The Eagle


The Eagle

Tahar Rahim checks to make sure Channing Tatum isn't carved of wood as Jamie Bell looks on indistinctly.

(2011) Swords and Sandals (Focus) Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong, Denis O’Hare, Lukacs Bicskey, Dakin Matthews, Tahar Rahim, Pip Carter, Simon Paisley Day, Aladar Lakloth, Thomas Henry, Ned Dennehy. Directed by Kevin Macdonald

It is said that in 117 A.D., the Ninth Legion of Rome marched into the wilds of Caledonia on a mission to expand the Empire. They were never seen again, nor was their standard, a golden Eagle that represents Imperial Rome.

It is 20 years later and the son of the commander of that ill-fated expedition, Marcus Flavius Aquila (Tatum) has requesting a posting for his first command in Briton. His identity doesn’t sit well with the men but they follow him resolutely like good Romans, particularly his second-in-command Lutorius (O’Hare). When Marcus seemingly uses psychic powers to detect a raid on the outpost and saves the men from annihilation, he gets the admiration of his men. When he is severely injured in the melee, he is given a commendation. He is also discharged from the army.

He recovers at the villa of his Uncle Aquila (Sutherland), who regales him with stories of his father. While recuperating, he attends some gladiatorial games and witnesses the bravery of a slave sent out to fight a gladiator. When the slave Esca (Bell) refuses to fight, Marcus is impressed and urges the mob to spare him which they do. As a reward, Aquila buys the slave for Marcus. 

When word reaches them that the Eagle of the Ninth has been sighted in Caledonia (modern day Scotland), Marcus decides to go – not with an army behind him, but just him and the slave who has said that he hates all Romans, including Marcus. There they will go where no Roman dares go – master and slave, neither one trusting the other. Together they will find the truth of the fate of the Ninth – and restore the family name of Aquila, or die in the attempt. 

Kevin Macdonald has directed Oscar nominees (The Last King of Scotland) and Oscar winners (One Day in September). This will be neither. What it turns out to be is an old-fashioned action adventure film with a nice historical perspective – it is rumored that the Ninth Legion disappeared around that time, although there are some facts that dispute it.  There is a minimum of CGI and no cast of thousands here. Most of the battle scenes take place amidst a very few soldiers, and we get no sense of vast numbers here. All this makes for a fairly intimate setting as epics go.

Tatum is not known to be among Hollywood’s most revered actors, although he has shown some promise in films like Stop/Loss. Too often he gets cast as the hunky action hero and that appears to be more or less his speed, at least as far as Hollywood’s concerned; something tells me he has a lot more to offer, given the right role. Here he does the strong silent type, although he seems to be trying to affect an English accent which slips in and out somewhat unfortunately. It’s distracting and I would have preferred he retain his American accent had I been directing.  

The master-slave relationship is at the crux of the movie, and fortunately Bell and Tatum make a good team. Bell is another young British actor who I foresee good things happening from in the near future; while this movie isn’t likely to catapult his career forward, at least it isn’t setting it back either. His performance is strong and competent.

Also of note is Rahim as the leader of the Seal People, a tribe of Celts in northern Caledonia. Some might remember him from A Prophet as the young Franco-Arab sent to prison but here he is the nominal villain, and yet he engenders such sympathy that you almost wind up rooting for him in spite of yourself. That’s the definition of a great movie villain in my book. 

If you are looking for the fairer sex here, look elsewhere. There are few women seen in anything other than as extras, mostly looking at Tatum and Bell lustfully. This is most certainly a man’s world and we are just passing through. I’m not sure that it helped the movie any – I for one like having both sexes present in a movie – but I suppose it made a sort of sense that the women took a backseat in this film.

That’s kind of odd too, because the novel the movie was based on, “The Eagle of the Ninth,” was written by Rosemary Sutcliff back in 1954 and she by all accounts was all woman. While some more ignorant critics have labeled the source material a children’s book (and Sutcliff wrote a great many of those), it was in fact not specifically aimed at children and is a good read for young and old alike.

The movie differs from the book in a number of very basic and fundamental ways so purists beware. One of the more basic tangents is the relationship of Esca and Marcus which is less a factor in the book than it is in the movie. I like the movie’s interpretation of it, although the thought of a patrician Roman and a lowly British slave becoming friends…not likely.  

Still it’s that chemistry that drives the movie and while it reeks of old-fashioned Hollywood smarm, it’s still effective in an era that tends to choose flash and glitter over story. The Eagle doesn’t necessarily blow one away visually, but the story and the underlying adventure are a bit of a breath of fresh air. For those who are fond of saying they don’t make ‘em like that anymore, here’s living proof that they can and they do.

REASONS TO GO: Good buddy dynamic between Tatum and Bell. Some nice adventure action and an authentic looking Roman setting.

REASONS TO STAY: A bit on the pedestrian side and the lack of women in the film is a bit off-putting but not as much as Tatum’s attempt at an accent.

FAMILY VALUES: There are some battle violence and a few images that might be disturbing to the very young.

TRIVIAL PURSUIT: The family name of the main character is Aquila, which is Latin for “eagle.”

HOME OR THEATER: There are some battle scenes and wilderness shots that certainly will look nifty on the big screen.

FINAL RATING: 6.5/10

TOMORROW: Just Go With It

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The Last Legion


The Last Legion

"This island of Capri - I can't imagine anyone else ever wanting to visit. Why are you looking at me that way?"

(2007) Swords and Sandals Action/Adventure (Weinstein) Sir Ben Kingsley, Colin Firth, Aishwarya Rai, Thomas Sangster, John Hannah, Alexander Siddig, Peter Mullan, Kevin McKidd, Iain Glen, Rupert Friend, Nonso Anozie, Owen Teale, Harry van Gorkum, Robert Pugh. Directed by Doug Lefler.

With the success of Gladiator and 300, it stands to reason that we’ll be seeing more sword-and-sandal epics coming our way. Stacked up against the two movies previously mentioned, The Last Legion doesn’t really belong in that kind of company. However, that doesn’t necessarily mean it should be relegated to the avoid-at-all-costs list.

Romulus (Sangster) is a young boy, the son of the last female descendent of Julius Caesar. His male relatives have ascended to the throne of Rome left and right and have been assassinated. Rome is beset from without by angry Goths, led by Odoacer (Mullan), who has been denied what he believed was his rightful due as defender of the Empire by Orestes (Glen), Romulus’ arrogant father and regent, and from within by greedy, weak-willed Romans.

Orestes gets one of his finest generals, Aurelius (Firth) to be the boy’s bodyguard. Aurelius is less than thrilled about the assignment, but has sworn an oath to defend the boy to his last breath – Aurelius, not the boy’s. Orestes also sends Romulus’ tutor Ambrosinus (Kingsley) packing for having the temerity to encourage the boy to think for himself. That’s simply not what emperors of the known world do.

On the night of his coronation, Rome is sacked by the Goths. Odoacer’s hyperactive second-in-command, Wulfila (McKidd) kills Romulus’ parents and captures the boy. He’s all for killing the last Caesar, but Ambrosinus shows up at the last moment and persuades Odoacer to keep the boy captive – on the isle of Capri. Tough gig.

Aurelius, with boyhood friend Nestor (Hannah) and Theodorus (Siddig), the ambassador of the Eastern Empire, plot to get the kid back. Only a few of Aurelius’ men survived the Goth attack, so Theodorus sends his best warrior to assist. The best warrior turns out to be a woman named Mira (Rai). Together, she and Aurelius rescue the boy and Ambrosinus only to discover that the boy has found ex caliburnus, the fabled sword of Julius Caesar. However, things have changed when they get back to Italy and it looks like Romulus is going to need an army just to survive in this hostile world. There is a legion that has not yet switched allegiance to Odoacer; the fabled Ninth, also known as the Dragon Legion. They, however, are all the way in Britannia, a long journey. Wulfila, having been maimed in the rescue of Romulus, is also hot on the chase and breathing fire of his own.

When you read the plot on paper, it sounds terribly cheesy and in many ways, it is. In all honesty, if you go in and try not to think about historical accuracy too much and accept this as a bit of a fantasy grounded in a few facts, it’s actually not a bad piece of entertainment. Much of the story will seem a bit familiar, and there are clichés up the yin yang but the story was entertaining enough to keep my interest, and the performances solid enough to not strain the bounds of credibility. Kingsley looks a bit like a hippie in his outfit here, but Firth makes a terrific Roman. Rai, one of the most beautiful women on Earth and one of the biggest stars in Bollywood, is pretty hot as a warrior and shows some skills with a sword. Director Lefler cut his teeth on the “Hercules” and “Xena” TV shows so he knows what he’s about in this genre.

In all honesty, I was surprised. Considering that the movie got almost zero publicity during its theatrical release and had its release date pushed back several times – usually the sign of a bad movie – it’s a pretty entertaining. Don’t kid yourself – The Last Legion didn’t make anybody’s top ten lists, but you won’t leave the couch feeling disappointed.

WHY RENT THIS: Entertainment value. Lots of swordplay. Colin Firth. Aishwarya Rai.

WHY RENT SOMETHING ELSE: Script riddled with clichés. Takes a few liberties with history. Cheap CGI.

FAMILY VALUES: There are some battle sequences and swordfights, but nothing gruesome. Overall, I’d say this is suitable for the entire family despite the PG-13 rating.

TRIVIAL PURSUIT: Director Doug Lefler used Thomas Sangster’s entire family as extras at various points in the film.

NOTABLE DVD FEATURES: None listed.

BOX OFFICE PERFORMANCE: $25.3M on an unreported  budget. I’m guessing the movie lost money.

FINAL RATING: 6/10

TOMORROW: Bangkok Dangerous