(United Artists) Sean Connery, Honor Blackman, Gert Frobe, Harold Sakata, Cec Linder, Bernard Lee, Lois Maxwell, Desmond Llewellyn, Shirley Eaton. Directed by Guy Hamilton
There are many who consider this to be the ultimate James Bond movie and quite frankly, I’d have to agree with them. All of the elements come together and make this the standard against which not only all other Bond movies are measured, but all other spy movies as well.
James Bond (Connery) is in Miami having a little R&R when he receives a call from his boss M (Lee) to assist the CIA in observing Auric Goldfinger (Frobe) who happens to be staying at the Fontainebleau as is Bond. Felix Leiter (Linder), the CIA liaison, gives Bond the low-down; Goldfinger comes to the pool area every day to cheat at canasta, having a young beautiful blonde by the name of Jill Masterson (Eaton) report what his opponent’s cards are via shortwave radio to his hearing aid. Bond, being Bond, decides to mess with Goldfinger. He seduces Masterson, causing Goldfinger to lose. However, Goldfinger doesn’t take kindly to losing and sends a flunky named Oddjob (Sakata) to knock out Bond and repay Masterson for her betrayal by painting her gold, suffocating her skin.
As it turns out, MI6 has a big interest in Goldfinger owing to his smuggling of gold in and out of the UK. They’re wondering how he’s doing it and put Bond on the job. He follows the portly villain to Switzerland, where he has a run-in with Tilly, Jill’s sister. Oddjob murders her as well, making the score Oddjob 2, Masterson girls 0. He also captures Bond, which gives Goldfinger the opportunity to set up an industrial laser aimed for the Bond family jewels. It also gives Goldfinger to deliver the all-time classic villain line when Bond asks “You expect me to talk?” (For the record, the response is “No, Mister Bond, I expect you to die”).
Bond, thinking quickly on his feet (or on his back as it were), implies that he knows a lot more than he actually does. This forces Goldfinger to send Bond back to his Kentucky horse ranch under the watchful eye of his personal pilot Pussy Galore (Blackman), the dirtiest character name in the history of movies. There, he uncovers Goldfinger’s real ambition; to set off a nuclear device at Fort Knox, irradiating the largest gold supply in the world and making his own supply ultimately far more valuable. Can Bond stop the nefarious plot and overcome the seemingly indestructible Oddjob?
This was the Bond that essentially became the template for all the Bond movies to follow. It set the bar and quite high as well. For better or worse, all other Bond movies are measured against this one, just as all Bond villain are measured against Goldfinger, all Bond flunkies are compared to Oddjob and all Bond girls are compared to Pussy Galore.
The ultimate Bond car is the Aston-Martin DB5 that makes an appearance here. With its changing license plate, rocket launchers, oil slick dispensers and ejection seat, it was the ultimate spy vehicle. The car became so popular that two working models were built (complete with ejection seat) and toured the world in support of the film.
Like most Bond films of the era, the attitude towards women is pretty dated. While Pussy is a strong, independent woman, she is no match for Bond’s machismo; in fact, all it takes is a single kiss for her to see the error of her ways, a kiss that is forced upon her, I might add. In our more enlightened times, we might call that sexual assault.
It is the action that makes Goldfinger what it is, and that action is breathtaking. The assault on Fort Knox is one of the most awe-inspiring action sequences in the history of the movies. While some of the special effects look a little clunky, it still stands up 45 years after the fact.
I’m not saying this is the perfect movie, mind you. It is pretty darn close, however. It’s a reflection of its times, and that certainly needs to be taken into account, but it is timeless in all the important aspects of the movie. If you haven’t seen Goldfinger yet, your film education is incomplete without it.
WHY RENT THIS: By far, the best of the Bond movies. Frobe is one of the best baddies of all time and Connery was never better than he was here.
WHY RENT SOMETHING ELSE: Well, maybe you just don’t like movies made in the 20th century. Your loss.
FAMILY VALUES: There’s a surprising amount of violence, much smoking (remember, that was common for the era) but still pretty tame by modern standards.
TRIVIAL PURSUIT: One of the hoodlums gathered at Goldfinger’s ranch is played by an uncredited Garry Marshall, future director of Pretty Woman and Valentine’s Day, among others.
NOTABLE DVD EXTRAS: The new Blu-Ray contains a digitally enhanced print and there are a number of contemporaneous features about the making of the film. There are also some screen tests of some other actors who tested for the Goldfinger part, as well as a featurette on the phenomenon of the movie and one on the Aston Martin DB5, possibly the most popular movie car of all time.
FINAL RATING: 10/10
TOMORROW: You Only Live Twice