(2010) Documentary (Focus) Bayar, Hattie, Mari, Ponijao. Directed by Thomas Balmes
As a species, we have a thing about babies. Now, that doesn’t differentiate us much from any other species – procreation is, after all, a survival imperative. However, what does is that we obsess about the babies of other people, not just our own. While other species will protect the babies of those within their own family or group, they don’t particularly show much interest beyond that. You don’t see a lion cooing over another lion’s cub.
Of course, lion’s don’t coo either. However, humans can and do and will. Here we have plenty of opportunity to coo. This is a French documentary about four babies born in four different parts of the world – Hattie in San Francisco, Ponijao in tribal Africa (Namibia to be exact) Bayar on the frozen steppes of Mongolia and Mari in bustling Tokyo. The film covers roughly the first year of their life, from shortly after birth.
What differentiates this movie is that there are no cute graphics, no narration and no attempt of some Hollywood star to read a script from a writer who purports to know what the babies are thinking. This is not a Disney nature film in other words. There are no statistics, nothing particularly depressing, just 78 minutes of watching babies do their thing, be it nursing, snoozing, smacking other babies about the head, playing with toys, crawling, crying and being cuddled.
While it is a fresh approach (and welcome to most), therein lies the issue for me. It really is completely observational of the babies themselves and while that can be fascinating for a short time by the end of the movie (and it’s a short movie folks) I found myself fidgeting. It’s really akin to watching someone else’s home movies, albeit with better production values. Most of us don’t have HD film cameras and high-end film stock; we mostly have to settle for digital cams and cheap home video recorders, even cell phone video cameras.
That said, there are a lot of people who are going to ooh and ahh over this and there’s nothing wrong with that. If you love babies in general, you will find your nirvana here. All of the kids have definable personalities and indulge in all manners of cuteness, whether they are in a yurt or a pricy Tokyo apartment. There is also a lot of nudity, both from the babies and their moms (and in the case of Namibia, most of the rest of the tribe as well although the men are rarely seen).
The cinematography can be quite beautiful, ranging from the gorgeous Bay Area shots to the majestic but desolate Mongolian steppes, the hyper-kinetic Tokyo cityscape to the dry and dusty African plains. You will certainly get a sense of the environment each baby is growing up in and no value judgments are made either – the ones growing up in abject poverty are no less happy than the ones growing up in the West.
I’m not really a baby person. They’re cute, sure, but I don’t need to spend a whole lot of time around them. I’ve kinda done my time. So take this with a grain of salt – I admire the technical end of the film, the filmmaker’s dedication to giving an unfettered, unvarnished look at babies around the world. I know that there are plenty of people who are going to love this movie.
I’m just not one of them. It was a little like watching paint dry from my aspect, and having a repetitive musical score didn’t help matters. Maybe I’m a little too MTV but I need a bit more than a static camera focused on a bunch of proto-humans who left to their own devices would eat dirt. Not my cup of tea – but that doesn’t mean it couldn’t be yours, nor are you any worse a person if it isn’t.
WHY RENT THIS: Cuteness personified. Reaffirms that we are more alike than not.
WHY RENT SOMETHING ELSE: Is like a 78 minute home movie; if watching someone else’s baby isn’t your thing, you’re going to get restless.
FAMILY VALUES: There is nudity here of the maternal sort; some nursing and such. If that offends you, this might not be the film for you..
TRIVIAL PURSUIT: Ponijao belongs to the Himba tribe who live near Opuwo, Namibia.
NOTABLE DVD EXTRAS: There is an update on how the children are doing three years after they were filmed. There is also the winners of a studio-sponsored contest in which parents were urged to submit baby videos.
BOX OFFICE PERFORMANCE: $9.5M on an unreported production budget; the movie was almost certainly profitable.
FINAL RATING: 5/10
TOMORROW: This Means War