(2011) Horror (Bloody Disgusting) Angela Bettis, Pollyanna McIntosh, Marcia Bennett, Sean Bridgers, Carlee Baker, Tommy Nelson, Lauren Ashley Carter, Shyla Molhusen, Vincent Gordon, Zach Rand, Shelby Mailloux, Laura Petre, Lauren Schroeder, Alexa Marcigliano. Directed by Lucky McKee
Take the animal out of the person and, so the way of thinking goes, you are left with a civilized human being. Often however that civilization is only a veneer and when you strip it away you find the inner animal.
Chris Cleek (Bridgers) is a lawyer and a family man, well-respected around town. He likes to go hunting now and again and on one such trip he spies a woman (McIntosh) with a fishing knife in the river spearing it and eating it raw on the end of her knife. He is fascinated by this obviously feral woman and decides to take her home and civilize her. He captures her with a net and knocks her out.
When she awakens, she is chained in his garage on his rural, isolated property. Cleek turns out to be a monster, abusing his wife Belle (Bettis) and oldest daughter Peggy (Carter) who is becoming withdrawn at school, her grades plummeting. His son Brian (Rand) is developing a sadistic streak of his own. The youngest, Darlin (Molhusen) is just a toddler.
Chris begins enlisting his family in “civilizing” the woman, using a pressure hose to wash her, and subjecting her to all sorts of torment. Brian participates enthusiastically while Belle and Peggy are much more reluctant. In the meantime Mrs. Raton (Baker) has become suspicious of Peggy’s change in behavior and decides to pay the home a visit.
There she’ll find a house of horrors that she (and we) didn’t expect. Survival of the fittest is what nature teaches us and the woman will have to be very fit indeed to make it out of the garage alive.
This movie debuted at Sundance in 2011 to a great deal of controversy. A significant portion of the audience walked out on the film and those that stayed accused it of being misogynistic trash. This is where you can tell the difference between a critic who understands film and those who don’t – there is a difference between a misogynistic film and one in which misogynistic acts are displayed. On the one hand, the agenda is to describe women as inferior who deserve the treatment that they’re receiving; clearly in this movie the men are the monsters, perpetrating all manner of horrors on women. However, it is these men who are woman-haters – these characters. We are able to identify them as such by their behavior. Calling this movie misogynistic is like calling the makers of the Bond films megalomaniacs because their villains behave in that manner.
A superior performance is demanded of McIntosh and, fortunately, received. She doesn’t utter a word of dialogue other than grunts, snorts, screams and screeches. Much of her acting is done through body language and through her eyes. An Oscar-winning performance this ain’t but it does show a great deal of physical talent. I’m not sure she’ll get a lot of opportunities out of this but she should – there’s a real deal actress under all the grime.
There is a good deal of gore and violence, including the (inevitable) sexual assault of the woman by Chris. This is definitely not for the squeamish or those who find violence and sex distasteful. Then, this isn’t the sort of movie that was really made for that sort of person. It is a movie about the savage inside us, one that often has a civilized veneer. Which one was truly the monster – the Woman or Chris? I think you’ll find that question easy enough to answer.
WHY RENT THIS: Brutal but not meant to be taken seriously. McIntosh lets it all hang out in her portrayal of a feral woman.
WHY RENT SOMETHING ELSE: Some might find it misogynistic.
FAMILY VALUES: Warning, this is a pretty shocking film by any standards. Let’s see, there’s some pretty graphic violence and gore, misogynistic behavior, a fairly brutal rape, graphic nudity, foul language and torture. Louise May Alcott this ain’t.
TRIVIAL PURSUIT: The word anophthalmia which is used repeatedly during the film by Chris refers to the congenital absence of an eye or both eyes and teases one of the aspects of the film’s climax.
NOTABLE HOME VIDEO EXTRAS: There is an animated short and a music video.
BOX OFFICE PERFORMANCE: Not available.
COMPARISON SHOPPING: The Shuttered Room
FINAL RATING: 5/10
NEXT: Promised Land