Gold (2016)


They may be in the middle of nowhere but at least they have a good pot of coffee.

They may be in the middle of nowhere but at least they have a good pot of coffee.

(2016) Adventure (Dimension) Matthew McConaughey, Edgar Ramirez, Bryce Dallas Howard, Corey Stoll, Toby Kebbell, Bill Camp, Joshua Harto, Timothy Simons, Craig T. Nelson, Stacy Keach, Macon Blair, Adam LaFevre, Bruce Greenwood, Rachael Taylor, Frank Wood, Michael Landes, Bhavesh Patel, Vic Browder, Dylan Kenin, Stafford Douglas, Kristen Rakes. Directed by Stephen Gaghan

 

A wise man once wrote that “all that glitters is not gold” but gold does glitter and its pull on some men is irresistible. It is the lure of riches and fame but also of conquering the odds. Not many who go looking for gold actually find it.
Kenny Wells (McConaughey) is once such. His company – the Washoe Mining Company that he inherited from his respected and revered dad (Nelson) and which had been founded nearly 80 years earlier by his granddad – is foundering, a once-thriving organization doing business out of a bar and down to a few loyal employees who hadn’t been paid in months. The economic downturn of the 80s has hit Washoe and Kenny hard. As it turns out, Kenny is a bit of a carnival barker, trying to get funds from disinterested local bankers to take one last stab at the dream. While his girlfriend Kay (Howard) remains loyal and believes in him, things look pretty bleak for Kenny Wells.

Then he discovers the largely discredited theories of Michael Acosta (Ramirez) who had discovered a sizable copper deposit years earlier. A rock star among geologists at one time, Acosta is also on a downward spiral. However, Acosta believes there is a major gold deposit in one of the most remote areas of Indonesia.

At first, things go badly. Kenny has sunk every last dime he has and what little he is able to borrow into the venture. To make matters worse, he’s contracted malaria and nearly dies. Acosta nurses him back to health and even as the miners (who also haven’t been paid) have left in droves, the patience pays off as gold is discovered and not just a little bit – billions of dollars worth. Kenny and Michael have just hit the big time and for Kay, her ship has just come in.

Immediately as word spreads of the small company’s find spreads, Wall Street sharks begin to circle in particular in the form of Brian Woolf (Stoll) who is all smiles and white teeth but means to wring every penny out of Washoe that he can. It looks like easy pickings, too – Kenny’s drinking, always a problem for him, has reached massive proportions. He also smokes like a fiend and is paunchy and sometimes he’s not all together mentally speaking, or at least so it appears.

But Kenny proves to be cannier than people give him credit for. The small time operator has a few tricks up his sleeve as he fights to protect what he worked so hard to obtain. And for awhile, it looks like he might succeed until a bombshell drops that threatens all he has earned – and then some.

This is loosely based – VERY loosely – on the Bre-X mining scandal of the 1990s. For one thing, that took place in Canada rather than in Nevada and led to some major reforms on the Canadian stock exchange as well as in mining practices. The investigation also overwhelmed the Royal Canadian Mounted Police who simply didn’t have the resources to investigate the scale of corruption that took place so there were never any charges filed.

Otherwise most of the salient facts that are shown here jive with what happened in Canada back in the 1990s. Some of the characters here were based on people who were involved in the real case (primarily Wells and Acosta). Otherwise, this is mainly a yarn about greed and dreams.

McConaughey went the “de-glamorize” route, wearing a set of crooked false teeth, gaining 45 pounds on a cheeseburger diet to get quite a bit of a paunch and wearing a hair piece with a bald spot and thinning locks. McConaughey, who is a very handsome man, doesn’t look that way here. In the past, I’ve praised Hollywood actors for going this route for the sake of their art but it’s becoming a much more prevalent event these days so I’ll refrain from a whole lot of compliments; let’s just say that the acting performance that McConaughey delivers is as good as anything he’s done regardless of the sideshow about how he looks here. He’s come a long way since the laidback Texas surfer dude he seemed to always be playing.

The movie runs two full hours and to be honest I’m not sure it needed to. Once the gold is discovered it begins to drag a little bit as the corporate setup takes most of the focus and that portion of the film isn’t nearly as interesting. The ending is definitely Hollywood too – I would have liked it to have been less heart-warming, particularly after everything the principles did to each other. It doesn’t seem terribly realistic to me.

Like many other films that Weinstein distributes, this bounced around the release schedule for a time before settling on a Christmas release in New York and Los Angeles and expanding nationwide in January. I’m frankly mystified that they’d open this up in the holiday season at all; there was never any real chance of Oscar attention here and to be honest this feels a little bit more suited to the less competitive January release schedule. Still, it is competently done and reasonably entertaining which given what dogs we usually get in January is saying something.

REASONS TO GO: McConaughey does a stellar job here despite all the make-up and hair tomfoolery..
REASONS TO STAY: Overall, the film feels long and seems to lose steam in the middle.
FAMILY VALUES: There is a bit of sexuality, some nudity and a fair amount of profanity.
TRIVIAL PURSUIT: This is Gaghan’s first film in eleven years, his last being Syriana.
CRITICAL MASS: As of 2/24/17: Rotten Tomatoes: 41% positive reviews. Metacritic: 49/100.
COMPARISON SHOPPING: Fool’s Gold
FINAL RATING: 6/10
NEXT: Live By Night

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ARQ


Time after time.

Time after time.

(2016) Science Fiction (Netflix) Robbie Amell, Rachael Taylor, Shaun Benson, Gray Powell, Jacob Neayem, Adam Butcher, Tantoo Cardinal, Jamie Spichuk. Directed by Tony Elliott

 

There are times in our lives where we all want a do-over. What if you had to do over the same three hours and every time you did, you still managed to muck it up?

Renton (Amell), a scientist, wakes up with a gasp. He is in bed with his former flame Hannah (Taylor) when masked men barge into their bedroom. And as things turn out, Renton ends up dead on the floor. But then he wakes up again.

He quickly realizes he’s caught in a time loop, one which is lasting precisely three hours, fourteen minutes and fifteen seconds (math majors will get the significance). It’s the near future and in this dystopian vision, a single corporation essentially rules Earth. Renton has been working on a new energy source that will break the hold of said evil corporation and save the planet – the air is already unbreathable.

The baddies want to confiscate Renton’s experiment and kill the inventor of the device that can threaten their employer’s stranglehold on the world and it seems they are succeeding but Renton remembers what is going on from loop to loop and Hannah is beginning to too. Can the two of them figure out how to break out of the loop and use the device Renton has invented to buy freedom from corporate tyranny?

This is a bare bones Canadian production that doesn’t utilize a whole lot of effects or a lot of cast. It mostly takes place in several rooms of a single house, and of course there are no costume changes. Still, one gets the sense of a large budget than what they likely had. Kudos should go to the production design crew for making this look apocalyptic and futuristic without resorting to a whole lot of CGI.

Amell has mostly a lot of small screen experience and that’s fine for something like this that is destined mainly for streaming and home viewing. His performance is solid but not as inspiring as I would have liked in a character like his. I’ve enjoyed his work on TV but he hasn’t yet shown that he can take a feature and carry it yet. Taylor is more intriguing here, but to be fair she has a lot more to work with than Amell, whose character is essentially sci-fi dystopian hero 101.

Like most movies set in a time loop (the most famous being Groundhog Day) there is a certain amount of repetitiveness here that is inevitable. Some movies with this theme handle it better than others; this one is definitely on the lower end of the scale in that regard. The middle third of the movie feels a bit like a slog in places.

Still, as Netflix entertainment goes there is a certain amount of niche filling that this satisfies. Those who like sci-fi and time travel conundrums will probably end up liking this as well. Mainstream audiences may be less enthusiastic but Amell is hunky, Taylor is gorgeous and the baddies are nasty enough to make this a worthwhile investment of time for certain Netflix subscribers.

REASONS TO GO: There are some interesting concepts here.
REASONS TO STAY: As with many time travel films, there is a lot of repetition.
FAMILY VALUES:  A fair amount of violence and some sensuality.
TRIVIAL PURSUIT:  The film played at the Toronto Film Festival before opening on Netflix.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 10/11/16: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Synchronicity
FINAL RATING: 6/10
NEXT: Blair Witch

New Releases for the Week of January 30, 2015


Project AlmanacPROJECT ALMANAC

(Paramount) Jonny Weston, Ginny Gardner, Sam Lerner, Allen Evangelista, Sofia Black-D’Elia, Gary Weeks, Macsen Lintz, Gary Grubbs, Agnes Mayasari. Directed by Dean Israelite

A brilliant young high school student watches a video of his 7th birthday party and is flabbergasted to see himself at the age he is now in it. Not long afterwards, he stumbles upon a mysterious device in the basement his late scientist father had been working on and realizes that it’s a time machine and the opportunity to make right in his life all that is wrong is too much of a temptation to resist. Little does he know that such accidents have consequences and those consequences might mean the end of existence, or at least of his existence.

See the trailer, clips, interviews and interviews here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Teen Sci-Fi Thriller
Now Playing: Wide Release
Rating: PG-13 (for some language and sexual content)

Black or White

(Relativity) Kevin Costner, Octavia Spencer, Jillian Estell, Bill Burr. A mixed race child lives with her white maternal grandparents after her mother passes away and her father is unable to care for her due to his drug and alcohol problems. When her grandmother also passes away, the African-American paternal grandmother files for joint custody, something the white grandfather – having only his granddaughter left – can’t bear. As many things do in America, it becomes a racial issue as well as a guardianship issue.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Drama
Now Playing: Wide Release
Rating: PG-13 (for brief strong language, thematic material involving drug use and drinking, and for a fight)

Black Sea

(Focus) Jude Law, Scoot McNairy, Ben Mendelsohn, Jodie Whittaker. A disgraced submarine captain discovers the location of a Nazi sub at the bottom of the Black Sea filled with gold; it’s only a matter of getting to it and taking the gold. He’ll need some highly specialized men but once they find their prize, greed and paranoia stalk the claustrophobic sub as the men realize that the fewer that make it back home, the more gold for each of them.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Thriller
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village, Regal Waterford Lakes
Rating: R (for language throughout, some graphic images and violence)

The Loft

(Open Road) Karl Urban, James Marsden, Rachael Taylor, Rhona Mitra. Five married men, in the prime of their lives and successful in their careers, conspire to rent a midtown loft for use in extramarital activities. When they discover the body of a beautiful but unknown woman in the loft, they realize that one of them must be the killer. Paranoia and fear build, marriages crumble, secrets are revealed and friendships and loyalties tested and discarded as the hunt to find the killer before he strikes closer to home drives them.

See the trailer and a promo here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Thriller
Now Playing: Wide Release
Rating: R (for sexual content, nudity, bloody violence, language and some drug use)

Two Days, One Night

(Sundance Select) Marion Cotillard, Fabrizio Rongione, Catherine Salee, Baptiste Sornin. When a woman returns to work after a severe bout of depression, she learns that her co-workers will be voting as to whether to allow her to keep her job. She goes from person to person trying to convince them to allow her to work which would mean smaller bonuses for all of them. Cotillard received an Oscar nomination for her performance here.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for some mature thematic elements)

Wild Card

(Lionsgate) Jason Statham, Stanley Tucci, Michael Angarano, Sofia Vergara. A bodyguard in Las Vegas with a gambling problem – which is a terrible place to have a gambling problem – comes to the rescue of a friend who’s being beaten up by a sadistic thug, who in turn gets a beating from the bodyguard. Unfortunately, said sadistic thug is the son of a mob boss. Suddenly gambling is the least of the bodyguard’s problems.

See the trailer and interviews here.
For more on the movie this is the website.
Release formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex
Rating: PG (for some action and scary images)

The Darkest Hour


The Darkest Hour

Emile Hirsch mistakenly thought his scavenger hunt list said "gremlin."

(2011) Science Fiction (Summit) Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor, Joel Kinnaman, Veronika Ozerova, Dato Bakhtadze, Gosha Kutsenko, Nikolai Efremov, Vladimir Jaglich, Arthur Smoljaninov, Anna Roudakova, Pyotr Fyodorov. Directed by Chris Gorak

 

Some movies have little or no potential and make the most of what they have. Others take wonderful ideas and go absolutely nowhere with them. Which one would you rather see?

This is one of the latter. Hirsch and Minghella play a couple of net entrepreneurs who fly to Moscow to pitch an app to a bunch of venture capital bigwigs, only to see their idea stolen by Skyler (Kinnaman), a slimy Swede. The boys, furious and with uncertain futures, decide to go to a sleazy disco to drown their sorrows. There they meet Natalie (Thirlby) and Anne (Taylor), American and Australian (respectively) tourists who are apparently globe hopping in order to meet boys. Guess there weren’t enough slimy club hounds in their own neck of the woods.

While in the club, Moscow gets invaded by – wait for it – Christmas lights. Well, that’s what it looks like at first until the aliens actually arrive and are completely invisible. They are also deadly, reducing any organic matter they touch into ash. Whenever they’re around, they generate an electrical field that turns on car alarms, light bulbs and cell phones, all of which have gone dead (we assume an EMP has passed through the city but are never shown that definitively).

After a week in the club’s pantry, the four (who have been joined by Skyler who turns out to be even more of a dick than they thought) set out on foot to find other survivors and to find food, shelter and water. Eventually they learn of a nuclear submarine which intends to ferry survivors to a safe place (the aliens can’t see through machinery or glass – they detect humans by their bio-energy or some such gobbledygook) which I would imagine is somewhere in the middle of the ocean.

Director Gorak’s last film was the much-superior Right at Your Door which made a lot more from a lot less. That film adequately captured what humans do in impossibly stressful situations (in that case, the detonation of a dirty bomb in a metropolitan area) and made his characters non-heroic at times. Here, he also makes some of the characters non-heroic although Hirsch’s Sean character falls into the mold of the brainy hero.

The problem here is that none of the characters are given much in the way of characteristics. They’re all pretty much unremarkable, all given a single characteristic (Anne’s fear, Skyler’s amorality) in which their character pretty much uses as a means of reaction to every situation. They come off as one-dimensional not because the actors are bad, but because they’ve only been given one dimension to work off of. Whereas Gorak’s last film was filled with real human beings, that doesn’t happen here.

Another missed opportunity is the aliens themselves. They are invisible through most of the film, which gives the filmmakers an opportunity to develop a great deal of tension and paranoia. That also never happens here; the aliens appear with such regularity that you just assume that wherever the characters go there’s going to be an invisible alien trolling about waiting to turn someone to ash (including a hapless dog). When the aliens finally are revealed, they are less than satisfying.

This is pretty bloodless. Not only the humans turn to ash but when the aliens blow up they turn into hunks of what looks like volcanic glass. Even gorehounds will be irritated by this movie.

The Russian locations aren’t used to their best effect in most cases, although there’s a really nice scene in Red Square. By and large, producer Timur Bekmambatov (director of such fine films as Night Watch and Wanted) should have done a better job of showing off his city; for the most part it looks pretty dull and boring.

The concept was good here; the execution was lacking and mostly due to lazy writing and poor decision making on the parts of the filmmakers. If you’re going to use Moscow as your backdrop, don’t trap your characters in malls and pantries. If you’re going to have invisible aliens, use them sparingly – make our spines tingle. If you’re going to write a science fiction picture, don’t baffle us with bull-crap; cut down the scientific jargon to a minimum and give the poor actors something to work with. I was sorely disappointed here.

REASONS TO GO: Interesting premise and some nifty effects shots.

REASONS TO STAY: Missed opportunity; none of the characters are drawn all that well and the plot is awfully predictable.

FAMILY VALUES: There are a few bad words, some disturbing images and lots of action violence.

TRIVIAL PURSUIT: Production was suspended for three weeks due to air pollution caused by the wildfires that surrounded Moscow in the summer of 2010 while production was underway. After production resumed, there was still some smoke in the air that had to be digitally removed in some shots.

CRITICAL MASS: As of 1/1/12: Rotten Tomatoes: 13% positive reviews. Metacritic: 16/100. The reviews are extremely poor.

COMPARISON SHOPPING: Skyline

ALIEN INVASION LOVERS: Should be high on your list but be warned that when you finally do see the aliens, it’s a bit of a letdown.

FINAL RATING: 5/10

TOMORROW: The Roommate

New Releases for the Week of December 23, 2011


December 23, 2011

MISSION: IMPOSSIBLE – GHOST PROTOCOL

(Paramount) Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton, Josh Holloway, Michael Nyqvist, Michelle Monaghan, Lea Seadoux, Anil Kapoor, Tom Wilkinson, Ving Rhames. Directed by Brad Bird

Although this has been out since last week it’s only been available in the IMAX format and is just now being released to regular theaters. In the fourth installment in the franchise, the IMF is faced with its darkest crisis ever – the agency has been implicated in a global terrorist bombing plot and the entire agency has been disavowed. It is up to Ethan Hunt and his team to discover who’s really behind the threat and clear the IMF from blame, or else be captured and tried as terrorists.

See the trailer, clips, featurettes, a promo and an interview here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Spy Action

Rating: PG-13 (for sequences of intense action and violence)

The Adventures of Tintin

(Paramount) Jamie Bell, Simon Pegg, Daniel Craig, Andy Serkis. One of the most beloved comic characters in Europe gets a motion capture film of his own directed by none other than Steven Spielberg and produced by Peter Jackson. In this, the first of a projected franchise, the intrepid boy reported Tintin chases after the mysterious cargo of the legendary shipwreck the S.S. Unicorn which may yield untold power but also hunting for the wreck is the nefarious Red Rackham (NOTE: This movie opened today and is now playing in theaters everywhere).

See the trailer here.

For more on the movie this is the website

Release formats: Standard, 3D, IMAX 3D

Genre: Family Adventure

Rating: PG (for adventure action violence, some drunkenness and brief smoking)

The Artist

(Weinstein) Jean Dujardin, Berenice Bejo, Malcolm McDowell, John Goodman.  As the silent movie era begins to fade away with the advent of the talkies, a silent movie star sees his stardom slip away from him. Even as he does, a young ingénue he discovered sees her own star rise into the heavens. Their destinies intersect in this charming, bittersweet and ultimately triumphant love story that has earned all sorts of critical awards and may have the loudest Oscar buzz of any film out there.

See the trailer, a clip and web-only content here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romance

Rating: PG-13 (for a disturbing image and a crude gesture)

The Darkest Hour

(Summit) Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor. Five young people visiting Moscow find themselves trapped there when the city is attacked by aliens invisible to the human eye who destroy people using a deadly electrical current. Their situation is further compromised when they find out that Moscow isn’t the only city under attack and they must find a way to survive the superior technology of the invaders. This is the latest from Timur Bekmambetov who brought us Wanted (NOTE: This movie is opening on Sunday, December 25).

See the trailer here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Science Fiction Horror

Rating: PG-13 (for sci-fi action violence and some language)

Don 2

(Reliance Big Picture) Shah Rukh Khan, Priyanka Chopra, Boman Irani, Lara Dutta. An Indian crime boss having taken over most of the Asian crime syndicates sets his sights on Europe. Known for his ruthlessness and cunning, he sets out to beat out his European counterparts at their own game.

See the trailer here.

For more on the movie this is the website

Release formats: Standard

Genre: Crime Thriller

Rating: R (for language and some sexual content)

The Girl With the Dragon Tattoo

(Columbia) Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard. A disgraced Swedish journalist is hired to investigate a 40-year-old murder by a reclusive old industrialist whose family includes Nazis and sadists. He is assisted by a brilliant young hacker who has been the victim of sexual and physical abuse. This is the remake of a Swedish film that is based on an international best seller; many folks were concerned that the Americanization of the film might ruin the source material, but it appears those fears were needless; the movie is being touted as one of the best of the year and a likely Oscar contender (NOTE: This movie opened on Tuesday and is currently playing in theaters everywhere).

See the trailer, promos and featurettes here.

For more on the movie this is the website

Release formats: Standard, 3D

Genre: Thriller

Rating: R (for brutal violent content including rape and torture, strong sexuality, graphic nudity and language)

War Horse

(DreamWorks) Emily Watson, David Thewlis, Tom Hiddleston, Jeremy Irvine. The journey of a horse from bucolic English countryside to the trenches of the First World War is chronicled by master storyteller Steven Spielberg in one of two movies from the director to open this week. Based on a book by Michael Morpurgo (which was also adapted into a stage play), the movie is geared strongly towards family audiences but word has it that older audiences will appreciate it too (NOTE: This movie is opening on Sunday, December 25).

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: War Drama

Rating: PG-13 (for intense sequences of war violence)

We Bought a Zoo

(20th Century Fox) Matt Damon, Scarlett Johansson, Thomas Haden Church, Elle Fanning. A family, reeling from a tragedy, buy a dilapidated zoo in an effort to make a fresh start. With the help of an eccentric staff, a lot of elbow grease and a willingness to make mistakes, they plough through a series of misadventures that aren’t always learning opportunities.  Their goal is to make the zoo an exciting, fresh place once again but is it possible they have bitten off way more than they can chew?

See the trailer and clips here.

For more on the movie this is the website

Release formats: Standard

Genre: True Life Drama

Rating: PG (for language and some thematic elements)