(1963) Spy Thriller (United Artists) Sean Connery, Daniela Bianchi, Pedro Armendariz, Lotte Lenya, Robert Shaw, Bernard Lee, Eunice Gayson, Walter Gotell, Francis de Wolf, George Pastell, Nadja Regin, Lois Maxwell, Aliza Gur, Martine Beswick, Vladek Sheybal, Anthony Dawson, Lisa “Leila” Guiraut, Hasan Ceylan, Peter Bayliss, Desmond Llewelyn. Directed by Terence Young
While most people remember the first James Bond movie (Dr. No) and the third (Goldfinger) the casual moviegoer probably doesn’t remember the second. It was a box office smash, particularly in Britain where it set a box office record in only 82 days of release. Still, it doesn’t get a lot of the love that other Bond films over the years has attained.
James Bond (Connery), MI-6 agent 007 has irritated SPECTRE, a criminal organization set on world domination led by a mysterious Number One (Dawson) who pets a white cat constantly. Planning mastermind Kronsteen (Sheybal) has come up with a plan to steal a Lekter cryptographic device from the Soviet Union and sell it back to them, while exacting revenge on Bond for killing Dr. No in the previous movie. Number One engages Number Three, Rosa Klebb (Lenya) to run the operation. She in turn utilizes SPECTRE agent Red Grant (Shaw) as her primary field operative.
However, the way to get to Bond is to use a beautiful woman and the way to get to the Lekter is to use Tatiana Romanova (Bianchi) to lure in bond with the promise of a Lekter. Of course M (Lee) and Bond know it’s a trap but if they can get their hands on a Lekter, that would be a considerable coup. Bond goes to Istanbul where station chief Ali Kerim Bey (Armendariz) meets him. Grant follows Bond around, wreaking havoc and pitting the Soviets against the Turks and Brits. Romanova rendezvous with Bond and in keeping with – and adding to – a Bond movie tradition, falls head over heels in love with the British spy.
However, SPECTRE is dogging their every move, keeping Bond alive until he can literally deliver the Lekter into their hands. Romanova, who thought she was acting on behalf of the Soviet’s in-house SMERSH agency, is now ready to defect for real. There’ll be Murder on the Orient Express and a thrilling boat chase and of course face-to-face confrontations with both Klebb and Grant before all is said and done. And I could tell you how the movie ends but you don’t have to be a genius to figure out what it’s going to be.
Young was going for a more realistic atmosphere this time around. While there are gadgets including a fairly useful briefcase and the Lekter itself, this is mostly straight-up action as opposed to later Bond movies. Connery cemented his stardom as it was very apparent that this was a franchise that was going to have staying power – this even before Goldfinger would make it a cultural phenomenon. He’s in so many ways the ultimate male circa 1963. He’s ruggedly handsome, tough as nails, absolute catnip to women and knowledgeable as well as cultured. We mere mortal males couldn’t possibly compete against all that and there were more than a few wives at the time who, seeing this, eyed their husbands with a critical expression. They’re still doing that today, if Da Queen is any indication.
Bianchi is one of the most physically beautiful of the Bond girls, although the former Miss Italy didn’t really have the charisma of the best of them – Honor Blackman, Diana Rigg, Ursula Andress and Halle Berry come to mind immediately. She’s usually lumped in with Lois Chiles and Olivia D’Abo as one of the less popular girls of the series. I don’t know that it’s fair but she certainly is easy on the eyes.
Llewellyn makes his first appearance as Q, although the head of Q branch is identified by his character’s real name, Major Boothroyd here. Istanbul makes a lovely and exotic backdrop for most of the movie and of course who can go wrong with the most romantic journey in the world, the Orient Express. The winning formula of exotic locations, jaw-dropping beautiful women and clever gadgets really got its start here.
The movie is extremely dated in a lot of ways, particularly in its attitudes towards women who are mostly portrayed as either besotted creatures whose place is in the bedroom and are in need of a manly slap once in awhile, or femme fatales who are out to emasculate if not outright murder any men who come across their path. Even the wise-cracking Moneypenny (Maxwell) really doesn’t get much respect.
Armendariz, who was terminally ill when he made the movie leading Young to film most of his scenes first, is one of the more charming Bond allies and sets the bar for those that would follow. Lenya, best known as the star of her husband Kurt Weill’s The Threepenny Opera and an Oscar nominee for The Roman Spring of Mrs. Stone is a shrill but deadly efficient killer whose fight with Bond is one of the biggest kicks in the movie. Shaw, who went on to greater fame as Captain Quint in Jaws shows off washboard abs and a sardonic wit. Grant is a brilliant agent provocateur that creates a good deal of havoc here and it’s fun watching him work.
Having recently re-watched the movie, I get the sense that while it often gets short shrift among all of the Bond movies, there is reason for it. The movie doesn’t jell as well as most of the Connery Bond films and while Klebb and Grant are fine antagonists, they lack the over-the-top panache of classic Bond villains Goldfinger, Blofeld and Largo.
Those things aside and despite being terribly dated in many ways the movie still remains a terrific piece of entertainment. Certainly those tired of seeing the same three or four Bond films over and over again could do worse than to use this one as a change of pace.
WHY RENT THIS: One of the more reality-based Bonds. Armendariz is charming and Lenya and Shaw both formidable foes.
WHY RENT SOMETHING ELSE: One of the more dated Bond movies.
FAMILY VALUES: Some era-appropriate sensuality and era-appropriate violence.
TRIVIAL PURSUIT: Daniela Bianchi’s voice was dubbed by Barbara Jefford due to Bianchi’s heavily Italian-accented English. This was also the final Bond film that Ian Fleming got to see as he passed away shortly after it was released.
NOTABLE HOME VIDEO EXTRAS: The Ultimate Blu-Ray edition is loaded with a plethora of extras that should satisfy most Bond fans, including a gallery of still images, radio and TV promos, featurettes on the late Harry Saltzman, the exotic filming locations (some of which weren’t quite so exotic), a comparison between Fleming and Raymond Chandler and an interview with Fleming by the CBC.
BOX OFFICE PERFORMANCE: $78.9M on a $2M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray rental/streaming), Amazon (streaming only), Vudu (purchase only), iTunes (buy/rent), Flixster (not available), Target Ticket (not available)
COMPARISON SHOPPING: Our Man Flint
FINAL RATING: 7.5/10
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