Own the Room

Rehearsing the pitch.

(2021) Documentary (National Geographic) Henry Onyango, Daniela Blanco, Alondra Toledo, Santosh Pandey, Jason Hadzikosas, Miguel Modestino, Fernando Toledo, Maria Blanco, Patricia Castillo, Tyler Olson, Kunda Divit, Huston Malande, Eddie Alvarado, Gustavo Fuga, Alberto Soto-Benitez, Damarie Toledo. Directed by Cristina Costantini and Darren Foster

 

It is indescribably difficult to get a business off the ground, particularly one that is operating with ideas outside the box. As television shows like Shark Tank show, most of these businesses fail within the first year because of a lack of capital to bankroll the operation. When you’re a young person without a history of innovation and business experience, it is doubly hard. That’s why there is an international competition known as the Global Student Entrepreneur Award.

This award annually gives $100,000 to the student whose idea and business plan impresses the judges the most. For many of the students that participate, the money means the difference between survival and closing the doors of the nascent business they’ve started.

This documentary, currently streaming on the Disney Plus service, focuses on five entrants into the competition; Santosh Pandey from Nepal has a business that allows ex-pats from Nepal (who have lost a high number of workers who have emigrated all over the world to find work to support their families back home) to surprise loved ones in Nepal with impromptu celebrations of birthdays, anniversaries and so on. Daniela Blanco is an immigrant from Venezuela who left her native land when government crackdowns on student protesters made conditions too dangerous for her to continue her studies at home; utilizing a scholarship at New York University, she used her electrical engineering degree to invent a method of using solar power to create the materials to make nylon as opposed to the fossil fuels that the industry currently uses. Her company, Sunthetics, is the key to her remaining in the United States. Jason Hadzikosas is from Greece and has developed an application that uses artificial intelligence to translate the cries of infants and translate them into what the baby is really asking for. His company, Cry2Talk, could revolutionize parenting.

Henry Onyango is a student in Nairobi, Kenya who discovered that there was a serious student housing shortage throughout Kenya and indeed, throughout Africa. An expert coder, he created an app called Roometo that allows students to find housing close to their universities, a kind of Air BnB for the college crowd. Finally, Alondra Toledo from Puerto Rico has developed an application that allows deaf patients to communicate with doctors who don’t understand sign language. Her company is called UnderstHand and given the island’s difficulties following Hurricane Maria, seems to be an important idea that deserves further exploration.

The documentary sticks with the five contestants through the preliminary rounds in their home countries and gathers them in Macao, where the global finals are to take place. We get to know what drives them, what inspires them and how their idea came to fruition. We meet some of their co-workers and family members, and discover that all five are engaging, intelligent and driven to make the world a better place.

There is unexpected drama when one of the contestants is denied entry into Macau initially due to not having enough cash to enter the casino-heavy “Las Vegas of the Orient” but also possibly because of other factors, not the least of which was the candidate’s overly casual style of dress. With the possibility of being deported back to their home country and not being able to present their idea to the judges, the contestant scrambles to find a means of getting into Macao and making it to their presentation slot on time.

The various contestants are all inspiring but the film is pretty much a typical competition documentary in presentation and execution. Still, there’s enough inspiration and innovation from the candidates to make this worth your while and non-fiction cinema enthusiasts will no doubt find this to be of interest.

REASONS TO SEE: Impressive ideas delivered by young people who’ll give you hope for the future.
REASONS TO AVOID: Pretty typical competition documentary.
FAMILY VALUES: Suitable for the entire family, although there is a brief reference to potential racism.
TRIVIAL PURSUIT: “Own the room” refers to a public speaking truism that to be successful in a presentation, the presenter must be in complete charge and seem knowledgeable and confident, also known as “owning the room.”
BEYOND THE THEATERS: Disney Plus
CRITICAL MASS: As of 3/17/21: Rotten Tomatoes: 100% positive reviews; Metacritic: 68/100.
COMPARISON SHOPPING:Science Fair
FINAL RATING: 6/10
NEXT: Long Live Rock: Celebrate the Chaos

The Damned United

Peter Taylor and Brian Clough did precious little celebrating during Clough's tenure at Leeds United.

(2009) True Sports Drama (Sony Classics) Michael Sheen, Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Peter McDonald, Elizabeth Carling. Directed by Tom Hooper

People in the United States can’t really appreciate just how rabid the love for their football clubs the English hold. Comparatively, our American football fans are like the polite Wimbledon audience, politely applauding a spirited volley. In England, people live and die by their favorite clubs, their love spanning generations in the same family. Songs are written about their favorite clubs and the fans know every word, singing them at the matches in unison, tens of thousands of voices strong or in the pubs watching the matches on the telly, voices soaked with whiskey, beer and gin. For many, their identity consists to a large part of which club they support.

In the 60s, Leeds United was one of the most dominant teams in England, regularly winning the league title and representing England in the European Cup. Their manager was Don Revie (Meaney), a bull of a man who was beloved in Leeds but not so much elsewhere. His United club played a rough and tumble brand of football that some said crossed the line of fair play.

Young Brian Clough (Sheen) manages Derby County, a second division club with high hopes – some would say delusions of grandeur. An outspoken self-promoter prone to saying outrageous things at inappropriate times, he succeeds at winning Derby County a promotion to the first division and even a spot in the European Cup, but Clough is snubbed by Revie during a match between the two clubs.

From then on Clough felt a passionate hatred for Leeds United, one that perhaps wasn’t quite warranted. His assistant manager Pete Taylor (Spall) was not quite as angry about the snub. A great football tactician, Taylor and Clough, a master motivator,  made a formidable team. However, Derby County chairman Sam Longson (Broadbent) continually butted heads with his brash manager over personnel decisions and finances. Clough accused him of putting profits ahead of winning, which is easy to do when you’re not spending your own money. Eventually, he would turn in his resignation, never believing for a moment it would be accepted and that his demands for more control over the football team and a higher salary would be met. To his horror, his resignation was accepted.

Clough would eventually accept a position with the Hove and Albion Brighton club, but would renege on that agreement when Leeds United came calling. It seems that Don Revie was taking the job as the manager for the national team. Clough was one of the brightest up-and-coming stars in English football management; it was thought he would bring Leeds United decades of similar success as Revie had.

That wasn’t to be. Clough despised the players of Leeds United and made that clear. He continued to make incendiary remarks to the press and as a result his team started losing. It went from the champions of English football to being in real danger of being relegated to the second division. There was nothing for it but Clough had to be sacked. His reign in Leeds lasted a grand total of 44 days.

Now, that is a whole lot of English sports history and to most English schoolboys, this is as well-known as Michael Jordan and the Chicago Bulls are here. Here in the United States, most people don’t know Leeds United from Manchester United and Billy Bremner (Graham) from Billy Idol. Still, that shouldn’t diminish from the enjoyment of the movie. This is a football movie in the same way Brian’s Song is a football movie – the game stays on the periphery of the story, which is about the people who lived these events.

Sheen does a bang-up job in his role as Clough. Not being familiar with the real Brian Clough (the pronunciation rhymes with rough), I can’t really say if he caught the nature of the real man, but I can say that his performance showed equal parts arrogance and insecurity (which are two qualities that generally go together). He is fascinating to watch, and keeps your attention throughout the movie. Spall does a terrific job as the yin to Clough’s yang, or vice versa. The two actors mesh well together and the real genuine love and respect between the two sports icons comes through. As with any relationship of love and respect, it inspires some epic bickering, but there is never a sense that there is a false moment in that critical relationship which is at the center of the story.

Meaney and Broadbent are reliable actors and neither disappoint here. Scripter Peter Morgan (who also penned The Queen) has put together some impressive writing yet again; I think it’s fair to say he’s one of the top handful of screenwriters working in the business today. Hooper does a great job of building the era and the atmosphere surrounding a championship sports team nicely.

This is an interesting look at how ego and vanity can turn even someone driven and intelligent off-course. Clough went on to be one of the greatest managers in English football history, more or less the equivalent of a Vince Lombardi or a Tom Landry, and is regarded as such in England. Those 44 days are the only stain on an otherwise superior record and given the talent he had to work with, it’s easy to wonder what went wrong. While the Clough family and many players for both Derby and Leeds United have gone on record as regarding this work as fiction, it nonetheless works on a dramatic level.

WHY RENT THIS: Stellar performances from Sheen and Spall help illuminate the inner machinations of an English football club in the ‘70s. The movie doesn’t require audiences to be English football fans in order to appreciate it.

WHY RENT SOMETHING ELSE: American audiences may not appreciate the place in the history of the sport that Clough and Revie held and not be much interested in the subject.

FAMILY VALUES: There is a good deal of foul language, more than smaller kids might be used to. Should be okay for teens that have an interest in the history of English soccer.

TRIVIAL PURSUIT: The scenes set at the Derby County practice field were actually filmed in Leeds, ironically on a pitch overlooking the stadium where Leeds United plays.

NOTABLE DVD EXTRAS: There are a couple of features on how Sheen took on the formidable task of re-creating Brian Clough, channeling him in a typical Clough-like press conference. There’s also a feature on English soccer in the 70s and Clough’s lasting influence on the game.

BOX OFFICE PERFORMANCE: $4.1M on an unreported budget; if I were a bettin’ man I’d wager they made a little bit of money.

FINAL RATING: 6.5/10

TOMORROW: A Serious Man