Swimming with Men


Rob Brydon is reaching for something.

(2018) Comedy (Sundance Selects)  Rob Brydon, Rupert Graves, Thomas Turgoose, Jane Horrocks, Adeel Akhtar, Jim Carter, Daniel Mays, Nathaniel Parker, Ronan Daly, Chris Jepson, Spike White, Robert Daws, Charlotte Riley, Aschlin Ditta, Harry Demmon, Andrew Knott, Christian Rubeck, Orlando Seale, Luca Ribezzo, Margot Przymierska, Denise Stephenson. Directed by Oliver Parker

 

We all need to blow off steam. Some do it by playing video games. Others do it with hobbies like cooking, gardening and so on. Some self-medicate while others go the sporting route. Some prefer physical exertions; running, working out or swimming.

Eric Scott (Brydon) is an accountant who is spiraling into crippling depression. His job is as boring as you might guess it is, his teenage son Billy (White) has little use for him (as teenage sons will do) and he suspects his wife Heather (Horrocks) who recently was elected to the borough council of having an affair with her obsequious boss (Daws).

Eric waits for six o’clock to check out of life for a little bit, heading down to the local municipal pool to swim laps and sometimes slip to the bottom to drown out the noise of his phone ringing endlessly, no pun intended. There he meets a group of seven men who get together to practice a sport men generally shy away from: synchronized swimming.

Yes, it’s an Olympic sport but only for the ladies. I think men are mainly confounded by the concept of working and moving in unison to create something beautiful. For the most part, the guys that Eric hooks up with – depressed Kurt (Akhtar), confidence lacking Luke (Graves), petty convict Tom (Turgoose), recently widowed Ted (Carter), non-talkative Silent Bob (Jepson), The New Guy (Daly) who refuses to give his name, even though he’s been part of the troupe for more than a year, and frustrated Colin (Mays).

Pool manager Susan (Riley) who knows something about synchronized swimming since she’s dating the captain of the Swedish team, sees something in these middle-aged, paunchy non-athletes. She endeavors to train them, thinking that they can represent Great Britain at the unofficial world championships (and yes, that’s really a thing) in Milan. The men other than Luke (who has a sweet on for the taken Susan) are a bit reluctant but they decide to go for it.

There’s nothing easy about it though and the men find themselves suspecting they are in over their heads. In the meantime, Eric’s marriage is continuing to crumble at an accelerating rate and work has gone from boring to irrelevant. Still, now he has something to believe in – if only his team can believe in each other.

Brydon is in many ways a poor man’s Hugh Grant; he’s a very handsome man who somehow manages to project an almost hangdog expression. He’s the anchor for the movie in more ways than one. I’ve enjoyed him as Steve Coogan’s second banana in the Trip movies but he’s not here doing impressions or wacky voices but relying on his charm and his comic ability and there’s more than enough here to carry the film. That’s a good thing because for most of the first part of the film Eric is quite the jerk.

The rest of the cast, mainly acclaimed British character actors and veterans of British television, acquit themselves well although their parts are mainly one-dimensional. It’s actually a little comforting that sort of thing happens in the UK as well as here. Anyway some of the characters could have done with a bit more depth.

Not all the comedy works and the end is more than a little bit predictable but this is a movie with a whole lot of heart and charm and while critics tend to grouse about movies like this being emotionally manipulative (which never fails to amaze me – all films are to some extent), this one found it a nicely made movie that gave me enough of the warm fuzzies to make it more than worthwhile.

REASONS TO GO: The concept is really nice. The ending is not a shocker but still heartwarming.
REASONS TO STAY: The supporting characters lack depth even though they are well-acted.
FAMILY VALUES: There is profanity, some brief nudity and sexual references.
TRIVIAL PURSUIT: The Swedish men’s synchronized swimming team was played by the actual Swedish national swimming team. This film is loosely based on their story.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 12/8/18: Rotten Tomatoes: 47% positive reviews: Metacritic: 44/100.
COMPARISON SHOPPING: Man on the Dragon
FINAL RATING: 7.5/10
NEXT:
Snowflake

In Darkness


It's a fiddler in the sewers.

It’s a fiddler in the sewers.

(2011) True Life Drama (Sony Classics) Robert Wiekiewicz, Benno Furmann, Maria Schrader, Herbert Knaup, Agnieszka Grochowska, Marcin Bosak, Julia Kijowska, Jerzy Walczak, Oliwer Stanczak, Milla Bankowicz, Krzysztof Skonieczny, Kinga Preis, Olek Mincer, Piotr Glowacki, Maria Semotiuk, Michal Zurawski, Zofia Pieczynska, Etl Szyc, Weronika Rosati. Directed by Agnieszka Holland

There are those who society tends to write off as incorrigible. These are the dregs, those who cannot be redeemed. They were always destined to be criminal and so they will always remain.

In Nazi occupied Poland, a group of Jews have fled the ghetto of Lvov and made their way into the sewers. Sewer inspector Leopold Socha (Wiekiewicz) has discovered them in there. Socha and his compatriot Szczepek Wróblewski (Skonieczny) have supplemented their incomes with petty crimes and they see the Nazis as no particular change from the situation they’ve been in all their lives. However rather than turn the Jews in, Leopold seizes the opportunity to extort the Jews from their money in exchange for protecting and supplying them.

As time goes by the heat grows more intense to turn in wayward Jews and the penalties more severe for sheltering them. The Jews’ money begins to dwindle and the expense of buying food for the small group has become exorbitant. They wonder how long their opportunistic savior will continue to keep them safe.

In addition the toll of living underground amidst the smell and the grime is taking their toll on the refugees who have begun to squabble among themselves. Nazi patrols are actively scouring the sewers but the deft Socha, the only man in Lvov who knows the sewers well, steers them away most of the time. Still, Socha is at heart a criminal – who knows how long it will remain true.

This is based on the book In the Sewers of Lvov by Robert Marshall which chronicles the real-life Jews who fled to the sewers and the real-life Leopold Socha. Holland, one of Poland’s most acclaimed directors, manages to capture the dim lighting and claustrophobia that the refugees surely must have experienced.

One of the main misconceptions about this movie is that it’s about the Holocaust. I beg to disagree. While the Holocaust is the setting, this isn’t the story of the refugees but it is Socha’s story. It is his change of heart that is the crux of the story, his movement from petty criminal to heroic protector which seems nearly impossible on the surface.

Holland wisely doesn’t turn the Jews in the tale into stoic survivors who endure each atrocity and degradation with clear eyes and full heart. They aren’t always heroic nor are they always nice. They are in a terrible situation with the prospect of being caught and killed hanging over their heads at every moment. We cannot imagine that kind of pressure; it seems pretty understandable to me that they would not always deal with it well.

Most of the actors are largely unknown over here (although Furmann was in the Wachowski’s Speed Racer) and do pretty solid jobs. Sometimes reading subtitles on the screen can distract from really enjoying an actor’s performance and I think that’s definitely the case here. It’s hard to catch subtleties when you’re just trying to read the translation.

Still, this was nominated for a Best Foreign Language Film at the 2012 Academy Awards and justifiably so, although it didn’t win (it was heavily favored to do so). While comparison to Schindler’s List are pretty easy to make, this isn’t the same thing. The Spielberg film had a larger canvas and a much broader brush. Here, we are kept mainly underground in tight spaces that are dimly lit. If Schindler’s List is a Michelangelo, In Darkness is a Goya – but they are both fine art.

WHY RENT THIS: A fascinating look inside the legend. Some great footage from the old “Playboy After Dark” television show.

WHY RENT SOMETHING ELSE: Doesn’t really challenge much. Presents Hef as a bit of a saint.

FAMILY VALUES: There is a fair amount of violence, some bad language, sexuality and nudity as well as some disturbing images.

TRIVIAL PURSUIT: Although filmed in Poland with a mostly Polish crew and in Polish, the writer of the film was Canadian and some of the financial backing came from Canadian sources. When it and Monsieur Lazhar were both nominated for Best Foreign Film at the 2012 Academy Awards, it marked the first time that two Canadian films were nominated for the award in the same year.

NOTABLE HOME VIDEO EXTRAS: Holland interviews one of the actual survivors of the Lvov sewers. There is also an interview with Holland in English.

BOX OFFICE PERFORMANCE: $4.6M on an unreported production budget.

COMPARISON SHOPPING: Schindler’s List

FINAL RATING: 8/10

NEXT: Take Shelter