Obvious Child


Life can be cold even for the very cute.

Life can be cold even for the very cute.

(2014) Comedy (A24) Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Richard Kind, Polly Draper, Gabe Liedman, Paul Briganti, Cindy Cheung, Stephen Singer, Cyrus McQueen, Emily Tremaine, Ramses Alexandre, Julie Zimmer, Ernest Mingione, Stacey Sargeant, Amy Novando, Crystal Lonneberg, Suzanne Lenz. Directed by Gillian Robespierre

One of the results of unprotected sex can be a pregnancy that is unplanned for and unwanted. Women have several options open to them, although not everyone wants it that way.

Donna Stern (Slate) is a budding standup comic who works in a used bookstore by day. She is a classic New York underachiever, one who has vague goals but is in no particular hurry to get to them. She’s been seeing Ryan (Briganti) for years now and is somewhat ambivalent towards marriage or at least, it’s not a subject that comes up.

Her standup routine is full of the juices of life. Lots of farting, the state of women’s panties at the end of the day, skid marks and the fluids of sex. It isn’t for the squeamish which might explain why she’s still in a somewhat rough and tumble Brooklyn bar providing free entertainment for Williamsburg hipsters who are too cheap to pay for it. When she talks about the sex life with her boyfriend as being somewhat routine and predictable while he watches her set, that’s the last straw. That and, oh, him having been sleeping with her friend Lacey (Tremaine) for several months. He dumps her in the unisex graffiti-covered bathroom that looks like something that veteran CDC doctors would run screaming into the night from which I suppose is as appropriate a place to get dumped as any – considering her act, getting dumped in a bathroom has no irony whatsoever.

She also finds out that the bookstore she has been working for has lost its lease and is going to close its doors forever in about six weeks. No job, no money, no boyfriend – things couldn’t be worse for Donna. She takes solace in her support system – her close friends Nellie (Hoffmann) and fellow comedian Joey (Liedman), as well as her Dad (Kind) who works as a Henson-like puppeteer for a successful TV show. Her cold fish Mom (Draper), divorced from her Dad and a very successful business school instructor, tries to motivate her daughter to find new work without much success.

Donna’s next standup gig is an utter train wreck as she ascends the stage completely off-her-ass drunk and proceeds to go into a drunken rant about her break-up that is as unfunny as it is awkward. The only plus of the evening is that she meets nice-guy Max (Lacy) at the bar, continues to get drunker and ends up at his apartment for a night of mindless, meaningless sex. She leaves the next morning without leaving a note.

Not long afterwards she discovers that mindless, meaningless sex can get you pregnant too, even though she was pretty sure they’d used protection in the form of a condom. She’s not really 100% sure on that point – not that it matters because a condom really isn’t 100% protection against pregnancy either. The thing is, she is preggers and the one thing she’s sure about is that she’s not ready to be a mom. She’s not ready to be pregnant either considering her uncertain future, her lack of funds and job and without a partner to help her out. An abortion seems to be the best choice for her given the circumstances.

Once this decision is made, she’s unsure that she wants to tell her mother about it, sure that her mom will see this as yet another failure in life by her disappointment of a daughter. Also, she keeps running into Max unexpectedly and he clearly likes her. A lot and she thinks she might like him too, even though he’s as gentile as a Christmas tree in Rockefeller plaza and she’s the menorah at the top that burns the whole damn tree down.

Some will see this as a movie about abortion but as film critic Mick LaSalle of the San Francisco Chronicle points out, the better movie would be about the woman having that abortion and Robespierre wisely realizes that. The decision for Donna is a simple one from a practical standpoint but emotionally she’s unsure of what to do, how to feel and she asks Nellie, who’s had one, whether she thinks about it (she does but she doesn’t think she made the wrong choice).

Slate, who was on Saturday Night Live for a season and famously dropped an F bomb in her first episode, does a star turn here in the role of Donna. Donna uses her sense of humor as something of a shield against her own vulnerability and has no filter whatsoever. That endears her to those willing to put the effort in to get to know her. She is far from perfect although she is cute as a button. To my mind, Slate has far more upside than a lot of actresses who have come from standpoint and should easily join the ranks of Tina Fey, Amy Poehler, Kristen Wiig and Maya Rudolph as graduates of SNL to stardom, although I think the big screen would be far more appropriate than television as a medium for her talents.

She gets some good support from Liedman (her sketch partner in real life) and Hoffmann and Lacy, who was a regular on The Office makes a fine straight man. I like that Robespierre chose not to give us the glamorized indie version of New York where people work in creative jobs, live in amazing lofts they couldn’t possibly afford and eat out and hang out at hipster clubs every night while showing up to work fresh as a daisy the next day. The places Donna and her friends can afford to hang out in are mostly pretty dingy and Donna’s apartment is tiny and far from glitzy. This is the life someone in her situation would be leading for real.

Inevitably there is going to be some politicization of the film’s subject matter but be assured there’s none in the film whatsoever. The conservative religious right tend to portray abortions as something done by sluts without any sort of care or consequence but that’s not what happens here. Donna while vulnerable and impaired has unprotected sex which might be characterized as a foolish mistake but she is not someone who seems inclined to sleep around – in fact, she has a scene with veteran comic David Cross in which she turns him down for sex.

What really makes this film worth seeing are a pair of scene near the movie’s end. The first is when Donna is having her abortion and has been given a sedative to relax her. As the procedure begins, we see a tear rolling down from her eye. Even more powerful is the scene that follows when Donna and the other women who have just undergone the procedure sitting in the recovery room and exchanging glances. No dialogue is said but the looks on their faces say it all – this was not a decision entered into lightly and the consequences are absolutely on all of their minds.

In an era when a woman’s right to choose is under concerted attack from Tea Party politicians and where choices to have abortions are becoming much more scarce in Red States, a movie like this becomes much more necessary and meaningful. While I’m not sure this will change any Right to Lifers minds on the subject, it serves as a vivid reminder that for all the hysteria and noise generated by that group, women in general are not ignorant of the consequences of their ability to make that choice – and that it is a hard choice even if the practical side is easy. From that standpoint, this is an essential film and while I found the nature of Donna’s comedy unappealing, I loved the character in a big way because of her flaws and imperfections. Donna is the kind of woman you probably know already. If you don’t, it wouldn’t be a bad idea for you to find this movie either at your local art house or soon when it comes to home video and get to know her.

REASONS TO GO: A realistic look at the effects of unwanted pregnancies on real women and the choices they must face. Slate shows that she is ready to be the next great film comedienne.

REASONS TO STAY: Unnecessarily scatological. Too many awkward moments.

FAMILY VALUES:  Plenty of rough language and sexuality.

TRIVIAL PURSUIT: The movie’s title comes from the first track on the 1990 Paul Simon album The Rhythm of the Saints.

CRITICAL MASS: As of 7/9/14: Rotten Tomatoes: 87% positive reviews. Metacritic: 75/100.

COMPARISON SHOPPING: Punchline

FINAL RATING: 6.5/10

NEXT: Transformers: Age of Extinction

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New Releases for the Week of June 27, 2014


Transformers: Age of ExtinctionTRANSFORMERS: AGE OF EXTINCTION

(Paramount) Mark Wahlberg, Nicola Peltz, Stanley Tucci, Jack Reynor, Kelsey Grammer, Sophia Myles, Li Bingbing, Robert Foxworth, John Goodman, Ken Watanabe. Directed by Michael Bay

With Chicago laid waste but humanity safe for now, the Transformers have become persona non grata as the picking up of pieces commences. However, a new and ancient threat has the Earth set right in its crosshairs and Optimus Prime must turn to a new set of humans if this threat is to be defeated – if it can be defeated at all.

See the trailer, clips, interviews, promos and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Science Fiction

Rating: PG-13 (for intense sequences of sci-fi violence and action, language and brief innuendo)

Ek Villain

(Balaji) Sidharth Malhotra, Ritesh Deshmukh, Shraddha Kapoor, Aamna Sharif. After his lover is brutally murdered by a serial killer, a man decides to take the law into his own hands and bring the murderer to justice. As he chases down his nemesis, the lines between good and evil begin to blur and melt into one another until it is impossible to tell light from darkness.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood/Action

Rating: NR

Obvious Child

(A24) Jenny Slate, David Cross, Gaby Hoffman, Richard Kind. A young woman struggles to make it as a stand-up comic, working a day job to make ends meet. Things however go horribly wrong as she loses her day job, gets dumped by her boyfriend and discovers she is pregnant. Happy Valentine’s Day indeed. She will use her ability to find humor in any situation as the courage that she uses to get up on stage will now be necessary to help her make it in real life. This played the most recent Florida Film Festival and was one that I’m looking forward to seeing.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language and sexual content)

Florida Film Festival 2014


Florida Film Festival 2014Last night, the Florida Film Festival announced their line-up for 2014 and it is another impressive one. The Festival will run from April 4 through April 13 this year and 170 feature films and shorts are on this year’s menu. While we won’t be previewing all of them, this is just a taste of some of the films you can expect to see.

Last year’s opening night film, 20 Feet From Stardom, went on to win an Oscar for Best Documentary Feature and opening night guests were wowed by one of the film’s stars, Merry Clayton (the female voice on the Rolling Stones’ “Gimme Shelter”) crooning a sensual and amazing version of Leon Russell’s “A Song for You.” While that set an awfully high bar, this year’s opening film has plenty of quality of its own. A Trip to Italy is the sequel to 2010’s The Trip and returns stars Steve Coogan and Rob Brydon as well as director Michael Winterbottom. Once again Coogan and Brydon play versions of themselves, sent to write restaurant reviews but this time not in the North of England but in Italy. They kept audiences in stitches with their impressions and comedic routines but deep down there was a story that kept the interest of the readers. I can’t wait to see what they do in the sequel.

Ernest and Celestine netted an Oscar nomination of its own for Best Animated Feature at the recent Academy Awards and while it lost to Frozen this story about the unlikely friendship between a bear and a mouse is sure to delight children of every age. The British crime comedy Dom Hemingway stars Jude Law as a safe cracker newly released from prison who wants to reconnect with his daughter and settle his debts but that proves to be a proposition far less easy than it sounds. For No Good Reason documents artist Ralph Steadman’s remarkable career, his collaborations with writers Hunter S. Thompson and William Burroughs and of course his unsettling and iconic drawings. Johnny Depp hosts this passion project. 

Joe is the latest from director David Gordon Green and stars Nicolas Cage as a rough and tumble ex-con with a hair-trigger temper who falls in with a young boy whose life has been at least as hard luck as his own. The ex-con takes a liking to the boy who finds in Joe a father figure which doesn’t sit too well with the boy’s actual father. This is said to be one of Cage’s best performances in years and might just elevate him out of the poor reputation he’s had in recent years. The Double is a stylish modernization of the Dostoevsky novella in which a shy and abused young worker, played by Jesse Eisenberg, has his life taken over by a brash and manipulative doppelganger, also played by Eisenberg. 

Gabrielle is a French-Canadian romance about a developmentally challenged woman’s quest to assert her independence. Obvious Child tackles the controversial subject of abortion as a young stand-up comedian finds her life turned upside down by an unexpected pregnancy. Before I Disappear chronicles a despondent young man’s attempts to commit suicide marred by his responsibility to babysit his niece. In Words and Pictures stars Clive Owens and Juliette Binoche play teachers of English and Art who in an effort to inspire students who couldn’t care less declare a war between words and images. Cheatin’ is the newest animated feature by Oscar winning animator Bill Plympton – ’nuff said. 

Crimes Against Humanity pairs a woman whose pet rabbit has died and who has been hospitalized with frequent nosebleeds with a pompous boyfriend whose investigation of sexual escapades at the university he works at becomes an obsession. In I Believe in Unicorns a woman with a vivid imagination falls for a skateboarding punk and chooses to run away with him, leaving her disabled mother behind. Doomsdays covers two slackers who convinced the apocalypse is just around the corner take to squatting in vacant Catskills vacations homes until the food runs out or they are chased off. The addition of two other would-be squatters changes the dynamic irrevocably. This year’s Audience Award winner at Slamdance was Copenhagen, a voyage of discovery of a young man who journeys to the Danish capital to discover his last living relative and finds love instead. Last I Heard stars Paul Sorvino as a mob boss who returns from prison to find that his gang has become inconsequential and the world a far different place than he left it. 

No No: A Dockumentary follows the fabled career of Pittsburgh Pirate pitcher Dock Ellis who famously pitched a no-hitter while tripping on LSD in 1970. How he overcame his addictions and reached out to help others in similar straits is one of baseball’s great untold stories. Levitated Mass is a fascinating look at artist Michael Heizer’s monumental task of transporting a 340 ton boulder from a Southern California quarry to the L.A. County Museum of Art and creating a media and social sensation in the process. American Jesus examines the pervasive Christianity in all it’s different forms and effects on American culture as seen through the eyes of a Spaniard. 

Mail order brides is the subject of Love Me as the documentary filmmaker follows several relationships that were established in that manner and discovers that they aren’t all you might think. Mission Congo details the abuses of an American televangelist in the Congo following the Rwandan genocide under the guise of humanitarian aid. The Sacrament is the latest from horror auteur Ti West and covers a filmmaking crew’s descent into the hellish secret of a Utopian religious cult during a documentary shoot. The Babadook was one of the films at this year’s Sundance that got a great deal of attention; in it a single mom reads to her son from a mysterious storybook which prompts strange and frightening occurrences in their home.

Chu and Blossom stars Ryan O’Nan, Mercedes Ruehl and Melanie Lynskey in a story about  a unique Korean exchange student adjusting to life in the United States. After Winter, Spring is a loving tribute to a way of life that is rapidly disappearing – the French family farm. Led Zeppelin Played Here looks into a mythic concert that may or may not have taken place. 

In addition to new movies, there are some classics that will be available at the Festival this year including the Oscar-winning murder mystery Murder on the Orient Express with an all-star cast, The Big Lebowski which is one of the Coen Brothers’ classics, the Italian thriller Investigation of a Citizen Above Suspicion and the James Bond classic Goldfinger

There are usually celebrities involved at Film Festivals and the FFF has had their share. Not all of the celebrity attendees have been confirmed at press time but two who are on the list for 2014 include Paul Sorvino who will be in attendance on Friday April 11 for the screening of his new film Last I Heard and Giancarlo Esposito for a screening of Spike Lee’s Do the Right Thing in celebration of the film’s 25th anniversary.

That’s just a rundown of some of the films that will be on the docket for this year’s Festival. There are also panel discussions and of course the legendary parties that the Festival throws every year.Ticket packages and passes are on sale now at the website (just click on the logo above to go directly there) and individual film tickets will be on sale Saturday, March 15th. 

This promises to be another memorable Festival and if you’ve never been, you owe it to yourself to go and experience it firsthand. Words can’t describe the experience but it is fun, engaging and unforgettable. Filmmakers and celebrities rub elbows with film fans at the Festival and you never know who you will run into while grabbing a drink at the Eden Bar at the Enzian. It might even be me.

As always, movies from the festival will have the Festival logo above attached to the review to mark it as a proud participant in the 2014 Festival. Cinema365 will cover the Festival from beginning to end and beyond – last year we posted over 50 reviews of Festival films and related events and we should be in the same neighborhood this year. This is one event that I look forward to all year long and as we get closer to opening night, the excitement is building exponentially. This truly is one of the great Film Festivals in the country – it has been ranked as one of the 50 best in the entire world by IndieWire and the top 25 coolest in the country by MovieMaker magazine. That isn’t by accident; while I do tend to gush about the Festival it is really a unique event. If you love movies – and even if you don’t love ’em but just love to socialize – this is your event. Get your tickets now – you’ll thank me for it later.