New Releases for the Week of August 27, 2021


CANDYMAN

(Universal) Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett, Colman Domingo, Kyle Kaminski, Vanessa Williams. Directed by Nia DaCosta

Although the Cabrini-Green housing project has been torn down and gentrified into upscale condos, the horror of the Candyman remains. A young artist, hearing the background story of the urban legend, begins to paint macabre details of the crime that created the Candyman, unwittingly opening up a new portal to terror.

See the trailer here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide
Rating: R (for bloody horror violence, and language including some sexual references)

A Rescue of Little Eggs

(Pantelion) Starring the voices of Mauricio Barrientos, Bruno Bichir, Carlos Espejel, Maite Perroni. A cocky rooster and his fowl partner undertake a dangerous trip to the Congo to recover their stolen eggs from a gang of Russian thugs.

See the trailer here
For more on the movie this is the website

Genre: Animated Feature
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal The Loop, Regal Waterford Lakes
Rating: PG (for rude material and action)

Annette

(Amazon) Adam Driver, Marion Cotillard, Simon Helberg, Devyn McDowell. A stand-up comic falls in love with a world-famous opera singer and together they have a child of unique grace and an exceptional destiny. This is the latest from visionary director Leos Carax.

See the trailer here
For more on the movie this is the website

Genre: Musical
Now Playing: Cinematique Daytona (also on Amazon Prime)
Rating: R (for sexual content including some nudity and for language)

Curiosa

(Film Movement) Noémie Merlant, Niels Schneider, Benjamin Lavernhe, Camélia Jordana. The true story of a love triangle (okay, a love square if you must) featuring French author Pierre Louÿs, his best friend, his best friend’s wife, and a passionate Algerian woman.

See the trailer here
For more on the movie this is the website

Genre: Biographical Drama
Now Playing: Enzian On-Demand
Rating: NR

Death Rider in the House of Vampires

(Atlas) Devon Sawa, Julian Sands, Glenn Danzig, Danny Trejo. A lone mysterious rider crosses the desert to find the Vampire Sanctuary. Once there he takes on all manner of bloodsuckers as ex-Misfit rock star Glenn Danzig reaches for new heights.

See the trailer here
For more on the movie this is the website

Genre: Horror Western
Now Playing: Amstar Lake Mary, Fashion Square Premiere, Regal Pavilion Port Orange, Studio Movie Grill Sunset Walk
Rating: NR

The Final Set

(Film Movement) Alex Lutz, Ana Girardot, Kristin Scott Thomas, Jürgen Briand. A tennis player in the twilight of his career looks back at unfulfilled potential that marked it. Although his wife and mother advise against it, he decides to take one last crack at the French Open championship and against all odds makes his way through the tournament – until he is matched with a young prodigy who reminds him of his younger self.

See the trailer here
For more on the movie this is the website

Genre: Sports Drama
Now Playing: Enzian On-Demand
Rating: NR

Flag Day

(United Artists) Dylan Penn, Sean Penn, Josh Brolin, Norbert Leo Butz. A young woman has a complicated relationship with her father; on the one hand, he made her life feel like a grand adventure; on the other hand, he was a notorious counterfeiter constantly on the run from the law or in jail. This drama, based on a true story, is directed by Sean Penn and stars his real-life daughter.

See the trailer here
For more on the movie this is the website

Genre: Biographical Drama
Now Playing: Regal Winter Park Village
Rating: R (for language, some drug use and violent content)

Ichata Vahanamulu Nilupa Radu

(A1) Vennela Kishore, Meenakshi Chaudhary, Sushanth, Sambaa Siva. An architect with a loving mother and a beautiful girlfriend finds his life going haywire one day when he parks his bike in a “No Parking” zone.

See the trailer here
For more on the movie this is the website

Genre: Dramedy
Now Playing: AMC Classic New Smyrna, Cinemark Orlando
Rating: NR

Lydia Lunch: The War is Never Over

(Kino Lorber) Lydia Lunch, Henry Rollins, Thurston Moore, Danita Sparks. The career of Lunch, a legendary No Wave musician and underground performance artist, is chronicled by her friend and collaborator Beth B. This is the latest installment of the Enzian’s new Meet the Filmmakers series.

See the trailer here
For more on the movie this is the website

Genre: Music Documentary
Now Playing: Enzian (Monday only)
Rating: NR

Mama Weed

(Music Box) Isabelle Huppert, Hippolyte Girardot, Farida Ouchani, Liliane Rovere. A translator on the Paris narcotics unit who is deeply in debt trying to pay for the long-term care facility in which her mother resides comes into a stash of narcotics and uses her insider knowledge to become Mama Weed, salesman extraordinaire of the wacky weed.

See the trailer here
For more on the movie this is the website

Genre: Crime Comedy
Now Playing: Cinematique Daytona
Rating: NR

No Man of God

(RLJE) Elijah Wood, Luke Kirby, Robert Patrick, Aleksa Palladino. As Ted Bundy awaits execution for his numerous crimes, FBI profiler Bill Hagmaier interviews the serial killer with the hopes of using the information he gleans to identify other criminals in the future. The dialogue is taken from the actual transcripts of the interviews Hagmaier conducted.

See the trailer here
For more on the movie this is the website

Genre: Crime Biography
Now Playing: Enzian
Rating: NR

Sridevi Soda Center

(Zee) Anandhi, Sudheer Babu Posani, Pavel Navageethan, Rohini. Based on an actual incident, the film depicts a love story taking place amidst the caste system and politics of rural India.

See the trailer here
For more on the movie this is the website

Genre: Musical Comedy
Now Playing: AMC Classic New Smyrna, Cinemark Orlando
Rating: NR

Together

(Bleecker Street) James McAvoy, Sharon Horgan, Samuel Logan. A couple whose relationship is deteriorating are suddenly stuck together by the pandemic lockdown. This is the latest film from Oscar nominee Stephen Daldry.

See the trailer here
For more on the movie this is the website

Genre: Dramedy
Now Playing: AMC Disney Springs, CMX Plaza Café Orlando, CMX Merritt Square
Rating: R (for language throughout)

COMING TO VIRTUAL CINEMA/VOD:

A Wake (Tuesday)
Afterlife of the Party
(Wednesday)
Blob Blob Fish
(Tuesday)
He’s All That
Mortal Kombat Legends: Battle of the Realms
(Tuesday)
Vacation Friends

SCHEDULED FOR REVIEW:

Annette
Candyman
No Man of God
Together

Portrait of a Lady on Fire (Portrait de la jeune fille en feu)


Love in flames.

(2019) Romance (NEON) Noémie Merlant, Adele Haenel, Luána Bajrami, Valeria Golino, Christel Baras, Armande Boulanger, Guy Delamarche, Clément Bouyssou, Cécile Morel, Michéle Clément. Directed by Céline Sciamma

 

The Darkwave band Black Tape for a Blue Girl did a song “A Love That Dare Not Be” which is heartbreaking in nearly every respect; the music itself creates a melancholic mood and there’s the realization that few people have ever heard the song and it so deserves to be heard.

In fact, their Ashes in the Brittle Air album dovetails nicely with Portrait of a Lady on Fire, the latest from French writer-director Sciamma and her most exciting work to date. It is a period piece, set in the mid-to-late 18th century in an isolated chateau on the seacoast of Brittany.

Marianne (Merlant) has been commissioned to paint a portrait of Hélöise (Haenel), the daughter of the countess (Golino) who lives there. Hélöise has just been yanked out of the convent to take the place of her sister in a marriage to a Milanese nobleman; the portrait is to be used to pique interest in the girl as potential marriage material. However, Hélöise is wise to the game and refused to sit for a portrait with the previous painter, who grew frustrated at her obstinance and quit.

Marianne is there in the guise of a companion to accompany Hélöise on walks around the chateau. The countess is concerned that Hélöise might suffer the same fate as her sister, who fell from the cliffs. The house’s sole servant, Sophie (Bajrami) believes it was suicide because the girl didn’t utter a sound on the way to her death.

Marianne is meant to paint surreptitiously in the evening hours. Her canvas and painting supplies are hidden behind privacy partitions. During the day the two women hang out and soon develop a friendship. Marianne is forced by circumstances to notice the details of Hélöise; the curve of her neck, the cartilage of her ears, the elegance of her fingers. Before long, the friendship develops into something deeper – the proverbial love that dare not speak its name.

This is one of the most beautifully shot movies I’ve seen in a while and I’ve seen some good ones. The composition is exquisite, done with a painter’s eye. Whether it is Hélöise standing alone in front of crashing waves on the shore, or Hélöise, Marianne and Sophia cresting a hill at dusk in the wild light of sunset, or Marianne alone before the fire, naked and puffing on a pipe contemplatively, each shot has purpose, each shot conveys emotion.

The emotions are at the center of the performances of Haenel and Merlant. Both are up for Best Actress awards at the César awards that are being presented this coming Friday – the French Oscars. Either performance is award-worthy, although I don’t know how you would choose between the two. Haenel is more reserved, somewhat more melancholy. Merlant has the advantage of being the narrator and setting the tone in that sense. The chemistry between them is natural and believable.

\Throughout the film there are references to the legend of Orpheus – he’s the bard whose love Eurydice died young, so he made the perilous journey into the underworld to beg Lord Hades for him to release her back to the world. Hades, moved by Orpheus’ artistry, grants the request with the caveat that Orpheus must lead the way and not turn back until both of them have left the Underworld; if he obeys, they will live whatever time they have left. If not, Eurydice goes right back into the afterlife, not passing go nor collecting $200. Human nature being what it is, Orpheus looks back as the end is in sight and loses his girl forever.

Hélöise, Marianne and Sophie discuss the meanings of the myth but there are also some other references; appearances of paintings based on the myth and near the end of the movie, as Marianne is leaving the chateau with her Hélöise promised to another, she hears the admonition to turn around and beholds Hélöise in a white wedding-like dress behind her. As Marianne shuts the door, Hélöise disappears from view.

There is a lot of depth here, too much to get into in one article but enough that you’ll be talking about it with your film buff friends for a long time to come. The two-hour movie takes a bit of time to get going, but once it hits its stride it holds your attention firmly. This had a one-day theatrical preview event back in December but is just now hitting a general release. Their distributor, which is still in a celebratory mood after one of their films won the Best Picture Oscar, can start celebrating again; this is another amazing film for their library and one which could very well be part of next year’s Oscar conversation.

REASONS TO SEE: A master class on camera composition. A haunting choral piece really heightens the mood. Wonderful use of the Orpheus myth.
REASONS TO AVOID: A little bit too long; it drags a bit in the beginning.
FAMILY VALUES: There is some nudity and sexuality including one brief scene of graphic sexuality.
TRIVIAL PURSUIT: During the festival scene, the women sing a choral version of Non Possunt Fugere which is Latin for “They Cannot Escape.” The song is repeated during the closing credits.
CRITICAL MASS: As of 2/24/20: Rotten Tomatoes:98% positive reviews: Metacritic: 95/100.
COMPARISON SHOPPING: Breathe In
FINAL RATING: 8.5/10
NEXT:
Viral: Antisemitism in Four Mutations