Tammy


Susan Sarandon tries to give Melissa McCarthy some career advice.

Susan Sarandon tries to give Melissa McCarthy some career advice.

(2014) Comedy (New Line) Melissa McCarthy, Susan Sarandon, Kathy Bates, Mark Duplass, Gary Cole, Allison Janney, Toni Collette, Nat Faxon, Dan Aykroyd, Sandra Oh, Ben Falcone, Sarah Baker, Rich Williams, Steve Little, Dakota Lee, Mark L. Young, Mia Rose Frampton, Steve Mallory, Keith Welborn, Oscar Gale, Justin Smith, Barbara Weetman. Directed by Ben Falcone

Sometimes we manage to become people we never intended ourselves to be. Through circumstances that are sometimes entirely out of our control – but not always – we find ourselves being the very people we swore we’d never be. Generally that revelation is accompanied by bitterness and self-loathing.

Tammy (McCarthy) has it in her to be happy but it doesn’t look like she is. She does seem self-possessed on the exterior – belting out renditions of the Outfield’s “Your Love” in her car. Not a cappella and not on the car stereo but from an ancient boombox which may or may not be older than the Toyota Corolla she’s driving. After an unsettling encounter with a deer, her car which was already only a hair or two away from breathing its last gives up the ghost.

Not only that but the deer encounter makes her late for work, which her prissy boss Keith (Falcone) uses as an excuse to fire her. Tammy’s reaction to the news is how you might expect – she’s not the sort to take that kind of thing lying down. Having to walk home essentially she returns home early to find out that her lackadaisical husband Greg (Faxon) is having an affair with a comely neighbor (Collette).

Convinced that she needs to get out of town or go crazy, Tammy heads over to her mom’s (Janney) house. However, her mom won’t lend Tammy her car, nor front her some cash so she can go walkabout. However, her grandmother Pearl (Sarandon) has a Caddy and seven grand that says road trip to Niagara Falls  which Pearl has always wanted to visit.

 

On the surface, this seems like a very bad idea. Tammy is mulish and a wreck – it’s not hard to figure out why her husband would cheat as she has taken zero care of herself and can’t be easy to live with. Worse yet, it turns out grandma is an alcoholic and a bit of a nymphomaniac, getting it on with a Louisville rancher (Cole) while Tammy is forced to sleep outside the hotel room. Only Bobby (Duplass), the sweet son of the rancher who treats Tammy decently – the first man to do so in ages – makes it anything more than excruciating.

The two women’s shenanigans cause them to blow through their cash faster than expected forcing Tammy to take some desperate measures that lead the two of them to go on the lam over at the beautiful home of Tammy’s cousin Lenore (Bates). Lenore, a lesbian who owns a chain of pet food stores and whose partner (Oh) is as sweet as pie, is a no-nonsense sort who sees what’s really going on. When Pearl and Tammy’s problems lead to a painful moment at a Fourth of July party at Lenore’s place, it becomes obvious that Tammy needs to make some changes if she’s ever going to be truly happy. The question is, is it obvious to Tammy?

McCarthy has become a star comedic actress with not only her TV success on Mike & Molly but also a string of hit movies to her credit. She co-wrote this with her husband Falcone who also directed the movie; you’d think it would be an absolute slam dunk.

Sadly, it’s not and it isn’t due to McCarthy the actress who actually does a pretty fine job in a role that is pretty similar to the ones she’s played in the past three movies; foul-mouthed, gross, obnoxious and highly sexual. The trouble is that the role isn’t given depth so much as it’s given mannerisms and the blame lies with McCarthy the writer.

McCarthy the actress isn’t alone in this issue either. None of the characters here are particularly well drawn out,  mostly given a trait and essentially left to flounder with a script conspicuously short on jokes. I get the sense the writers weren’t sure if they wanted a comedy or a heartwarming buddy movie and ended up with neither.

Reading that back, it sounds a little bit harsh and if I’m gonna be honest, there are some laughs here (some of which may be found in the trailer) and if I had to recommend the movie, I could do so grudgingly; McCarthy is an engaging enough actress that she can provide life to any movie no matter how terrible. This isn’t the funniest summer comedy ever but at least it’s better than last year’s truly awful Grown-Ups 2 – now there’s a franchise which could use McCarthy’s talents. In any case, fans of the actress probably will end up liking the movie anyway; she basically has this kind of role down pat enough that she could do it in her sleep. Those who want better from her however will have to wait for the next one.

REASONS TO GO: McCarthy and Sarandon battle gamely through subpar material. Bates does her usual impressive job in support.

REASONS TO STAY: Lacks real humor. Could have used some depth in the characters who mainly end up as caricatures.

FAMILY VALUES:  A ton of foul language.

TRIVIAL PURSUIT: Sarandon is only 24 years older than McCarthy, who plays her granddaughter. In addition, Janney – who plays Tammy’s mother and Pearl’s daughter – is 13 years younger than Sarandon and 11 years older than McCarthy.

CRITICAL MASS: As of 7/22/14: Rotten Tomatoes: 23% positive reviews. Metacritic: 39/100.

COMPARISON SHOPPING: Thelma and Louise

FINAL RATING: 5.5/10

NEXT: Begin Again

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G-Force


G-Force

All things considered, maybe lab testing comestics wouldn't have been so bad.

(Disney) Zach Galifianakis, Nicolas Cage (voice), Bill Nighy, Sam Rockwell (voice), Penelope Cruz (voice), Will Arnett, Jon Favreau (voice), Steve Buscemi (voice), Tracy Morgan (voice), Kelli Garner. Directed by Hoyt Yeatman

Producer Jerry Bruckheimer can be counted upon for loud, action-laden movies with plenty of special effects. So how would he fare with a kid’s movie?

The G-Force is comprised of leader Darwin (Rockwell), commandos Blaster (Morgan) and Juarez (Cruz), computer expert Speckles (Cage) and surveillance expert Mooch. The difference is, not a one of them is a human being; the first three are guinea pigs (and please don’t refer to them as hamsters, it offends them), Speckles is a mole and Mooch is a housefly.

They are the result of a government experiment by FBI nerd Ben (Galifianakis) who has given them the means to communicate with humans. Outfitting them with all sorts of high tech gear, they break into the house of billionaire appliance maker Leonard Saber (Nighy) to find some evidence of nefarious criminal activity.

When all they find is the blueprint for a new coffeemaker, straight-arrow Agent Killian (Arnett) shuts down the team and the animals are dispersed to a pet store. However, Darwin is certain that Saber is up to no good and he knows there is a 48 hour deadline before something really, really bad happens. His mission is to break out of the pet store with new flatulent friend Hurley (Favreau) with the help of psychotic part-ferret Bucky (Buscemi), find out what Saber is up to and save the day. He’ll have to avoid the FBI and their humorless agents who are chasing them, but they have turbocharged hamster balls (of the sort that Rhino used in Bolt) to elude their pursuers.

This is all in silly fun, and those who come to the theater looking for logic and plot or going to be tearing out their hair. Director Yeatman has a couple of visual effects Oscars to his name (one for technical achievement) and does a pretty decent job here, pacing the thing like you’d expect for a Bruckheimer movie – non-stop action with little pause for gathering ones wits.

The voice acting is credible, although Cage goes for the silly voice award of 2009. His nasal, Midwestern-accented take for Speckles is hysterical. Cruz goes for a bit of sex appeal and elevates her character above the typical Latina marine we’ve seen in cliché after cliché since Aliens. Tracy Morgan goes the ghetto route and comes off as kind of a cut-rate Chris Rock.

The live characters are pretty good, too – Nighy is always interesting, even when doing characters that are essentially boring and Arnett plays up the ramrod-stiff Killian to the point of ridiculousness which was certainly his intention.

The filmmakers are shooting for a pre-teen demographic, so there is a surfeit of fart jokes and robots – the global “threat” turns out to be giant robots made up of household appliances that apparently plan to stomp the human race out of existence. Me, I’d just wait ‘em out until their warranties expire.

Still, this is essentially safe and harmless fun that will keep most of your kids more than happy. The younger ones will coo over the lovable furry critters while the older ones will ooh and ahh over the cool robots that are a bit of a sly jab at the Transformers. There is certainly a dumb factor here – those who appreciate kids movies that don’t talk down to kids and treat them like they actually have brains are going to be sorely disappointed in G-Force but those who are looking just for something to keep their kids occupied and out of their hair for an hour or two will be quite satisfied.

Hmm, a kid’s movie that doesn’t pander to kids and treats them with intelligence. Locating a movie like that might be a job that even the G-Force can’t handle.

WHY RENT THIS: Harmless, mindless family film fun.

WHY RENT SOMETHING ELSE: Not what you’d call snappy dialogue or smart plotting. The preposterous meter is off the scale.

FAMILY VALUES: G-Force is suitable for all ages.

TRIVIAL PURSUIT: The Ferris wheel shown in the film is located on the island of Okinawa in Japan in a shopping and entertainment district called American Village.

NOTABLE DVD EXTRAS: There’s a notable featurettes on super-producer Jerry Bruckheimer and also an interesting feature on how the germination for the idea behind G-Force came from director Yeatman’s pre-teen son.

FINAL RATING: 5/10

TOMORROW: Pontypool