(2020) Sci-Fi Horror (IFC Midnight) Julia Sarah Stone, Landon Liboiron, Carlee Ryski, Christopher Heatherington, Tedra Rogers, Brandon DeWyn, John Tasker, Austin Baker, Shane Ghostkeeper, Christopher Thomas, Caroline Buzanko, Orin McCusker, Tyler Dreger, Karen Johnson-Diamond, Tiffany Helm, Maria Renae, Millie Jayne, Alex Cherovsky, Michelle Rios, Pamela Parker. Directed by Anthony Scott Burns
Dreams serve a therapeutic purpose, allowing the demons of our subconscious to stretch their metaphysical legs, as it were. Nightmares, though, are mostly just unpleasant and while they serve their own purpose, I think it’s safe to say that most of us would rather do without them. Nightmares are a pain in the ass; for some, however, they take over, become obsessions and perhaps imperil our sanity – and perhaps our lives.
18-year-old Canadian high school graduate Sarah Dunne (Stone) is one such. Every night she finds a different place to sleep – a friend’s house, the playground at her local park and so on. She is subject to sleep paralysis and vivid, terrifying dreams that have begun to take over her life. She has had a falling out with her mom and generally avoids her, stopping by her home only to shower and grab a change of clothes.
When she is given a flyer advertising a sleep study, she’s intrigued. A safe place to sleep where she will be monitored, where she’ll be paid and best of all, perhaps a cure for her affliction can be found. It’s a win-win-win situation. But right away, she senses that there is something not quite aboveboard in the study. The man running it, Dr. Meyer (Heatherington) seems to be way creepier than she would like, and the questions his assistant Anita (Ryski) asks following her night’s sleep are invasive and troubling. Worse yet, there is creepy nerd Jeremy (Liboiron) who may or may not be stalking her nd who may or may not be willing to tell her the dirty little secret behind this particular sleep study.
But things take a lurching turn for the worse when it begins to feel like Sarah’s waking life and dream life are beginning to merge, with frightening consequences.
Burns, in his second feature film, has some really promising ideas here, which sadly don’t quite add up to a completely satisfying film. The moody dream sequences are seriously underlit, which while atmospheric also makes it hard to figure out what’s going on at times which gets frustrating when repeated several times throughout the film. He also has a good sense of style; the movie becomes more dream-like the longer it goes on until he climax which is, sadly, a bit unsatisfying.
Stone has a kind of fresh-faced appeal and while her character is made to assert her over-18 status a bit too much – probably to make her romance with an older man a little less cringe-inducing – she still comes off as a strong, charismatic lead. Some of the imagery here is truly frightening and isn’t something you will want to watch just before bedtime. There is also a bit more technobabble than I generally like – that’s more of a personal preference – and Sarah’s angst which seems to stem from a rift with her mom which is never explained can get tiresome to people who don’t really care what the latest social media app has to offer.
That’s not to say there isn’t anything worthwhile here. Burns has an original voice and some decent instincts, but I get the sense that he isn’t quite adept at making that voice audible just yet. I’m hoping that he’ll continue to develop his talents because there’s definitely a sense that he’s got something special inside him that one day is going to flower and blow us all away. While this isn’t the film that’s going to do that, it certainly has enough positives that you might want to check it out or at least keep an eye out for his future endeavors.
REASONS TO SEE: Fascinating concept. Dream-like presentation.
REASONS TO AVOID: Execution is lacking. Too much technobabble and teen angst.
FAMILY VALUES: There is profanity, terrifying imagery and some scenes of sexuality.
TRIVIAL PURSUIT: This is Burns’ second feature film after Our House (2018).
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Google Play, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 3/15/2021: Rotten Tomatoes: 90% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: Dreamscape
FINAL RATING: 6.5/10
NEXT: Test Pattern