(2019) Documentary (Magnet) D.B. Lambert, Wrinkles the Clown, Tyler Beck, Colby Gatlin, Sean Whittaker, Edie Love Anderson, Matt Wideman, Miguel Rey, Benjamin Bradford, Nikki Conklin, Bri Jones, Christopher Barcia, Trevor J. Blank, Linsey Kelsey, Andrew Caldwell, Colby Brock, Logan Williams, Peter Barcia, Antonio Harriss, Cheryl Sellars. Directed by Michael Beach Nichols
In a year that has brought us Pennywise and Arthur Fleck, the scariest clown of all might just be Wrinkles. You may have seen him in the several viral videos he appears in; slowly emerging from a drawer underneath a sleeping child’s bed, standing at the side of a busy road holding a bunch of balloons, driving a shopping cart across a parking lot. He seemed to be an urban legend in the making.
Then stickers began to appear all around Naples in Southwest Florida, advertising Wrinkles the Clown with a phone number for parents to call if they wanted to hire him to scare their kids. More than a million voice mail messages were left; some were parents taking him up on the offer, others were curious kids, still others were death threats. Suddenly the mainstream media was looking into this phenomenon and documentary filmmaker Michael Beach Nichols decides to investigate and he finds an old retired ex-party clown who finds it increasingly difficult to make it in his chosen profession. Now living out of his van, he decides that perhaps the profit lies in scaring kids rather than entertaining them and judging by the more than one million voicemail messages he received, he’s absolutely right.
But this seems pretty straightforward and even if our suspicions are immediately raised by a man whose face is never shown but appears to have a flowing white beard, we begin to realize (or perhaps not since the story we’re getting feeds right into our expectations) that not everything we’re being told is, strictly speaking, reality.
This documentary is ostensibly about a cultural phenomenon but to be honest, it is really more about our culture, how myths are made and how badly we want to believe them. It’s also about modern parenting, or lack thereof. Talking head interviews from folklorists, child psychologists and law enforcement give us different outlooks on the Wrinkles phenomenon but as we eventually find out, Wrinkles is more of a pawn than a provocateur.
There are a lot of interviews with children, some of whom could do with a visit from a homicidal clown (just kidding). Others seem to be more dialed in to things than we give kids their age credit for. One thing is for certain; one size doesn’t fit all when it comes to raising children; every kid is different and requires different techniques. We tend to forget that in an age where we look for quick fixes, and express ourselves in tweets and memes. As a society it feels like we have no attention span whatsoever anymore and while that isn’t necessarily a point that the movie makes, it certainly can be deduced from what the movie presents.
In some ways I’m reminded me of the Catfish movie which set up expectations in one direction but turned out to go in an entirely different one when you finally sat down and watched it. In some ways I admire Nichols for having the huevos to shift gears but at least as far as I’m concerned, the jury is still out as to whether it worked for me or not. I’m still kind of ruminating on this one.
Sometimes a movie appears to be going in one direction and then it zings dramatically in another. For the most part, those of us who see a lot of movies appreciate that as a change of pace but not everybody will feel that way; when this movie shifts gears, it comes out of left field and even though when you look back and consider it, you come to an understanding that it was headed that way all along. This is the rare documentary that bears repeated viewings.
REASONS TO SEE: Just might be a reflection of how disturbed we are as a society. Exceedingly disturbing in places and yet from a certain point of view, hilarious.
REASONS TO AVOID: Some of the Skype interviews are distracting.
FAMILY VALUES: There are some disturbing images and a plethora of profanity.
TRIVIAL PURSUIT: The movie made it’s debut at Fantastic Fest in Austin last month.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 10/9/19: Rotten Tomatoes: 74% positive reviews: Metacritic: 53/100.
COMPARISON SHOPPING: Killer Klowns from Outer Space
FINAL RATING: 7.5/10
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