(2013) Science Fiction (Warner Brothers) Charlie Hunnam, Rinko Kikuchi, Idris Elba, Charlie Day, Ron Perlman, Robert Kazinski, Burn Gorman, Max Martini, Clifton Collins Jr., Diego Klattenhoff, Brad William Henke, Larry Joe Campbell, Mana Ashida, Santiago Segura, Joe Pingue, Milton Barnes, Ellen McLain (voice), Robert Maillet, Heather Doerksen. Directed by Guillermo del Toro
When I was a boy, I used to love Japanese monster movies – men in rubber lizard suits smashing Tokyo to smithereens. My Dad and I loved the kind of cheesy earnestness of the movies and while we both moved on to other genres, we did share that one thing.
For my own son, it was giant robots. Transformers, dude. Things that turned into other things that grew huge and took on other huge things. That was what kids a generation removed from myself cut their teeth on. Now what about combining the two together?
That’s just what Guillermo del Toro, visionary director of Pan’s Labyrinth did. In the near future, Earth has been invaded by gigantic beasts that came out of the ocean – or more accurately through a dimensional portal that manifested at the bottom of the Pacific. These creatures wreaked havoc on the coastal cities of Asia and Australia as well as the West Coast of the United States. Conventional warfare doesn’t work on these Kaiju which is Japanese for “strange creature” but over time has come to assume gigantic size as well. In order to fight these creatures, giant robotic creatures – called Jaegers which is German for “hunters” – have been created. These machines are piloted by humans and are so intricate and complex that it requires to human brains, which are psychically linked by a “drift” which allows both pilots to share memories while operating both sides of the robotic brain. At first, these robots are successful.
However as time goes on, more and more creatures pour out of the portal growing larger and more deadly as they do. Raleigh Becket (Hunnam) is a pilot along with his brother Yancy (Klattenhoff) but in a battle with a Kaiju Yancy is killed while connected to Raleigh who experiences his brother’s death. Raleigh leaves the program and becomes a construction worker on a gigantic wall protecting the coastline which the government feels will adequately protect the people and cities of the coast.
Of course, that doesn’t work and the general of the Jaeger program, Stacker Pentecost (Elba) finds himself in need of pilots as the Kaiju have begun a counter-offensive that has pushed humanity to the brink of extinction. Stacker knows the only way for humanity to survive is to find a way to close that portal; he has scientists Newton Geiszler (Day) and Helmut Gottleib (Gorman) trying to find ways to do just that. But they’ll need pilots too, even burned out ones and Raleigh is recruited. Japanese scientist Mako Mori (Kikuchi) is his handler; her family died in a Kaiju attack and she yearns to pilot a Jaeger and get some payback. Raleigh might be her best bet for it – but both will have to get over their issues from the past and face gigantic odds because the creatures coming at them from the portal are like nothing they’ve ever seen before.
This might well be the most visually amazing movie of the summer – the battle sequences are worth their weight in gold all by themselves. This is high-tech stuff, even more so than the anime you might remember that featured the giant robots. Del Toro does himself the favor of creating characters with some meat to them, giving the audience a rooting interest which is more than a lot of summer films have been able to accomplish this year.
Hunnam, known to most audiences from his work on Sons of Anarchy is turning out to be quite a promising leading man. Here he has some pretty good cast members to work with, particularly Elba who is one of the best in the business. So too is Perlman (playing a black market Kaiju organ seller) but he has no scenes with Hunnam. Kikuchi is riveting when she’s onscreen; at a very young age she’s become one of the best actresses in the world.
Following a trend that has puzzled me all summer long, the film is a good 20-40 minutes too long; quite frankly the entire subplot with Perlman could have been eliminated or at least saved for a Premium Home Video release. At least however even if the movie drags near the end the eye candy you’re given makes it worthwhile and for geeks of all ages this is manna from heaven, ready to be gorged.
REASONS TO GO: Amazing visuals. Elba and Perlman always interesting; Hunnam is getting to be quite a leading man.
REASONS TO STAY: Way too long. Too much chest-busting.
FAMILY VALUES: Plenty of action, plenty of violence and a bit of bad language.
TRIVIAL PURSUIT: Tom Cruise was originally considered for the role in which Idris Elba was eventually cast in.
CRITICAL MASS: As of 7/24/13: Rotten Tomatoes: 72% positive reviews. Metacritic: 64/100; the critics are pretty solidly behind this one.
COMPARISON SHOPPING: Space Battleship Yamato
FINAL RATING: 6.5/10
NEXT: I Melt With You