Aquaman


Under the sea, a princess waits.

(2018) Superhero (Warner BrothersJason Momoa, Amber Heard, Patrick Wilson, Willem Dafoe, Nicole Kidman, Dolph Lundgren, Yahya Abdul-Mateen II, Temuera Morrison, Ludi Lin, Michael Beach, Randall Park, Graham McTavish, Leigh Whannell, Julie Andrews (voice), Djimon Hounsou, (voice), John Rhys-Davies (voice), Andrew Crawford, Sophia Forrest, Natalia Safran. Directed by James Wan

 

It’s no secret that the Marvel Cinematic Universe has far out-stripped the DC Extended Universe for box office supremacy. There are a lot of reasons for that; regardless, the fact of the matter is that DC has a lot of catching up to do, and here’s where they start.

Arthur Curry (Momoa) a.k.a. Aquaman (although he is rarely referred to by that term) is the son of Polynesian lighthouse keeper (Morrison) and Atlanna (Kidman), a princess of Atlantis. Bullied as a young boy, he learns that due to his half-Atlantean lineage he can communicate with sea animals, control water and swim faster than a dolphin. He can also breathe underwater as well as on land. He is tutored by Vulko (Dafoe), an advisor to the king of Atlantis, Arthur soon becomes a kind of superhero, although he prefers very much to be left alone to drink beer and brood, mainly over the disappearance of his mother and his father’s sad faith that she will return to him someday.

However, the arrival of new princess Mera (Heard) tells Arthur of a power struggle going on in the deep. Orm (Wilson), his half-brother, has claimed the throne, although Arthur apparently has a better claim. Orm means to declare war on the surface dwellers and who could blame him, given all the pollution and damage we have inflicted on the oceans. Arthur and Mera will need to go on a quest to find Neptune’s trident, the most powerful weapon in Atlantis that has been lost for generations, if they are to challenge Orm and save the human race.

Wan is an accomplished director who has launched two major movie franchises – Saw and The Conjuring – and looks to give DC a badly needed infusion of fun. It’s no accident that Jason Momoa’s Aquaman resembles Chris Hemsworth’s Thor in many respects; the roguish demeanor, the royal bloodline, the affection for humans and the wisecracks; Wan’s no fool, and that lighter sort of superhero sells better in today’s market than the brooding, dark heroes of DC’s recent past.

Other than that, this is pretty standard superhero movie stuff; big battles, lavish special effects, the existence of the human race on the line. Aquaman is at its best, oddly enough, when Momoa’s charm is allowed to shine through; the big special effects are almost too busy with too much going on so that the end result is not eye candy but vertigo.

Heard delivers the best performance of her career as the agile Mera, and Kidman lends needed gravitas as Atlanna. There is also a subplot involving regular Aquaman nemesis Black Manta who is played by the underutilized Mateen, who is due a superhero character of his own one of these days. The wow factor is definitely here, but the movie is a little too long, a little too overwhelming. Still, where it shines, it really shines and Momoa is certainly an action star for the new decade.

REASONS TO SEE: Best DC film since Wonder Woman. Momoa was born to play a superhero.
REASONS TO AVOID: Gets a little too artsy for its own good.
FAMILY VALUES: The special effects are on the busy side.
TRIVIAL PURSUIT: According to director James Wan, the octopus playing drums during the duel between Orm and Arthur is Topo, Aquaman’s sidekick during the 50s and 60s. Wan figured that if Mad Max: Fury Road could have flame-throwing guitars, he could have an octo-drummer.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, HBO Now, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 4/26/20: Rotten Tomatoes: 65% positive reviews, Metacritic: 55/100
COMPARISON SHOPPING: Waterworld
FINAL RATING: 7/10
NEXT:
Capital in the 21st Century

In the Tall Grass


The tall grass can hide almost anything.

(2019) Horror (NetflixPatrick Wilson, Harrison Gilbertson, Will Buie, Jr., Laysla De Olveira, Avery Whitted, Rachel Wilson, Tiffany Helm. Directed by Vincenzo Natali

 

In the endless prairie, the grass can grow higher than, as the song goes, an elephant’s eye. There is something idyllic about tall waving grass on a sweet summer day. The tall grass can hide all manner of things, whether it be children playing hide and seek, couples coupling or something far more sinister.

From Stephen King and his chip-off-the-old-block-of-radioactive-meteorite-that-turns-people-into-killer-mutants son Joe Hill comes hits made-for-Netflix terror opus (which kicked off four straight weeks of original horror movies released each Friday in October). Siblings Cal (Whitted) and his very pregnant sister Becky (De Olveira) pull over to the side of a country road on the way to California (why don’t people ever stick to the interstate in horror movies?) so that she can wrestle with a bout of morning sickness. That’s when they hear a child’s voice calling for help. He can communicate with them, moaning that he’s been lost in the grass for days. Against their better judgment, the two siblings go in – and promptly get lost themselves.

While there they run into Tobin (Buie), the lost kid and eventually his parents the high-strung Ross (P. Wilson) and Natalie (R. Wilson). They also eventually run into Travis (Gilbertson), Becky’s baby daddy whom Cal absolutely loathes and who followed them when they missed a meeting with the prospective adoptive parents of her unborn child. As it turns out, time doesn’t work the same way in the tall grass. And it shifts in physical space as well. Except, as Tobin notes, “it doesn’t move dead things” and soon enough, there are plenty of those about as well.

From simple concepts comes better horror; King has understood this throughout his amazing career and the concept here is fairly simple, although the “rules” of the tall grass tend to get a bit obfuscated the longer the film goes. The first third of the movie however is deliciously creepy and veteran horror director Natali (Cube, Splice) keeps the suspense taut until near the end where things fall apart a bit.

There is some nifty CGI grass effects and less-nifty CGI blood effects and at the center of it all is a stone monolith – isn’t that always the case – that is a MacGuffin that never gets fully explained but then again doesn’t really need it. The film might have benefitted by less connection to the main characters – a sense that this thing has been there a really long time doesn’t really exist, and maybe evidence of pioneers and Native Americans who also found themselves wandering endlessly in the tall grass might have given the film a bit more grounding. However, this is a solid if unspectacular adaptation of the Master’s material and certainly a worthy addition to anyone’s spooky playlist whether at Halloween or just in the mood for a little fear fare.

REASONS TO SEE: Reasonably suspenseful throughout. Some pretty cool CGI grass effects.
REASONS TO AVOID: Loses steam about half way through the movie.
FAMILY VALUES: There is a fair amount of profanity, disturbing images, situations of terror and some brief sexual violence.
TRIVIAL PURSUIT: While Patrick and Rachel Wilson, who play husband and wife in the film, have the same last name although they are not related.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 12/18/19: Rotten Tomatoes: 38% positive reviews: Metacritic: 46/100.
COMPARISON SHOPPING: Children of the Corn
FINAL RATING: 7/10
NEXT:
Rabid (2019)

New Releases for the Week of November 8, 2019


DOCTOR SLEEP

(Warner Brothers) Ewan McGregor, Rebecca Ferguson, Kyleigh Curran, Carl Lumbly, Zahn McClamon, Emily Alyn Lind, Bruce Greenwood. Directed by Mike Flanagan

Forty years after the events of The Shining, Danny Torrence is a middle-aged man on the run from his nightmares. He is drawn to a small New England town where he meets a young girl even more powerful than he; she needs his help against a group of psychic vampires who feed off of those with psychic powers. Their battle will lead them to where it all began for Danny; the Overlook Hotel.

See the trailer here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: R (for disturbing and violent content, some bloody images, language, nudity and drug use)

Jojo Rabbit

(Fox Searchlight) Roman Griffin Davis, Taika Waititi, Scarlett Johansson, Sam Rockwell. A young boy living in Nazi Germany is shocked to discover his mother hiding a young Jewish girl in their attic. He will be forced to confront his blind nationalism while fending off his idiotic imaginary friend: Adolph Hitler.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Orlando, Regal Winter Park Village
Rating: PG-13 (for mature thematic content, some disturbing images, violence, and language)

Last Christmas

(Universal) Emilia Clark, Henry Golding, Emma Thompson, Michelle Yeoh. One of the most cynical women you’ll ever meet has the job of being an elf in a year-round Christmas store – talk about a bad fit. When she meets a man too good to be true, she at first resists him but his persistence and the oncoming holiday season help melt her heart.

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Wide Release
Rating: PG-13 (for language and sexual content)

Midway

(Lionsgate) Ed Skrein, Patrick Wilson, Aaron Eckhart, Luke Evans. The story of the battle that proved to be the turning point in the Pacific Theater of World War II – a battle that was almost never fought.

See the trailer here
For more on the movie this is the website  
Genre: War
Now Playing: Wide Release
Rating: PG-13 (for sequences of war violence and related images, language and smoking)

Playing with Fire

(Paramount) John Cena, Judy Greer, Keegan-Michael Key, Brianna Hildebrand. A group of tough, no-nonsense firefighters have their lives turned upside down when they rescue three kids from a wildfire who are forced to bunk at their station with them.

See the trailer here
For more on the movie this is the website  
Genre: Family
Now Playing: Wide Release
Rating: PG (for rude humor, some suggestive material and mild peril)

ALSO OPENING IN ORLANDO/DAYTONA:

Acceleration
Bala
For Sama
Primal
Shapludu
Thiparaa Meesam

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Bala
By the Grace of God
Love is Blind
My Dear Liar
Santa Sangre
Thiparaa Meesam

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Bala
No Safe Spaces
Thiparaa Meesam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Bala
Becoming Nobody
Thiparaa Meesam

SCHEDULED FOR REVIEW:

Doctor Sleep
Jojo Rabbit
Last Christmas
Midway
Playing with Fire

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Central Florida Jewish Film Festival, Maitland FL
Cinema Venezuela, Miami FL
Florida Surf Film Festival, New Smyrna Beach FL
Fort Lauderdale International Film Festival, Fort Lauderdale FL

Annabelle Comes Home


Chucky has got NOTHING on Annabelle!

(2019) Horror (New LineMcKenna Grace, Madison Iseman, Katie Sarife, Vera Farmiga, Patrick Wilson, Michael Cimino, Samara Lee, Kenzie Caplan, Sade Katarina, Michael Patrick McGill, Brittany Hoza, Sheila McKellan, Eddie J. Fernandez, Steve Coulter, Luca Luhan, Gary-7, Paul Dean, Alison White, Oliver Dauberman, Lou Lou Safran, Anthony Wernyss, Natalia Safran. Directed by Gary Dauberman

Not every doll is a toy. Some dolls are heirlooms; others are meant for adult collectors. Then, there are a very few who are cursed or possessed by murderous spirits. There is one, however, who acts as a magnet for malevolent spirit.

Demonologists Ed (Wilson) and Lorraine Warren (Farmiga) have a roomful of cursed and possessed items they keep in a locked room. Of these, the most dangerous is Annabelle, a doll that serves as the aforementioned magnet. When she is not locked in a glass case that has been blessed by a priest, she can cause all kinds of mischief

When Ed and Lorraine have to leave on a job, they leave their young daughter Judy (Grace) under the care of sweet babysitter Mary Ellen (Iseman) whose friend Daniela (Sarife) is a bit less well-behaved. She manages to get herself into that forbidden room and in doing so unleashes hell. Suddenly the three girls are beset by all manner of malevolent entities. Surviving the night may well be impossible.

The seventh entry in the Conjuring shared movie universe is one of the strongest to date. Novice director Dauberman resists the temptation to rely on jump scares (although there are a few) and instead comes by his frights honestly. While at times, the movie does seem like a vehicle to establish future spin-offs for the franchise (I’m betting on a Ferryman and a Haunted bride film at the very least), the movie is powered largely by some strong performances by Grace, Iseman and Sarife – all of whom are given character depth and pluck. Dauberman also really sets the film in the 70s nicely; the fashions might make you cringe a little bit. Still, this is all very good fun and the kind of roller coaster ride I love in a horror movie.

REASONS TO SEE: Some very effective scares. The three female leads all do solid jobs.
REASONS TO AVOID: Feels at times like they’re just creating future spin-offs.
FAMILY VALUES: There is a goodly amount of violence and horrific images.
TRIVIAL PURSUIT: The real Lorraine Warren passed away two months before the film was released. The closing credits include a dedication to her.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 10/27/19: Rotten Tomatoes: 64% positive reviews: Metacritic: 53/100.
COMPARISON SHOPPING: The Nun
FINAL RATING: 7.5/10
NEXT:
Parasite

New Releases for the Week of June 28, 2019


ANNABELLE COMES HOME

(New Line) Patrick Wilson, Vera Farmiga, McKenna Grace, Madison Iseman, Katie Sarife, Steve Coulter, Michael Cimino. Directed by Gary Dauberman

Ed and Lorraine Warren, professional demonologists, have collected some dangerous artifacts over the years but none so perilous as the doll Annabelle. When a friend of their ten-year-old daughter releases the doll from her prison, she begins to reawaken the demonic spirits slumbering in those artifacts, leading to a night of incalculable horror.

See the trailer, clips and a video featurette here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: R (for horror violence and terror)

Article 15

(Zee) Ayushmann Khurrana, Isha Talwar, Kumud Mishra, Manoj Pahwa. An Indian police officer, raised mostly in Europe, struggles to reconcile the traditional caste system with his own values of right and wrong. This is based on actual events.

See the trailer and clips here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC West Oaks
Rating: NR

Echo in the Canyon

(Greenwich) Jakob Dylan, David Crosby, Roger McGuinn, Brian Wilson. From 1967 to 1969, rock music and pop culture would undergo a startling metamorphosis and the epicenter for it was a small community of musicians headquartered in Laurel Canyon in North Hollywood. This Florida Film Festival favorite celebrates the music and the musicians of the era with vintage clips and a tribute concert featuring modern artists influenced by the era. This was previously reviewed in Cinema365; you can read the review by clicking on the link below under “Scheduled For Review.”

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Musical Documentary
Now Playing: Enzian Theater
Rating: PG-13 (for drug references and suggestive content)

The Last Black Man in San Francisco

(A24) Jimmie Falls, Jonathan Majors, Tichina Arnold, Danny Glover. A young man dreams of reclaiming the beautiful Victorian home his grandfather built in the heart of San Francisco, but the City isn’t what he remembered it to be.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language, brief nudity and drug use)

The Other Side of Heaven 2: Fire of Faith

(Good Deed) Christopher Gorham, Natalie Medlock, Russell Dixon, Joe Folau. A Mormon missionary returns to Tonga – this time with his family – only to face a crisis of faith when his son is born with a serious illness.

See the trailer here
For more on the movie this is the website  
Genre: Faith-Based Drama
Now Playing: Regal Pointe Orlando, Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for some thematic material including violence)

Yesterday

(Universal) Himesh Patel, Lily James, Ed Sheeran, Kate McKinnon. A musician ready to give up on a career in music wakes up one morning after a bus accident during a mysterious global blackout to discover that nobody can remember the Beatles or their music. This leads him to an ethical dilemma as he takes the sure path to stardom.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website  
Genre: Musical Fantasy
Now Playing: Wide Release
Rating: PG-13 (for suggestive content and language)

ALSO OPENING IN ORLANDO/DAYTONA:
Being Frank
Brochevarevavura
The Command (Kursk)
Framing John DeLorean
Holy Lands
Kalki
Ophelia
Rainbow’s Sunset

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Brochevarevavura
The Fall of the American Empire
Kalki

ALSO OPENING IN TAMPA/ST. PETERSBURG:

The Fall of the American Empire
Killers Anonymous
The Last Whistle

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Brochevarevavura
Kalki

SCHEDULED FOR REVIEW:

Annabelle Comes Home
Echo in the Canyon
Yesterday

New Releases for the Week of December 21, 2018


AQUAMAN

(Warner Brothers) Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Nicole Kidman, Dolph Lundgren, Yahya Abdul-Mateen II, Temeura Morrison. Directed by James Wan

Arthur Curry, the son of a lighthouse keeper, discovers that he is heir to the throne to Atlantis. There are forces aligned against him, however, that want him to stay on land – and who also wish to wage war against the land-dwellers.

See the trailer, clips and video featurettes here
For more on the movie this is the website
Release Formats: Standard, 3D, DBOX, DBOX 3D, DTSX, IMAX, IMAX 3D, RPX, RPX 3D, ScreenX, XD, XD 3D

Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence and action, and for some language)

Ben is Back

(Roadside Attractions) Julia Roberts, Lucas Hedges, Courtney B. Vance, Kathryn Newton. When her drug addicted teen son from a first marriage returns unexpectedly on Christmas Eve, a mother is at first delighted but cautious. As the evening goes on it becomes apparent that things are not as they seem with him and soon she is dragged unwillingly into his world with the rest of her family dragged in behind her. Look for the review on Cinema365 tomorrow.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Barnstorm Theater, Regal Oviedo Marketplace, Regal Winter Park Village

Rating: R (for language throughout and some drug use)

Bumblebee

(Paramount) Hailee Steinfeld, Dylan O’Brien (voice), John Cena, Megyn Price. In 1987 a young girl finds the battle-scarred and broken Transformer Bumblebee in the junkyard of a small California town. She soon finds herself in the middle of an interstellar conflict which threatens the very existence of planet Earth itself.

See the trailer clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, Dolby, RPX, XD, XD 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action violence)

Mary Queen of Scots

(Focus) Saoirse Ronan, Margot Robbie, Guy Pearce, David Tennant. The story of the half-sister of Queen Elizabeth I the two of whom were once close but turned into bitter rivals and eventually, deadly foes.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Cinemark Universal Citywalk, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some violence and sexuality)

Mary Poppins Returns

(Disney) Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer. The Banks children, one of the beneficiaries of the legendary Mary Poppins, have all grown up and have children of their own. Now Mary returns to save the Banks family once more with her heartwarming brand of magic.

See the trailer, interviews and video featurettes here
For more on the movie this is the website
Release Formats: Standard, DBOX, Dolby, RPX
Genre: Family
Now Playing: Wide Release (opened Wednesday)
Rating: PG (for some mild thematic elements and brief action)

Second Act

(STX) Jennifer Lopez, Leah Remini, Vanessa Hudgens, Treat Williams. An ambitious big box retail clerk reinvents her job history and biography and ends up with a golden opportunity to show the Wall Street boys club what a street smart Puerto Rican woman can do.

See the trailer, clips, interviews, a video featurette and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release

Rating: PG-13 (for some crude sexual references, and language)

Welcome to Marwen

(Universal/DreamWorks) Steve Carell, Leslie Mann, Diane Kruger, Janelle Monáe. A man who was the victim of a brutal beating that cost him his memory, tries to rebuild his shattered life through a make-believe town that he constructs where he can be heroic and strong. This is based on an actual incident.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama/Fantasy
Now Playing: Wide Release

Rating: PG-13 (for sequences of fantasy violence, some disturbing images, brief suggestive content, thematic material and language)

Zero

(Yash Raj) Shah Rukh Khan, Anushka Sharma, Karina Kaif, Salman Khan. A young man born to wealth and privilege and was content in his life. Then he meets two women who broaden his outlook and give him a purpose he never knew he needed.

See the trailer, promos and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

American Renegades
Antariksham
Burning
KGF Chapter 1
Padi Padi Leche Manasu

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Antariksham
KGF Chapter 1
Padi Padi Leche Manasu
Shoah: Four Sisters
Swimming with Men

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Antariksham
KGF Chapter 1
Padi Padi Leche Manasu

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

KGF Chapter 1

SCHEDULED FOR REVIEW:

Aquaman
Ben is Back
Bumblebee
Mary Queen of Scots
Mary Poppins Returns
Swimming with Men
Welcome to Marwen

The Commuter


What I love about train travel is that it’s so relaxing.

(2018) Action (Lionsgate) Liam Neeson, Vera Farmiga, Patrick Wilson, Jonathan Banks, Sam Neill, Elizabeth McGovern, Killian Scott, Shazad Latif, Andy Nyman, Clara Lago, Roland Moller, Florence Pugh, Dean-Charles Chapman, Ella-Rae Smith, Nila Aalia, Colin McFarlane, Kobna Holdbrook-Smith, Adam Nagaitis, Kingsley Ben-Adir, Andy Lucas, Zaak Conway, Ben Caplan, Letitia Wright. Directed by Jaume Collet-Serra

 

A word to the wise: if you see Liam Neeson getting aboard any sort of conveyance – a plane, a train, a boat, a bus – get off immediately. There’s bound to be mayhem.

Michael MacCauley (Neeson) is a decent guy. He gets up every morning at 6am rain or shine at his home in Tarrytown, NY, makes sure his son Danny (Chapman) is up and getting ready for school, is driven to the train station by his loving wife Karen (McGovern), chit-chats with the regulars aboard the train and then gets off at Grand Central Station to head off and sell life insurance. His routine varies very little day after day. From all outward signs this is a happy, loving and prosperous family. In reality they’re pretty much two out of three; Danny is getting ready to attend Syracuse University in the fall and that’s a sizable chunk of change and the MacCauley family is just scraping by as it is.

The bad day starts when MacCauley is unexpectedly let go from his position. At 60 years of age, the job prospects for the ex-NYPD cop are pretty grim to say the least. He heads back home on the train, wondering how he’ll break the news to Karen. Wondering how he’ll get the mortgage paid. Wondering how he’ll send his son to college.

His wonderings are interrupted by a beautiful woman as wonderings often are. She sits down across from him and introduces herself as Joanna (Farmiga) and she has quite a proposition for Michael. All he has to do is find someone on the train who doesn’t belong there – someone known only as Prynne – and put an electronic device in his or her bag. That’s it. Do it and Michael will get $100,000 tax-free at a time where he desperately needs it.

The problem is Michael is a decent guy and an ex-cop to boot and the ex-cop smells a rat. Soon he gets shanghaied into the game because if he doesn’t play along his family will be murdered. He has no way of knowing how many eyes and ears Joanna has on the train, who he can trust or even the first idea of how to find Prynne. Time is running out and if he doesn’t find Prynne or find a way to stop Joanna, the people he loves are going to die.

Neeson has pretty much spent the latter part of his career playing nice guys who definitely don’t finish last in action films. He is beginning to look his age here – I think that’s a deliberate choice by the actor and director Collet-Serra to make Michael more vulnerable and less of an unstoppable Rambo-kind of guy. Michael doesn’t have a particular set of skills so much as an absolutely iron will and devotion to his family.

While the action sequences range from the preposterous to the well-staged (and to be fair they tend to be more often the latter than the former), the CGI of the train itself is absolutely horrible. They would have been better off filming a Lionel model train set than the images that they got which in no way look realistic. Seriously though the production crew would have been much better off using practical effects but I suppose the budget could only tolerate bargain basement CGI.

As action movies go it’s pretty much suited for a January release with all that implies. As most veteran moviegoers will tell you, most movies released in the first month of the year are generally not much in the quality department; high expectations should generally be avoided. Taking that into account, The Commuter isn’t half bad. It’s not half good either.

REASONS TO GO: The opening sequence is cleverly done. Some of the action sequences are pretty nifty too.
REASONS TO STAY: The CGI is truly horrendous; they would have been better off with practical effects. Neeson is beginning to look a bit long in the tooth for these kinds of roles.
FAMILY VALUES: There is some action film-type violence (some of it intense) as well as a smattering of profanity.
TRIVIAL PURSUIT: This is the fourth time Collet-Serra has directed Neeson in an action film within the last seven years.
CRITICAL MASS: As of 2/27/18: Rotten Tomatoes: 58% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Non-Stop
FINAL RATING: 5/10
NEXT:
Darkest Hour

New Releases for the Week of January 12, 2018


THE POST

(20th Century Fox) Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Jesse Plemons, Alison Brie.  Directed by Steven Spielberg

After the New York Times published the Pentagon Papers, they were in the center of a firestorm of controversy. Not to be outdone, the Washington Post also acquired some of the classified documents that detailed American acts that violated the Constitution as well as the Geneva Convention. With the Nixon Administration threatening to shut down the freedom of the press over the Papers, new Post publisher Katherine Graham – already a rarity in the newspaper business for being a woman as a publisher of a major newspaper – and her crusty editor Ben Bradlee face a decision to do what’s safe for the newspaper or what’s right for the country.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for language and brief war violence)

Agnyaathavaasi

(Haarika and Hassine Creations) Pawan Kalyan, Keerthi Suresh, Anu Emmanuel, Aadhi. An exiled heir to a massive fortune in India returns home in disguise as an ordinary employee of his father’s company in order to discover the identity of his father’s murderer and to make things right with the company, only to become a target himself.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC West Oaks, Cinemark Artegon Marketplace

Rating: NR  

Call Me By Your Name

(Sony Classics) Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar.  In 1983 the son of an American researcher working in Northern Italy is enjoying a leisurely summer enjoying the cultural delights of the region. However when his father’s research assistant arrives, the teen discovers that his own emerging sexuality may be more difficult to deal with than his academic pursuits.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content, nudity and some language)

The Commuter

(Lionsgate) Liam Neeson, Vera Farmiga, Patrick Wilson, Sam Neill. A businessman is taking the commuter train home from work when he is given an offer he can’t refuse; to find the person on the train who “doesn’t belong there” or else face increasingly dire consequences. However, this businessman has a particular set of skills…

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for some intense action/violence, and language)

Condorito: The Movie

(Pantelion/Lionsgate) Starring the voices of Omar Chaparro, Jessica Cediel, Cristián de la Fuente, Jey Mammon. A soccer-playing condor (and the star of a Chilean comic strip) must save the world – and especially his family – from evil invading aliens.

See the trailer here.
For more on the movie this is the website (Spanish)

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal The Loop, Regal Waterford Lakes

Rating: PG (for rude and suggestive humor, and some mild action)

I, Tonya

(Neon) Margot Robbie, Sebastian Stan, Allison Janney, Julianne Nicholson. Figure skater Tonya Harding comes from an impoverished background which places her at a competitive disadvantage – the snooty judges of the sport count her background and trailer park look against her. Still, there’s no denying her ability as the first woman to attempt and complete a triple axel. She could be on the way to Olympic gold; but her husband and his best friend take her down the road to scandal and late night talk show jokes instead. Look for the Cinema365 review tomorrow.

See the trailer, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Waterford Lakes (expanding next week)

Rating: R (for pervasive language, violence and some sexual content/nudity)

Paddington 2

(Warner Brothers) Michael Gambon (voice), Ben Whishaw (voice), Sally Hawkins, Imelda Staunton (voice). Now comfortably ensconced with the Brown family and a beloved member of the community, Paddington is looking to buy the perfect gift for Aunt Lucy’s 100th birthday – a pop-up book. He takes on a variety of odd jobs so that he can afford to buy the tome. However when it turns up stolen, Paddington looks to be the prime suspect. The Browns and their friends must find the real thief in order to clear the bear’s name and save Aunt Lucy’s birthday.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for some action and mild rude humor)

Proud Mary

(Screen Gems) Taraji P. Henson, Neal McDonough, Danny Glover, Xander Berkeley. Mary is a paid assassin for a Boston crime family. In the course of a hit, things go South and she ends up crossing paths with a young boy. That fateful meeting turns her life completely around which is a dangerous thing to have happen when you’re in her line of work.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Acts of Violence
Ang Panday
The Ballad of Lefty Brown
Jai Simha

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Acts of Violence
Dim the Fluorescents
Hostiles
Inside
Jai Simha
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Gang
Inside
Jai Simha
Rangula Ratnam
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ang Panday

SCHEDULED FOR REVIEW:

Call Me By Your Name
The Commuter
Hostiles
I, Tonya
Paddington 2
The Post
Proud Mary

The Founder


Ray Kroc worshiping at the Golden Arches.

(2016) Biographical Drama (Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Laura Dern, Linda Cardellini, B.J. Novak, Patrick Wilson, Justin Randell Brooke, Kate Kneeland, Griff Furst, Wilbur Fitzgerald, David de Vries, Andrew Benator, Cara Mantella, Randall Taylor, Lacey King, Jeremy Madden, Rebecca Ray, Adam Rosenberg, Jacinte Blankenship. Directed by John Lee Hancock

 

Most of us are more than familiar with McDonald’s. It is Main Street, America on a global scale; on a typical day the fast food chain will feed something like 8% of the world’s population. They are convenient and in a fast-paced world where meals can be afterthoughts, a necessity. But how did they get to be that way?

Salesman Ray Kroc (Keaton) is having a spectacular lack of success selling his five spindle milkshake mixer to diners and drive-ins in the Midwest. When he gets an order for five of the machines from a burger joint in San Bernadino, California, he is gratified – gratified but amazed. The operation he visits is staggering; lines snake through the parking lot. Counter service only, he makes his order for a cheeseburger, fries and a coke and gets it delivered to the window in less than a minute. Dumbfounded, he sits down to eat his meal – and it’s actually pretty darn good. The restaurant, named McDonald’s for the McDonald brothers who own it, looks promising as visions of a franchise operation begin to dance in his head.

At first the brothers – Dick (Offerman) and Mac (Lynch) aren’t too interested. They’d tried something like it before and ended up with franchise owners adding their own flair – fried chicken, barbecue, straying from the formula of keeping the menu simple and the quality high. Kroc thought he could make that happen by being a hands-on boss. As it turned out, that didn’t quite work out the way he expected.

At home, his wife Ethel (Dern) lives a life of loneliness and boredom, living for those precious times when they go to dinner at the local club. He uses those occasions to snare investors and Ethel tries to help in her own way. Soon though Ray’s dreams are fast outstripping those of his partners as well as those of his wife. The wife (Cardellini) of a potential investor (Wilson) catches his eye. As for the McDonald brothers, they are content with having a quality restaurant and what Ray is looking to build is more than they intended to take on and their reluctance to change or to compromise quality becomes a major frustration for Ray. He becomes aware that the biggest hurdle in making McDonald’s a household name are the McDonald brothers themselves.

I’m not too sure what the executives at the McDonald’s corporation think of this movie; they are in a very real sense the descendants of Ray Kroc and they owe their position to his vision and his drive to achieve it. I think they appreciate the free advertising but Ray doesn’t come off terribly well here in many ways although he did do a lot of the less savory things that are depicted here, including taking credit for some of the aspects of the image that the McDonald brothers introduced (like the golden arches) and effectively excising the brothers from the history of the company (he labeled an Illinois franchise McDonald’s #1 when in fact it was the ninth store to open). Keaton imbues Ray with a surfeit of charm without ignoring the man’s more vicious traits; he also gives Ray enough energy and charisma that when he does some pretty bad things, one still roots for him. Maybe there’s something in that secret sauce that compels us to but I think that Keaton’s performance has a lot to do with it too.

The film only covers a short period in the history of the fast food Goliath and doesn’t really get into the globalization of the brand or examine the effect of their product on the obesity epidemic in this country which has disappointed some critics but not this one. There are plenty of things one can get into concerning the pros and cons of McDonald’s from their catchy advertisements, their shrewd marketing to children with the play areas and Ronald McDonald and their recent move to adding more nutritional selections on their menu and offering a wider variety of food in general. I think the movie accomplished what it set out to do and examine how McDonald’s went from being a small roadside burger joint in California to the global giant it is today and that’s plenty of story for one movie.

There’s plenty of dramatic conflict that goes on but this simply isn’t going to appeal to those who are easily bored. Although there might be a niche group interest for those who are interested in how corporate entrepreneurs achieved their success, I’m not sure if America (or anywhere else) is waiting for movies about Col. Sanders, Sam Walton (founder of Wal*Mart) or Bill Gates. I did find Keaton’s performance fascinating and that kept enough of my interest to give this a mild recommendation.

REASONS TO GO: Keaton delivers a solid performance.
REASONS TO STAY: Some might find this a bit boring.
FAMILY VALUES: There is a bit of profanity.
TRIVIAL PURSUIT: All of the McDonald’s restaurants depicted in the film were built from scratch in parking lots and vacant lots because producers couldn’t find suitable locations that matched the look of the film that they were aiming for.
CRITICAL MASS: As of 3/15/17: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: The Social Network
FINAL RATING: 6/10
NEXT: It’s Not My Fault (And I Don’t Care Anyway)

The Conjuring 2 (The Enfield Poltergeist)


There's nothing worse than getting caught by a nun.

There’s nothing worse than getting caught by a nun.

(2016) Horror (New Line) Patrick Wilson, Vera Farmiga, Madison Wolfe, Frances O’Connor, Lauren Esposito, Benjamin Haigh, Patrick McAuley, Simon McBurney, Maria Doyle Kennedy, Simon Delaney, Franka Potente, Bob Adrian, Robin Atkin Downes (voice), Bonnie Aarons, Javier Botet, Steve Coulter, Abhi Sinha, Chris Royds, Sterling Jerins. Directed by James Wan

 

Horror franchises have a way of decreasing in quality the farther along you go. They also have a tendency to repeat themselves. This sequel to a movie based on the case files of Ed and Lorraine Warren, has all the makings of a good franchise. Will it fall prey to some of the sins of the sequels?

In a house in the small town of Amityville, New York, Lorraine Warren (Farmiga) and her husband Ed (Wilson) are conducting a séance to investigating the haunting of the Lutz residence. She sees a small boy while in a psychic trance and follows him into a basement. There she encounters a demonic nun and has a vision of Ed’s death.

She is understandably shaken and convinces Ed to take a break from taking on new investigations. In the meantime the Amityville Horror comes out and Ed and Lorraine become famous…or more accurately, infamous as they are accused of perpetrating a hoax. Ed is beginning to get a little bit frustrated that he can’t really defend himself (and his wife) against these charges since so much of what they’ve seen is anecdotal and go against established science.

Across the Atlantic, single mom Peggy Hodgson (O’Connor) is barely making ends meet with her four children who are being bullied in their local school in Enfield, a suburb of London. Her daughter Janet (Wolfe) soon begins hearing and seeing things, mostly revolving around a recliner left behind by the previous tenant, Bill Wilkins (Adrian). Soon, furniture is flying around on its own, witnessed by a pair of incredulous Bobbies, and parapsychologists and the clergy become involved.

The Roman Catholic Church has been contacted to see if an exorcism is in order. They want to send Ed Warren to make that determination. Lorraine is reluctant, particularly after having another vision of the evil nun in her own home, but Ed points out that this is a single mother with four children who have nowhere to turn to. Lorraine knows that her husband is right.

The goings on in the house are increasing in degree and malevolence and the family is essentially sleeping across the street at a neighbor’s home, but when an apparition known as the Crooked Man (Botet) makes an appearance over there, it becomes clear that Janet is the focal point of the hauntings, so Peggy and Janet return to their home to sleep, with the Warrens and their team also hunkering down in the haunted dwelling.

Soon Lorraine begins to realize that it isn’t just Bill Wilkins haunting this house; there’s something else behind it, something far more evil and far more ancient. She also begins to realize that the target of the haunting may not be the Hodgson family after all.

James Wan may be the pre-eminent genre director working today. He has initiated no less than three franchises now, and considering the two Conjuring films have set horror film opening weekend box office records, I wouldn’t be surprised if there was more genre work on the way for the director. Here again he sets a nice, creepy tone and uses set design to his advantage; there are always plenty of shadows for gruesome things to leap out of.

The trouble is, that he seems to be relying more and more on what are called jump scares, which are aided by loud noises and tend to be things that, ahem, leap out of the shadows. They are the cheapest of all horror movie scares and the hoariest of tropes; either way they’re well beneath Wan who in the first film came by his scares honestly.

Not so much here. I can applaud Wan for setting up a big bad that might well power through the rest of the franchise, but it seems that the producers want to create  as many spin-offs as they possibly can. There’s already one for Annabelle in the can and one on the way and the nun from this movie has reportedly received the green light for a feature of her own. I’m looking forward to finding out more about her because we don’t get a whole lot of information about the character here.

At the center of this movie is the relationship between Ed and Lorraine and the love that is there. Farmiga and Wilson are so adept at creating an affectionate environment between the two characters that it’s hard to believe they’re not married in real life. There’s a scene in which to lighten things up Ed grabs a guitar and does a credible Elvis impression (and yes, that’s actually Patrick Wilson singing) of the King’s classic “I Can’t Help Falling in Love With You.” While ostensibly to calm down the Hodgson family, it is also a message to his wife – and she receives it loud and clear.

Not quite to the level of the first film which is in my opinion a new horror classic, this is nonetheless a satisfying sequel that won’t disappoint fans of the first film – or fans of the horror genre in general. While I wish Wan would have spent a little time on earning our fright rather than going the route of the cheap jump scares, there is enough here to make your skin crawl in a good way that I can give it an enthusiastic recommendation to all.

REASONS TO GO: The relationship between Ed and Lorraine is at the center of the film.
REASONS TO STAY: An excess of jump scares.
FAMILY VALUES: Plenty of terror and horror violence, disturbing images and some strong language.
TRIVIAL PURSUIT: Director James Wan turned down what he termed a “life-altering” amount of money to direct Fast 8 in order to return to his horror roots.
CRITICAL MASS: As of 7/5/16: Rotten Tomatoes: 79% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Poltergeist
FINAL RATING: 7.5/10
NEXT: A Violent Prosecutor