(2015) Animated Feature (Paramount) Starring the voices of David Thewlis, Jennifer Jason Leigh, Tom Noonan. Directed by Duke Johnson and Charlie Kaufman
2016 OSCAR NOMINATIONS
Best Animated Feature
WINS – Pending
The world can be an impersonal place. Sometimes we seem to just be going through the motions, surrounded by automatons who are doing the same. Particularly when we’re lonely, we can feel isolated and unappreciated; we might reach out but sometimes we wonder what the point of another unfeeling sexual encounter, another meaningless friendship with vapid people who don’t do anything to arouse any sort of passion in us, might be.
Michael Stone (Thewlis) is a published author specializing in improving customer service. He has a young son and a wife in Los Angeles. He’s successful. A lot of people would consider his situation to be a successful life, but Michael feels far from successful. He’s alone in a crowd; his marriage has hit a rough patch and as he jets to Cincinnati for a speaking engagement, he decides to reach out to an ex-lover and see if she wants to hook up for the evening.
That goes predictably badly; their break-up had been not one of Michael’s shining moments and she’s still a bit bitter about it to say the least. It leads to an unpleasant scene in the hotel bar. Depressed, Michael heads back to his room but in the elevator he meets a pair of girls who are attending his speaking engagement; one, Lisa (Leigh) gets his attention.
That’s because to Michael’s eye, everyone looks the same, sounds the same, says the same things as one another. The world is a dull, dull place for Michael and Lisa is immediately like a breath of fresh air. She’s an anomaly in his life and he begins referring to her as “Anomalisa.” Even though she lacks self-confidence and doesn’t think she’s particularly pretty or attractive, she welcomes his attention and the two end up in bed.
But Michael is not altogether well and his affliction threatens to pull him and Lisa apart. Is Michael doomed to lead a mundane life of emptiness? Or will he find something that at last, makes him feel alive again?
Kaufman, one of the quirkiest writers in the business, utilizes stop-motion animator Johnson to tell a story which absolutely suits the medium to a “T.” There is a Kafka-esque quality to the movie which can be unexpectedly humorous and occasionally surreal. When we saw the previews for this, Da Queen noted the line on the face of Michael that seems to go around his face; there is a reason for it that will become clear during one of the more funny scenes involving the hotel manager’s subterranean office and a much larger secretarial pool than any hotel manager in history ever had.
Thewlis has one of those distinctive voices, gravelly and British but with a sardonic twinkle in it. He captures Michael’s loneliness but also his narcissism well. Michael isn’t the nicest of protagonists; you get the sense that there is a reason that people don’t respond to him well and yet there is a humanity to him that manages to bleed through the puppetry (more on that in a moment). However, it’s hard to get too attached to someone who performs serial infidelity.
Leigh brings a very vulnerable quality to Lisa; at one point, she sings a version of Cyndi Lauper’s classic hit “Girls Just Want to Have Fun” that is haunting and effective. You wouldn’t call her sexy but there is a kind of sensuality about her; you can see Michael’s attraction to her but she’s a bit on the mousy side. In other words, she’s the perfect foil.
The only other voice heard in the movie belongs to Tom Noonan. He supplies the voices to every other character, male and female. His performance is the most brilliant of all, managing to give a certain amount of individuality to each character while making them sound the same enough to fuel Michael’s strange perception. There is something a little scary about the sameness of everyone here, like something out of The Twilight Zone. The mundanity of Michael’s life fuels the whole story; Kaufman seems to be saying that safety and security is a prison of its own, something I certainly can see.
Where the movie goes wrong is that it gets too mundane sometimes; the movie drags a bit in the middle third and at times seems to be wandering aimlessly in a plot that seems to go places at random. There are some fairly funny moments and certain scenes seem to be added on just to add to the comedy that doesn’t feel like they belong in the narrative. That might well be intentional, but at least for me it didn’t work.
This isn’t for the kids so despite this being an animated feature, do leave them at home; there is a sex scene that is fairly graphic and intense, a scene of Puppet-lingus that may be difficult to wipe from your memory even if you try. Brain bleach is awfully expensive these days, after all. Still, there is enough here that is thoughtful to warrant a look, if nothing else to provoke some stimulating conversation, something ironically Michael doesn’t have enough of. If you’re looking for something to take you out of the ho-hum of life, this is it.
REASONS TO GO: Surprisingly human. Thought-provoking.
REASONS TO STAY: Occasionally confusing. A bit sloggy around the middle.
FAMILY VALUES: Some very adult sexuality, graphic nudity and strong language. Definitely not for the kids.
TRIVIAL PURSUIT: The film debuted at South by Southwest 2015.
CRITICAL MASS: As of 1/30/16: Rotten Tomatoes: 91% positive reviews. Metacritic: 87/100.
COMPARISON SHOPPING: David and Lisa
FINAL RATING: 6/10
NEXT: The Tail Job