James Franco tries to hitch a ride with his China Girl. Ooh baby, just you shut your mouth…
(2013) Fantasy (Disney) James Franco, Michelle Williams, Mila Kunis, Rachel Weisz, Zach Braff, Joey King, Bill Cobbs, Tony Cox, Stephen R. Hart Abigail Spencer, Bruce Campbell, Ted Raimi, Tim Holmes, Toni Wynne, Rob Crites, William Dick, Gene Jones, Channing Pierce. Directed by Sam Raimi
Belief is a powerful thing. It can change the course of history, make the impossible possible. It can turn fear into strength. It can make leaders of the most unlikely of men.
Oscar – but his friends call him Oz (Franco) – is a somewhat adept carnie magician in sepia-toned Kansas in 1905. He yearns for greatness but is stuck in this Podunk circus that seems destined to kill all his hopes and dreams. His assistant Frank (Braff) is barely competent and the ladies he gets to sample his charms are shall we say less than discreet. The one girl he does want (Williams) has been asked to marry John Gale, a steadfast Kansas farmer. And to make things worse the Circus strongman (Holmes) has discovered that one of Oscar’s conquests is his own wife (Wynne) and so he wants to use Oz’s head as a squeeze box.
Oz gets away in a hot air balloon with only his top hat and satchel as possessions but unfortunately he gets sucked into a tornado and ends up in the brightly colored land of Oz. There he meets Theodora (Kunis), a beautiful young witch who develops quite the crush on Oz. Oz unleashes his usual bag of tricks on her, particular when he discovers the prophecy that someone with the same name as the land would descend from the sky, save the land from a wicked witch and become king of Oz. The two head back to the Emerald City where Oz meets Evanora (Weisz), who is Theodora’s sister and regent of Oz since their father was poisoned.
There is a wicked witch for Oz to kill however and he goes off to do just that with his trusted flying monkey valet Finley (voiced by Braff) at his side. Along the way they run into a porcelain village that has been decimated by the wicked witch’s flying baboons. The only survivor is a little china girl (King) whose legs have been shattered. Oz, with a trusty bottle of glue, puts her right as rain and the grateful girl accompanies the two on their quest.
When they meet Glinda (Williams) again who introduces them to the Quadlings, the Tinkers and the Munchkins, Oz realizes that the task at hand is much more complicated and dangerous than he first thought and that he has little more than pluck on his side. His entire life he has been searching for greatness but now it appears that he must die in order to achieve it.
A lot of people are going to make the mistake of comparing this to The Wizard of Oz, among them professional critics who should know better. If you go into this movie thinking that this is going to be just as magical and just as timeless, you’re going to walk out disappointed. Raimi wisely chooses to pay homage to the classic rather than aping it. Sure there are some similarities – the sepia-toned Kansas, the colorful Oz, the singing and dancing Munchkins, a cowardly lion (blink and you’ll miss him) and an Art Deco Emerald City.
The 1939 version of the film was always a woman’s movie – Dorothy versus the Wicked Witch. The men in the movie were really little more than comic relief and that was okay. In some ways that’s true here as well – while Oz is at the center of the action and is the erstwhile hero, this movie is all about the witches with a little help from a China Girl.
Franco as Oz is kind of an odd choice. Sure, Franco projects that con man cockiness with an aw shucks grin that has just the right touch of nasty to it. He is just smarmy enough to be in character but enough to get on my nerves from time to time. This is supposed to be a prequel to Wizard and for me, I had trouble connecting the dots from Franco’s Oscar to the grouchy old fraud that Frank Morgan played.
The witches are all three excellent actresses at or near the top of their game. Weisz makes a memorable Evanora, one whose depths are darker than you might imagine. A character like this gives Weisz a chance to really cut loose and she does, although never going over-the-top which a lesser actress might just do.
Kunis is turning into a star in her own right. I’m not sure this is the role to advance her career any but at least it doesn’t do her any harm. She has the widest range to cover and she does it pretty well although not notably. She neither distinguishes herself nor disgraces herself other than to remind us how gorgeous her face is in her early scenes with Franco.
Williams is often overlooked when discussions about Hollywood’s best actresses ensue but believe me, she is right up there among the very best. She has the least meaty role of the three sisters but shines nevertheless. In many ways she had the most difficult task but she wound up shining, commendable considering who she was acting with in the movie.
There is a whole lot of eye candy here, most of it of the CGI variety. Most of it is pretty nifty but there are a few scenes in which the CGI green screen effect is a bit clunky, surprisingly so. The surprise is because they got the 3D down so well which is fairly rare. It actually enhances the movie. I know, notify the paramedics because there are gonna be coronaries over it – but facts are facts.
This is no Wizard of Oz, it’s true. This isn’t timeless, there’s no “Over the Rainbow” and the movie doesn’t have that same magic that the 1939 classic had. Nevertheless that doesn’t mean it can’t be solidly entertaining in its own right and in all truthfulness I’m a sucker for Oz and getting a chance to go back there again is an irresistible lure. It brings back the kid in me and at my advanced age that’s a welcome and impressive feat of prestidigitation of its own.
REASONS TO GO: Great performances throughout. Really good chemistry between Cooper and Lawrence.
REASONS TO STAY: Keeps you a little too off-balance in places. Too Hollywood an ending.
FAMILY VALUES: There are some images of flying baboons and witchery that may be too scary for the tiniest of tots. There is some mild cursing but unlikely that your children haven’t heard it before.
TRIVIAL PURSUIT: The Baum Brothers circus that Oscar performs in, as well as the name of his assistant Frank were both tributes to L. Frank Baum, creator of Oz.
CRITICAL MASS: As of 3/11/13: Rotten Tomatoes: 61% positive reviews. Metacritic: 45/100; critics were all over the board with this one.
COMPARISON SHOPPING: Alice in Wonderland
FINAL RATING: 6.5/10
NEXT: 56 Up