Late Bloomers (2011)


A nuzzle between old lovers is as sexy as anything you'll see in Fifty Shades of Grey.

A nuzzle between old lovers is as sexy as anything you’ll see in Fifty Shades of Grey.

(2011) Romantic Comedy (Olive) William Hurt, Isabella Rossellini, Doreen Mantle, Kate Ashfield, Aidan McArdle, Arta Dobroshi, Luke Treadaway, Leslie Phillips, Hugo Speer, Joanna Lumley, Simon Callow, Iona Warne, Ryan Quartley, Nicholas Farrell, Sushil Chudasama, Joanna Bobin, Lin Blakley, Phoenix James, Hannah Charlton, Stuart Martin, Kelli White. Directed by Julie Gavras

Cinema of the Heart 2015

One thing about aging; we all do it. In fact, we’re doing it right now, as you read this. That might make you a little bit uncomfortable; I don’t blame you. Nobody likes to think about it. Nobody likes to talk about it, and yet we all age. Our bodies break down, betray us. Eventually, they shut down. Nobody likes to think about that.

Adam (Hurt) and Mary (Rossellini) have been married for 30 years and are seeing 60 approach. They are entering the endgame of middle age and will soon be forced to deal with old age. Mary is somewhat terrified of it – she begins to buy gadgets like phones with huge numbers, and bars for the toilet and bath to aid in getting out of the latter and off of the former.

Adam doesn’t think he’s quite done yet. An architect who has designed some major airports, he has received a lifetime achievement award in his field which he likens to a tombstone. His firm, which has not been getting the sort of projects they once did, is offered the design of a retirement village. Adam doesn’t want to design a “zombie storage facility” as he terms it. A young woman in his office, Maya (Dobroshi) urges him to enter a competitive bid for a museum. Re-energized, Adam decides to go for it. However, his wife – who is a retired teacher – is trying to fill her days with volunteer work with condescending managers and water aerobics in the gym. They are drifting apart and even their grown children sense it. Adam is sleeping at the office more often than not, and sometimes with Maya who has been flirting with him. Can their marriage survive old age?

Gavras whose first feature was the political drama Blame It on Fidel is making her second feature in English (she was born and raised in France) for the first time, possibly to appeal to a wider audience. There are some fine actors in France who might have taken these roles but it’s hard to imagine anyone doing a better job than Hurt and Rossellini did here.

Hurt has always been a kind of ice cold actor, a little bit distant from his audience. Rossellini on the other hand is all heart, all soul. They couldn’t be more different if they tried but they succeed in convincing us they’re a couple, communicating in non-audible gestures and looks although as the film progresses they don’t communicate at all. I suspect that Gavras purposely cast such polar opposites; I know couples like this who have had successful ¬†marriages, but they demand a lot of patience and work. Adam seems to be more passionate about his work than his wife; Mary is unable to get past her obsession with oncoming age. The two can’t seem to get past their differences.

And yet, there’s no denying the chemistry in this couple. The ending is a bit forced, but the only reason it works at all is because of that chemistry between Hurt and Rossellini. They convince you that there is love between them, even when they don’t know how to live with each other. That’s the way it goes sometimes and not every ending is as happy as this one turns out to be.

This isn’t compelling romantic cuddle by the fire stuff, but it is compelling as a look at how relationships survive the aging of the people in it. And yeah, maybe on Valentine’s Day you want to keep the “I wanna grow old with you” to just a declaration of intent, but the fact of the matter is that we do have to eventually grow old and doing so with a partner is just as difficult and hard work as it is growing up with one – but just as rewarding as well.

WHY RENT THIS: Charming performances from Rossellini and Hurt. Unapologetic and frank discussion of aging.
WHY RENT SOMETHING ELSE: Muddled in places. The ending is a little bit too chipper.
FAMILY VALUES: There is some sexuality, some drinking, adult themes and a little bit of foul language.
TRIVIAL PURSUIT: The director is the daughter of Oscar-nominated director Costa-Gavras (Z, Missing, Betrayed).
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
SITES TO SEE: Netflix (DVD rental), Amazon (not available), Vudu (not available),  iTunes (not available), Target Ticket (not available)
COMPARISON SHOPPING: Lovely, Still
FINAL RATING: 5.5/10
NEXT: Cinema of the Heart continues!

Womb (Clone)


Oedipus, anyone?

Oedipus, anyone?

(2010) Sci-Fi Drama (Olive) Eva Green, Matt Smith, Lesley Manville, Peter Wight, Istvan Lenart, Hannah Murray, Ruby O. Fee, Tristan Christopher, Jesse Hoffman, Natalia Tena, Ella Smith, Wunmi Mosaku, Alexander Goeller, Gina Stiebitz, Adrian Wahlen, Amanda Lawrence, Jennifer Lim, Tina Engel, Noah Hedges. Directed by Benedek Filegauf

Letting go is the hardest thing possible. When we lose someone, particularly someone who is more dear to us than life itself, accepting that they’re gone is a monumental task. Moving on seems next to impossible. What if the technology existed to bring them back – not as they were but as a completely new person?

Rebecca (Green) met Tommy (Smith) when as a nine-year-old girl visiting her grandfather for the summer she fell deeply in love with him – as he did with her. However, summers end and Rebecca is whisked away to join her mother in Japan. Twelve years pass.

However, Rebecca has never been able to put Tommy out of her mind and as it turns out, neither has he for her. The two reconnect and marry. The future looks limitless; Rebecca works as a computer programmer and Tommy is an environmental activist. Even though the two don’t seem compatible, they are very much in love and all things are possible when you’re young and in love. Unfortunately, so is death.

Rebecca is devastated by Tommy’s untimely demise as our his parents Judith (Manville) and Ralph (Wight). Rebecca is particularly inconsolable, and out of her grief hatches a nutty plan – she wants to use Tommy’s genetic material to create a cloned embryo which she would be impregnated with and carry to term. Judith is aghast at the idea and won’t hear of it. Ralph is more accepting of the idea but urges caution and consideration of the potential pitfalls. He signs the permission forms without Judith’s knowledge and you can guess what happens next.

Little Tommy’s clone-ness however makes him a target for neighborhood bullies and so doting mom Rebecca moves him to an isolated beach shack where she home schools him. As Tommy grows (much more rapidly than the average kid it seems while mom remains just as hot as ever), the bond between them grows deeper – and more than a bit strange. Rebecca has her Tommy back – but has her unwillingness to let her lover go set up her son for ruin?

Hungarian director Filegauf takes a fairly complicated subject with all sorts of twisted implications and to his credit never makes it tawdry or lurid. Certainly there are elements of incest suggested, although it is never made too overt – and yet he doesn’t ignore those implications either. There is definitely a sexual tension between Rebecca and her son.

What I do have issues with is not so much the incest element but the lack of character development.¬† We never get a sense of why Rebecca is so obsessed with Tommy to the point where she is making choices that can only end in heartbreak. We don’t really see how their relationship develops as adults (before his untimely demise) nor do we get a sense of Tommy the son’s personality other than how he relates to his mom and later, to would-be girlfriend Monica (Murray).

Green is a capable actress, and it really falls upon her to carry the film to a large extent. Unfortunately, she’s not given much of a basket but she does the best she can with what she had. Smith, best known for being the most recent Doctor Who (at least until Peter Capaldi takes over next year) breaks his quirky mold here and plays it pretty straight although he has a few moments that will remind his many BBC fans of his performance on the beloved science fiction show.

I’ve said this about other movies but it bears repeating here – there was a good movie to be made here but the filmmakers didn’t make one. They made an okay movie out of a subject oozing with potential which considering the length and breadth of product out there is probably not a sufficiently good motivation to choose this movie above all the rest.

WHY RENT THIS: Takes a fairly lurid subject and never goes down the exploitation road.

WHY RENT SOMETHING ELSE: Lacks character development.

FAMILY VALUES: The themes are very, very adult and there are a couple of disturbing images here.

TRIVIAL PURSUIT: The movie was retitled Clone for its home video release in the UK.

NOTABLE HOME VIDEO EXTRAS: None listed.

BOX OFFICE PERFORMANCE: Negligible box office on a $13M production budget.

COMPARISON SHOPPING: The Possession

FINAL RATING: 5/10

NEXT: The Butler