Ghost Team


Things are looking up for the Ghost Team.

Things are looking up for the Ghost Team.

(2016) Horror Comedy (The Orchard) Jon Heder, David Krumholtz, Justin Long, Melonie Diaz, Amy Sedaris, Paul W. Downs, Tom Schiller, Joel Marsh Garland, Doug Drucker, Rob DeRosa, Martin Barabas, Clem McIntosh, Shane Velez, Vincenzo Vaccaro, Veronika Dash. Directed by Oliver Irving

 

For the most part, we’re all fascinated by the paranormal. Who doesn’t want to see proof of life after we pass on? The existence of ghosts certainly is one of those things that have fascinated us for centuries, and yet for the most part, ghosts still remain essentially mythical figures. That doesn’t mean we haven’t stopped searching for definitive proof of their existence.

Plenty of television programs have documented the search of paranormal investigation teams. One of the most well-known is Ghost Getters which copy store clerk Louis (Heder) watches religiously. When the team puts out the call for a new member, Louis is psyched to apply, but he wants to stand out – by conducting his own investigation.

It’s hard to do when one’s day is mostly spent printing Lost Dog fliers. However when a curmudgeonly old man looking to get some laminated No Trespassing signs printed up lets slip that the barn on his property is “probably haunted,” Louis realizes this is the break he’s been waiting for. He ropes in his sad-sack best friend Stan (Krumholtz) who was left at the altar and thinks the only explanation for it was that his bride-to-be was kidnapped by aliens. They need a computer whiz and happen to know one who works at Micro World, Zak (Downs). When a late night run to “borrow” some equipment from Micro World ends up in a confrontation with gung-ho security guard Ross (Long), the team has their security chief. They enlist phony baloney TV psychic Victoria (Sedaris) and to round out the team, Ellie (Diaz) who works as a beautician in the shop next door to Louis and whose job is to….well, crap, I’m not really sure.

The intrepid erstwhile paranormal investigators who have christened themselves the Ghost Team head out to the barn to conduct their audition but when they arrive, they realize they’ve stumbled onto something that they simply weren’t prepared for. Will the Ghost Team’s first case also be their last?

The field of paranormal investigation shows has been ripe for a comedy to be based on it (although some would say that the original Ghostbusters was kind of a preemptive strike in that general direction). Certainly the movie takes aim at shows like SyFy’s venerable Ghost Hunters, which the fictional Ghost Getters is essentially based on as are many other like-minded shows all over cable television.

But sadly, the movie devolves into a kind of live action Scooby Doo minus the talking dog although it does have a van not unlike the Mystery Machine. How it does that I will not tell you, but suffice to say that those who grew up on that show will undoubtedly make that connection. I don’t have an objection per se only that the tonal shift doesn’t work here; they needed a better transition.

Heder has always been a bit too laid-back for my taste as an actor but the more he moves away from his Napoleon Dynamite past the better I like him and this is certainly a step in that direction. Like most of the characters here, Louis isn’t the brightest bulb in the chandelier but he certainly means well and that’s the kind of thing that’s right in Heder’s wheelhouse. He gets some superb support from Sedaris as the fake psychic who can’t believe that anybody buys her particular brand of B.S. and Diaz as an atypical damsel in distress. Long is terribly miscast as a security guy who seems to be suffering from Roid Rage.

Inexplicably, the movie uses Gary Wright’s 70s synthpop hit “Dream Weaver” to almost annoying extent. It was one of my favorite songs growing up but let’s face it; it’s not the kind of song you need to hear more than once on any movie soundtrack. The most genuinely scary moment in the film is when the Ghost Team sings along to the music.

And therein lies the rub; for a horror film, there aren’t any scares; for a comedy there aren’t many laughs. It tries to be both and ends up being neither. Part of the problem is that the writer doesn’t appear to be sure just what he wants this movie to be and what it ends up feeling like is a bunch of zombies wandering around aimlessly, calling pathetically for brains and this is not a movie that has (or should have) a lot of them. All the right ingredients are here for a good little film, but sadly, it ends up tasting rather bland.

REASONS TO GO: A cross between Ghost Hunters and Scooby-Doo. Heder is at his most likable here.
REASONS TO STAY: Official overuse of Gary Wright’s “Dream Weaver” on the soundtrack. It gets overly juvenile in places. The action sequences are unconvincing. There aren’t enough laughs.
FAMILY VALUES: There is a bit of profanity, some sexual references and some drug material as well.
TRIVIAL PURSUIT: The movie was available for streaming free on Google Play before it’s limited theatrical run. It will continue on Google until the end of August after which it will be available on other streaming sites.
BEYOND THE THEATER: Google Play
CRITICAL MASS: As of 8/13/16: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Ghost Team One
FINAL RATING: 4/10
NEXT: Star Trek Beyond

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The Skeptic


The Skeptic

Tim Daly is being haunted by Tiger Woods.

(IFC) Tim Daly, Tom Arnold, Zoe Saldana, Edward Herrmann, Robert Prosky, Andrea Roth, Bruce Altman, Lea Coco, Sarah Weaver. Directed by Tennyson Bardwell

We all believe in something; some believe in the spiritual, others in the rational. Some believe in nothing at all, but even that is believing in something.

Bryan Beckett (Daly) falls into that category. Then again, he’s a lawyer so I suppose that goes along with the territory. He believes only in what he can see, what he can touch and what he can hear, and even those things he doesn’t necessarily trust. His wife Robin (Roth) has begun to suspect that he doesn’t believe in marriage either, so she asks him to leave so he can maybe get a handle on whether he believes they should continue in their relationship or not.

He kind of wants to but then again, what is marriage anyway but a contrivance of the ecclesiastical and secular authorities to put an intangible relationship into some kind of quantifiable box and quite frankly, Bryan is all about the tangible baby and those who think otherwise are nutcases and idiots.

His aunt certainly qualifies as a nutcase. As she has come to the end of her life, she has come to believe in the supernatural to a great extent. When she dies suddenly, she leaves Bryan her house. Bryan sees it as an investment opportunity, but when Robin kicks him out, he uses it as a cheap bed for the night.

As you can guess, he begins to experience things he can’t quite explain. He hears people whispering but there isn’t anyone there. He sees fleeting images of a mysterious woman but again, he is alone. His partner and best friend Sully (Arnold) thinks he’s cracking up and needs a vacation. Eventually Bryan contacts the founder (Altman) of a paranormal investigative group that his loony tunes aunt had been involved with and is surprised to find him as skeptical as he. However, he does introduce Bryan to a sexy psychic (Saldana) who believes there is something malevolent in that house. Bryan thinks its hogwash. Is he right and just imagining these things, or is she right in which case he’s in mortal danger?

This is a movie that tries very hard not to pander to the baser instincts of the horror genre and in general it succeeds. Director Bardwell is out to create a mood of tension and spine tingling creepiness and when he succeeds, the movie is at its best. However, he necessarily has to temper the chills with the cold water splash of reality and the juxtaposition of the two is a very difficult tightrope to walk and he doesn’t always succeed completely.

Daly who was such a promising lead in “Wings” has had a checkered film career. He does a reasonably good job of playing the rational lawyer who’s more than a little bit of a cold fish. Unfortunately, his character as written tends to make it difficult for the audience to identify with him and root for him; he’s so good at portraying the unemotional, detached part of the character that at the end of the day there’s no emotional bond for the audience to hang onto. The central premise of the movie makes it nearly impossible for you to really root for the main character.

The end is a bit of a letdown and one that you can see coming early on. After watching The Skeptic I found myself not really caring that I’d seen it; it has some things going for it, enough that I can recommend it for those who like supernatural horror movies as well as psychological thrillers. However, I don’t see general audiences caring enough about the main character to make this movie a must-see.

WHY RENT THIS: A traditional haunted house movie that doesn’t involve teenagers is quite refreshing. Bardwell delivers a very creepy atmosphere in places

WHY RENT SOMETHING ELSE: This lacks in visual frights compared to more extravagant fair like The Haunting in Connecticut. The ending is a bit of a letdown.

FAMILY VALUES: There are some disturbing and frightening images, as well as some sexuality and a whole lot of bad language.

TRIVIAL PURSUIT: This was the final film role for veteran character actor Robert Prosky.

NOTABLE DVD EXTRAS: None listed.

FINAL RATING: 6/10

TOMORROW: Grown Ups