Merida takes aim at teen angst.
(2012) Animated Feature (Disney*Pixar) Starring the voices of Kelly Macdonald, Emma Thompson, Billy Connolly, Julie Walters, Kevin McKidd, Craig Ferguson, Robbie Coltrane, Sally Kinghorn, Eilidh Fraser, Peigi Barker, Steven Cree, John Ratzenberger. Directed by Mark Andrews and Brenda Chapman
Fate is a word we sometimes bandy around with negative connotations. There are those of us who believe that it implies that our destiny is set in stone, that we are doomed to live a certain type of life. Some believe that fate is not necessarily set in stone – it can be changed with the right impetus.
Merida (Macdonald) is of the latter sort. She is a spunky, willful princess – literally. She’s the daughter of King Fergus (Connolly) of Scotland, a gruff rough and tumble sort who’s leg was bitten off by a bear that attacked his family, including Queen Elinor (Thompson) who some years later delivered triplets – three wee devils who act as comic relief in the castle.
Merida finds nothing funny about life though. She longs to go on adventures like her dad, and has become quite the archer. Her mother, though, wants her only daughter to be a proper princess, one who will grow up into a beautiful, regal Queen. And it’s about high time she did; while Elinor nags, Merida stews. And when Merida becomes of marriageable age, as is traditional among the clans a competition will be held to determine which Lord’s son will win the hand of the fair maiden – be it the sons of Lord Dingwall (Coltrane), Lord Macintosh (Ferguson) or Lord MacGuffin (McKidd) – all of whom have travelled to the castle of King Fergus for the games, feasting and tales of bear hunting.
Merida is having none of it. She is for one thing a far better archer than any of the scions of the clans. And for another, she doesn’t want to get married (and to be honest, she is nowhere near ready to be). She and her mother can barely hold a civil conversation and her Dad is too engrossed in the feasting and tale-telling to really notice. So Merida goes off for a ride and finds herself in a Stonehenge-like circle of sacred stones from whence the wills-o’-the-wisp lead her to the cottage of an eccentric witch (Walters) whom Merida asks to purchase a spell from – a spell that will allow her mother to change her mind and in doing so, changing Merida’s fate. However, like most spells that are selfish in origin, it doesn’t go exactly according to plan.
There is an air of mystery and mysticism here that is very welcome. Here we get to see Scotland as a magical land that is wild, beautiful and just a little bit off-kilter. Yes, pun intended. The animation here is gorgeous – quite possibly the best and most intricate that Pixar has accomplished up to now. The look is very much like classic Disney animation and that’s not by accident.
Thinking about it, this is quite the gathering of the clans if your clans are Scottish actors and actors of Scottish descent. It gives them a chance to air out their brogues a little. I have an affection for the accent and even though it can be hard to understand for those who aren’t used to it although to be fair it’s toned down here so it’s pretty easily understandable even for those who don’t have the ear for it.
There is quite a dynamic that goes on between Elinor and Merida – like many mother-daughter relationships it’s love-hate. And, like most teens and their parents, you have two sides talking and neither side listening. Elinor at first is a mom who has a vision in her head of what she wants her daughter to be – without taking into account what her daughter wants to make of herself. For Merida’s part, she’s willful and stubborn, openly defiant of her parents and quite a bit stubborn. Her means of communicating is to make pronouncements and that doesn’t go over well with her mum.
In fact, Merida’s spoiled behavior leads directly to some fairly savage consequences for her family. Now, as a parent I can tell you that tolerance is a great big survival skill for any parent of a teen – they are going to make mistakes no matter how much you try to warn them (pretty much the way we did when we were teens) but I have to admit, it is rare for any parent to have to deal with a mistake the magnitude that Merida makes. Yes, I’m being deliberately vague here because not knowing the nature of what Merida did and the consequences that ensued makes the movie so much more enjoyable, although I have seen a couple of reviews that have spoiled it – including the usually-reliable Roger Ebert, so take that into account when reading before seeing.
This is quite a departure for Pixar – straight into Disney territory. Think about all the elements you have here – a feisty princess, a witch who lives in an isolated cottage in the woods, danger, intrigue – all that is lacking here is true love’s kiss – but then Merida would much rather kiss a frog than a thousand princes. Still, after the lackluster effort that was Cars 2 this is a welcome return to form.
REASONS TO GO: Maybe the best animation in Pixar’s history. Goofy when it needs to be.
REASONS TO STAY: Seems to glorify willful, spoiled behavior.
FAMILY VALUES: There are some sequences that might be frightening for toddlers, and there is a bit of rude humor.
TRIVIAL PURSUIT: This is Pixar’s first film set in the past, the first to feature a female protagonist and Merida the first Pixar character to become a Disney princess.
CRITICAL MASS: As of 7/8/12: Rotten Tomatoes: 77% positive reviews. Metacritic: 69/100. The reviews are solid.
COMPARISON SHOPPING: Mulan
BEAR LOVERS: We see bears of all sorts in the film, including three little ones, a mama bear and a scary bear.
FINAL RATING: 8/10