The Sleepless Unrest


A house ripe for a conjuring.

(2021) Horror Documentary (Gravitas) Kendell Whelpton, Cory Heinzen, Richel Stratton, Brian Murray, Vera Whelpton, Jennifer Heinzen, John Huntington, Anthony Cross, John Sparks. Directed by Kendell and Vera Whelpton

 

In recent years, television programs about amateur paranormal investigators have proliferated, with the 800-lb gorilla of the genre being Ghost Hunters. One of the places that TAPS never visited was the farmhouse in Harrisville, Rhode Island where once lived the Perron family. Their experiences were later turned into the massive hit movie The Conjuring which in turn spawned a franchise. It seems kind of odd that TAPS which was based in Rhode Island never bothered to investigate a place supposedly as haunted as this – although it should be said that the owners at the time claimed that there was nothing particularly frightening going on in the home. In face, Norma Sutcliffe, ran a daycare center in the house for 20 years without incident.

The new owners, Cory and Jennifer Heinzen, were fans of the movie and when the house went on the market were eager to buy it. They currently operate the home as a kind of haunted Air BnB, inviting amateur investigators to spend the night.

Kendall and Vera Whelpton took them up on it and in fact spent two weeks there. Along with their friends and fellow amateur investigators Brian Murray and Richel Stratton, they set up dozens of cameras in the nearly 300-year-old house as well as motion detectors and other equipment, most of it homemade or repurposed. This documentary records their experiences.

Be advised first off – there is nothing here that is particularly spectacular, or definitive proof of spooks, spirits, or ghosts, malevolent or otherwise. Like most paranormal investigative programs, we get footage of doors swinging open by themselves, objects falling off of shelves, strange orbs flying across the screen (well, one only in this case) and plenty of bumps and knocks. Of course, anyone who has ever lived in a house that is more than a century old can tell you that these things aren’t unusual – old homes can be affected by changes in air pressure, and are often full of creaks and moans that have everything to do with the house settling into its foundation and less to do with the paranormal.

If I sound like a skeptic here, I’m really not – I like to think that I’m open-minded about the possibilities of the otherworldly. However, the Whelptons, The Heinzens, Murray and Stratton don’t even attempt to attribute their footage to anything other than the supernatural. One of the things that attracted me to the original Ghost Hunters was that their first priority was to actually investigate – they looked for rational, scientific explanations first and when those were all exhausted, then they might admit that there was a possibility of a haunting. There’s no evidence that they even considered anything like that.

What you get here are a group of people who believe what they want to believe and try to make their footage conform to that belief. I don’t doubt for a minute that they believe the house is haunted, or that the paranormal exists but they don’t even research the history of the home they’re investigating, or even mention what the Warrens (the real-life investigators who worked with the Perron family back in the 1970s) attributed the haunting to. That may be because much of the folklore surrounding the house has since been debunked; the Warrens cited Bathsheba Sherman, who lived on a neighboring farm, as a witch who was the source of the haunting (the film expanded greatly on the theory). In reality, there’s no evidence that Mrs. Sherman practiced witchcraft and most of the tales of her being a witch seem to be contemporary in origin. The murder that was attributed to have taken place on the property actually took place in Massachusetts. Town records also don’t verify the suicides that took place on the property which were alluded to in a book by Andrea Perron, one of the five daughters who lived on the property in the 1970s and who continues to assert that the property is haunted.

I certainly won’t contradict either Ms. Perron or Ms. Sutcliffe. Both women lived on the property after all and clearly love the house and the land it sits on, and who am I, a mere film critic, to doubt any of their experiences? If you want to see for yourself, the farmhouse is available for day tours, although stays in the farm are booked through the end of 2022. You can look into the farmhouse further at this site and if you’re interested in finding out more, the Heinzens would be happy to answer your questions. However, this documentary that was filmed entirely on their property is not mentioned anywhere on the website, although other programs, podcasts and blogs that did, are. It is conspicuous by its absence. Finding out the truth about the Conjuring Farmhouse is something you are unlikely to learn by watching this movie, though.

REASONS TO SEE: The researchers and the Heinzens are outgoing and genuinely believe in what they’re doing.
REASONS TO AVOID: Never delves into the history of the house – why is it haunted? – nor do they seem to attempt to find any non-supernatural explanations for any of the phenomenon witnessed.
FAMILY VALUES: There are some spooky sequences and some profanity.
TRIVIAL PURSUIT: The Heinzens have two children who do not appear in the film.
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Google Play, Microsoft, Redbox, Spectrum, Vimeo, Vudu, YouTube
CRITICAL MASS:As of 9/6/21: Rotten Tomatoes: No score yet; Metacritic: No score yet.
COMPARISON SHOPPING: The Mothman Legacy
FINAL RATING: 5/10
NEXT:
Reminiscence

Blair Witch


Don't go into the woods; you'd think they'd have learned that by now.

Don’t go into the woods; you’d think they’d have learned that by now.

(2016) Horror (Lionsgate) James Allen McCune, Callie Hernandez, Corbin Reid, Brandon Scott, Wes Robinson, Valorie Curry. Directed by Adam Wingard

 

After a sixteen year absence in the franchise, we return to Burkittsville to further explore the secrets of the legendary Blair Witch in this follow-up to the original Blair Witch Project which somewhat tellingly ignores the events of Blair Witch 2: Book of Secrets. The filmmakers were so determined to keep this sequel a secret that they didn’t reveal the title of the film until the San Diego Comic Con, just two months before it was to be released. Like the original, that was genius marketing but would that translate to a good movie?

James Donahue (McCune), the little brother of the Project’s Heather, is in a bit of a tizzy. Some footage discovered in the woods near Burkittsville has yielded an image that might just be his long lost sister. With a trio of friends – Lisa (Hernandez), Peter (Scott) and Ashley (Reid) in tow, he heads out to Maryland to talk to the two bloggers who found the footage – high-strung Lane (Robinson) and super-cool Talia (Curry). The bloggers agree to lead James and his filmmaking crew to the spot where the footage was found.

Of course, immediately they get lost. Their GPS becomes unreliable. Their drone begins to function erratically. The four filmmakers know very little about woodcraft and they bicker with the locals who are only slightly more experienced. Then some strange figures made of sticks start appearing in their camps and as things become more and more twisted, time itself becomes something that can’t be counted on.

As people start disappearing, it becomes clear that something malevolent is at work in the Maryland woods and that the mysterious building that doesn’t show up on Google Earth that appears suddenly out of the rain has something to do with it. But is this the home of the notorious Blair Witch or part of something even more sinister?

All the ingredients were here for something special; a talented up-and-coming horror director, a legendary franchise and a studio eager for a hit to re-launch that franchise. Certainly the way Lionsgate has handled the marketing for the film has been innovative and respectable. They’ve gone the minimal “less is more” path in order to generate interest while giving the project an air of mystery.

Sadly, the movie doesn’t live up to the marketing. There’s a lot of inconsistency regarding the found footage trope; at times that’s what Wingard seems to be going for but then at others we get what is clearly standard filmmaking with all of the characters in camera view. It’s annoying as all get-out as the point of view changes constantly and without warning. There are also plenty of the kind of horror cliches that drive me bonkers about horror movies – namely a bunch of young people in a scary situation doing things rational human beings would never do. Of course, frightened people can do irrational things, but even people who are terrified might not necessarily do the things the kids do here.

That isn’t to say that there aren’t some genuinely creepy moments. Wingard manages to generate an atmosphere that is ripe for some really spooky stuff and we occasionally get them. Kudos also go to the audio crew who generated an awful lot of legitimate scares solely with sound. Sound can be even scarier than sight upon occasion.

The acting is okay, albeit not stirring. The characters however are written mainly as archetypes rather than real people. James comes closest to being relatable but at times he can be a real schmuck. I will say that this could be the ultimate millennial horror – being lost in the woods with failing tech. Horrors!

The movie’s ending also purports to reveal some insight into the nature of the Blair Witch but as it’s meant to generate more questions than answers, it ends up being kind of maddening to say the least. We do at least get to find out why the characters at the end of the original were facing the corner. There is clearly room for a sequel, albeit one with any members of the Donahue family likely to be involved…unless there are cousins waiting to search for Heather and James.

REASONS TO GO: There are some freaky scary moments.
REASONS TO STAY: It’s a bit of a yawner most of the time.
FAMILY VALUES:  The atmosphere is plenty spooky, there is a fair amount of profanity and some of the images are disturbing to say the least.
TRIVIAL PURSUIT:  Filming was done in British Columbia rather than in the original Burkittsville, Maryland location in order to keep it quiet that a sequel to The Blair Witch Project was being filmed.
CRITICAL MASS: As of 10/13/16: Rotten Tomatoes: 35% positive reviews. Metacritic: 47/100.
COMPARISON SHOPPING: The People Garden
FINAL RATING: 5/10
NEXT: Snowden