The Soul Collector (8) (2019)


Good men can still do bad things.

(2019) Horror (SHOUT! FactoryTshamano Sebe, Inge Beckmann, Keita Luna, Garth Breytenbach, Chris April, Luxolo Ndabedi, Owam Amey, Sindiwe Magona, Graham Clarke, Eve Maxagazo Andy Crawford, Jac Williams, Andres Brink. Directed by Harold Holscher

 

The South African film scene has been coming on lately, with several movies produced there getting international attention. The Soul Collector (which made the Festival rounds known as 8) is a horror movie with its roots in local traditions and mythology, certainly a heady and largely untapped source of inspiration for scare flicks.

William Ziel (Breytenbach) has been experiencing rough economic times, so he heads to the interior of South Africa to work his family farm after the death of his father (Clarke). He brings along his adopted daughter Mary (Luna), whose parents in addition to being William’s brother and sister-in-law are also dead, and his wife Sarah (Beckmann) who has demons of her own.

William knows next to nothing about farming, but help comes in the form of Lazarus (Sebe), a wise old black man who once worked the farm. However, local villagers, led by their one-eyed chief (April), are aware of the true nature of Lazarus; he collects souls for the demonic presence occupying his daughter’s (Amey) body. Lazarus, a good man driven to an act of madness by grief and desperation, has also befriended Mary, whom the demon is dead set on feeding upon.

First-time director Holscher has crafted a film that looks really nice; beautiful vistas of the rolling plains of South Africa, as well as in-camera effects that are as effective as any CGI. He also is given the richness of African legend to work from, but sadly, resorts to jump scares and horror tropes that end up taking his movie down a few notches.

That’s not to say that the movie is entirely without merit. There are some frank discussions on the intertwining of life and death (the figure 8 is used to denote the place where the mortal world and the next realm meet, which is where the living can communicate with the dead) and Sebe is an imposing presence; intimidating when he needs to be, but clearly conflicted over his fate and the bargain he made. It is hard not to feel for Lazarus and Sebe does a good job of making the character sympathetic.

The other characters are less so; William is stubborn, refusing to see any other reality but the one that he wants to see. He is going to make this farm work no matter what! For her part, Sarah is often bitchy and vindictive, mourning that she can’t have children of her own. As for Mary, she’s not the plucky heroine of most horror movies (which is refreshing) but she keeps silkworms in a music box that plays the “Swan Theme” from Swan Lake (which is used as a motif throughout the score, at times to distraction) and is in every sense, a little weird. Then again, she’s been through a lot.

I like seeing horror movies using the mythology of other cultures, be they Latin, Eastern European, or Asian; we so rarely get to see the rich folklore of Africa used cinematically that it’s refreshing when it happens. I just wish that the director had done a little more with it here.

REASONS TO SEE: Takes us to an environment not usually found in horror films.
REASONS TO AVOID: Plenty of horror tropes and jump scares.
FAMILY VALUES: There is a little bit of profanity, some images of terror and violence.
TRIVIAL PURSUIT: Not related to the movie of the 1999 movie of the same name.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 6/13/20: Rotten Tomatoes: 80% positive reviews, Metacritic: 37/100
COMPARISON SHOPPING: The Golem
FINAL RATING: 6/10
NEXT:
Exit Plan

The Church (2018)


Not every church is a sanctuary.

(2018) Horror (Hard Floor) Bill Moseley, Matthew Nadu, Daniel Wyland, Ashley C Williams, Clint Howard, Kenneth McGregor, Keith Stallworth, Lisa Wilcox, Deltra Leak, Holly Zuelle, Meghan Strange, Shaun Paul Costello, Michelle Romano, Vito LoGrasso, Victoria Gates, Scott Lehman, Jack Hoffman, Michael Connolly, Marcia C. Myers, Marie A. Garton, Belinda M. Wlson. Directed by Dom Frank

 

We tend to have a bit of a fixation on religion and the paranormal. From The Exorcist on down, we stand in awe of cathedrals and the rites of the church. Some churches though are less holy places than others.

The First Corinthians Baptist Church in downtown Philadelphia was once a magnificent edifice, a tribute to the glory of God. Of late it has fallen on hard times however. The membership has dwindled as the neighborhood has become less affluent and nearby mega-churches has enticed others away. Pastor James (Moseley) whose family has been at the church for generations is at a crossroads; gentrification is beginning to creep into the neighborhood and developers want the valuable property to tear down the aging and decrepit church and put in a new multi-use facility; they’re even willing to build a brand spanking new mega-church for the pastor to preach in, much to the delight of his ambitious wife Loretta (Romano).

The pastor is reluctant to give up on the building that is in many ways his family’s legacy but the developer in the person of Ronald Lawson (Nadu) is persuasive and at last the pastor gives in. However the subject has to be approved by the church’s various boards and with Loretta working diligently behind the scenes, the measure squeaks by.

When Lawson comes to the church several nights later for the signing of the papers that will mean the end of the grand old lady, he brings with him the secretary he’s having an affair with (Williams), the Romanian financier that is his partner (Wyland), a local community leader who has also partnered with him (Stallworth) and his bodyguard (LoGrasso). Pastor James has with him his wife, the head of the board of Deacons (McGregor), the church secretary (Wilcox) and a board member (Zuelle). It’s literally a dark and stormy night but all who are in the church don’t realize that the building is not at all happy at the prospect of being torn down and isn’t going to let them go to carry out the deed.

First of all, the First Corinthians Baptist Church is a real one and it is absolutely a beautiful building. It is the perfect location for this kind of a movie; nearly 200 years old and full of the kind of architectural detail that modern churches last. It feels like a place of worship which makes the haunted goings-on therein all the more shocking. Kudos to Frank for taking full advantage of his location filming.

There aren’t a lot of digital effects here and the production could have sorely used them but one can’t get picky when you’re on a budget. The big problem is the script is a bit inconsistent; various characters are “taken” by the church to be pulled into a purgatory-like dimension in a puff of black smoke. Some of them seem to burn (at least there are flames superimposed on the actors) while others don’t. We don’t get enough backstory to the various characters to understand why some get the flames and others don’t. As to why this is happening, there really isn’t much of an explanation; the Romanian mutters about old Romanian myths about holy places that sit in judgment of those who are evil but again, everybody seems to be victimized without a lot of rhyme or reason other than maybe being part of the plan to knock down the building.

The acting is a bit on the wooden side for the most part and the presence of horror cult favorite Moseley excepted, the biggest name actor (Howard) is essentially unrecognizable as a bearded monk who appears as an apparition in a couple of scenes and has no lines. That seems a bit of a waste to me.

This has been described as a faith-based horror film and in my notes I wrote down that it gets a little preachy at times but for the life of me I can’t remember any such occasions. I do remember the ending which is abrupt, unsatisfying and seems to exist to set up a sequel which the filmmaker has already stated is going to happen. All in all, Frank got the atmosphere right but needed to flesh out his script with a bit more information about the various characters and the history of the church – we see a brief headline from an old newspaper about a wicked family being punished by the church but it’s so quick we never get any details.

With so many new movies to choose from for your Halloween horror movie fix this year it’s hard to recommend this one but there are definitely some plusses to consider. The scares are a bit weak but given that Frank didn’t have a whole lot of cash to work with I think he did the best he could. Hopefully for the sequel he’ll give us a more fleshed out story and maybe a bit more of a budget to work with.

REASONS TO GO: The filming location is awesome.
REASONS TO STAY: The ending is a bit abrupt and disappointing.
FAMILY VALUES: There is some violence, profanity, spooky images and light sexuality.
TRIVIAL PURSUIT: The movie was filmed in downtown Philadelphia’s First Corinthian Baptist Church which Frank’s family has been attending for decades.
CRITICAL MASS: As of 10/13/18: Rotten Tomatoes: No score yet: Metacritic: 85/100.
COMPARISON SHOPPING: The Borderlands
FINAL RATING: 5/10
NEXT:
The Samuel Project