) Jonathan Baker, or hear Baker talking about how talented and strong in character he is, well, it comes off more like a love letter to himself.

Director Neal Thibedeau doesn’t do himself any favors by inserting as many random issues that are sometimes only tangentially related to what’s being discussed onscreen as possible. He also managed to get a soundtrack which sounds like it belongs on a 1980s action film, preferably one based on G.I. Joe. The two elements together take a movie that needs all the help it can get and lets it drown in shallow water.

Not to discount Baker’s accomplishment in getting his film made, but it should be noted that Inconceivable carries with it a Rotten Tomatoes score of 31, not a number that speaks of a natural talent immediately making waves. Baker has a considerable distance to go before becoming iconic – even some of the directors interviewed here are experienced rather than iconic. That’s not to say that Baker one day won’t make amazing, insightful award-worthy films but in the meantime it might serve him well to remember that along with a healthy ego a good director needs humility as well.

REASONS TO GO: Hearing some of the stories by the likes of Foster, Hackford, Lyne and Badham is invaluable particularly to budding filmmakers but also budding leaders of other fields as well.
REASONS TO STAY: The name-dropping and self-promotion wears one down. This may come off a little bit as “Movie Directing 101” for first year film students. There are a lot of visual non-sequiturs and the soundtrack is inappropriate.
FAMILY VALUES: There is some mild profanity.
TRIVIAL PURSUIT: As of this writing Baker is in pre-production on his second feature film.
BEYOND THE THEATERS: Amazon, iTunes
CRITICAL MASS: As of 12/17/18: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: The Kid Stays in the Picture
FINAL RATING: 3/10
NEXT:
Islam and the Future of Tolerance

New Releases for the Week of December 14, 2018


SPIDER-MAN: INTO THE SPIDERVERSE

(Columbia) Starring the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Lily Tomlin, Nicolas Cage, Zoë Kravitz, Liev Schreiber. Directed by Bob Perischetti, Peter Ramsey and Rodney Rothman

Brooklyn teen Miles Morales is the Spider-Man of his dimension. He’s new to the job but shows a lot of promise. However, a threat to all of reality brings different Spideys from a variety of dimensions to face down the threat in this first feature-length animated film from Marvel to hit theaters.

See the trailer, clips, interviews and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for frenetic sequences of animated action violence, thematic elements, and mild language)

Mortal Engines

(Universal) Hugo Weaving, Hera Hilmar, Robert Sheehan, Jihae. Based on a series of young adult books, this introductory film to what Universal hopes will be a major franchise for them picks up after a cataclysmic event has decimated the Earth. Cities have become mobile, scavenging for dwindling resources and London is the most predatory of all of them. A mysterious girl whose memory of her mother may unlock the key to her survival, joins forces with a dangerous outlaw, a defector from London and a brave young man to stop the ambitions of the mad Thaddeus Valentine.

See the trailer, clips, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, Dolby, IMAX, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of futuristic violence and action)

The Mule

(Warner Brothers) Clint Eastwood, Laurence Fishburne, Michael Peña, Dianne Wiest. An old man, broke and alone and facing nearly insurmountable financial problems, takes a job driving a load of cargo. What he doesn’t know is that he’s inadvertently become a mule for a vicious Mexican cartel. He does so well that he gets more and bigger cargoes until he finds himself on the radar of the DEA.. He must also face the mistakes of his past before his present deeds catch up to him.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language throughout and brief sexuality/nudity)

Once Upon a Deadpool

(20th Century Fox) Ryan Reynolds, Josh Brolin, Morena Baccarin, Fred Savage. Essentially, this is Deadpool 2 re-cut to a PG-13 version with all the naughty bits edited out and some new footage edited in.

See the trailer and stuff (mostly for Deadpool 2) here
For more on the movie this is the website

Release Formats: Standard
Genre: Superhero Comedy
Now Playing: Wide Release (Kinda)

Rating: PG-13 (for intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material)

Vox Lux

(NEON) Natalie Portman, Jude Law, Willem Dafoe (voice), Jennifer Ehle. America at the beginning of the 21st century is seen through the eyes of a jaded pop star. This festival favorite is just now making its way into local theaters – with a whole lot of buzz over Portman’s performance.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language, some strong violence, and drug content)

ALSO OPENING IN ORLANDO/DAYTONA:

Antidote
Backtrace
DriverX
ROMA

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Anna and the Apocalypse
Backtrace
Becoming Astrid
Natacha
Odiyan
ROMA
Shoplifters

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hushaaru
Odiyan

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Burning
Hushaaru
Odiyan
ROMA
Science Fair

SCHEDULED FOR REVIEW:

DriverX
Mortal Engine
The Mule
ROMA
Spider-Man: Into the Spiderverse
Vox Lux

Mandy (2018)


Nic Cage is never happier than when he’s driving a car while drenched in fake blood.

(2018) Horror (RLJE) Nicolas Cage, Andrea Riseborough, Linus Roache, Ned Dennehy, Olwen Fouéré, Richard Brake, Bill Duke, Line Pillet, Clément Baronnet, Alexis Julemont, Stephen Fraser, Ivalyio Dimitrov, Kalin Kerin, Tamás Hagyuó, Madd’yz Dog Lollyta, Corfu, Paul Painter (voice), Hayley Saywell. Directed by Panos Cosmatos

 

Nic Cage has, in this stage of his career, carved out a reputation as having the best freak-out in the business. Perhaps not what he had in mind back when he was considered one of the finest actors in the business for serious works like Leaving Las Vegas and Peggy Sue Got Married but it’s always good to be good at something.

Here he plays Red Miller, a taciturn lumberjack living in the Pacific Northwest woods of the Shadow Mountains circa 1983 with his hippie chick girlfriend Mandy (Riseborough) who makes a living doing illustrations for fantasy and science fiction-themed album covers. She’s a bit of an aging waif with anime eyes who brings in a little extra cash working as a cashier at a local gas station/grocery. Walking home, she is espied by Jeremiah Sand (Roache) who decides that this is the woman from him. He sends Brother Swan (Dennehy) to see that she sees the light.

Using an odd instrument called the Abraxas Horn Swan summons a group of demonic bikers who use a sort of liquid extreme LSD to get themselves in the mood for violence. They break in to the rustic cabin of Red and Mandy and restrain Red in a kind of barbed wire manacle. Mandy is brought to Jeremiah who makes an art form of tooting his own horn. His attempts at seduction don’t get him the results he wanted so in a fit of Trump-like pique he decides to teach the couple a lesson.

The results aren’t pretty. Mandy meets a grisly end witnessed by her boyfriend who is stabbed and left for dead. As you can imagine, this doesn’t sit well with Red and he goes about collecting himself an arsenal and then going on a little ass-kicking expedition and you know it won’t end until every mutha who messed with his girl exsanguinates all over his face.

For those who, like me, love Conan O’Brien’s Nicolas Cage threat level gauge, he delivers one here that is sure to be Defcon One the next time O’Brien puts one together. Through the first half of the film Cage is fairly quiet but once Mandy is taken from him he goes full-on Nicolas Cage and that can be highly entertaining.

Director Panos Cosmatos isn’t above ratcheting up the crazy, using a good deal of psychedelic footage and LSD-inspired footage melds that with a largely electronic and almost progressive metal score from the late Oscar-nominated Icelandic composer Jóhann Jóhannson that really captures the heart of the film. Any movie that starts out with King Crimson’s criminally underappreciated “Starless” is a friend of mine.

Riseborough is not your usual lead here; oddly, Jeremiah seems to treat her as a younger woman but she’s clearly middle aged. I guess it’s in the eye of the beholder but her character’s new age babble is a little bit distracting. What isn’t distracting is the final half of the film which is essentially one long action sequence with all sorts of gory violence which is bound to bring a contented smile to most horror fans.

This is not your typical horror movie; there are some themes of love and violence, obsession and ego. There are some animated scenes that are sort of like a Roger Dean album cover come to life. So it’s very much a situation of the 70s have called and they want their horror film back. This isn’t a movie from that era (even though it’s set in ’83) but it captures the spirit of psycho horror films of that era nicely.

REASONS TO GO: Cage is at his most ludicrously demented which is saying something. The action sequences are bizarre but in a good way.
REASONS TO STAY: The movie does take a little while to get going.
FAMILY VALUES: Deep breath now; there’s gore and violence (some of it extreme), the full Monty, copious drug use, profanity and likely lots of mean thoughts.
TRIVIAL PURSUIT: Roache and Brake both previously worked together in Batman Begins in which Roache played Thomas Wayne and Brake played Joe Chill, who murdered him.
BEYOND THE THEATERS:  Amazon, Fandango Now, Google Play, Vudu, YouTube
CRITICAL MASS: As of 10/8/18: Rotten Tomatoes: 94% positive reviews. Metacritic: 82/100.
COMPARISON SHOPPING: Drive Angry
FINAL RATING: 7.5/10
NEXT:
Bill Coors: The Will to Live

New Releases for the Week of October 5, 2018


VENOM

(Columbia/Marvel) Tom Hardy, Michelle Williams, Woody Harrelson, Jenny Slate, Riz Ahmed, Michelle Lee, Sope Aluko, Reid Scott, Mac Brandt, Melora Walters. Directed by Ruben Fleischer

Investigative reporter Eddie Brock tries to redeem himself following a scandal following a government experiment involving an alien symbiotic lifeform but accidentally becomes infected by the symbiote. He becomes Venom, a violent and often malevolent entity who has his own agenda but with a shadowy organization with nefarious ambitions of the own trying to develop their own version, the alien and the reporter realize their interests intersect.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, DBOX, DBOX 3D, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for language)

A Star is Born

(Warner Brothers) Bradley Cooper, Lady Gaga, Sam Elliott, Dave Chappelle. The latest version of a timeless classic finds a grizzled musician with a rosier past than future falling for a young woman who has given up on her dream of stardom. He coaxes her into the spotlight and her career immediately takes off but the higher she soars, the more strain on their relationship is placed particularly since he has a substance abuse problem that is putting everything in jeopardy. Cooper also makes his directorial debut.

See the trailer, a video featurette and a music video here
For more on the movie this is the website

Release Formats: Standard, Dolby
Genre: Musical
Now Playing: Wide Release

Rating: R (for language throughout, some sexuality/nudity and substance abuse)

The Church

(Hard Floor) Clint Howard, Bill Moseley, Ashley C. Williams, Meghan Strange. The minister of a once vibrant and iconic Baptist church in a decaying Philadelphia neighborhood resists gentrification despite pleas from his status-seeking wife and bribes from unscrupulous developers. He is determined to preserve the legacy of his family’s ministry in the neighborhood even if he has to break a few commandments to do it!

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Disney Springs

Rating: PG-13 (for some violent content and thematic materials)

Mandy

(RLJE) Nicolas Cage, Andrea Riseborough, Linus Roache, Bill Duke. A peaceful couple living in the wilderness of the Pacific Northwest has their lives shattered by a twisted cult leader who develops an obsession with Mandy, the distaff half of the couple. Red, the male half, is forced to go on a journey of vengeance, blood, fire and rage.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: NR

Monsters and Men

(Neon) Anthony Ramos, John David Washington, Nicole Beharie, Cara Buono. A young man with a promising athletic future witnesses a police shooting, recording it on his cellphone. He has the valuable proof that will validate the assertion that it was unjustified but releasing the footage could jeopardize his future.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Regal Winter Park Village

Rating: R (for language)

Pick of the Litter

(Sundance Selects) Dana Nachman, Don Hardy Jr. This documentary follows a litter of puppies from the moment of their birth through the two years of training to be service dogs for the blind. The bar is set high and not every dog makes the cut. Both heartwarming and heartbreaking, the film provides insight as to how dogs go from unruly pups to disciplined service animals.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

Shine

(GVN) Jorge Burgos, Gilbert Saldivar, Jadi Collado, Alysia Reiner. Two salsa dancing Puerto Rican brothers in Spanish Harlem are estranged by a family tragedy. Years later they have chosen different paths; one looking for success as a real estate developer, the other devoted to preserving their old neighborhood at all costs. What’s a dancer to do…except dance?

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Urban Dance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cobb Plaza Café Cinema, Old Mill Playhouse, Regal Pointe Orlando, Regal The Loop, Regal Waterford Lakes

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Andhadhun
Bayou Caviar
Exes Baggage
Nota
Ride

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

96
A Crooked Somebody
Exes Baggage
Fats Buddies
The Hate U Give
Hello, Mrs. Money
Nota
Prathamika Shale, Kasargud, Koduge Ramanna Rai
The Sisters Brothers

ALSO OPENING IN TAMPA/ST. PETERSBURG:

96
A Crooked Somebody
Loveyatri
Loving Pablo
Nota
Pariyerum Perumal
Raatchasan
Ride
Tea With the Dames
Varathan
Viking Destiny

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

96
Andhadhun
Exes Baggage
Nota

SCHEDULED FOR REVIEW:

A Star is Born
The Church
Mandy
Pick of the Litter
Tea With the Dames
Venom

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Tampa International Gay and Lesbian Film Festival (Tampa, FL)

New Releases for the Week of July 27, 2018


MISSION: IMPOSSIBLE – FALLOUT      

(Paramount) Tom Cruise, Henry Cavill, Simon Pegg, Ving Rhames, Rebecca Ferguson, Sean Harris, Angela Bassett, Alec Baldwin, Michelle Monaghan. Directed by Christopher McQuarrie

After a mission gone bad Ethan Hunt and his IMF team must race against time to stop a fanatic from plunging the world into chaos. Just another day at the office for ol’ Ethan.

See the trailer and video featurettes here.
For more on the movie this is the website.
Release Formats: Standard, 3D, DBOX, DBOX 3D, Dolby, IMAX, IMAX 3D RPX, RPX 3D

Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for violence and intense sequences of action, and for brief strong language)

Blindspotting

(CODEBLACK) Daveed Diggs, Rafael Casal, Janina Gavankar, Ethan Embry. Out of prison on probation, a young African-American man has to re-evaluate his friendship with his volatile best friend whose antics might just land him back behind bars. To make matters worse, he has also witnessed the shooting of an unarmed black man by a white police officer.

See the trailer, clips, interviews and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Cinemark Artegon, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language throughout, some brutal violence, sexual references, and drug use)

Don’t Worry, He Won’t Get Far on Foot

(Amazon) Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black. The story of newspaper cartoonist John Callahan who after a near fatal car accident, is forced into treatment for alcohol abuse. He discovers a talent for drawing edgy and controversial cartoons that show the healing abilities of art and the triumph of the human will over adversity. This was one of this year’s Sundance Film Festival’s most acclaimed entries.

See the trailer, video featurettes and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language throughout, sexual content, some nudity and alcohol abuse)

Hot Summer Nights

(A24) Timothée Chalamet, Maika Monroe, Alex Roe, Thomas Jane. Visiting his aunt on Cape Cod one sweltering summer before he is due to head off to college, a socially awkward young man gets involved with a townie in a business of selling weed to wealthy tourists. DirecTV subscribers have already had an opportunity to view this for about a month as it gets a brief limited theatrical release.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex

Rating: R (for drug content and language throughout, sexual references, and some strong violence)

Teen Titans GO! To the Movies

(Warner Brothers) Starring the voices of Will Arnett, Kristen Bell, Nicolas Cage, Jimmy Kimmel. Five teenage superheroes dream of Hollywood stardom, a dream that is interrupted by a pesky supervillain who plans world domination. It’s tough to be a teenage superhero when NOBODY UNDERSTANDS YOU!!!!!!!!!

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for action and rude humor)

ALSO OPENING IN ORLANDO/DAYTONA:

The Catcher Was a Spy

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Damascus Cover
Eighth Grade
Happy Wedding
Junga
Larger Than Life: The Kevyn Aucoin Story
Sergio and Sergei

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Happy Wedding
Mohini

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Happy Wedding
The King

SCHEDULED FOR REVIEW:

Blindspotting
The Catcher Was a Spy
Don’t Worry, He Won’t Get Far on Foot
Larger Than Life: The Kevyn Aucoin Story
Mission: Impossible – Fallout

Mom and Dad


Nicolas Cage just wants to have a chat.

(2017) Horror Comedy (Momentum) Nicolas Cage, Selma Blair, Anne Winters, Zackary Arthur, Robert Cunningham, Olivia Crocicchia, Lance Henriksen, Marilyn Dodds Frank, Samantha Lemole, Joseph D. Reitman, Rachel Melvin, Bobby Richards, Sharon Gee, Edwin Lee Gibson, Brionne Davis, Mehmet Oz, Grant Morrison, Bokeem Woodbine, Adin Alexa Steckler, Lorena Diaz. Directed by Brian Taylor

 

Most parents, at one time or another, want to kill their children. Not literally of course; it’s just that sometimes the frustrations of parenting (particularly with teens) can give rise to a fantasy of genuine mayhem against our offspring. It isn’t something parents like to admit but it is perfectly normal for, once in awhile, for parents to absolutely hate their offspring.

From all outward appearances, the Ryan family seems to be perfectly harmonious. A poster family for suburban bliss, the family is anything but behind closed doors. Father Brent (Cage) is stressed at work and is mystified as to how to handle his two children; mother Kendall (Blair) feels underappreciated and her relationship with daughter Carly (Winters) has completely disintegrated. Carly steals money from her parents, lies to them consistently and is basically the kind of teen that whines consistently about her parents but acts like an absolute bitch to them at every turn. Finally youngest Josh (Arthur) acts out and at 10 seems to have the issues of someone much older. Oh joy, right?

Then something weird happens. All over town, parents get a sudden irresistible urge to kill their own children. Not their grandchildren, not their nieces and nephews, not the neighbor’s kids, just their own offspring. And they aren’t out to off them in humane ways; the more bloodshed and violence, the better.

Carly, knowing her young brother is in mortal danger, rushes home to keep him safe in a rare and unexpected case of actual feelings for someone other than herself, but both parents are home and the two kids have to barricade themselves in various rooms in order to survive. That’s when Brent’s parents (Henriksen, Frank) arrive for a previously planned dinner…

Nobody plays manic like Nicolas Cage plays manic. As such this is pretty much the perfect role for him; he goes from playing father of the month (definitely not of the year) to a crazed homicidal maniac often in mere seconds. Some folks give Cage a whole lot of grief about his career choices but this shouldn’t be an occasion for that. He’s clearly having fun onscreen – he has stated in interviews that this was the most fun he’s had making a movie in more than a decade – and that enjoyment shows through. This isn’t just the most fun he’s had in ten years but maybe his best performance in that time, although there are a couple that give him a run for his money such as his 2013 drama Joe.

Most of the rest of the cast can’t stand up to Hurricane Cage although Blair gives a magnificent effort. Winters plays Carly a bit too well – she’s such a nightmare at the start of the movie that one actively roots for some kind of strange virus that will compel her parents to kill her horribly…oh, good. That makes it harder to buy her abrupt personality change once the carnage begins.

However, the real star here is Taylor, who along with sometime partner Mark Neveldine delivered the Crank films. Like those action comedies, the pacing is breakneck – at least once the mayhem starts – and the mayhem is cleverly done. Some might find it a little bit gruesome and more than a few will be completely affronted by the subject matter.

If you take it in the spirit in which it’s meant, Mom and Dad is an exceptionally entertaining film despite its blackest of black humor. There are some issues with the writing – a lot of the scenes seem disconnected from one another rather than flowing harmoniously as a story. Taylor also uses a fade to black with such regularity that it becomes completely annoying. However, these are mainly minor little faults  in what is a thoroughly enjoyable parental fantasy that may allow parents having a difficult time with their progeny to blow off some much-needed steam.

REASONS TO GO: Cage is at his twitchy best. The gore and violence have a great sense of black comedy. There’s no rhyme or reason to this but there doesn’t need to be. The film starts a bit slowly but once it gets going the pacing is non-stop.
REASONS TO STAY: Carly is such a nightmare teen you hope she gets horribly murdered. The scenes seem to be disconnected from each other.
FAMILY VALUES: There is a ton of violence, some of it extreme; there’s also plenty of profanity, some sexuality and drug content involving teens.
TRIVIAL PURSUIT: The movie was filmed largely in Louisville, Kentucky.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 3/718: Rotten Tomatoes: 74% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: The Crazies
FINAL RATING: 7.5/10
NEXT:
Get Me Roger Stone

New Releases for the Week of November 11, 2016


MoonlightMOONLIGHT

(A24) Mahershala Ali, Naomie Harris, André Holland, Trevante Rhodes, Jharrel Jerome, Edson Jean, Janelle Monáe, Ashton Sanders, Jaden PinerDirected by Barry Jenkins

This highly acclaimed film focuses on a young African-American man at three different points in his life, his experiences with love and connection and how he handles his oncoming sexuality. The movie won a huge buzz at this year’s Toronto Film Festival and has been getting some legitimate Oscar buzz.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for some sexuality, drug use, brief violence and language throughout)

Almost Christmas

(Universal) Danny Glover, Gabrielle Union, Omar Epps, Mo’nique. The patriarch of an extended family is about to gather his family together for their first holiday season without their mother. His family is on the dysfunctional side and all he wants for Christmas is for them all to just get along for once. However if this family can pull itself together without tearing itself apart it would be a kind of Christmas miracle.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Holiday Comedy
Now Playing: Wide Release

Rating: PG-13 (for suggestive material, drug content and language)

Arrival

(Paramount) Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg. When ginormous spacecraft land on sites throughout the globe, a team of world-class scientists – including an expert linguist – are assembled to make contact with the aliens inside the craft. However, with the world teetering on the brink of global war, the linguist will take a chance to find the answers that might just keep humanity from destroying itself.

See the trailer, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Come and Find Me

(Saban/Lionsgate) Aaron Paul, Annabelle Wallis, Garret Dillahunt, Zachary Knighton. An idyllic romance comes to a baffling halt when David’s girlfriend disappears without a trace. Frantic, he goes out searching for her, finding her trail to be increasingly perilous. Realizing that he didn’t know his girlfriend at all, he reaches a point where if he’s going to see her alive again, he’s going to have to take an enormous risk…but is she worth it?

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks

Rating: R (for language and some violence)

Dog Eat Dog

(RLJ Entertainment) Nicolas Cage, Willem Dafoe, Christopher Matthew Cook, Louisa Krause. Based on the book by Eddie Bunker and directed by Paul Schrader, this movie follows a trio of ex-cons trying to eke out an existence in the underbelly of Los Angeles. They are hired by a Cleveland mobster to kidnap the baby of a rival. When they botch the kidnapping, they find themselves on the run from both the mobsters and the cops, vowing at every turn that they aren’t going back to jail.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Don’t Look Down

(Gravitas) Richard Branson, Eve Branson, Per Lindstrand, Mike Kendrick. Richard Branson is best-known as a billionaire who founded Virgin Records and later, Virgin Airlines. He is also a long-time hot air balloon enthusiast who has made his life goal to break world records on that front. This documentary follows his attempts to do just that.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Shut In

(EuropaCorp/Relativity) Naomi Watts, Oliver Platt, Charlie Heaton, Jacob Tremblay. A widowed child psychologist cares for her comatose son and a troubled young boy. When the patient turns up missing, the psychologist blames herself for his disappearance but soon begins to believe that his ghost is haunting her and her son. When a vicious storm traps her in her house, she must find a way to defend herself and her defenseless son from something she can’t explain.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for terror and some violence/bloody images, nudity, thematic elements and brief strong language)