Top 10 of 2013


Top 10 2014Those who read a lot of movie reviewers know that it is part of the job to rank the best movies of the year once that year is over. Not being one of those critics who gets to see all the big movies well in advance of their release date, I have to make do with getting out to see them as soon as I can, which leads to delays in publishing my top 10.

As with most things, any top 10 for any critic is a moment in time captured. This is how I feel these movies belong to be ranked at this moment, right now. I can guarantee you that I’ll look back on this next year and wonder how in the hell I ranked one movie ahead of another, or how I missed this movie or that one.

Here you’ll see plenty of movies that are already on a lot of year end lists, but there’s one you won’t see that is – Her. That’s not because I didn’t love the movie – in fact, I think that it would be near the top if not the top movie of 2013. However, while it did get released in New York and L.A. in 2013 for Academy consideration, most people in the country didn’t get a chance to see it until January of this year. That is why I decided to put the film in as part of my 2014 films. Normally I go by the release date of the movie to qualify it as a top ten film, but in all honesty these days we’re getting so many quality foreign films that were released in their own countries a year, two or even three years prior to their American release that I am going with a general “when did it get its widest release” in order to determine what year I rank the film with. You can bitch and moan if you want to but it’s my playground and my rules and I reserve the right to change them tomorrow.

I think that the quality for movies overall in 2013 was pretty high compared to recent years. Many of the honorable mentions would have made the top 10 lists in years past. This one was a bit harder to put together; there were several I had a hard time relegating to the purgatory of Honorable Mention but at the end of the day, this is my list and I’m sticking to it.

So this is the list as I see it. Feel free to leave your comments and opinions here on the site or elsewhere. I’m always happy to defend my choices. However, if you haven’t seen some of them, do seek them out; I’ll do my best to provide information as to how to go watch them right now, whether it be in your local multiplex, through an online streaming service, on your cable or satellite subscription service or at your local DVD store.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

Dallas Buyers Club, Aftermath, Saving Mr. Banks, Mud, Starbuck, A.C.O.D., Unfinished Song, Nebraska, The Book Thief, John Dies at the End, The World’s End, Stories We Tell, The Attack, Good Ol’ Freda, Big Star: Nothing Can Hurt Me, Sightseers, Captain Phillips, Pieta, Philomena, The History of Future Folk, About Time, I Declare War, Year of the Living Dead, Quartet

This Is Where We Live

10.  THIS IS WHERE WE LIVE

(Bluff City) Tobias Segal, Marc Menchaca, Barry Corbin, Frankie Shaw, C.K. McFarland, Ron Hayden, Katherine Willis, Marco Perella, Brent Smiga, Brian Orr, Christine Bruno, Carolyn Gilroy. Directed by Josh Barrett and Marc Menchaca

Released April 7, 2013 A Texas hill country family has a tough go of it, with the adult son having a severe form of cerebral palsy and the father in the beginning stages of dementia. The mother is also battling high blood pressure and the sister is bitter at the hand life has dealt her. Into this volatile mix comes a rough and tumble handyman who at first builds a wheelchair ramp for the front porch but eventually becomes the son’s caretaker and friend. However his shortcomings may tear the family apart.

WHY IT IS HERE: Beautifully photographed and written with sympathy and sensitivity, this is a movie for people who love movies about people and by people, I mean real people, the sort you might run into at the grocery store or sit next to in the bar. It could have easily been a manipulative Lifetime movie but instead chooses honesty over treacle. An amazing debut by the directing team.

HIGHLIGHT SCENE: Tobias Segal as August expresses his frustration at trying to communicate with a body that doesn’t co-operate with him – ever.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS: Is trying to secure distributorship for some sort of theatrical release. Until then, look for it on the Festival circuit.

Short Term 12

9. SHORT TERM 12

(Cinedigm) Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Keith Stanfield, Frantz Turner, Stephanie Beatriz, Melora Walters. Directed by Destin Daniel Cretton

Released August 23, 2013 In an era of austerity where social service funding is under fire from the fiscal conservatives, this is a look at just what that wasteful spending is actually spent on. A young woman is the caretaker of at-risk youths in a care facility in Los Angeles in an eventful few days in the facility. A girl is admitted, one who reminds the caretaker strikingly of herself. A long-time resident prepares to get released to live on his own. And the caretaker discovers that she is pregnant, which triggers her own long-held emotional issues.

WHY IT IS HERE: As authentic a movie as was released in 2013. A warts-and-all portrayal of troubled kids and of the young people who care for them. Larson’s performance would certainly have been in the mix for the Best Actress Oscar had this been released by a major studio; suffice to say she has what it takes to get the gold somewhere down the line. Surrounded by a great young cast, Larson shines and elevates this film to the next level.

HIGHLIGHT SCENE: Larson “rescues” Dever from the home of her abusive father and in doing so the inner pain of both women comes to the surface.

BOX OFFICE RESULTS: $1 million domestic (as of 1/14/14), $1 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon.

The Wolf of Wall Street

8. THE WOLF OF WALL STREET

(Paramount) Leonardo di Caprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Favreau, Jean Dujardin, Kenneth Choi, PJ Byrne, Jon Bernthal, Joanna Lumley. Directed by Martin Scorsese

Released December 25, 2013 It seems only fitting that Scorsese would in this day and age make a film about amoral Wall Street capitalists – after all, they are the new mob of the 21st century. Still, there is a fascination to the rise and fall of Jordan Belfort from ambitious penny stock trader to criminal on an epic scale. All the drugs, all the language, the greed and the women – it’s a morality tale like none other.

WHY IT IS HERE: Di Caprio delivers one of the defining performances of his career to date and Hill proves he’s more than a one-shot wonder with an Oscar-nominated performance. While some have complained about the indulgences and the f-bombs, nonetheless there’s authenticity about what you see onscreen. If absolute power corrupts absolutely, then money corrupts inevitably. One of the critical hits of the year and judging on the box office returns this may well being one of Scorsese’s biggest hits ever.

HIGHLIGHT SCENE: Delayed-reaction Quaaludes. That’s all you need to know.

BOX OFFICE RESULTS: $82.8 million domestic (as of 1/17/14), $120.9M total.

BUDGET: $100M

STATUS: Still out in wide release.

The Hunt

7. THE HUNT (JAGTEN)

(Magnolia) Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkoop, Lasse Fogelstrom, Susse Wold, Anne Louise Hassing, Lars Ranthe, Alexandra Rapaport, Ole Dupont, Rikke Bergmann, Allan Wilbor Christensen. Directed by Thomas Vinterberg

Released July 12, 2013 We were one of the first in the country to see this here in Orlando at the Florida Film Festival. Recently this was announced to be one of the final nominees for the Oscar for Best Foreign Film. Given it’s wrenching story about a substitute teacher who is just trying to get his life together after a bitter divorce accused of molesting a little girl, it’s hardly unsurprising but there is more to this than simply a terrific story.

WHY IT IS HERE: The storyline, as well-told as it is, is brought to life by an Oscar-worthy performance by Mikkelsen. In a year in which we’ve been treated to a wealth of fine performances, this is as good as any as you’ll witness, Only the fact that this is a mid-major distributor and a foreign film kept Mikkelsen from being in the Oscar mix. This is the kind of movie that leaves you feeling emotionally drained after seeing it.

HIGHLIGHT SCENE: The Christmas eve church confrontation.

BOX OFFICE RESULTS: $613,308 domestic (as of 1/21/14), $16.76M total..

BUDGET: $3.45M.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Blockbuster/Netflix/iTunes.

Fruitvale Station

6. FRUITVALE STATION

(Weinstein) Michael B. Jordan, Melonie Diaz, Octavia Spencer, Kevin Durand, Chad Michael Murray, Ariana Neal, Ahna O’Reilly, Keenan Coogler, Trestin George, Joey Oglesby, Michael James, Marjorie Shears, Destiny Ekwueme. Directed by Ryan Coogler

Released July 12, 2013 Based on true events that happened on the last day of 2008 (and on the first day of 2009), the shooting of Oscar Grant III at an East Bay BART station galvanized the Bay Area and the nation as to the training of transit police and their use of firearms. Taking place on the last day of his life, the film shows the story of a man who’s made some terrible mistakes trying to get his life together only to lose it in a senseless confrontation

WHY IT IS HERE: Some talk about Oscar snubs to Redford and Hanks but this entire movie has gotten snubbed this entire awards season and it just isn’t right. Part of he problem was that the movie was released back in July but frankly the studio hasn’t really supported it as much as it deserves either. The movie certainly should have received Oscar nominations for Best Picture, Best Director, Best Actor (Jordan), Best Supporting Actress (Spencer) and Best Original Screenplay. Hopefully the justice will be in big boosts to the careers of Coogler and Jordan.

HIGHLIGHT SCENE: When a mother is informed that her son is dead.

BOX OFFICE RESULTS: $16.1 million domestic (as of 1/21/14), $16.7 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.

20 Feet from Stardom

5. 20 FEET FROM STARDOM

(Radius) Darlene Love, Merry Clayton, Lisa Fisher, Judith Hill, Tata Vega, Sting, Bruce Springsteen, Stevie Wonder, Mick Jagger, Bette Midler, Chris Botti, Lynn Mabry, Claudia Lennear, Sheryl Crow, Patti Austin. Directed by Morgan Neville

Released June 14, 2013 Most of us know the stars out front belting out the hits but few of us are all that aware of the back-up singers who often sing the parts of the song we sing along to. Some of them are the most talented and powerful voices in the business bar none – including the stars, who would be the first to tell you so. These are the anti-American Idols – women content to remain in the background, who sing for the love of singing rather than in pursuit of fame.

WHY IT IS HERE: This Oscar-nominated documentary shines a light on those who have shunned the spotlight, some for nearly 50 years and still going strong. This was the opening night film for the 2013 Florida Film Festival and an auspicious kick-off to that event it was, with Merry Clayton a special guest gracing opening night filmgoers with a song.

HIGHLIGHT SCENE: A deconstruction of the Rolling Stones’ classic “Gimme Shelter” with the various tracks stripped away until only Clayton’s powerful voice remains.

BOX OFFICE RESULTS: $4.8M domestic (as of 1/22/14), $5.2M worldwide.

BUDGET: Not available

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.

Gravity

4. GRAVITY

(Warner Brothers) Sandra Bullock, George Clooney, Ed Harris (voice), Phaldut Sharma (voice), Orto Ignatiussen (voice), Amy Warren (voice), Basher Savage (voice). Directed by Alfonso Cuaron

Released October 3, 2013 Perhaps the worst possible fear of an astronaut is a disaster in space, crippling their spacecraft and robbing them of a ride home. For all our well-trained, cool-as-a-cucumber-under-pressure NASA heroes, there’s no doubt that each one of them are human inside and in a situation like that would be absolutely terrified. This comes as close as we can to making that situation real for a general audience.

WHY IT IS HERE: Stunning special effects that duplicate weightlessness so perfectly, and a bravura Oscar-nominated performance by Bullock (and justifiably so). This has been getting rabid kudos from critics and audiences alike since it opened and it is no surprise that it is one of the finalists for the Best Picture Oscar.

HIGHLIGHT SCENE: The initial collision with the debris field that leaves Bullock’s character spinning out of control and headed for deep space – all against eerie silence.

BOX OFFICE RESULTS: $258.9 million domestic (as of 1/21/14), $677.7 million total.

BUDGET: $100 million.

STATUS: Still in wide release; scheduled for home video release on February 25.

The Forgotten Kingdom

3. THE FORGOTTEN KINGDOM

(Black Kettle) Zenzo Ngqobe, Nozipho Nkelemba, Jerry Mofokeng, Lebohang Ntsane, Moshoshoe Chabeli, Lillian Dube, Sam Phillips. Directed by Andrew Mudge

Released April 5, 2013 This is yet another movie on this list that I first caught at the Florida Film Festival – in this case, the best film I caught at the FFF this year. In it a South African man, living a life of drinking and womanizing, is charged with taking his father – from whom he was estranged – back to Lesotho to be buried. Along the way he rekindles an old flame, learns something about his dad and of himself – and of Africa.

WHY IT IS HERE: An amazing film that drills down father-son relationships and forces you to explore your own relationships with your parents and/or your children. Beautifully shot in gorgeous African vistas, this is a movie so compelling and beautiful that I was thinking about it for days. I’m still thinking about it now.

HIGHLIGHT SCENE: Atang’s confrontation with Dineo’s father.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS: Still appearing on the festival circuit. At this time there are no concrete plans for home video release but at some point hopefully that will change.

12 Years a Slave

2.  12 YEARS A SLAVE

(Fox Searchlight) Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Lupita Nyong’o, Brad Pitt, Paul Giamatti, Alfre Woodard. Directed by Steve McQueen

Released October 18, 2013 Solomon Northup, a free American of African descent, is betrayed, kidnapped and sold into slavery. Sent to the deep South of the plantations of Louisiana, he is taken away from his wife and children and must learn to survive in the brutal world of the cotton fields, maintaining the hope that one day he will be free once again.

WHY IT IS HERE: Just a magnificently gripping film, one which can show the depths of human depravity one moment and the heights of the strength of the human spirit the next. Ejiofor comes out as a legitimate star here while McQueen who for years has been labeled as a director of enormous promise, fulfills it here.

HIGHLIGHT SCENE: Solomon Northup sobbing as he is being carted away in a wagon as he is at last set free.

BOX OFFICE RESULTS: $43.9M (as of 1/2913), $79.0M total.

BUDGET: $20 million.

STATUS: Still in wide release. Expected to be released on home video this spring.

The Act of Killing

1. THE ACT OF KILLING

 (Drafthouse) Anwars Congo, Herman Koto, Safit Pardede, Adi Zulkadry, Haji Anif, Jusuf Kalla, Ibrahim Sinik, Syamsul Arfin. Directed by Joshua Oppenheimer

Released July 19, 2013 During the Indonesian military takeover in the mid-1960s, thousands upon thousands of Indonesians were murdered by death squad, often led by members of organized crime. In an effort to rid the country of leftists and communists, the net was expanded to include executions of ethnic Chinese and as time went on, basically anyone they wanted. Some of the more notorious death squad leaders were interviewed here and invited to re-enact their crimes in any style they wished; being to a man big fans of Hollywood movies, they would choose some fairly inventive means.

WHY IT IS HERE: I can’t say I enjoyed this movie but the experience of it really changed my perceptions on the notions of forgiveness and humanity. Anwars Congo, one of the most blood-soaked of the death squad leaders (and one of the most revered in Indonesia), is today a grandfatherly sort whose gentle onscreen demeanor is at odds with the horrors of his vicious, cruel and bloodthirsty acts. Is there redemption for men like that? Can one feel sympathy for the devil?

HIGHLIGHT SCENE: The scene on the roof when the horror of his actions catches up with Anwar and he has a violently physical reaction.

BOX OFFICE RESULTS: $469, 214 domestic (as of 1/29/13), $469,214 total.

BUDGET: $1 million.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Netflix.

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Quartet (2012)


Professor McGonagall at the Hogwart's 50th Class Reunion.

Professor McGonagall at the Hogwart’s 50th Class Reunion.

(2013) Dramedy (Weinstein) Maggie Smith, Tom Courtenay, Billy Connolly, Pauline Collins, Michael Gambon, Sheridan Smith, Andrew Sachs, Dame Gwyneth Jones, Trevor Peacock, Michael Byrne, Ronnie Fox, Patricia Loveland, Eline Powell. Directed by Dustin Hoffman

Going from the spotlight to obscurity must be an incredibly hard situation to accept, particularly when it is age that has relegated you thus. Even the most beautiful and bucolic of environments may pale when compared to the limelight.

Beecham House in the English countryside is certainly a beautiful environment. Named for the noted British conductor Sir Thomas Beecham, it is now a retirement home for professional musicians – opera singers, popular vocalists, chamber musicians and the like. Like many such institutions, it faces economic difficulties and relies on benefit concerts staged by its residents, many of whom still have names that resonate on the English music scene.

The upcoming concert marking the birthday of Giusseppe Verdi is the occasion for a kind of organized panic overseen by Cedric Livingston (Gambon) – who pronounces his first name See-dric, not Seh-dric as he reminds Wilf Bond (Connolly) regularly to his great exasperation.

Otherwise, things are pretty much as normal at Beecham House where friends and colleagues Wilf, Reggie Paget (Courtenay) and Cissy Robson (Collins) live a quiet life of looking back. Wilf though is just as concerned with chasing skirt as his libido remains in full flower even if the bloom has withered a bit on the rose. Cissy is growing increasingly forgetful but it is just a part of the indignities of old age. The somewhat courtly Reggie gives lectures to opera to schoolchildren who are more interested in rap. Everything is more or less peaceful.

But things are turned upside down on themselves and into an uproar when the pretty but harried Dr. Lucy Cogan (S. Smith) introduces the newest resident – the diva Jean Horton (M. Smith), one of the most famous and beloved opera singers of her day. However, she had a tumultuous marriage to Reginald that ended with her infidelity. They haven’t spoken in decades.

But worse still Cedric wants a reunion between Jean, Reggie, Wilf and Cissy whose quartet of Rigoletto‘s “Bella figlia dell’amore” was one of opera’s greatest moments ever and has recently been re-released on compact disc – which in itself is a bit anachronistic. Jean however wants no part of it and Reggie while understanding that the revenue such a reunion would generate might well save their home is understandably unenthusiastic for such a grouping. However, he’s game and sets out to change the mind of the diva.

Cissy for some reason seems particularly motivated to see it happen and she befriends Jean who seems somewhat lost and soon the reason for Jean’s reluctance becomes clear – she’s terrified that her voice is gone, that in doing this performance her fans will always remember her for a last debacle instead of the great career she enjoyed. And as the time draws nigh for the performance, it appears certain that there may not be a home for her to live in for much longer.

This is Hoffman’s directorial debut (technically he directed Straight Time for a few days back in 1978 but withdrew after he found it too difficult to direct and act simultaneously – he doesn’t appear hear as an actor for that reason) and he chose his material wisely. As a director he’s smart enough to keep things fairly simple; there aren’t a lot of camera tricks here, the storytelling is simple and elegant. While he doesn’t show anything extraordinary neither does he make any mistakes.

This is based on a play by screenwriter Ronald Harwood, a Hollywood veteran whose résumé includes The Dresser, The Pianist and Being Julia. Like many of his works, Quartet shows Harwood’s fascination for performers and their venues. This shows performers in the twilight of their careers which you’d almost expect from Harwood who is himself a septuagenarian.

The material here holds some interest but it is the actors who really elevate the work. Connolly, one of Scotland’s great treasures, is at his very best here – a charming Lothario who has no problem expressing his sexuality, seemingly fascinated that he still has any. Wilf claims that a stroke left him without any sort of filter so he says what’s on his mind which the others seemingly forgive him for, although the wily Scot may well be just saying that so he doesn’t have to waste time and energy prevaricating.

But Courtenay will be the one I remember here. His quiet gentility has a timeless quality to it. When I think of English gentlemen, it is Reginald Paget that will come to mind. He’s polite and gentle, but also shows fits of outrage and wounded pride from time to time. More than the others he’s accepted who he is and his place in the universe. His mind is still active and seeks to learn more about the world around him but he isn’t especially eager to seek out the world in general. He wants a “dignified senility,” he tells Wilf and you can imagine nothing but for him. Courtenay is one of those actors who has appeared onscreen only periodically over the years but every time he does you find yourself wishing he would appear more often.

Maggie Smith, who received a Golden Globe nomination for her work here, delivers a haunting performance as a diva who is terrified of a future of anonymity and decay. “I used to be someone, you know” she says and it is perfectly clear how important that status was to her, to be someone. Her harsh exterior hides that insecurity that she’ll be forgotten in the end, a fate worse than death for someone like Jean. Smith, who last year performed in Best Exotic Marigold Hotel which some have (quite erroneously I think) compared this to, shows once again her extraordinary range as an actress. There are a lot of layers to the character and she nails them all, never hitting a single false note.

Veterans Gambon and Collins also deliver in their roles. Hoffman in a showing of finesse, fills much of the cast with actual retired British musicians and in a bit of a grace note during the end credits shows the mostly elderly cast with their stage credits along with pictures of them from their glory days. Hoffman shows some promise as a director if this acting thing doesn’t work out for him.

I found myself really liking this movie early on from the absolutely magnificent gardens and spaces in Beecham House and environs to the charm of the actors. While there were a few spots which seemed to be a bit on the too-sweet side, for the most part this is a really good movie that has to do with aging gracefully which I suppose anyone could do if they had a place like Beecham House to do it in – a place filled with music in all hours and in all corners. I could certainly retire happily to a place like that.

REASONS TO GO: Connolly is a gem. Courtenay, Smith and Collins are very much underrated who make the most out of every opportunity. Gambon is marvelous. Beautifully shot.

REASONS TO STAY: Can get treacly in places.

FAMILY VALUES:  There are a few bad words here and there and some mildly sexual suggestive dialogue.

TRIVIAL PURSUIT: This is the second movie of the same title that Maggie Smith has been in; the first Quartet came out in 1981 and is completely unrelated to this one.

CRITICAL MASS: As of 3/5/13: Rotten Tomatoes: 79% positive reviews. Metacritic: 64/100; solid reviews here.

COMPARISON SHOPPING: How About You?

FINAL RATING: 8.5/10

NEXT: Intermedio

New Releases for the Week of January 25, 2013


Hansel and Gretel: Witch Hunters

HANSEL AND GRETEL: WITCH HUNTERS

(Paramount/MGM) Jeremy Renner, Gemma Arterton, Famke Janssen, Peter Stormare, Derek Mears, Thomas Mann, Rainer Bock, Thomas Scharff, Zoe Bell. Directed by Tommy Wirkola

Fifteen years after nearly being cooked alive at the hands of a naughty witch, brother and sister Hansel and Gretel have taken up the mantle of witch hunters, using ingenious weapons to battle the evil creatures. However, their success has made them a target and their past is about to catch up with them in a malevolent way. This is most certainly not your mom and dad’s fairy tale.

See the trailer and promos here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Fantasy Horror

Rating: R (for strong fantasy violence and gore, brief sexuality/nudity and language)

Holy Motors

(Indomina) Denis Lavant, Edith Scob, Eva Green, Kylie Minogue. A man steps into a limousine and heads out into Paris for a series of appointments. The man changes with each appointment from a captain of industry to a gypsy crone, to an assassin to the melancholy father of a teenage daughter. The movie changes to from drama to action film to science fiction to melodrama. Experimental French cinema at its finest.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NR

Movie 43

(Universal) Halle Berry, Gerard Butler, Richard Gere, Emma Stone. An ambitious ensemble piece from some of the most deliciously twisted minds in comedy, including the Farrelly Brothers, Steven Brill and…Brett Ratner. Okay, the last was sarcastic but there really are some talented guys here. Just ask them. But don’t ask them what happened to Movies 1 through 42, okay?

See the trailer and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for strong pervasive crude and sexual content including dialogue, graphic nudity, language, some violence and drug use)

Parker

(FilmDistrict) Jason Statham, Jennifer Lopez, Michael Chiklis, Nick Nolte. Parker is one of the best thieves in the world. He can afford to live by a code of ethics that he sticks to no matter what. He’s not the sort of fellow you want to cross. So when a group of fellow thieves do just that, Parker aims to get his own sort of justice. Even if he has to use Jennifer Lopez to help him get it.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Crime Action

Rating: R (for strong violence throughout)

Quartet

(Weinstein) Maggie Smith, Billy Connolly, Michael Gambon, Tom Courtenay. At a retirement home for opera singers, an annual concert commemorating Verdi’s birthday has been a major source for fundraising, which this year is particularly crucial because the home is in hot financial water. When a diva joins the home and refuses to sing in the concert even though her presence might mean the difference between the home surviving and all its residents being thrown out into the street, an uproar ensues. This is Dustin Hoffman’s directorial debut, by the way.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for brief strong language and suggestive humor)

Race 2

(UTV) Saif Ali Khan, Anil Kapoor, John Abraham, Deepika Padukone. After his partner and lover dies in a car bomb explosion, Ranveer vows to bring her killer to justice. To do that he’ll have to navigate through the criminal underworld of India and through the corrupt corridors of power where betrayal is always an option.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR