The Rum Diary


The Rum Diary

Johnny Depp in a pose sure to get many a woman's heart aflutter.

(2011) Drama (FilmDistrict) Johnny Depp, Aaron Eckhart, Amber Heard, Michael Rispoli, Richard Jenkins, Giovanni Ribisi, Marshall Bell, Amaury Nolasco, Bill Smitrovich, Karen Austin, Julian Holloway, Bruno Irizarry, Enzo Cilenti. Directed by Bruce Robinson

Hunter S. Thompson remains an iconic figure; not only in the counterculture but also within journalism and I guess among those who admire American eccentrics. One of his close friends was actor Johnny Depp, who famously portrayed the author in Fear and Loathing in Las Vegas and helped get this novel, based on Thompson’s experiences in San Juan, Puerto Rico in the early 60s, published.

Now Depp has gotten the movie made. He plays Thompson surrogate Paul Kemp, a boozehound journalist who has seen the bright lights and big city of New York but has been exiled to the San Juan Star, an English language newspaper that is on its last legs, edited by Lotterman (Jenkins), a harried frazzled man who is watching his empire crumble around him.

Kemp hooks up with Sala (Rispoli), a once-competent photographer who has fallen into a booze-induced haze of rum and cockfights while he waits to collect the severance pay that is sure to come when the Star folds. The two wind up sharing a room with the mercurial Moberg (Ribisi), whose brain has been filleted by drug use and alcohol abuse. He’s been fired from the Star but still hangs out around the newspaper, avoiding Lotterman and waiting for his paycheck.

Kemp is approached by Sanderson (Eckhart), a shady businessman who brokers quasi-legal land deals that enrich the pockets of his American friends but not so much the people of Puerto Rico. Sanderson’s girlfriend Chenault (Heard) takes a shine to Kemp but the combination of rum, debauchery and intrigue prove to be a more alluring combination in many ways.

Robinson made his reputation as a director with Withnail and I, an account of an alcoholic from the point of view of his friend. After the best-left-forgotten Jennifer 8 he has been absent from the director’s chair for 20 years. This isn’t, sadly, an auspicious return to the form of the former; thankfully it isn’t a project sunk to the depths of the latter either.

Much of the movie’s high points – and low ones – come from Depp. Nobody can play drunk like Depp can and although Rispoli and Ribisi do their best (and it’s pretty good) it’s Depp’s show without a doubt. Although he’s pushing 50 and is playing a man who has to be about half that age, he still makes Kemp a believable journalistic Quixote, tilting at the windmills of corruption and arrogance with Rispoli an effective Sancho Panza.

The chemistry between Depp and Heard is a little dicey. Heard is a very good actress but she’s playing a gold-digger who, it seems to me, would be more attracted to the size of a wallet rather than to the kindness of a heart. Why Chenault falls for Kemp is a complete mystery and doesn’t seem to fit with the girl’s character and Heard isn’t able to really offer an explanation either.

The movie is paced like a long languorous Caribbean afternoon, passing in a haze of rum, heat and thunderstorms. It doesn’t have the kind of edginess you’d expect with something that Thompson wrote and it might well be best seen after having quaffed a glass of 400 proof rum. No such thing? Oh, I beg to differ my friends…

REASONS TO GO: Nobody does drunk like Depp.

REASONS TO STAY: Kind of stodgy for a Hunter S. Thompson adaptation.

FAMILY VALUES: There is plenty of foul language, enough drinking to drown the Antarctic in rum and a bit of drug use.

TRIVIAL PURSUIT: Robinson, who also wrote the screenplay, had been sober for six years before taking on this project. He was hit by a severe case of writer’s block and began drinking, a bottle a day, until the script was completed. He continued to drink during production and quit drinking immediately afterwards.

HOME OR THEATER: While the look of a squalid Puerto Rico is sometimes offset by the gorgeous vistas of beach and jungle, the movie works as well at home as it does in the theater.

FINAL RATING: 5/10

TOMORROW: The Dead Girl

Nothing Like the Holidays


Nothing Like the Holidays
John Leguizamo gets the uncomfortable feeling that he is the object of their laughter.

(2008) Holiday Dramedy (Overture) Alfred Molina, John Leguizamo, Vanessa Ferlito, Freddie Rodriguez, Debra Messing, Jay Hernandez, Melonie Diaz, Mercedes Ruehl, Luis Guzman, Elizabeth Pena. Directed by Alfredo De Villa

Families at Christmastime can be very complicated indeed. We all bring our joy to the table, but also our problems. The holidays can be a time of great stress, but also of great catharsis – regardless of what the background might be.

Eduardo Rodriguez (Molina) is overjoyed that his children are coming home for the holidays. Eduardo owns a bodega in the Humboldt Park section of Chicago and is proudly Puerto Rican, as is his wife Anna (Pena). Of course, each of his children has issues of their own – would it be a holiday movie if they didn’t?

Jesse (Rodriguez) is recently home from Iraq and is wounded in ways that aren’t necessarily visible on the surface. His girlfriend (Diaz) has moved on, although he seems stuck in some odd half-life. His father is very eager to hand over the bodega to his son, which Jesse is not so eager to do. He feels a little trapped and lost and doesn’t know quite where to march from here. Mauricio (Leguizamo) has married Sarah (Messing), a Jewish girl who is constantly butting heads with Anna, who wants nothing more than to have a grandchild and Sarah is pretty much the only shot at the moment. Mauricio is concerned that his wife may be more in love with her high-powered career than with him.

Finally there’s Roxanna (Ferlito) who has been pursuing an acting career in Hollywood with considerably less success than she has been letting on to her family. She has a thing for neighborhood friend Ozzy (Hernandez) and he has one for her but circumstances seem to conspire to keep them apart. All these issues become so much less important when Anna announces during Christmas Eve dinner that she is leaving Eddy because he has been cheating on her. Despite his protestations to the contrary, she knows he is talking regularly with a woman on his cell phone. That must mean he’s cheating, right?

There’s also the most stubborn old tree in the history of cinema in their front yard that defies every attempt to pull it from the yard where it blocks Anna’s view as well as a vendetta that Ozzy has for the guy who murdered his brother that he intends to bring to a climax that very night. Not exactly the Christmas spirit, right?

If you like movies like The Family Stone in which an extended family gathers for the holidays to hash out their problems and draw closer together in the process, you’ll love this. Having it be in a Puerto Rican family is like icing on the cake. The Puerto Rican culture has been long neglected by Hollywood, so it’s refreshing to see it addressed here. While I wasn’t familiar with all the specific traditions that are mentioned or displayed here, this isn’t so much a learning experience as it is an opportunity to spend some time with a specific family. In many ways, their ethnicity is immaterial; it’s about how they pull together when they need to. From that standpoint, they could be any family, anywhere.

There are some fine actors in this ensemble, notably Molina, Leguizamo, Messing and Pena, but Hernandez, Ferlito and Rodriguez are also impressive. Like many ensemble movies of this type, each of these actors gets only a limited amount of screen time so none really stand out (with the exception of Molina) but each of them make the best of the time they have.

There won’t be any revelations you don’t see coming or any resolutions that are unexpected. That’s all right. When it comes to holiday movies, success is measured by the warmth in the heart that is generated rather than the insights that are revealed. By that yardstick, Nothing Like the Holidays is a solid success. Holiday movies fulfill a specific function which is to put people in the holiday spirit and this does that quite nicely. If it’s an analysis of the Puerto Rican experience, this isn’t really it but if you’re looking for a cup of eggnog, there’s plenty to go around here.

WHY RENT THIS: Heartwarming in the tradition of family ensemble holiday movies like Home for the Holidays, This Christmas and The Family Stone.

WHY RENT SOMETHING ELSE: The script relies too much on holiday clichés and forced family dynamics.

FAMILY VALUES: Some of the dialogue references drug usage and sexual issues; however, most of the movie is pretty benign for families.

TRIVIAL PURSUIT: While Alfred Molina and Elizabeth Pena play the parents of John Leguizamo, in reality they are only nine and three years older than he is, respectively.

NOTABLE DVD EXTRAS: This was apparently quite a fun movie to make, as the Blooper reel and cast reunion featurette show.

BOX OFFICE PERFORMANCE: $7.5M on an unreported production budget; the movie might just have made a little money.

FINAL RATING: 6/10

TOMORROW: The Holly and The Quill continues!