New Releases for the Week of June 16, 2017


CARS 3

(Disney*Pixar) Starring the voices of Owen Wilson, Kerry Washington, Larry the Cable Guy, Bonnie Hunt, Armie Hammer, Chris Cooper, Nathan Fillion. Directed by Brian Fee

After a dominating run in the world of motorsports, Lightning McQueen is suddenly put out to pasture after suffering a terrible crash at the hands of a cocky young racer named Jackson Storm. Unable to compete with a new generation of lightweight, technologically advanced racecars, Lightning goes back to Radiator Springs, unable to believe he has been forced out of the sport he loves. With the help of an ambitious young technician, Lightning may still get back into the game – with the help of a few oldtimers who know what racing is truly all about.

See the trailer, interviews, promos and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: G

47 Meters Down

(Dimension) Mandy Moore, Claire Holt, Matthew Modine, Yani Gellman. Two young women vacationing in Mexico decide to go diving in a shark cage in waters infested by Great Whites. When the cable connecting the cage to the boat snaps the girls plummet to the bottom of the seabed 47 meters down. With their oxygen supply running low and the waters filled with hungry sharks, the women will have to rely on their courage to survive their shark encounter.

See the trailer, clips and video features here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for sequences of intense peril, bloody images, and brief strong language)

All Eyez on Me

(Codeblack/Summit) Demetrius Shipp Jr., Danai Gurira, Kat Graham, Lauren Cohan. The story of Tupac Shakur, one of the most distinct and revolutionary voices to come out of rap. Although he died far too young, his legacy remains one of the most honored and respected in music.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Biography
Now Playing: Wide Release

Rating: R (for language and drug use throughout, violence, some nudity and sexuality)

The Book of Henry

(Focus) Naomi Watts, Jaeden Lieberher, Jacob Tremblay, Sarah Silverman. A precocious young boy takes care of his family including his mother, a hard-working waitress who lacks confidence. When a classmate who lives next door lets Henry in on a terrible secret, he resolves to help her. Utilizing his imagination and intellect, he concocts a plan that surprises his mom – who finds herself at the center of his machinations.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and brief strong language)

Chasing Trane: The John Coltrane Documentary

(Abramorama) Denzel Washington (voice), John Coltrane, Common, Carlos Santana. One of the most gifted, innovative and inspiring performers in the history of jazz was John Coltrane. This documentary about the man and his music is coming to the Enzian as part of their monthly Music Monday series; it was previously reviewed here on Cinema365 and that review can be found here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR

Dean

(CBS) Demetri Martin, Kevin Kline, Gillian Jacobs, Mary Steenburgen. A young cartoonist is working on his follow-up book but can’t seem to find inspiration. It doesn’t help that his mother, his biggest supporter, recently passed away and his dad and he are drifting further apart, particularly when the news comes that dad is selling their childhood home. Frustrated and needing a change of scenery, he takes off on a trip to California that might just give him a lot more than he bargained for. This was one of the Florida Film Festival’s standout spotlight films this past April.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: PG-13 (for language and some suggestive material)

Kill Switch

(Saban/Lionsgate) Dan Stevens, Bérénice Marlohe, Mike Reus, Bas Keljzer. At first it was an experiment to create a limitless energy source, something our planet sorely needs. When things go horribly wrong, a pilot fights to save his family – and indeed, the whole planet – from the effects of the experiment gone awry.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Action
Now Playing: AMC West Oaks

Rating: R (for language and some violence)

Rough Night

(Columbia) Scarlett Johansson, Jillian Bell, Zoë Kravitz, Kate McKinnon. Five best friends from college reunited for a weekend in Miami to celebrate one of their numbers impending nuptials. However, this badass bachelorette party turns a bit too wild and things get pretty real pretty fast. The girls elect to cover up the accident but that turns out to be a lot more difficult than they envisioned.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, language throughout, drug use and brief bloody images)

ALSO OPENING IN ORLANDO/DAYTONA

Slack Bay

ALSO OPENING IN MIAMI:

Beatriz at Dinner
The Happiest Day in the Life of Olli Maki
Past Life
The Recall
You’re Killing Me Susanna

ALSO OPENING IN TAMPA:

Ami Tumi
Jeremiah Tower: The Last Magnificent
Once Upon a Time in Venice
The Recall

ALSO OPENING IN JACKSONVILLE:

Kedi
The Lure
Tomorrow Ever After

New Releases for the Week of September 30, 2016


Deepwater HorizonDEEPWATER HORIZON

(Summit) Mark Wahlberg, Kurt Russell, John Malkovich, Dylan O’Brien, Gina Rodriguez, Kate Hudson, Ethan Suplee, Joe Chrest, J.D. Evermore. Directed by Peter Berg

When an offshore oil drilling platform explodes in the Gulf of Mexico, it results in the worst oil spill in history, a spill whose effects continue to be felt all up and down the Gulf coast. What many people don’t know however is the story of the men and women who were on that platform when all hell broke loose. This is their story, one of heroism and sacrifice and of lives saved and lives lost.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for prolonged intense disaster sequences and related disturbing images, and brief strong language)

The Dressmaker

(Broad Green/Amazon) Kate Winslet, Liam Hemsworth, Hugo Weaving, Judy Davis. A haute couture dress designer returns to her small Australian hometown to discover the truth behind how her reputation was made to be notorious. The longer she stays, the more she discovers that not everything in the town is what it appears to be and that the people of the town have skeletons of their own hiding in hidden closets.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Regal Winter Park Village

Rating: R (for brief language and a scene of violence)

Harry and Snowman

(FilmRise) Harry DeLeyer, Harriet DeLeyer, Andre DeLeyer, Marty DeLeyer. After the end of World War II, Dutch immigrant Harry DeLeyer wandered into a horse auction and on the spur of the moment bought a plow horse for $80 that was bound for the glue factory. Instead, within two years, he’d won the triple crown of Show Jumping, beating horses from blue blood estates with distinctive bloodlines. He tells the story of how that plow horse, whom Harry named Snowman, redeemed him.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex
Rating: PG-13 (for brief language and some thematic material)

M.S. Dhoni: The Untold Story

(Fox Star) Sushant Singh Rajput, Kiara Advani, Disha Patani, Ram Charan. One of the greatest stars in the international sport of cricket is M.S. Dhoni. From the humble background of being a ticket taker at a stadium to being one of the greatest stars in it, his rise to captain of the Indian national team is the stuff of legend.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Masterminds

(Relativity) Zach Galifianakis, Owen Wilson, Kristen Wiig, Jason Sudeikis. A bored armored car driver, falling for the flirtations of a work crush, becomes embroiled in a scheme put together by a group of half-baked criminals whose plan is flawed to say the least. Nonetheless against all odds he gets away with $17 million only to discover that he has been set up as the fall guy in this ludicrous scheme. Evading the cops and an incompetent hit man, he must find away to turn the tables on these guys before he falls in even further than he already is.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for crude and sexual humor, some language and violence)

Miss Peregrine’s Home for Peculiar Children

(20th Century Fox) Asa Butterfield, Eva Green, Samuel L. Jackson, Judi DenchA young boy discovers a mystery involving alternate realities, the nature of time and the existence of children with amazing powers who have been put into a place where they are protected – but that safety is an illusion. The boy will have to find his own special and peculiar ability and protect the kids or lose them to a dark, sinister being. Tim Burton is the director.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of fantasy action/violence and peril)

Morris from America

(A24) Craig Robinson, Markees Christmas, Carla Juri, Patrick Goldenberg. A young boy is torn away from everything he knows when his father accepts a job in Germany, putting the boy’s burgeoning hip-hop stardom plans on hold. However, he finds that life in Germany is much different than he expected – and his dreams of being a rap star are much closer than he realizes. A hit at both the Sundance and Florida Film Festivals earlier this year.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: R (for teen drug use and partying, sexual material, brief nudity and language throughout)

Queen of Katwe

(Disney) David Oyelowo, Lupita Nyong’o, Madina Nalwanga, Martin Kabanza. Phiona Mutesi, a ten-year-old living in the slum of Katwe in the Ugandan city of Kampala, has really no expectations for a life different than the one she’s always known. However, when she shows a natural aptitude for chess, it may prove to be the ticket out of poverty for her and her family – if she can master the discipline of being a grand master, that is.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG (for thematic elements, an accident scene and some suggestive material)

Train to Busan

(Well-Go) Yoo Gong, Soo-an Sim, Yu-mi Jeong, Dong-seok Ma. A businessman takes a train with his young daughter to see her mother, but a virus breaks out on the train, turning peaceful passengers into ravening zombies. The father teams up with some of the other survivors to protect his daughter and survive the trip to Busan.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: NR

New Releases for the Week of February 12, 2016


DeadpoolDEADPOOL

(20th Century Fox) Ryan Reynolds, Morena Baccarin, T.J. Miller, Gina Carano, Ed Skrein, Lesley Uggams, Greg LaSalle, Taylor Hickson. Directed by Tim Miller

This is not your daddy’s superhero movie – although it might just end up being your daddy. Wade Wilson is a mercenary with a particular set of skills…oh, not that tired old movie again. But Wade has a big problem – it’s cancer and it’s everywhere in his body. Things don’t look good for our good ol’ buddy Wade – until a mysterious man recruiting for a mysterious agency makes a proposal that Wade might not be able to turn down. One of the hotly anticipated movies of the year.

See the trailer, clips, interviews and promos here.
For more on the movie this is the website.

Release Formats: Standard (3D, IMAX 3D)
Genre: Superhero
Now Playing: Wide Release

Rating: R (for strong violence and language throughout, sexual content and graphic nudity)

Fitoor

(UTV) Katrina Kaif, Tabu, Aditya Roy Kapoor, Aditi Rao Hydari. A Bollywood take on the Charles Dickens classic Great Expectations. A young street boy in Kashmir falls in love with an upper class girl but the girl’s mother conspires to keep the young lovebirds apart.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: PG-13 (for sexual content and some thematic issues)

How to Be Single

(New Line/MGM) Dakota Johnson, Rebel Wilson, Damon Wayans Jr., Leslie Mann. A group of young unmarrieds in the Big Apple cope with the vagaries of the dating scene in a digital world as well as the sometimes confusing rules of behavior between the sexes.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for sexual content and strong language throughout)

The Lady in the Van

(TriStar) Maggie Smith, Alex Jennings, Jim Broadbent, Roger Allam. Playwright and television presenter Alan Bennett is annoyed to discover an elderly woman living in her van in his driveway. Grudgingly, he allows her to stay, a decision that will change both their lives.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D
Genre: True Life Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for a brief unsettling image)

Tumbledown

(Starz Digital Media) Jason Sudeikis, Rebecca Hall, Dianna Agron, Blythe Danner. The widow of an iconic folksinger finds it hard to move on and retreats to the woods of Maine. When a brash New York writer approaches her with the proposal of writing his biography, she is at first cool to the idea but the more she allows him to write his story, the more she heals.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: R (for a sex scene)

Where to Invade Next

(Drafthouse) Michael Moore, Tim Walker, Kirsta Kiuru. Professional gadfly and documentarian Moore turns his eye to the American dream and how it seems to be alive and well – and living in other places around the globe. He comes up with ways that dream is being pursued, and how the ideas that other countries have used can work here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: R (for language, some violent images, drug use and brief graphic nudity)

Zoolander 2

(Paramount) Ben Stiller, Owen Wilson, Penelope Cruz, Will Ferrell. Down on his heels and irrelevant, supermodel Derek Zoolander gets back in the game in more way than one when a mysterious Interpol agent discloses that the world’s most beautiful celebrities are turning up dead – with Zoolander’s famous “blue steel” look on their faces. Lucky bastards

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for crude and sexual content, a scene of exaggerated violence, and brief strong language)

No Escape


Owen Wilson and Lake Bell carry the movie.

Owen Wilson and Lake Bell carry the movie.

(2015) Action (Weinstein) Owen Wilson, Lake Bell, Pierce Brosnan, Sahajak Boonthanakit, Claire Geare, Sterling Jenns, Stacy Chbosky, Tanapol Chuksrida, Jon Goldney, Nophand Boonyai, Thanawut Kasro, Kanaprat Phintiang, Bonnie Jo Hutchison, Danai Tung Thiengtham, Vuthichard Photphurin, Manfred Iig, Bonnie Zellerbach, Karen Gemma Dodgson. Directed by John Erick Dowdle

It is one thing to be in a situation in which you are in mortal danger. It is quite another when your entire family is in that same situation with you. The entire dynamic is changed; you may fight for your own life but when it comes to your family…

Jack Dwyer (Wilson) is an engineer whose business has gone belly up. Forced to take a job to take care of his family, he goes to work for the multinational Cardiff Corporation, going to a Southeastern Asia country to work on cleaning up their water supply. He is going to be there for some time, so he brings his family – wife Annie (Bell), daughters Lucy (Jenns) and Beeze (Geare). The girls are a bit on the spoiled side – Lucy, a pre-teen, acts out constantly while the younger Beeze has a maniacal attachment to a stuffed teddy bear named Bob.

The family befriends scruffy Hammond (Brosnan), a British ex-pat, on the flight over and when the car that Cardiff was supposed to send around to fetch them doesn’t arrive, Hammond and his local buddy Kenny Rogers (Boonthanakit), who runs a taxi service and is freakishly devoted to the singer in question that everyone knows him by that name, offers to give the exhausted family a lift to the hotel. Once there, the phones, television and internet aren’t working. Jack heads down to the concierge (Boonyai) to complain about the situation and ends up spending some time with the womanizing drunken Hammond at the bar.

What Jack doesn’t know is that the country’s prime minister (Photphurin) has been assassinated and a rebel coup has begun. The rebels, easily identified by their red bandannas, are virulently anti-foreigner and what Jack also doesn’t know is that they’re particularly pissed off at his company who have taken over their country’s water supply.

While out to fetch a newspaper the next morning, Jack runs smack into a confrontation between rebels and riot police and is caught in the middle. As he runs back to the hotel, he soon finds to his dismay that the rebels not only have numerical superiority but the upper hand; they are well-armed and are completely overrunning government forces. They are also executing foreigners on sight. Jack, realizing the situation is out of hand, goes to collect his family including the willful Lucy who has gone AWOL to the hotel swimming pool. Once he collects his family, he takes them on the advice of Hammond to the hotel roof, which turns out to be not as safe as he would have thought when a rescue helicopter turns out to be anything but. In order to escape he is forced to throw his screaming reluctant children to the roof of an adjacent office building and hide them there after the inhabitants are butchered by the rebels. They try to head for the American embassy, but even though it is only a few blocks away it might as well be on the moon, considering how dangerous the streets are.

Dowdle, who co-wrote the movie with his brother Drew, has done some fairly high-profile genre work in the past, including Devil, Quarantine and As Above, So Below. This is less a genre film and more of an action thriller, broken down to almost a primal level – a man trying to protect his family, doesn’t get any more primal than that.

Wilson and Bell aren’t the first choices I’d make to cast an action movie, but they do credible jobs here, even if Bell is given little to do but be menaced by rebels and to try and calm down her hysterical children. What I like about the roles is that neither Wilson or Bell are ex-Navy SEALs or kickboxing champions. They are ordinary people thrust into an extraordinary situation and from time to time they freak out, understandably.

The kids though are another matter. They are whiny, bratty and basically are there to put the entire family in jeopardy at every inopportune moment. I don’t mind that happening from time to time in the movie but it seemed like every ten or fifteen minutes in a kid would cry, disobey their parents or snivel to the point where they got noticed by angry rebels. I know the kids are part of the motivation for Jack but they needed to be less involved in the action.

Some have criticized the film for making the rebels faceless, but that’s an invalid criticism. Of course the rebels are going to be mostly faceless; this is an action movie. At one point, Hammond comments that the rebels are trying to protect his family just as Jack is. The real villain here is the faceless corporation; nobody complained that the executives of Cardiff were faceless. Political correctness, once again taken to ridiculous lengths.

The action sequences are the film’s highlights; Dowdle directs these deftly, making sure the tension is extremely high throughout. Those action fans who love that kind of thing should flock to this movie; Die Hard it isn’t but it does action right, and that’s not nearly as easy as it sounds., The cinematography isn’t bad, although the urban scenes, mostly filmed in Thailand, are a little bit scruffy. It’s the night filming which is when most of the movie takes place that looks more thrilling.

This is nice entertainment, transitioning from the late summer doldrums into the early fall doldrums and let’s face it, is about as good a movie as we’re going to get until November for the most part. There are a few plot points here that are a bit dicey but if you are willing to overlook them, this is a fairly fun action thriller that does exactly what an action thriller is supposed to do.

REASONS TO GO: Pretty harrowing in places. Wilson, Bell and Brosnan are always worth seeing.
REASONS TO STAY: The kids are far too annoying. Here’s to almost.
FAMILY VALUES: Plenty of violence (some of it graphic) and foul language.
TRIVIAL PURSUIT: Michelle Monahan was originally cast as Annie Dwyer but when production was delayed, she got pregnant and was forced to drop out of the role. Lake Bell took over the role.
CRITICAL MASS: As of 9/7/15: Rotten Tomatoes: 42% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: Southern Comfort
FINAL RATING: 6/10
NEXT: Can’t Stand Losing You: Surviving The Police

New Releases for the Week of August 28, 2015


We Are Your FriendsWE ARE YOUR FRIENDS

(Warner Brothers) Zac Efron, Wes Bentley, Emily Ratajkowski, Jonny Weston, Shiloh Fernandez, Alex Shaffer, Jon Bernthal, Alicia Coppola. Directed by Max Joseph

An ambitious Valley Boy dreams of making it out of the suburban Hell of the San Fernando Valley and becoming a world class DJ. An older, damaged DJ takes the young man under his wing, showing him a world of decadent Hollywood parties and star-studded night clubs. Things get complicated when the younger man falls for his mentor’s much younger girlfriend, and his friends begin to see the changes in him. With everything he ever cared about unraveling in the face of achieving his dream, he has to choose between loyalty and ambition.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Drama/Musical
Now Playing: Wide Release
Rating: R (for language throughout, drug use, sexual content and some nudity)

The Diary of a Teenage Girl

(Sony Classics) Bel Powley, Kristen Wiig, Alexander Skarsgard, Christopher Meloni. Amid the transition from counterculture to Me Generation in San Francisco in the mid-70s, a young girl experiences a sexual awakening and a coming of age as she develops an intimate relationship with her hard-partying mother’s boyfriend. Based on the highly acclaimed, slightly disturbing, sometimes shockingly graphic and beautifully poignant graphic novel by Phoebe Gloeckner.

See the trailer, clips and an interview here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Downtown Disney, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village, UA Seminole Towne Center
Rating: R  (for strong sexual content including dialogue, graphic nudity, drug use, language and drinking – all involving teens)

Frank the Bastard

(Paladin) Rachel Miner, Andy Comeau, Chris Sarandon, William Sadler. A young woman, who fled her small Maine home town with her father after the mysterious death of her mother, has lived in New York City ever since. Now, she is returning to find out what happened so long ago, what caused her father to flee and what really happened to her mother. Through her nosing into events of the past she discovers indelible links to events of the present, links that make certain people uncomfortable and put this young woman into mortal jeopardy.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: Fashion Square Premiere Cinema
Rating: NR

No Escape

(Weinstein) Owen Wilson, Lake Bell, Pierce Brosnan, Thanawut Kasro. An American businessman relocates his family to Southeast Asia, despite the reluctance of his children. At first, things seem pretty idyllic there and his family eventually relaxes and begin to enjoy life in their new home. However, a violent political uprising throws the country into turmoil and the lives of foreigners are especially at risk. He must get his family to the American embassy to find a safe refuge but first he must travel across a war-torn city to do it.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Action
Now Playing: Wide Release
Rating: R (for strong violence throughout, and for language)

Unsullied

(Dreamline) Rusty Joiner, Murray Gray, James Gaudioso, Erin Boyes. A beautiful young African-American track star is abducted by a pair of sociopaths. From there it is a game of cat and mouse to see if she can get away and outrun her two tormentors.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: Regal Winter Park Village
Rating: R (for violence including a rape, language and brief drug use)

War Room

(Tri-Star) Priscilla C. Shirer, T.C. Stallings, Karen Abercrombie, Beth Moore. On the surface, the Jordan family is happy with a middle class family with great jobs, a beautiful daughter, a dream home. However appearances can be deceiving; in reality the marriage is a war zone with mother and father fighting tooth and nail and the daughter is the collateral damage. With the aid of an older, wiser woman, the two discover the power of prayer can cure about anything, no matter how impossible it seems.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Faith-Based Drama
Now Playing: Wide Release
Rating: PG (for thematic elements throughout)

Inherent Vice


Joaquin Phoenix counts the number of people in the theater.

Joaquin Phoenix counts the number of people in the theater.

(2014) Mystery (Warner Brothers) Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio del Toro, Jena Malone, Martin Short, Maya Rudolph, Eric Roberts, Michael Kenneth Williams, Jordan Christian Hearn, Jeannie Berlin, Joanna Newsom, Hong Chau, Michelle Sinclair, Elaine Tan, Martin Donovan, Erica Sullivan, Sasha Pieterse. Directed by Paul Thomas Anderson

Those of a certain age will remember the hippie movement of the late 60s and early 70s. The flower children whose innocence combined with rampant drug use and sexual experimentation and some new age noodling ended up making them targets for ridicule in the 80s and beyond. Long haired sorts blissed out on whatever drug of choice was handy, smiling beatifically and mouthing pseudo-philosophical aphorisms of pseudo-depth that were in the end senseless became something of a cultural stereotype, but in truth they did believe in love and peace, which has to be better than believing in money and war.

Larry “Doc” Sportello (Phoenix) is a private eye living in Manhattan Beach – called Gordita Beach here – in 1970. Sporting mutton chops that both Wolverine and a British sailor from the 1820s would envy, he is mainly content to work on such cases that came in to his office that he shares with dentists and the rest of the time, smoke pot and hang out with his latest lady friends who at the moment happens to be Assistant D.A. Penny Kimball (Witherspoon).  Life is pretty sweet.

Into his life comes an ex-girlfriend, Shasta Fay Hepworth (Waterston). She happens to be having an affair with big-time L.A. developer Mickey Wolfmann (Roberts) and who has been undergoing some sort of guilt trip, possibly brought on by heroin addiction. He has surrounded himself with neo-Nazi bikers which is interesting since he himself is Jewish. His wife and her boyfriend want to put Mickey away in a sanitarium and throw away the key by which means they’ll gain control over his fortune. Shasta Fay begs Doc to look into it and Doc, being the last of the knights errant, agrees to. Shasta Fay promptly disappears.

I could tell you how the rest of the story goes but it won’t make sense. It is, after all, based on a Thomas Pynchon novel. However, I will say that there is an ambitious cop named Bigfoot (Brolin) who may be a staunch ally of Doc or setting him up for a murder charge – or maybe both, an Indonesian heroin cartel laundering their money through a consortium of dentists called The Golden Fang, a saxophone player (Wilson) and heroin addict who has disappeared, leaving his wife (Malone) frantic, a shady Hispanic lawyer (del Toro) and a sweet but scatter-brained assistant who narrates the movie (Newsom).

In the interests of fairness, there are a lot of people whom I respect that really liked this movie a lot but for me, this is more like The Master than There Will Be Blood, Anderson’s worst and best films to date (although I must admit Boogie Nights comes close to the latter). I can understand why they liked the movie – the visual style, the well-written dialogue (with Pynchon you can’t go wrong in that regard) and the performances but this is one of those movies that depends on excess but sometimes, more is way too much.

Like most Paul Thomas Anderson movies, this meanders all over hell and gone, following one thread until it gets played out or Anderson gets bored with it and then suddenly switching to another. Keeping track of who is allied with who is apt to cause your brain to spontaneously ignite into flames. Don’t bother because it doesn’t really matter much in the end anyway.

The thing is that Anderson (like Pynchon before him) is doing a kind of stoner noir here, a hard-bitten detective story with a soft-chewing hippie detective. You’ll smell the intoxicating mix of patchouli, marijuana smoke and incense blending together at the same time as you feel like you’re in a stoners apartment in which a fine layer of ash coats everything and every container possible has stubbed out cigarette butts and the counter tops faint signs of cocaine lines left behind. Both Da Queen and I felt the squalor permeating our skin and exited the theater into the cool night air, relieved to be breathing in something fresh and unadulterated by intoxicants.

Phoenix and Brolin are fine actors, Oscar nominees both. Phoenix does befuddled about as well as anybody and he plays stoned perhaps better than anybody save Seth Rogen. He captures the part of Doc about as well as anybody’s going to without doing the copious amounts of weed that Doc does during the film – and who knows, maybe he did. Brolin on the other hand plays the flat topped brush cut cop who wants to be the next Jack Webb but is more likely to be the most recent Martin Milner. He’s the best part of the movie, partially comic relief but not always.

We get that people did a lot of drugs in the 70s. We don’t have to see them light up in every fucking scene, take a long drag, and then proceed with the scene. I would estimate that about 20 minutes of the two and a half hour run time is devoted to watching people go through the mechanics of smoking dope and cigarettes and it gets monotonous. So too does the story, which meanders from place to place, becoming maddeningly interesting but just when it’s about to, takes off on another tangent with the previous story elements never to reappear again. Eventually the last 30 minutes the film picks up steam and for that reason the movie isn’t getting the first Zero rating this site has ever given out but it came damn close.

I get the sense that Paul Thomas Anderson’s ego wrote checks that this movie didn’t have the funds to cash and I’m not talking budget here. Pynchon as a writer has a delightful command of language and to Anderson’s credit as the screenwriter adapting his work, he does try to utilize that in the script where he can. Sadly, both Pynchon and Anderson are guilty of the same kinds of excesses – one in literature, the other in cinema – and the two don’t make a good match.

I’ve always admired Anderson for his creativity and for making movies that don’t conform to any standards, but that is a double edged sword and the blade is cutting deep here. Whereas There Will Be Blood is damn near a masterpiece, this is kind of a sordid mess that never really manages to get going and throws so many characters at you that pretty soon you begin confusing one longhair for another. That’s never a good sign. I had hopes that the combination of Pynchon and Anderson might yield up a great movie. Some folks may argue that it did. I would contend that it did not.

REASONS TO GO: You can always walk out.
REASONS TO STAY: Way long. Dwells on minutiae too much. Watching stoners being stoned is about as entertaining as watching mimes at work.
FAMILY VALUES: Near-constant drug use and profanity. Some violence. There’s also a good deal of sexual content and occasional graphic nudity.
TRIVIAL PURSUIT: This is the first time that Rudolph has appeared in a Paul Thomas Anderson film. The two have been a couple for more than a decade.
CRITICAL MASS: As of 1/20/15: Rotten Tomatoes: 70% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Forbidden Zone
FINAL RATING: 1/10
NEXT: Listen Up, Philip

Night at the Museum: Secret of the Tomb


Even Ben Stiller's flashlight isn't enough to make up for the light that left us when Robin Williams passed away.

Even Ben Stiller’s flashlight isn’t enough to make up for the light that left us when Robin Williams passed away.

(2014) Family Adventure (Paramount) Ben Stiller, Robin Williams, Owen Wilson, Steve Coogan, Dan Stevens, Ben Kingsley, Rebel Wilson, Ricky Gervais, Rami Malek, Skyler Gisondo, Patrick Gallagher, Mizuo Peck, Dick van Dyke, Mickey Rooney, Bill Cobbs, Andrea Martin, Rachael Harris, Brad Garrett (voice), Anjali Jay, Regina Taufen (voice). Directed by Shawn Levy

Some movies can be extremely poignant and bring a tear even to the most heartless of people. Sometimes movies are lent extra poignancy by real life circumstances.

Things at the Museum of Natural History in New York City couldn’t be going better. They’ve added a brand new planetarium and opening night is a dazzling affair. Larry Daley (Stiller) has set up quite the soiree with President Theodore Roosevelt (Williams), Attila the Hun (Gallagher) and Sacajawea (Peck) leading the way, along with some animated constellations and Trixie the T-Rex. However, things go terribly wrong; Attila and the Huns (sounds like a great name for a garage band) attack indiscriminately, Teddy reads lines from his nephew Franklin and the exhibits who have come to life basically aren’t acting like themselves.

Ahkmenrah (Malek) whose tablet possesses the magic to keep his son living, discovers that the tablet is corroding somehow but it seems to be tied in to the issues that the exhibits are having. He isn’t quite sure why it is corroding now nor how to stop it; the one who really knows about the tablet is his dad Merenkahre (Kingsley) who happens to be in the British Museum.

So it is that Larry heads to London, taking with him Akhmenrah and Teddy – as well as Sacajawea, Attila and the tiny cowboy Jebediah (Wilson) and Roman legionnaire Octavius (Coogan) and Dexter, the mischievous Capuchin monkey. They seek out dear old dad who tells them that the tablet needs moonlight in order to recharge; like a battery, the tablet is corroding. Seems a simple enough fix.

Of course not. The vainglorious Sir Lancelot (Stevens) has seen the magic properties of the tablet and figures out that this is the Holy Grail he was sent to find and he can thus bring it back to Camelot and claim Guinevere to be his very own. The rest of them need the tablet to continue being reanimated at night; without it they’ll be permanent wax figures and thus the chase is on with the stakes being incredibly high.

I haven’t had a real love affair with this series but neither have I particularly hated it either. All three of the movies in the franchise I have found to be competently done entertainment. Many critics have lamented the waste of talent and I can’t say as I don’t disagree but for what the film is intended to be, it is successful.

There are moments that are the highlights of the series, as the penultimate scene that takes place on the roof when Dexter is stricken. There is some real tenderness in that moment and when Dexter whimpers it was a real shot to the heart and some of the more tender-hearted kids in the audience reacted so you might want to be sure your kids can handle an animal in distress, or the grieving that comes with impending loss. Other moments of grace include bringing back the trio of security guards (Van Dyke, Cobb and Rooney) who initiated the events of the movie originally.

There are also moments that remind me why I never warmed to the series in the first place, like Larry having a conversation about parenting with Laa (also Stiller), a caveman who seems to understand what Larry is saying but through a much simpler filter. Also Dexter saves Octavius and Jebediah from a lava flow in Pompeii by relieving himself on the lava – and on the figures. Nice.

While the chemistry between Owen Wilson and Steve Coogan is genuine, the same is not true for the rest of the cast. Mostly it seems very much like a paycheck rather than a passion project and for good reason. As much as the highbrow aim is to educate as well as entertain, they really don’t do very much of the former whenever they have a chance for the latter. And there’s nothing wrong with that, but when the humor is as unmemorable as the humor is here, there’s a problem. Rebel Wilson, for example, who plays an oversexed and dimwitted British security guard, is utilized poorly.

There is a vibe of finality to the film which isn’t entirely due to the movie itself; the passing of Williams and Rooney adds to that feeling. We are in essence saying good-bye to both of them which adds to the poignancy of the final scenes. While I was entertained in places and touched in others however, the movie isn’t cohesive enough to really keep my interest for the full length of the movie. Like an under-powered train chugging into the engine with its fuel exhausted, the franchise barely has enough in it to make it through the shortest running time of any of its films. Worth seeing? More or less but more to say goodbye to two of the greatest to ever walk onto a sound stage than for anything onscreen.

REASONS TO GO: Very touching in some places, especially on the British Museum rooftop. A nice way to say farewell to Mickey Rooney and Robin Williams.
REASONS TO STAY: Pretty generic and bland. Humor is of the lowest common denominator sort.
FAMILY VALUES: There is some mildly foul language, a bit of peril and some humor of the pee-pee doo-doo kind.
TRIVIAL PURSUIT: The role of Nick (Larry’s son) was played by Jake Cherry in the first two films; Gisondo plays him here.
CRITICAL MASS: As of 12/30/14: Rotten Tomatoes: 47% positive reviews. Metacritic: 47/100.
COMPARISON SHOPPING: Mannequin
FINAL RATING: 6/10
NEXT: Force Majeure